how does critical thinking and reading for comprehension contribute to effective writing

Reading and Writing for Understanding

• Posted July 21, 2005
• By Sarah O'Brien Mackey

Secondary school students can benefit enormously when teachers of all subjects integrate reading and writing strategies into their instruction, according to  Harvard Graduate School of Education Lecturer Vicki Jacobs . These strategies, typical of "reading and writing to learn" and "reading and writing across the curriculum," are problem-solving activities designed to help students move from simply knowing a fact to understanding a fact's significance. Helping students make that leap — from knowing to understanding — represents the very heart of the educational enterprise.

This summary is based on Jacobs' article, " Reading, Writing, and Understanding, " which appeared in the November 2002 edition of Educational Leadership .

Reading to Learn

Jacobs explains that students learn and practice beginning reading skills through about the third grade, building their knowledge about language and letter-sound relationships and developing fluency in their reading. Around fourth grade, students must begin to use these developing reading skills to learn — to make meaning, solve problems, and understanding something new. They need to comprehend what they read through a three-stage meaning-making process.

Stage One: Prereading

It's not uncommon for a struggling secondary reader to declare, "I read last night's homework, but I don't remember anything about it (let alone understand it)!" According to Jacobs, "How successfully students remember or understand the text depends, in part, on how explicitly teachers have prepared them to read it for clearly defined purposes."

During the prereading stage, teachers prepare students for their encounter with the text. They help students organize the background knowledge and experience they will use to solve the mystery of the text. To do so, they must understand the cultural and language-based contexts students bring to their reading, their previous successes or failures with the content, and general ability to read a particular kind of text. Based on this assessment, teachers can choose strategies that will serve as effective scaffolds between the students' "given" and the "new" of the text.

Asking such questions as, "What do I already know and what do I need to know before reading?" or "What do I think this passage will be about, given the headings, graphs, or pictures?" helps students anticipate the text, make personal connections with the text, and help to promote engagement and motivation. Brainstorming and graphic organizers also serve to strengthen students' vocabulary knowledge and study skills.

Stage Two: Guided Reading

Students move on to guided reading, during which they familiarize themselves with the surface meaning of the text and then probe it for deeper meaning. Effective guided-reading activities allow students to apply their background knowledge and experience to the "new." They provide students with means to revise predictions; search for tentative answers; gather, organize, analyze, and synthesize evidence; and begin to make assertions about their new understanding. Common guided-reading activities include response journals and collaborative work on open-ended problems. During guided reading, Jacobs recommends that teachers transform the factual questions that typically appear at the end of a chapter into questions that ask how or why the facts are important.

The ability to monitor one's own reading often distinguishes effective and struggling readers. Thus, guided-reading activities should provide students with the opportunity to reflect on the reading process itself — recording in a log how their background knowledge and experience influenced their understanding of text, identifying where they may have gotten lost during reading and why, and asking any questions they have about the text. As with prereading, guided-reading activities not only enhance comprehension but also promote vocabulary knowledge and study skills.

Stage Three: Postreading

During postreading, students test their understanding of the text by comparing it with that of their classmates. In doing so, they help one another revise and strengthen their arguments while reflecting and improving on their own.

Writing to Learn

Writing is often used as a means of evaluating students' understanding of a certain topic, but it is also a powerful tool for engaging students in the act of learning itself. Writing allows students to organize their thoughts and provides a means by which students can form and extend their thinking, thus deepening understanding. Like reading-to-learn, writing can be a meaning-making process.

Research suggests that the most effective way to improve students' writing is a process called inquiry. This process allows students to define and test what they would like to write before drafting. To help students prepare their arguments, teachers guide them through the three stages of writing-based inquiry:

• Stating specific, relevant details from personal experience;
• Proposing observations or interpretations of the text; and
• Testing these assertions by predicting and countering potential opposing arguments. Through inquiry, students discover and refine something worth writing about.

Writing-to-learn activities can include freewriting (writing, without editing, what comes to mind), narrative writing (drawing on personal experience), response writing (writing thoughts on a specific issue); loop writing (writing on one idea from different perspectives) and dialogue writing (for example, with an author or a character.) "Not surprisingly," writes Jacobs, "writing-to learn activities are also known as 'writing-to-read' strategies — means by which students can engage with text in order to understand it."

Reading, writing, and understanding

The relationship among reading, writing, and understanding is clear. Students engaged in reading-to-learn will also be prepared to write well. In turn, students who are engaged in writing-to-learn will become more effective readers. Through both approaches, students will gain a better understanding of material and a greater ability to demonstrate that understanding.

Staff Development

Jacobs recommends that teachers who are considering whether to implement reading-to-learn and writing-to-learn strategies into their classroom first define their own instructional goals. If teachers decide that their goals for students' learning include "understanding," then they might ask themselves such questions as, "What strategies do I use to prepare my students to read a text?" or "How explicitly do I share with students the purpose of an assignment?" As Jacobs sees it, "Only after teachers have examined whether teaching for understanding suits their instructional goals and after they have defined their role in facilitating understanding can they consider how the principles and practices of reading-to-learn and writing-to-learn might support their instruction."

For those teachers who decide that teaching for understanding does indeed suit their instructional goals, the framework offered in Jacobs' article can help them skillfully integrate reading-to-learn and writing-to-learn strategies across their instruction.

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2 – Critical Reading

“Citizens of modern societies must be good readers to be successful. Reading skills do not guarantee success for anyone, but success is much harder to come by without being a skilled reader. The advent of the computer and the Internet does nothing to change this fact about reading. If anything, electronic communication only increases the need for effective reading skills and strategies as we try to cope with the large quantities of information made available to us.”      –William Grabe

The importance of reading as a literacy skill is without a doubt. It is essential for daily life navigation and academic success. Reading for daily life navigation is relatively easier, compared to academic reading. Think about the kinds of reading you did in elementary and high school (e.g., story books, picture books, textbook chapters, literary works, online information, lecture notes, etc.).

Now think about what you were expected to do with your reading at school (e.g., memorize, summarize, discuss, pass a test, apply information, or write essays or papers).

Research shows that what you expect to do with a text affects how you read it.

–Bartholomae & Petrosky (1996)

So, reading is not always the same; you read school texts differently than the texts you choose outside of school tasks. Furthermore, there are many external and internal factors that influence how you interpret and use what you read. Much depends on your background (e.g., cultural participation in communities, identity, historical knowledge), and the context in which you are reading. Classrooms and teachers certainly have an influence. The teaching methods used by your instructor, the texts your instructor chooses, and expectations of student performance on assignments all affect how you read and what you do to accomplish an assignment.

Different levels of education also emphasize different types of reading. For example, in primary or secondary education, you learn what is known, so you focus on correctness, memorization of facts, and application of facts. In higher education, although you might still be required to understand and memorize information, you expand what is known by examining ideas and creating new knowledge. In those processes at different levels, reading has been used for different purposes.

Multilingual reading and writing expert William Grabe has identified six different purposes:

• Reading to search for information (scanning and skimming)
• Reading for quick understanding (skimming)
• Reading to learn
• Reading to integrate information
• Reading to evaluate, critique, and use information
• Reading for general comprehension (in many cases, reading for interest or reading to entertain)

In college, reading to evaluate, critique, and use information is the most practiced and tested skill. But what does it mean? Reading to evaluate, critique, and use information is related to critical reading.

Definition of Critical Reading

Critical reading is a more ACTIVE way of reading. It is a deeper and more complex engagement with a text. Critical reading is a process of analyzing, interpreting and, sometimes, evaluating. When we read critically, we use our critical thinking skills to QUESTION both the text and our own reading of it. Different disciplines may have distinctive modes of critical reading (scientific, philosophical, literary, etc).

[Source: Duncan , n.d., Critical Reading ]

Critical reading does not have to be all negative. The aim of critical reading is not to find fault but to assess the strength of the evidence and the argument. It is just as useful to conclude that a study, or an article, presents very strong evidence and a well-reasoned argument, as it is to identify the studies or articles that are weak.

[Source: What is critical reading? ]

There’s No Reason to Eat Animals by Lindsay Rajt

If we care about the environment and believe that kindness is a virtue-as we all say that we do–a vegan diet is the only sensible option. The question becomes: Why eat animals at all?

Animals are made of flesh, bone, and blood, just as you and I are. They form friendships, feel pain and joy, grieve for lost loved ones and are afraid to die. One cannot profess to care about animals while tearing them away from their friends and families and cutting their throats–or paying someone else to do it–simply to satisfy a fleeting taste for flesh.

[adapted from Pattison, 2015, Critical Reading: English for Academic Purposes for instructional purposes ]

What is your position on the issue?

Do you think that the language used helps the audience? How?

How does the language use affect your evaluation of the issue?

Obesity: A Public Health Failure? By Tavis Glassman PhD, MPH, MCHES, Jennifer Glassman M.A., CCC-SLP, and Aaron J. Diehr, M.A.

Obesity rates continue to increase, bringing into question the efficacy of prevention and treatment efforts. While intuitively appealing, the law on weight gain focusing on calories is too simplistic because calories represent only one factor on issues of weight management. From a historical perspective, the recommendation to eat a low fat, high carbohydrate diet may have been the wrong message to promote, thereby making the obesity situation worse. Suggestions to solve the issues of obesity include taxing, restricting advertising, and reducing the use of sugar. Communities must employ these and other strategies to decrease sugar use and reduce obesity rates.

How would you describe the authors’ educational background?

How does the authors’ background affect your evaluation of the argument?

Students Want More Mobile Devices in Classroom by Ellis Booker

Released last week, the Student Mobile Device Survey reveals that students almost unanimously believe mobile technology will change education and make learning more fun. The survey, which collected the responses of 2,350 US students, was conducted for learning company Pearson by Harris Interactive.

According to the survey, 92% of elementary, middle and high school students believe mobile devices will change the way students learn in the future and make learning more fun (90%). A majority (69%) would like to use mobile devices more in the classroom.

The survey results also contained some surprises. For example, college students in math and science are much more likely to use technology for learning, and researchers expected to see this same pattern in the lower grades.

Are you convinced by the survey results? Why?

Color Scheme Associations in Context

The colors you surround yourself with at work are also important as they make a difference in how you are perceived by members of the public. Traditional workplaces still use dark colors such as navy blue, forest green, and chocolate brown to give clients a sense of seriousness and professionalism.

Think about it: which accountant would you choose to prepare your tax return: the one whose office has navy blue drapes and lamps and a maritime scene on the wall or the one whose office is painted in hot pink with a cartoon character on the wall? An online survey of lawyers carried out by Legal Scene magazine showed that of 287 respondents, 38 percent chose a navy blue color scheme for their office; 32 percent chose brown; 19 percent chose forest green; 7 percent chose burgundy; and only 4 percent chose red, pink or orange (Perkins, 2013).

What kind of bias might be implicated in this survey?

What is your personal experience?

These practices do not ask you to memorize or summarize the information you read, but instead, they ask you to provide your opinions and judgment. To answer those questions, you need to engage in critical reading, a form of active reading.

Active reading, which predominates college-level reading, means reading with the purpose of getting a deeper understanding of the texts you are reading and being engaged in the actions of analyzing, questioning, and evaluating the texts. In other words, instead of accepting the information given to you, you challenge its value by examining the source of the information and the formation of an argument.

The difference in how you read falls into two broad categories:

(Source: Reading Critically ]

Reading critically and actively is essential for college students. But what does critical reading look like in actual practice? Here are the steps that you can follow to do the critical reading.

Step 1:  Understand the purpose of your reading and be selective

As college students, you are very busy with your daily coursework. A freshman usually takes four to five courses or even six courses per semester. This means you have tons of reading to do every week. Getting to know the purpose of the reading assignments can save you time as your reading is more targeted. Remember you do not have to read a whole chapter or book. What you can do is through scanning to determine the sections that are useful for you and then read the parts carefully.

Step 2:  Evaluate the reading text

While reading a text, you need to question/analyze/evaluate the text by considering the following:

• Assess whether a source is reliable (Read around the text for the title, author, publisher, publication date, good/bad examples, tones, etc.)
• Distinguish between facts and opinions (Scan for any evidence)
• Recognize multiple opinions in a text
• Infer meaning when it is not directly stated
• Agree or disagree with what you read
• Consider the relevance of the text to your task
• Consider what is missing from a text

It may well be necessary to read passages several times to gain a full understanding of texts and be able to evaluate the source. In this process, you can underline, highlight, or circle important parts and points, take notes, or add comments in the margins.

Critical reading often involves re-reading a text multiple times, putting our focus on different aspects of the text. The first time we read a text, we may be focused on getting an overall sense of the information the author is presenting – in other words, simply understanding what they are trying to say. On subsequent readings, however, we can focus on how the author presents that information, the kinds of evidence they provide to support their arguments (and how convincing we find that evidence), the connection between their evidence and their conclusions, etc.

[Source: Lane, 2021, Critical Thinking for Critical Writing ]

Step 3:  Document your reading and form your own argument

After you finish reading a text, sort out your notes and keep track of the sources you have read on the topic you are exploring. After you read several sources, you might be able to form your own argument(s) and use the sources as evidence for your argument(s).

In college, critical reading usually leads to critical writing.

Critical writing comes from critical reading. Whenever you have to write a paper, you have to reflect on various written texts, think and interpret research that has previously been carried out on your subject. With the aim of writing your independent analysis of the subject, you have to critically read sources and use them suitably to formulate your argument. The interpretations and conclusions you derive from the literature you read are the stepping stones towards devising your own approach.

[Source: Does Critical Reading Influence Academic Writing? ]

In a word, through critical reading, you form your own argument(s), and the evidence used to support your argument(s) is usually from the texts that you read critically. The Source Essay Writing Service explains how critical reading influences academic writing.

How does critical reading influence your writing skills?

Once you start reading texts critically, you develop an understanding of how to write research papers. Here are some practical tips that will help you in academic writing:

• Examine introductions and conclusions of the texts while critical reading so when you write an independent content, you would be able to decide how to focus your critical work.
• When you highlight or take notes from a text, make sure you focus on the argument. The way the author explains the analytical progress, the concepts used, and arriving at conclusions will help you to write your own facts and examples in an interesting way.
• By closely reading the texts, you will be able to look for the patterns that give meaning, purpose, and consistency to the text. The way the arguments are presented in paragraphs will aid you in structuring information in your writing.
• When you critically read a text, you are able to learn how an argument is placed in the text. Try to understand how you can use this placement strategy in academic writing. Paying attention to the context is an important aspect that you learn from critical reading.
• While reading a text, you will notice that the author has given the due credit to the sources used or the references that were consulted. This will help you in understanding how you can cite sources and quotes in your content.
• Critical reading skills enhance your way of thinking and writing skills. The more you read, the better is your knowledge and vocabulary. It is important to use the precise words to express your meaning. You can learn new words and improve your writing by reading as many texts as you can.

Activity 1: Discuss the following questions with your group

• A website from the United Nations Educational, Scientific ad Cultural Organization (UNESCO) gives some statistics about the level of education reached by young women in Indonesia. Is this a reliable source?
• You find an interesting article about addiction to online gambling. The article has some interesting statistics, but it was published ten years ago. Is it worth using?
• You find a book about World War II that presents a different opinion from your other sources. What would you like to know about the author before you decide whether or not to take him seriously?
• An article tells you that research into space exploration is a waste of money. Do you think this article is presenting facts or opinions? How can you tell? What might you look for in the article?
• You find some research that states that people who own dogs generally live longer lives than those who do not. The author has some convincing arguments, but you are not sure whether or not she has enough evidence. How mush is enough?
• A newspaper article tells you about human rights abuses in a certain country. The writer of this article has never visited the country in question; his claims are based on interviews with other people. How would you evaluate his information?
• You find two websites about the use of seaweed as a source of energy. One is full of long words and complicated sentences; the other uses simple, clear language. Is the first one a more reliable source?
• You have read nine different articles that tell you that there is no connection between wealth and happiness. The tenth article gives the opposite opinion: rich people are happier than those who are poor. What questions would you ask yourself about this article before you decide whether or not to consider it?

Activity 2: Reading for analyzing styles

Please read the news and discuss the importance of the graphs in supporting the arguments of the text.

Gender Pay Gap in U.S. Held Steady in 2020

By amanda barroso and anna brown.

The gender gap in pay has remained relatively stable in the United States over the past 15 years or so. In 2020, women earned 84% of what men earned, according to a Pew Research Center analysis of median hourly earnings of both full- and part-time workers. Based on this estimate, it would take an extra 42 days of work for women to earn what men did in 2020.

As has been the case in recent decades, the 2020 wage gap was smaller for workers ages 25 to 34 than for all workers 16 and older. Women ages 25 to 34 earned 93 cents for every dollar a man in the same age group earned on average. In 1980, women ages 25 to 34 earned 33 cents less than their male counterparts, compared with 7 cents in 2020. The estimated 16-cent gender pay gap among all workers in 2020 was down from 36 cents in 1980.

The U.S. Census Bureau has also analyzed the gender pay gap, though its analysis looks only at full-time workers (as opposed to full- and part-time workers). In 2019, full-time, year-round working women earned 82% of what their male counterparts earned, according to the Census Bureau’s most recent analysis.

Why does a gender pay gap still persist?

Much of this gap has been explained by measurable factors such as educational attainment, occupational segregation and work experience. The narrowing of the gap is attributable in large part to gains women have made in each of these dimensions.

Even though women have increased their presence in higher-paying jobs traditionally dominated by men, such as professional and managerial positions, women as a whole continue to be over-represented in lower-paying occupations relative to their share of the workforce. This may contribute to gender differences in pay.

Other factors that are difficult to measure, including gender discrimination, may also contribute to the ongoing wage discrepancy. In a 2017 Pew Research Center survey , about four-in-ten working women (42%) said they had experienced gender discrimination at work, compared with about two-in-ten men (22%). One of the most commonly reported forms of discrimination focused on earnings inequality. One-in-four employed women said they had earned less than a man who was doing the same job; just 5% of men said they had earned less than a woman doing the same job.

Motherhood can also lead to interruptions in women’s career paths and have an impact on long-term earnings. Our 2016 survey of workers who had taken parental, family or medical leave in the two years prior to the survey found that mothers typically take more time off than fathers after birth or adoption. The median length of leave among mothers after the birth or adoption of their child was 11 weeks, compared with one week for fathers. About half (47%) of mothers who took time off from work in the two years after birth or adoption took off 12 weeks or more.

Mothers were also nearly twice as likely as fathers to say taking time off had a negative impact on their job or career. Among those who took leave from work in the two years following the birth or adoption of their child, 25% of women said this had a negative impact at work, compared with 13% of men.

[Source: https://www.pewresearch.org/fact-tank/2021/05/25/gender-pay-gap-facts/ ]

Activity 3: Reading for arguments

What’s the main argument of the poem?

Fire and Ice

By robert frost, some say the world will end in fire, some say in ice. from what i’ve tasted of desire i hold with those who favor fire. but if it had to perish twice, i think i know enough of hate to say that for destruction ice is also great and would suffice..

References:

Barroso, A., & Brown, A. (2021, May 25). Gender pay gap in U.S. held steady in 2020. Pew Research Center. Retrieved July 22, 2022, from https://www.pewresearch.org/fact-tank/2021/05/25/gender-pay-gap-facts/

Bartholomae, D., Petrosky, T., & Waite, S. (2002). Ways of reading: An anthology for writers (p. 720). Bedford/St. Martin’s.

Duncan, J. (n.d.). The Writing Centre, University of Toronto Scarborough. Modified by Michael O’Connor. https://www.stetson.edu/other/writing-program/media/CRITICAL%20READING.pdf

Grabe, W. (2008). Reading in a second language: Moving from theory to practice. Cambridge University Press.

Lane, J. (2021, July 9). Critical thinking for critical writing. Simon Fraser University. Retrieved July 22, 2022, from https://www.lib.sfu.ca/about/branches-depts/slc/writing/argumentation/critical-thinking-writing

Pattison, T. (2015). Critical Reading: English for academic purposes for instructional purposes. Pearson.

Sourceessay. (n.d.). What is critical reading. https://sourceessay.com/does-critical-reading-influence-academic-writing/

University of Leicester. (n.d.). What is critical reading? Bangor University. https://www.bangor.ac.uk/studyskills/study-guides/critical-reading.php.en

Critical Reading, Writing, and Thinking Copyright © 2022 by Zhenjie Weng, Josh Burlile, Karen Macbeth is licensed under a Creative Commons Attribution 4.0 International License , except where otherwise noted.

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Writing to Read: Evidence for How Writing Can Improve Reading

Graham, S., and Hebert, M. A. (2010). Writing to read: Evidence for how writing can improve reading. A Carnegie Corporation Time to Act Report. Washington, DC: Alliance for Excellent Education.

“The evidence is clear: writing can be a vehicle for improving reading” (p. 6). 

Ten years ago The National Commission on Writing in America’s Schools and Colleges deemed writing the “neglected ‘R’” and called for a “writing revolution” that included doubling the amount of time students spend writing. In the years following, extensive reports such as Reading Next (Biancarosa & Snow, 2006) and Writing Next (Graham & Perin, 2007) supported the idea that writing is a powerful tool for improving reading, thinking, and learning.  Now as much of the country implements the Common Core State Standards, there is a renewed push for more and better writing. As educators try to determine how to improve student learning and include more writing within the same time limits, it is important to revisit Steve Graham and Michael Hebert’s (2010) Writing to Read , which gives strong evidence that writing, an essential skill itself, also improves reading comprehension. 

For decades researchers have emphasized the strong connection between reading and writing, both in theory and in practice. Multiple studies have demonstrated that writing can improve comprehension. What has been less clear is what particular writing practices research supports as being effective at improving students’ reading. To determine those practices, Graham and Hebert (2010) undertook an in-depth meta-analysis of experimental and quasi-experimental studies that examined the effectiveness of writing practices on improving students’ reading in grades 1 -12. They acknowledge the limitations of excluding other forms of research and recognize the significant contributions of that research; at the same time, they share that completing this sort of meta-analysis allowed them to focus on studies where cause-and-effect could be inferred and effect sizes calculated.  Their meta-analysis generated three recommendations:

• Have students write about the texts they read.  “Writing about a text proved to be better than just reading it, reading and rereading it, reading and studying it, reading and discussing it, and receiving reading instruction” (p. 14). Specific types of writing about reading that had statistically significant effect sizes included responding to a text through writing personal reactions or analyses/interpretations of the text, writing summaries of a text, taking notes on a text, and creating and/or answering questions about a text in writing. The benefits of these types of writing were stronger, particularly for lower-achieving students, when they were tied with explicit instruction on how to write.
• Teach students the writing skills and processes that go into creating texts. Teaching students about writing process, text structures, paragraph or sentence construction, and other writing skills improves reading comprehension; teaching spelling and sentence construction skills improve fluency; and teaching spelling skills improves word reading skills.
• Increase how much students write.  An increase in how often students write improves students’ reading comprehension. Graham and Hebert recommend more writing across the curriculum, as well as at home to achieve more time spent writing.

What may be most important in all of Graham and Hebert’s findings is that infrequent writing and lack of explicit writing instruction minimize any sort of effect on reading from the writing practices they recommend. Their report also supports earlier calls for emphasizing writing in the classroom and across content areas. Writing is a critical skill, important in its own right; given the evidence that consistent writing time and instruction not only improves writing but also reading, gives us an even more compelling case for finding time in our school day for more writing.

Additional References

Biancarosa, G., & Snow, C. E. (2006).  Reading next: A vision for action and research in middle and high school literacy -- A report to Carnegie Corporation of New York (2nd ed.).  Washington, DC: Alliance for Excellent Education.

Graham, S., & Perin, D. (2007). Writing next: Effective strategies to improve writing of adolescents in middle and high schools -- A report to Carnegie Corporation of New York .  Washington, DC: Alliance for Excellent Education.

Reader response is welcomed. Email your comments to LRP@/

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Writing to Think: Critical Thinking and the Writing Process

“Writing is thinking on paper.” (Zinsser, 1976, p. vii)

Google the term “critical thinking.” How many hits are there? On the day this tutorial was completed, Google found about 65,100,000 results in 0.56 seconds. That’s an impressive number, and it grows more impressively large every day. That’s because the nation’s educators, business leaders, and political representatives worry about the level of critical thinking skills among today’s students and workers.

What is Critical Thinking?

Simply put, critical thinking is sound thinking. Critical thinkers work to delve beneath the surface of sweeping generalizations, biases, clichés, and other quick observations that characterize ineffective thinking. They are willing to consider points of view different from their own, seek and study evidence and examples, root out sloppy and illogical argument, discern fact from opinion, embrace reason over emotion or preference, and change their minds when confronted with compelling reasons to do so. In sum, critical thinkers are flexible thinkers equipped to become active and effective spouses, parents, friends, consumers, employees, citizens, and leaders. Every area of life, in other words, can be positively affected by strong critical thinking.

Released in January 2011, an important study of college students over four years concluded that by graduation “large numbers [of American undergraduates] didn’t learn the critical thinking, complex reasoning and written communication skills that are widely assumed to be at the core of a college education” (Rimer, 2011, para. 1). The University designs curriculum, creates support programs, and hires faculty to help ensure you won’t be one of the students “[showing]no significant gains in . . . ‘higher order’ thinking skills” (Rimer, 2011, para. 4). One way the University works to help you build those skills is through writing projects.

Writing and Critical Thinking

Say the word “writing” and most people think of a completed publication. But say the word “writing” to writers, and they will likely think of the process of composing. Most writers would agree with novelist E. M. Forster, who wrote, “How can I know what I think until I see what I say?” (Forster, 1927, p. 99). Experienced writers know that the act of writing stimulates thinking.

Inexperienced and experienced writers have very different understandings of composition. Novice writers often make the mistake of believing they have to know what they’re going to write before they can begin writing. They often compose a thesis statement before asking questions or conducting research. In the course of their reading, they might even disregard material that counters their pre-formed ideas. This is not writing; it is recording.

In contrast, experienced writers begin with questions and work to discover many different answers before settling on those that are most convincing. They know that the act of putting words on paper or a computer screen helps them invent thought and content. Rather than trying to express what they already think, they express what the act of writing leads them to think as they put down words. More often than not, in other words, experienced writers write their way into ideas, which they then develop, revise, and refine as they go.

What has this notion of writing to do with critical thinking? Everything.

Consider the steps of the writing process: prewriting, outlining, drafting, revising, editing, seeking feedback, and publishing. These steps are not followed in a determined or strict order; instead, the effective writer knows that as they write, it may be necessary to return to an earlier step. In other words, in the process of revision, a writer may realize that the order of ideas is unclear. A new outline may help that writer re-order details. As they write, the writer considers and reconsiders the effectiveness of the work.

The writing process, then, is not just a mirror image of the thinking process: it is the thinking process. Confronted with a topic, an effective critical thinker/writer

• asks questions
• seeks answers
• evaluates evidence
• questions assumptions
• tests hypotheses
• makes inferences
• employs logic
• draws conclusions
• predicts readers’ responses
• creates order
• drafts content
• seeks others’ responses
• weighs feedback
• criticizes their own work
• revises content and structure
• seeks clarity and coherence

Example of Composition as Critical Thinking

“Good writing is fueled by unanswerable questions” (Lane, 1993, p. 15).

Imagine that you have been asked to write about a hero or heroine from history. You must explain what challenges that individual faced and how they conquered them. Now imagine that you decide to write about Rosa Parks and her role in the modern Civil Rights movement. Take a moment and survey what you already know. She refused to get up out of her seat on a bus so a White man could sit in it. She was arrested. As a result, Blacks in Montgomery protested, influencing the Montgomery Bus Boycott. Martin Luther King, Jr. took up leadership of the cause, and ultimately a movement was born.

Is that really all there is to Rosa Parks’s story? What questions might a thoughtful writer ask? Here a few:

• Why did Rosa Parks refuse to get up on that particular day?
• Was hers a spontaneous or planned act of defiance?
• Did she work? Where? Doing what?
• Had any other Black person refused to get up for a White person?
• What happened to that individual or those individuals?
• Why hadn’t that person or those persons received the publicity Parks did?
• Was Parks active in Civil Rights before that day?
• How did she learn about civil disobedience?

Even just these few questions could lead to potentially rich information.

Factual information would not be enough, however, to satisfy an assignment that asks for an interpretation of that information. The writer’s job for the assignment is to convince the reader that Parks was a heroine; in this way the writer must make an argument and support it. The writer must establish standards of heroic behavior. More questions arise:

• What is heroic action?
• What are the characteristics of someone who is heroic?
• What do heroes value and believe?
• What are the consequences of a hero’s actions?
• Why do they matter?

Now the writer has even more research and more thinking to do.

By the time they have raised questions and answered them, raised more questions and answered them, and so on, they are ready to begin writing. But even then, new ideas will arise in the course of planning and drafting, inevitably leading the writer to more research and thought, to more composition and refinement.

Ultimately, every step of the way over the course of composing a project, the writer is engaged in critical thinking because the effective writer examines the work as they develop it.

Why Writing to Think Matters

Writing practice builds critical thinking, which empowers people to “take charge of [their] own minds” so they “can take charge of [their] own lives . . . and improve them, bringing them under [their] self command and direction” (Foundation for Critical Thinking, 2020, para. 12). Writing is a way of coming to know and understand the self and the changing world, enabling individuals to make decisions that benefit themselves, others, and society at large. Your knowledge alone – of law, medicine, business, or education, for example – will not be enough to meet future challenges. You will be tested by new unexpected circumstances, and when they arise, the open-mindedness, flexibility, reasoning, discipline, and discernment you have learned through writing practice will help you meet those challenges successfully.

Forster, E.M. (1927).  Aspects of the novel . Harcourt, Brace & Company.

The Foundation for Critical Thinking. (2020, June 17).  Our concept and definition of critical thinking . https://www.criticalthinking.org/pages/our-concept-of-critical-thinking/411

Lane, B. (1993).  After the end: Teaching and learning creative revision . Heinemann.

Rimer, S. (2011, January 18).  Study: Many college students not learning to think critically . The Hechinger Report. https://www.mcclatchydc.com/news/nation-world/national/article24608056.html

Zinsser, W. (1976).  On writing well: The classic guide to writing nonfiction . HarperCollins.

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16.5 Writing Process: Thinking Critically About Text

Learning outcomes.

By the end of this section, you will be able to:

• Develop a writing project focused on textual analysis.
• Complete the stages of the writing process, including generating ideas, drafting, reviewing, revising, rewriting, and editing.
• Integrate the writer’s ideas with ideas of others.
• Collaborate in the peer review process.

When analyzing a text, writers usually focus on the content of the text itself and deliberately leave themselves in the background, minimizing personal presence and bias. To write this way, they avoid first-person pronouns and value judgments. In reality, of course, writers do reveal their presence by the choices they make: what they include, what they exclude, and what they emphasize. Although your own subjectivity and situation will likely affect your inferences and judgments, recognizing these potential biases will help you keep the focus on your subject and off yourself.

Summary of Assignment

Write an analytical essay about a short story or another short text of your choice, either fiction or literary nonfiction. If desired, you may choose “The Storm” by Kate Chopin, reprinted above. Consider the author’s form and organization, tone, or stylistic choices, including diction and sensory or figurative language. You might also consider the historical or social context, the theme, the character development, or the relation between setting and plot or characterization. If you are free to choose your own text and topic, consider the following approaches:

• Analyze the literary components mentioned and focus your essay on their significance in the work.
• Like student author Gwyn Garrison, choose one or several components and examine how different authors use them and how they relate to broader contexts.

Convincing textual analysis essays usually include the following information:

• overview of the text, identifying author, title, and genre
• very brief summary
• description of the text’s form and structure
• explanation of the author’s point of view
• summary of the social, historical, or cultural context in which the work was written
• assertion or thesis about what the text means: your main task as an analyst

When writing about a novel or short story, explain how the main elements function:

• narrator (who tells the story)
• plot (what happens in the story)
• one or more characters (who are acting or being acted upon)
• setting (when and where things are happening)
• theme (the meaning of the story)

Keep in mind that the author who writes the story is different from the narrator and invented characters in it. Keep in mind, too, that what happens in the story—the plot—is different from the meaning of the story—the theme. Understanding what happens will help you discover what the text means.

The elements of literary or narrative nonfiction are similar to those of a fictional story except that everything in the text is supposed to have really happened. For this reason, the author and the narrator of the story may be one and the same. Informational nonfiction—essays, reports, and textbook chapters—is also meant to be believed; here, however, ideas and arguments must be strong and well supported to be convincing. When analyzing nonfiction, pay special attention to the author’s thesis or claim and to how it is supported through reasoning and evidence. Also note interesting or unusual tone, style, form, or voice.

Another Lens 1. In writing from a personal or subjective viewpoint, the writer and their beliefs and experiences are necessarily part of your analysis and may need to be expressed and examined. For example, you may write subjectively and compare and contrast your situation with that of the author or a character. You might explain how your personal background causes you to read the text in a particular way that is meaningful to you. If you choose this option, be sure to analyze the text as you would for a more objective analysis before focusing on your personal views.

Another Lens 2. A leading contemporary example of narrative nonfiction writing is Jon Krakauer ’s (b. 1954) Into the Wild , the story of Chris McCandless (1968– c. 1992), a young college graduate who lived at subsistence level in the backwoods of Alaska for 113 days. The text is somewhat similar thematically to Henry David Thoreau ’s (1817–1862) Walden (1854), written more than a century earlier and discussed later in this section. Both are about dropping out of society to create a meaningful life. After reading the excerpt of Into the Wild linked above, you may choose to write a textual analysis of it either on its own or in light of the sample analysis of Thoreau’s writings later in this section. Consider comparing and contrasting McCandless’s situation with Thoreau’s life in Walden and how Krakauer and Thoreau use various literary elements in their writing. Topics for analysis might be setting, character traits, motives, cultural communities, historical context, and attitudes toward life and society.

Quick Launch: Start with Your Thesis

For textual analysis, your thesis should be a clear, concise statement that identifies your analytical stance on which readers will expect you to elaborate.

Develop a working thesis

A working thesis is referred to as such because the thesis is subject to revision. You may have to revisit it later in the writing process, for it is almost impossible to craft a thesis without having analyzed some of the text first. Your thesis, therefore, will come from the element(s) you choose to analyze, such as the following:

• an aspect or several aspects of form and structure and their significance
• social, historical, or cultural context in which the text was written and its significance
• style elements such as diction, imagery, or figurative language and their significance
• aspects of characters, plot, or setting
• overall theme of a single work or more than one work
• comparison or contrast of elements within one or more works
• relation to issues outside the text

To develop a working thesis, use the formula shown in Table 16.1 , basing your answers on one of the bulleted items listed above.

You can also start with an analytical question: For what reason(s) does Chopin use linguistic variety? Your initial answer might yield the thesis above. Or you can ask another analytical question, such as this one: In what ways do the plot and setting of “The Storm” reinforce its theme?

Drafting: Explore Possible Areas of Analysis for Fiction: Approach 1

Analytical essays begin by answering basic questions: What genre is this text—poem, play, story, biography, memoir, essay? What is its title? Who is the author? When was it published?

Identify and Summarize the Text

In addition to the basic questions, analytical essays provide a brief summary of the plot or main idea. Summarize briefly, logically, and objectively to provide a background for what you plan to say about the text. This information may be incorporated into the introduction or may follow it.

Explain the Form and Organization

To analyze the organizational structure of a text, ask: How is it put together? Why does the author start here and end there? Why does the author sequence information in this order? What connects the text from start to finish? For example, by repeating words, ideas, and images, writers call attention to these elements and indicate that they are important to the meaning of the text. No matter what the text, some principle or plan holds it together and gives it structure. Fiction and nonfiction texts that tell stories are often, but not always, organized as a sequence of events in chronological order. Poems may have formal structures or other organizational elements. Other texts may alternate between explanations and examples or between first-person and third-person narrative. You will have to decide which aspects of the text’s form and organization are most important for your analysis.

For example, this student analyzes the point of view of Gwendolyn Brooks ’s poem “ We Real Cool .”.

student sample text Gwendolyn Brooks writes “We Real Cool” (1963) from the point of view of members of a street gang who speak as one voice. The boys have dropped out of school to spend their lives hanging around pool halls—in this case “The Golden Shovel.” These guys speak in slangy lingo, such as “Strike straight,” that reveals their need for a melded identity in their rebellious attitude toward life. The plural speaker in the poem, “We,” celebrates what adults might call adolescent hedonism—but the speaker, feeling powerful in the group identity, makes a conscious choice for a short, intense life over a long, safe, and dull existence. end student sample text

Place the Work in Context

To analyze the context of a text, ask: What circumstances (historical, social, political, biographical) produced this text? How does this text compare or contrast with another by the same author or with a similar work by a different author? No text exists in isolation. Each was created by a particular author in a particular place at a particular time. Describing this context provides readers with important background information and indicates which conditions you think were most influential.

For example, this student analyzes the social context of Gwendolyn Brooks ’s poem “We Real Cool.”

student sample text From society’s viewpoint, the boys are nothing but misfits—refusing to work, leading violent lives, breaking laws, and confronting police. However, these boys live in a society that is dangerous for Black men, who often die at the hands of police even when they are doing the right thing. The boys are hopeless, recognizing no future but death, regardless of their actions, and thus “Die soon.” end student sample text

Explain the Theme of the Text

To analyze the theme of a text, determine the implied theme in fiction, poetry, and narrative nonfiction. One purpose for writing a textual analysis is to point out the theme. Ask yourself: So what? What is this text really about? What do I think the author is trying to say by writing this text? What problems, puzzles, or ideas are most interesting? In what ways do the characters change between the beginning and end of the text? Good ideas for a thesis arise from material in which the meaning is not obviously stated.

For example, this student analyzes one theme of Gwendolyn Brooks’s poem “We Real Cool.”

student sample text For the “Seven at the Golden Shovel,” companionship is everything. For many teenagers, fitting in or conforming to a group identity is more important than developing an individual identity. Brooks expresses this theme through the poem’s point of view, the plural “We” repeated at the end of each line. end student sample text

Analyze Stylistic Choices

To analyze stylistic choices, examine the details of the text. Ask yourself: Why does the author use this word or phrase instead of a synonym for it? In what ways does this word or phrase relate to other words or phrases? In what ways do the author’s figurative comparisons affect the meaning or tone of the text? In what ways does use of sensory language (imagery) affect the meaning or tone of the text? In what ways does this element represent more than itself? In what ways does the author use sound or rhythm to support meaning?

For example, this student analyzes the diction of Gwendolyn Brooks’s poem “We Real Cool.”

student sample text Brooks chooses the word cool to open the poem and build the first rhyme. Being cool is the code by which the boys live. However, the word cool also suggests the idiom “to be placed ‘on ice,’” a term that suggests a delay. The boys live in a state of arrested development, anticipating early deaths. In addition, the term to ice someone means “to kill,” another reference to the death imagery at poem’s end. The boys are not suggesting suicide; they expect to be killed by members of society who find them threatening. end student sample text

Support Your Analysis

Analytical interpretations are built around evidence from the text itself. You’ll note the quotations in the examples above. Summarize larger ideas in your own language to conserve space. Paraphrase more specific ideas, also in your own words, and quote directly to feature the author’s diction. See Editing Focus: Paragraphs and Transitions and Writing Process: Integrating Research for more information about summarizing, paraphrasing, and quoting directly. If you include outside information for support, comparison, or contrast, document the sources carefully: MLA Documentation and Format .

Use a graphic organizer such as Table 16.2 to gather ideas for drafting.

Drafting: Explore Possible Areas of Analysis for Literary Nonfiction: Approach 2

Although similar to fiction, narrative or literary nonfiction has a basic orientation toward exposition: relating real events in a creative way rather than inventing fictional events and characters. In reading and analyzing expository prose, you also may encounter literary language, narrative structure, characters, setting, theme, and plot development, depending on the type of prose. Therefore, your approach to analyzing nonfiction will call on many of the same strategies you use to analyze fiction. Two basic differences, however, are that literary nonfiction may have less dialogue, depending on the genre, and that the author and narrator may be the same. In other words, no intermediary or artistic filter may exist between the author and the work. The nonfiction author is assumed to be speaking a truth, which may be serious, comic, controversial, or neutral. Fictional characters, on the other hand, are creations of an author’s mind; they think and speak as they were created to do.

Planning the Essay

In writing your essay, you will need to present the same kinds of text evidence as you would when analyzing fiction to give credibility to your claims and to support your thesis. And you’ll need to keep in mind the rhetorical situation—purpose, audience, stance, context, and culture—as well, for it remains the building block of an effective analysis. As in most academic essays, body paragraphs refer to the thesis through topic sentences and move consistently toward supporting it before you finally arrive at a convincing conclusion that has grown out of the analysis. In nonfiction, because you assume you are dealing with a truthful explanation of facts and views, your task should be to give a new view and understanding of something that already may be familiar to readers. In writing your analysis, consider the following plan:

• Begin your analysis of nonfiction with an introductory overview in which you include the work’s genre, title, author, and publication date.
• Identify the literary point of view, if relevant: first person— I or plural we —or third-person— he, she , or they .
• Continue with a brief summary of the work, and place it in context: the work’s social, historical, and cultural background will help readers follow your points about its theme.
• Present your thesis near the end of the introduction. It should be argumentative, in an academic sense, so that you can “prove” your points.
• Support your thesis with well-elaborated body paragraphs, as you do with all thesis-based writing. Include paraphrases, summaries, and quotations from the text (and outside sources, if you do research for the assignment). Body paragraphs support the topic sentences, which in turn support the thesis.
• Conclude by restating your thesis (using different words and an appropriate transition). Add a general statement about the work and its significance or, if applicable, its relation to culture, history, current events, art, or anything else outside it.

Use the applicable suggestions in Table 16.3 in planning your essay :

Literary Nonfiction Model

A frequent theme in literary nonfiction is the examination of alternative ways of living, often solitary and away from society, and finding truth in individualism and self-sufficiency. Although most people live in social groups and willingly accept the identity and security that communities offer, dropping out and going it alone have long been a part of emotional as well as physical life for some.

You have the option to analyze the nonfiction accounts of writers exploring solitary human behavior in American life. If you select Another Lens 2 , you will read an excerpt from the story of Chris McCandless (1968–c. 1992), who chose a brief and uncomfortable solitary existence in Alaska. Or you can read the following section dealing with the works of Henry David Thoreau , the American philosopher and author who dropped out of society temporarily, largely because of his strong opposition to government policies he believed to be morally wrong and because of his refusal to conform to social practices and expectations he found objectionable.

Introduction

Henry David Thoreau (1817–1862) is best known as a thinker and writer on nature, as reflected in his two famous works, the highly influential Civil Disobedience (1849) and Walden ; or, Life in the Woods (1854). Both works celebrate individual freedoms: the right to protest against what one believes is morally or ethically wrong and the choice to live as one believes. In describing his life over a period of precisely two years, two months, and two days in a 10-by-15-foot cabin he built on Walden Pond, 20 miles northwest of Boston near Concord, Massachusetts, Thoreau wrote:

public domain text I went to the woods because I wished to live deliberately [carefully, unhurried], to front [confront] only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived. I did not wish to live what was not life, living is so dear; nor did I wish to practise resignation, unless it was quite necessary. I wanted to live deep and suck out all the marrow of life. end public domain text

Thoreau’s insistence on standing by his principles and on living a simple life by choice are two abiding themes in his work. Even before the physical move to Walden, Thoreau had refused to pay his poll tax (granting him the right to vote) for a number of years because he strongly objected to the government’s use of his money to support enslavement and the war with Mexico. He went peacefully to jail as a result, until he was bailed out (the next day). In “Civil Disobedience,” Thoreau advocates for more individual freedom and for individuals to defy unjust laws in nonviolent ways. His writings on “passive resistance” inspired the thoughts and actions of influential figures such as Indian leader Mohandas Gandhi (1869–1948), American religious and civil rights leader Martin Luther King , Jr. (1929–1968), and other leaders of nonviolent liberation movements. In Walden , Thoreau describes and advocates for a simple life in which a person breaks with society when they feel the need to express their individualism, often based on ideas others do not share.

These themes are the focus of analysis in the following excerpts from an essay by student Alex Jones for a first-year composition class.

student sample text The Two Freedoms of Henry David Thoreau by Alex Jones end student sample text

student sample text Henry David Thoreau led millions of people throughout the world to think of individual freedom in new ways. During his lifetime he attempted to live free of unjust governmental restraints as well as conventional social expectations. In his 1849 political essay “On the Duty of Civil Disobedience,” he makes his strongest case against governmental interference in the lives of citizens. In his 1854 book Walden; or Life in the Woods , he makes the case for actually living free, as he did in his own life, from social conventions and expectations. end student sample text

annotated text The title clearly identifies Thoreau and sets the expectation that two aspects or definitions of freedom will be discussed in two different works. Alex Jones wants readers to know that millions of people worldwide figure in Thoreau’s legacy. He gives the examples of “unjust governmental restraints” and “conventional social expectations” as the parts of social life Thoreau rejected, thus limiting the scope of the analysis and preparing for the body of the essay. end annotated text

annotated text Jones notes the titles and publication dates of both works and immediately moves ahead to analyze the two works, “Civil Disobedience” first. He will show how this political statement leads to the narrative of Walden , the actual story of a man’s life in temporary exile. end annotated text

student sample text Thoreau opens “Civil Disobedience” with his statement “that government is best which governs not at all.” end student sample text

annotated text The analysis moves immediately to the first work to be discussed and features the memorable quotation regarding a government that does not govern. The statement may seem contradictory, but for Thoreau it is a direct statement in that someone who allows himself to be imprisoned will find freedom by distancing himself from all others to prove his point. end annotated text

student sample text He argues that a government should allow its people to be as free as possible while providing for their needs without interfering in daily life. In other words, in daily life a person attends to the business of eating, sleeping, and earning a living and not dealing in any noticeable way with an entity called “a government.” end student sample text

annotated text Jones repeats “in daily life” to give a rhythm to his own prose and to emphasize the importance to Thoreau of daily activities that are simple and meaningful. The word government is repeated for emphasis as the negative subject of this essay—in literary terms, a powerful and constant antagonist that constrains and disempowers. end annotated text

student sample text Because Thoreau did not want his freedom overshadowed by government regulations, he tried to ignore them. However, the American government of 1845 would not let him. He was arrested and put in the Concord jail for failing to pay his poll tax, a tax he believed unjust because it supported the government’s war with Mexico as well as the immoral institution of slavery. Instead of protesting his arrest, he celebrated it and explained its meaning by writing “Civil Disobedience,” one of the most famous English-language essays ever written. In it, he argues persuasively, “Under a government which imprisons any unjustly, the true place for a just man is also a prison” (230). Thus, the idea of passive resistance—and accepting unjust arrest to make a point—was formed, a doctrine that advocated protest against the government by nonviolent means: end student sample text

student sample text How does it become a man to behave toward this American government today? I answer that he cannot without disgrace be associated with it. I cannot for an instant recognize that political organization as my government which is the slave’s government also. (224) end student sample text

annotated text Jones strengthens his own writing by calling the essay one of the most famous works ever written. This is not an ordinary technique in textual analysis, but when done for emphasis, it helps the analysis gain power. Using “instead of protesting” at the start of his sentence is another example of strong contrast and linkage. end annotated text

student sample text For nearly 200 years, Thoreau’s formulation of passive resistance has been a part of the human struggle for freedom. In fact, it changed the world by inspiring the resistance movements led by Mohandas Gandhi and Martin Luther King, Jr. end student sample text

annotated text The total effect is to make Jones’s analytical essay more important for readers, as Thoreau’s writings have indeed changed the world despite being written humbly as the voice of one man’s conscience and isolation in his own freedom. end annotated text

student sample text Thoreau also wanted to be free from the everyday pressures to conform to society’s expectations. end student sample text

annotated text Jones transitions from the first short work to the different and equally famous nonfiction narrative Walden , moving smoothly from one freedom to the next with the transition “also wanted.” This second analysis of freedom is the second part of the essay’s thesis. end annotated text

student sample text He believed in doing and possessing only the essential things in life. To demonstrate his case, in 1845, he moved to the outskirts of Concord, Massachusetts, and lived by himself for just over two years in a cabin he built at Walden Pond. Thoreau wrote Walden to explain the value of living simply, far removed from the unnecessary complexity of society: “simplicity, simplicity, simplicity! I say, let your affairs be as two or three, and not a hundred or a thousand” (66). At Walden, he lived as much as possible by this statement, building his own house and furniture, growing his own food, bartering for simple necessities, and attending to his own business rather than seeking employment from others. end student sample text

annotated text Jones uses textual evidence to support his claim. He summarizes Thoreau’s activities at Walden and quotes Thoreau as evidence to reinforce the freedom of mind that simple living allows. end annotated text

student sample text Living at Walden Pond gave Thoreau the chance to formulate many of his ideas about living an unencumbered, economical life. At Walden, he lived simply to “front only the essential facts of life” (66) and to center his thoughts on “living” instead of on unnecessary details of mere livelihood. He developed survival skills that freed him from the constraints of city dwellers whose lives depended upon a web of material things and services provided by others. He preferred to “take rank hold on life and spend my day more as animals do” (117). end student sample text

annotated text Jones uses the poetic language of high rhetoric directly from Thoreau. The body of the essay gives specific evidence of how Thoreau ate, built, read, and provided for his needs, cutting away all but the essential man in the two settings of his life. end annotated text

student sample text While living at Walden Pond, Thoreau was free to occupy his time in any way that pleased him, which for him meant mostly writing and tending his bean patch. The details of his gardening appear frequently, as he concentrated on it during his time there. He wasn’t troubled by a boss hounding him with deadlines or a wife and children who needed his attention. His neighbors accused him of being selfish and did not understand that he sought most of all “to live deliberately” (66), as he felt all people should learn to do. end student sample text

student sample text Then, as now, most people had more responsibilities than Thoreau had and could not just pack up their belongings and go live in the woods—if they could find free woods to live in. Today, people are intrigued to read about Thoreau’s experiences and are inspired by his thoughts, but few people can actually live or do as he suggests. The idea of life without cell phones or Internet seems inconceivable, even if one grows one’s own food and lives mostly off the grid. end student sample text

annotated text The next-to-last paragraph recognizes what could be a counterclaim: not everyone in contemporary times would view living alone for two years as a pleasure. Rather, they might see it as a different kind of prison, perhaps even a dangerous one. Indeed, such deprivation has less appeal these days, and people who do go off by themselves may be seen to have questionable motives. end annotated text

student sample text The theme of exploring how a man lives in or outside governmental control is clear in the choices he must make to define himself as a free person. Nevertheless, practical or not, Thoreau’s writings about freedom from government and society have inspired countless people to reassess how they live their lives. Though unable to live as Thoreau advocated, readers everywhere remain inspired by his ideals and his belief in the two freedoms. end student sample text

annotated text Jones concludes by emphasizing the strength of Thoreau’s ideas—his two freedoms—and the influence they have had in the world. end annotated text

Review the Essay

After reading Alex Jones’s essay, complete the following sentences to review his work:

• He identifies and summarizes the content by ________.
• He describes the form and structure of Thoreau’s works when ________.
• He places Thoreau and his works in context by ________.
• He clearly states his own theme in reading Thoreau, which is ________.
• He indicates Thoreau’s unusual language at times, such as ________.
• He gives supporting evidence for his points, such as ________.
• He includes a visual to ________.
• He concludes with a balanced and convincing viewpoint by ________.

For Reference: excerpt from Walden by Henry David Thoreau from “Where I Lived and What I Lived For”

public domain text When first I took up my abode in the woods, that is, began to spend my nights as well as days there, which, by accident, was on Independence Day, or the Fourth of July, 1845, my house was not finished for winter, but was merely a defense against the rain, without plastering or chimney, the walls being of rough, weather-stained boards, with wide chinks, which made it cool at night. The upright white hewn studs and freshly planed door and window casings gave it a clean and airy look, especially in the morning, when its timbers were saturated with dew, so that I fancied that by noon some sweet gum would exude from them. To my imagination it retained throughout the day more or less of this auroral character, reminding me of a certain house on a mountain which I had visited the year before. This was an airy and unplastered cabin, fit to entertain a travelling god, and where a goddess might trail her garments. The winds which passed over my dwelling were such as sweep over the ridges of mountains, bearing the broken strains, or celestial parts only, of terrestrial music.… end public domain text

public domain text The only house I had been the owner of before, if I except a boat, was a tent, which I used occasionally when making excursions in the summer, and this is still rolled up in my garret; but the boat, after passing from hand to hand, has gone down the stream of time. With this more substantial shelter about me, I had made some progress toward settling in the world. This frame, so slightly clad, was a sort of crystallization around me, and reacted on the builder. It was suggestive somewhat as a picture in outlines. I did not need to go outdoors to take the air, for the atmosphere within had lost none of its freshness. It was not so much within doors as behind a door where I sat, even in the rainiest weather. The Harivansa [important Sanskrit text] says, “An abode without birds is like a meat without seasoning.” Such was not my abode, for I found myself suddenly neighbor to the birds; not by having imprisoned one, but having caged myself near them.… end public domain text

public domain text For the first week, whenever I looked out on the pond it impressed me like a tarn high up on the side of a mountain, its bottom far above the surface of other lakes, and, as the sun arose, I saw it throwing off its nightly clothing of mist, and here and there, by degrees, its soft ripples or its smooth reflecting surface was revealed, while the mists, like ghosts, were stealthily withdrawing in every direction into the woods, as at the breaking up of some nocturnal conventicle. The very dew seemed to hang upon the trees later into the day than usual, as on the sides of mountains. end public domain text

public domain text This small lake was of most value as a neighbor in the intervals of a gentle rain storm in August, when, both air and water being perfectly still, but the sky overcast, mid-afternoon had all the serenity of evening, and the wood-thrush sang around, and was heard from shore to shore. A lake like this is never smoother than at such a time; and the clear portion of the air above it being shallow and darkened by clouds, the water, full of light and reflections, becomes a lower heaven itself so much the more important. From a hill top nearby, where the wood had been recently cut off, there was a pleasing vista southward across the pond, through a wide indentation in the hills which form the shore there, where their opposite sides sloping toward each other suggested a stream flowing out in that direction through a wooded valley, but stream there was none. That way I looked between and over the near green hills to some distant and higher ones in the horizon, tinged with blue. Indeed, by standing on tiptoe I could catch a glimpse of some of the peaks of the still bluer and more distant mountain ranges in the north-west, those true-blue coins from heaven’s own mint, and also of some portion of the village. But in other directions, even from this point, I could not see over or beyond the woods which surrounded me. It is well to have some water in your neighborhood, to give buoyancy to and float the earth. One value even of the smallest well is, that when you look into it you see that earth is not continent but insular. This is as important as that it keeps butter cool. When I looked across the pond from this peak toward the Sudbury meadows, which in time of flood I distinguished elevated perhaps by a mirage in their seething valley, like a coin in a basin, all the earth beyond the pond appeared like a thin crust insulated and floated even by this small sheet of interverting water, and I was reminded that this on which I dwelt was but dry land . end public domain text

public domain text We must learn to reawaken and keep ourselves awake, not by mechanical aids, but by an infinite expectation of the dawn, which does not forsake us in our soundest sleep. I know of no more encouraging fact than the unquestionable ability of man to elevate his life by a conscious endeavor. It is something to be able to paint a particular picture, or to carve a statue, and so to make a few objects beautiful; but it is far more glorious to carve and paint the very atmosphere and medium through which we look, which morally we can do. To affect the quality of the day, that is the highest of arts. Every man is tasked to make his life, even in its details, worthy of the contemplation of his most elevated and critical hour. If we refused, or rather used up, such paltry information as we get, the oracles would distinctly inform us how this might be done. end public domain text

public domain text I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived. I did not wish to live what was not life, living is so dear; nor did I wish to practise resignation, unless it was quite necessary. I wanted to live deep and suck out all the marrow of life, to live so sturdily and Spartan-like as to put to rout all that was not life, to cut a broad swath and shave close, to drive life into a corner, and reduce it to its lowest terms, and, if it proved to be mean, why then to get the whole and genuine meanness of it, and publish its meanness to the world; or if it were sublime, to know it by experience, and be able to give a true account of it in my next excursion. For most men, it appears to me, are in a strange uncertainty about it, whether it is of the devil or of God, and have somewhat hastily concluded that it is the chief end of man here to “glorify God and enjoy him forever.” end public domain text

public domain text Still we live meanly, like ants; though the fable tells us that we were long ago changed into men; like pygmies we fight with cranes; it is error upon error, and clout upon clout, and our best virtue has for its occasion a superfluous and evitable wretchedness. Our life is frittered away by detail. An honest man has hardly need to count more than his ten fingers, or in extreme cases he may add his ten toes, and lump the rest. Simplicity, simplicity, simplicity! I say, let your affairs be as two or three, and not a hundred or a thousand; instead of a million count half a dozen, and keep your accounts on your thumb nail. In the midst of this chopping sea of civilized life, such are the clouds and storms and quicksands and thousand-and-one items to be allowed for, that a man has to live, if he would not founder and go to the bottom and not make his port at all, by dead reckoning, and he must be a great calculator indeed who succeeds. Simplify, simplify. Instead of three meals a day, if it be necessary eat but one; instead of a hundred dishes… end public domain text

public domain text Why should we live with such… waste of life? We are determined to be starved before we are hungry. Men say that a stitch in time saves nine, and so they take a thousand stitches to-day to save nine to-morrow. end public domain text

Peer Review:

After you have completed your first draft, exchange essays with a partner for peer review. Look at the questions you answered to address the essay about Thoreau. Then, to provide helpful feedback, answer these questions about your peer’s draft.

• Does the introduction include the author, title of the work, publication date, historical context, and a brief summary?
• What is your peer’s main claim, or thesis? Is it clearly stated? If not, how might your peer clarify it?
• Is the thesis effectively supported throughout the essay? How does each paragraph support the thesis? What evidence does each contain? Has the writer included direct quotations, paraphrases, and summary as relevant and convincing support? Is there enough information to sustain the writer’s claims? How might the author improve their support? In working on this section, go through each body paragraph separately for these criteria.
• Does the analysis address counterclaims? If not, how might the writer include them?
• Which sentence or sentences restate the thesis? If a restatement is not there, what might the writer include?

Once you have feedback from a peer, consider their suggestions. Read all comments, and think carefully before making changes.

• Use your discretion . Sometimes writers do not agree with their peers’ suggestions; indeed, authors do not always revise everything suggested by editors. However, it is important to clarify what might have prompted a response from a peer, such as “This seems like more of an unsupported opinion than text-based evidence.” Here you might consider including a source citation either from the text or from an outside resource, or consider further explaining your claim. However, if you think your peer reviewer misinterpreted or read your claim superficially, do not revise it. At all times, though, maintain ownership. It is your paper; you are the ultimate judge of whether the ideas in it represent you and your views. Never include someone else’s idea in your paper if you do not understand it or believe it. Whether or not you decide to revise, be sure to read and consider all suggestions carefully.
• Focus on global suggestions first. Global feedback applies to your entire paper. You may have to revise your topic or thesis so that your paper meets assigned guidelines or does what it should. It is important to revise global feedback first, for these revisions might necessitate changes in content and organization, among other things.
• Complete a close revision. Check your paper to revise for clarity at the sentence level, and double-check citations, if you have them, for accuracy and style.

In Chapter 16, you have learned about the revision process, including how to evaluate suggestions for revision from peer review. In this activity, evaluate each revision suggestion for specificity. A specific suggestion is helpful and easy to implement. A general suggestion is not helpful and should be ignored unless you can go back and ask the reviewer to provide more details. Based on your evaluation, look at each revision suggestion and decide whether to implement or to ignore.

Student Revision Model

Below is a paragraph from the first draft of Gwyn Garrison’s paper. It was reviewed by a peer, who made the suggestions indicated. First, read the draft. Next, read the reviewer’s suggestions and consider whether you would accept or reject each one. Then, read the paragraph as it appears in the final version. After each suggestion, consider why you think Gwyn Garrison accepted or rejected the reviewer’s comment.

Original Draft

student sample text When Calixta acts outside of societal norms, she discovers the freedom of self-expression and passion. Chopin’s diction evokes a spiritual transcendence that allows Calixta to exist momentarily outside social norms that exist only in the physical plane of existence: “when he possessed her, they seemed to swoon at the very borderland of life’s mystery.” The affair becomes a vehicle that allows Calixta to get to a place of true self-expression. The storm, an aspect of nature or the natural world, acts as the catalyst in Calixta’s natural self-realization of womanhood. The storm breaks externally and internally for Calixta. Chopin’s depiction of Calixta’s sexual liberation and fulfillment outside of her marriage is an early step in the fight to bridge the gap between women’s bodies and their sociopolitical lives. By presenting female sexuality in a way that is enlightening rather than degrading, Chopin helps destigmatize labels such as whore, which have been used to shame women for acting outside of traditional gender expectations. end student sample text

Peer Reviewer’s Comments

• A transition would help link this paragraph with the previous one.
• At the beginning of the paragraph, after the first sentence, add a short description or explanation of what is happening in the scene.
• The quotation from the text doesn’t help explain your claim. Anyway, you left out a word.
• Perhaps you could add a quotation about the storm.
• Can you clarify the relationship between the storm and Calixta’s self-realization?

Final Version

student sample text When Calixta acts outside of societal norms, however , she discovers the freedom of self-expression and passion. All of the parts of her womanhood that have no place in the society in which she lives have been repressed until this one moment. In this scene, Chopin takes possession of the term whore and redefines Calixta’s behavior as a transformative awakening. Chopin’s diction evokes a spiritual transcendence that allows Calixta to exist momentarily outside social norms that exist only in the physical plane of existence: “when he possessed her, they seemed to swoon together at the very borderland of life’s mystery.” The affair becomes a vehicle that allows Calixta to get to a place of true self-expression. The storm, an aspect of nature or the natural world, acts as the catalyst in Calixta’s natural self-realization of womanhood. As the storm breaks externally, it also breaks internally for Calixta. Chopin’s depiction of Calixta’s sexual liberation and fulfillment outside of her marriage is an early step in the fight to bridge the gap between women’s bodies and their sociopolitical lives. By presenting female sexuality in a way that is enlightening rather than degrading, Chopin helps destigmatize labels such as whore, which have been used to shame women for acting outside of traditional gender expectations. end student sample text

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Critical reading: what is critical reading, and why do i need to do it.

Critical reading means that a reader applies certain processes, models, questions, and theories that result in enhanced clarity and comprehension. There is more involved, both in effort and understanding, in a critical reading than in a mere "skimming" of the text. What is the difference? If a reader "skims" the text, superficial characteristics and information are as far as the reader goes. A critical reading gets at "deep structure" (if there is such a thing apart from the superficial text!), that is, logical consistency, tone, organization, and a number of other very important sounding terms.

What does it take to be a critical reader? There are a variety of answers available to this question; here are some suggested steps:

1. Prepare to become part of the writer's audience.

After all, authors design texts for specific audiences, and becoming a member of the target audience makes it easier to get at the author's purpose. Learn about the author, the history of the author and the text, the author's anticipated audience; read introductions and notes.

2. Prepare to read with an open mind.

Critical readers seek knowledge; they do not "rewrite" a work to suit their own personalities. Your task as an enlightened critical reader is to read what is on the page, giving the writer a fair chance to develop ideas and allowing yourself to reflect thoughtfully, objectively, on the text.

3. Consider the title.

This may seem obvious, but the title may provide clues to the writer's attitude, goals, personal viewpoint, or approach.

4. Read slowly.

Again, this appears obvious, but it is a factor in a "close reading." By slowing down, you will make more connections within the text.

5. Use the dictionary and other appropriate reference works.

If there is a word in the text that is not clear or difficult to define in context: look it up. Every word is important, and if part of the text is thick with technical terms, it is doubly important to know how the author is using them.

6. Make notes.

Jot down marginal notes, underline and highlight, write down ideas in a notebook, do whatever works for your own personal taste. Note for yourself the main ideas, the thesis, the author's main points to support the theory. Writing while reading aids your memory in many ways, especially by making a link that is unclear in the text concrete in your own writing.

7. Keep a reading journal

In addition to note-taking, it is often helpful to regularly record your responses and thoughts in a more permanent place that is yours to consult. By developing a habit of reading and writing in conjunction, both skills will improve.

Critical reading involves using logical and rhetorical skills. Identifying the author's thesis is a good place to start, but to grasp how the author intends to support it is a difficult task. More often than not an author will make a claim (most commonly in the form of the thesis) and support it in the body of the text. The support for the author's claim is in the evidence provided to suggest that the author's intended argument is sound, or reasonably acceptable. What ties these two together is a series of logical links that convinces the reader of the coherence of the author's argument: this is the warrant. If the author's premise is not supportable, a critical reading will uncover the lapses in the text that show it to be unsound.

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The importance of critical thinking in writing (and how to apply it).

Developing unique ideas for writing and writing a story worth reading can be challenging. Even when the ideas for writing are already in your head, writing requires research, organization, and a great deal of creativity. But, you already knew that, right?

What many people don’t know or don't realize, however, is that all those processes for effective writing depend on how well you’ve developed your critical thinking skills.

According to the Texas A&M University Writing Center, critical thinking is "the ability to view any object of study from multiple perspectives, to recognize the cultural, ideological, and cognitive frames (or schemata) we bring to understanding."

You can learn everything about story structure and all the rules that come with it such as formatting, language and grammar rules , but applying your ideas effectively in an actual piece of writing requires critical thinking.

Critical thinking is what glues all of the writing processes together and defines your writing style . 

Critical Thinking Informs All Good Writing

The best writers are those who think critically and may have even undergone some form of critical thinking training . The value of critical thinking is clear thought-processing, which results in well-developed plots and writings. When you need to write a story that reads well and avoids plot holes and inconsistencies , honing your critical thinking is necessary.

You can perform the research necessary for a story and plan to finish with a strong conclusion. But, when you don’t apply critical thinking in your story, your ideas risk coming across as ambiguous or not well thought out. This is because you can’t really plan out your arguments or provide the story’s premises effectively without critical thinking.

Critical thinking in writing is related to research in the way you deliberately search, analyze and evaluate ideas that you'll put on paper. However, critical thinking discriminates information and ideas to ensure you pick and use only the most appropriate, concise words and paragraphs that deliver messages powerfully and with great impact on readers.

Reserchers have also come to understand that critical thinking is in itself a habit and a skill, something which you can practice, polish, and develop.

Hone Your Critical Thinking Skills

To consciously direct and hone your critical thinking skills, you’ll need to answer some basic questions before writing your story: 

• How good is my argument or story idea?
• Is my argument or idea defensible and valid?
• Am I using a rational, reasonable position on the idea or issue?
• What should I use to best present this idea and deal with its complexity?
• Should I go deep into the topic or only touch upon the key issues lightly?
• Should I address any other points of view, and which ones?
• What are my goals with the story?
• What sources of information should I consult?
• What's the best way to present the information?

When asking (and answering) these questions, your analytical skills and quality of answers will depend greatly on the clarity of your thoughts, sources, and intentions. Once that's done sufficiently, you can apply it all to your writing.

8 Ways to Apply Critical Thinking in Your Writing

To make sure you write your story based on sound critical thinking, use these handy tips:

1. Research by questioning everything

Not all of the sources you will be using for your story, research, and critical analysis will be accurate or even relevant. Thinking critically means that you should question all your sources and be careful about the acquisition of data you’ll use in your story.

To write critically, you must examine every little piece of information before using it; validate and parse as part of your research . Basically, you need a rather active, critical and detailed approach throughout the accumulation of information.

2. Scrutinize your method of gathering information

Before you use any of the evidence or information you have found during the research for your story , look at the method for its gathering.

Think of sources you plan to use and places where you can find them. But, most importantly, think of the sources’ credibility and whether or not you can ascertain this.

Only use information that is reliable in your stories.

3. Stay true to the evidence

Before you jump into any conclusions, examine the evidence and the unbiased direction it is pointing towards.

Carefully examining the evidence for your ideas will help you find information that is valid, and any other information you might have missed out on an argument of big importance.

To avoid turning your story into a poorly written one, stay true to the evidence you’ve collected. Also consider the evidence itself in detail.

Is the evidence too broad? Does it have too many details? Are there any other explanations you can provide for it? Do you have enough evidence to support your arguments? Use only the most appropriate and accurate evidence.

4. Eliminate truisms and tautologies

Truism is a truth that is self-evident, while tautology is a statement that repeats the same thing. Both create redundancy that in most cases, doesn’t add directly to your story.

Even though truism and tautology used masterfully could give a story a certain artistic quality, you should generally try to avoid them in your writing.

Critically look for statements in your writing that repeat themselves or are self-evident. These are unnecessary features of your writing that should be removed to improve precision and clarity in your story.

5. Avoid oversimplification

There is a fine line between improving clarity and oversimplification. Try to achieve the former, while eradicating the latter as much as possible.

We are talking about using short, concise, easy to understand and simple explanations, and avoiding dumbed down explanations that insult the intelligence of the reader and demonstrate a lack of breadth and depth.

That certainly calls for high critical thinking and judgment when writing or crafting a story.

6. Plan ahead

When selecting a topic for your story, brainstorm ideas for it beforehand. Make sure the topic you chose is right for the specific purpose. Think of your objectives and goals, and also what you represent.

By brainstorming and planning ahead, you’ll be better equipped to write a story that is concise, relevant, and properly organized.

One grand factor of planning is organization. To plan ahead and do it well, you need to prioritize and reorganize your concepts, ideas, and arguments well.

In other words, you need a chronology of ideas and arguments. Use careful discretion and judgment to create a plan that makes sense and demonstrates your critical thinking abilities.

7. Define your approaches

In writing, you need arguments and ideas. But, you cannot just toss them around anyhow and expect them to make sense.

Instead, you’ll not only need good organization and planning skills, but also a strategy or an approach for presenting them in the most effective way possible.

As soon as you have all the evidence and material ready for use in your story, analyze the strengths and weaknesses of your sources and the arguments they raise. This will help you define the best possible approach for using the evidence and material in your story.

While you take care of this part, remember that each and every argument and evidence used in your story should be as reasonable as it is valid.

8. Break down your arguments

To better present the relationships between arguments in your story, and to find the best writing approach, break down arguments into smaller, easy to understand parts. For this purpose, you can use priority ranking, comparison and contrast, cause and effect, making inferences, and drawing conclusions.

Cons of Not Using Critical Thinking in Your Writing

If you are thinking applying critical thinking in writing is too much of a hassle, then understand that not incorporating critical thinking leads to poor writing.

And it’s easy to detect the effects of not using critical thinking in writing. Some of the obvious signs of not applying critical thinking is a piece of writing include:

• Relationships between concepts aren’t clearly described, but only summarized or alluded to.
• The arguments or thesis are repetitive and don’t relate to the rest of the story.
• Poor or no order whatsoever in the presentation of arguments, summaries, and evidence.
• No chronology or sequel in sentences, arguments, and or paragraphs.
• Weak summaries or summaries with no order.
• Relationships between arguments aren’t fully developed.
• Heavy use of truisms, tautologies, and or abstractions.

If you want to write powerfully and ensure your stories (be they blogs, essays, or reports) yield results and impact readers , you have to improve clarity and add informational value. The only way to do this is by employing critical thinking in your writing.

Critical thinking is an essential skill and practice not just for good writing, but also for effective storytelling within your writings.

Alexandra Reay is a journalist, writer, and editor. She is also a professional content writer who enjoys researching and writing on the topics of self-improvement, technology innovations, and global education development. Follow her on Twitter .  

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Literacy Lines

Home » Literacy Lines » Connecting the Ropes: Integrating Reading & Writing Instruction

Connecting the Ropes: Integrating Reading & Writing Instruction

In general, there is a strong case to be made for integrating writing and reading instruction. The Institute of Education Sciences 2017 research guide  Teaching Secondary Students to Write Effectively (Graham et al., 2017) notes that reading and writing share cognitive processes and points out the value of writing with a reader in mind and reading with the writer in mind. The research guide Writing to Read (Graham & Hebert, 2020) highlights how writing supports reading and offers the following recommendations:

• Students’ comprehension of content area texts is improved when they write about what they read. Teachers should have students respond to text in writing (including writing personal reactions and analyzing and interpreting text in writing), write summaries, write notes about a text, and answer questions about a text in writing.
• Students’ reading skills are improved by learning the skills and processes that go into creating text. Teaching the process of writing and teaching text structures, paragraph structure, and sentence construction skills improves reading comprehension. Teaching spelling and sentence construction improves reading fluency and decoding skills.
• Students’ reading comprehension is improved by having them increase how often they produce their own text.

However, despite the obvious connections, instruction for reading and writing is often addressed separately when it comes to literacy curricula (one curriculum for reading, one for writing), literacy programs (separate ELA reading and writing programs), and even state literacy standards. For example, the Common Core ELA standards have 10 reading standards that are separate from 10 writing standards. The goal of this post is to highlight the numerous ways the components of reading and writing overlap and make the case for integrating reading and writing instruction within the same lesson whenever possible. This overlap will be explained by pointing out the similarities between two frameworks: Hollis Scarborough’s Reading Rope (2001) and the Writing Rope framework that I developed in 2018.

Overviews of the Two Ropes

Scarborough’s Reading Rope: The Reading Rope organizes skills and processes into eight components needed for proficient reading, represented as strands in a rope. These components are grouped into two major categories: word recognition and language comprehension . Word recognition is the ability to accurately and fluently decode words in text. Scarborough identifies phonological awareness, phonics, and sight word recognition as skills that contribute to word recognition. Scarborough includes background and vocabulary knowledge, language structures (including syntax), verbal reasoning (including the ability to make inferences), and literacy knowledge (including knowledge of print concepts and genres) under language structure. As students become increasingly more strategic and automatic in the use and integration of these components, they can successfully comprehend while reading. View the graphic of the rope below. For more details, visit the sources listed under resources at the end of this post.

Sedita’s Writing Rope: The Writing Rope organizes the numerous skills, strategies, and techniques that students must learn and integrate to be proficient writers into five components, represented as strands in a rope. The first is Transcription which includes spelling and handwriting/keyboarding. The second is Writing Craft , including word choice, awareness of task, audience and purpose, and use of literary devices. Next is Text Structure which includes structure for the main types of text (narrative, informational, opinion/argument), paragraph structure, patterns of organization (description, sequence, cause/effect, compare/contrast, problem/solution), and linking words that make connections between parts of text and signal patterns of organization. The fourth strand is Syntax , which focuses on sentences (an understanding of grammar and sentence elaboration). The final strand is Critical Thinking which includes knowledge and use of the stages of the writing process, and a number of skills and strategies for generating ideas and gathering information before writing, such as note taking and summarizing. View the graphic of the rope below. For more details, visit the sources listed under resources at the end of this post.

Comparing the Ropes

View the two lists above that are connected by arrows indicating how the components in the ropes are aligned. The details below provide and explanation of the overlap between reading and writing.

Word Recognition/Transcription: Foundational skills include knowledge of the alphabetic principle and spelling-sound correspondences (phonics) which are needed to fluently read and spell words. Advanced phonics, also described as advanced word study, includes instruction for syllable types and morphology (meaningful parts in words including prefixes, suffixes and roots), and is important for decoding and spelling longer, multisyllabic words. Lessons focused on phonics and advanced word study should integrate spelling along with decoding practice. For more information about this topic, read my previous blog posts titled Systematic Phonics Scope and Sequence , What is Advanced Word Study? and Spelling Rules and Generalizations .

Vocabulary/Writing Craft-Word Choice: Vocabulary is one of the strands in the Reading Rope , and is represented in the Writing Rope as Word Choice in the Writing Craft strand. One of the oldest findings in reading research is the connection between vocabulary knowledge and reading comprehension. If students are not familiar with most of the words in the text, comprehension will be affected. Vocabulary also plays a key role in supporting writing. It is challenging for students with limited vocabularies, especially English learners, to express themselves in writing when they can’t find the words to represent the opinions and information they want to express. Vocabulary instruction throughout the day in all subjects supports both reading and writing. For more information about effective vocabulary instruction, read my previous blog posts titled Building Vocabulary: Semantic Feature Analysis , Vocabulary Instruction for English Learners, Vocabulary Strategy: Use of Context , Vocabulary: Templates for Teaching Words In-Depth , and Previewing Vocabulary Before Reading .

Text Structure: Text structure refers to how a piece of text is built. For reading, it contributes to the complexity of text which affects comprehension, and an understanding of text structure provides clues to making meaning. Knowledge of text structure also improves writing. Text structure is addressed in the Reading Rope under Literacy Knowledge: Genres. One of the five strands in the Writing Rope is devoted to text structure at multiple levels, including the three main types (genres) of text (narrative, informational, and opinion/argument). Students need explicit instruction about overall text structure to help organize their writing by including introductions and conclusions and using the unique structures for developing the body of each type of writing. Instruction about paragraph structure, including that a paragraph is built around a main idea supported by sentences with details, supports reading because it enables students to attend to each new main idea as they read from paragraph to paragraph. It also helps them write more organized writing pieces as they chunk what they have to say into well-organized paragraphs that include topics sentences stating the main idea of each paragraph. Another component of text structure is patterns of organization, including description/explanation, sequence, cause/effect, compare/contrast, and problem solution. Awareness of these patterns while reading supports comprehension, and awareness of these patterns enables students to select the best organizational options for presenting what they want to say in their writing. Transition words and phrases are the final component of text structure identified in the Writing Rope . Transitions link different parts of text and also signal certain patterns of organization. When reading, if students are able to attend to transitions such as first, next, last or however and on the other hand , their comprehension is aided,. Using transitions in their writing makes the content of their writing better organized and accessible to those who read their writing. For more information about effective text structure instruction, read my previous blog posts titled Teaching Text Structure to Support Reading and Writing , The Mighty Paragraph , The Power of Transition Words , and Patterns of Organization.

Syntax: Syntax is the system and arrangement of words, phrases, and clauses that make up a sentence, and when students have syntactic awareness, they understand grammar. Both ropes have strands devoted to syntax. When teachers explicitly teach about sentence structure, students’ reading comprehension of challenging, complex sentences is improved. For writing, instruction about sentences enables students to write varied, elaborated, high-quality sentences. For more information about sentence instruction read my previous blog posts titled Syntactic Awareness: Teaching Sentence Structure Part 1 and Part 2 , and Teaching with “W” Questions .

Background Knowledge, Verbal Reasoning/Critical Thinking : Proficiency with skills related to these components is essential for both reading comprehension and writing. They represent the most challenging, high levels of thinking. For reading, students benefit from making connections to their known vocabulary and background knowledge related to the topic of the text they are reading, and in particular, to be able to make inferences from text. Inference is necessary because not all details are stated explicitly in text; readers must draw on text context and their background knowledge to make sense of what they read. This is sometimes called reading between the lines . In order to write about a topic, students benefit from strategies that help them develop and expand their background knowledge about the writing topic. Many writing tasks require critical thinking to identify and gather relevant information before writing, which in turn requires proficiency in strategies that support both comprehension and writing. This includes paraphrasing and summarizing, note taking, and answering/generating questions in writing. For more information about instruction that supports critical thinking, read my previous blog posts titled I n Support of Main Idea and Comprehension Strategy Instruction , Scaffolds to Support Summarizing , and Explicit Instruction of Note Taking .

If you would like to learn more about the connection between reading and writing, a 20-minute recorded webinar I delivered in March, 2024 is available titled The Writing Rope: Reading & Writing Connections .

To learn more about Scarborough’s Reading Rope:

• Article: The Reading Rope: Breaking It All Down (Amplify)
• Slide Deck: The Reading Rope: Key Ideas Behind the Metaphor (The Reading League)

To learn more about Sedita’s Writing Rope:

• Article: The Writing Rope: The Strands That Are Woven Into Skilled Writing (Joan Sedita, Keys to Literacy)
• Recorded Webinar: The Writing Rope: A Framework for Evidence-Based Writing Instruction (Joan Sedita, EdWeb)

Graham, S.. and Hebert, M.A. (2010). Writing to read: Evidence for how writing can improve reading. A Carnegie Corporation Time to Act Report. Washington, DC: Alliance for Excellent Education.

Graham, S., Bruch, J., Fitzgerald, J., Friedrich, L., Furgeson, J., Greene, K., Kim, J., Lyskawa, J., Olson, C.B., & Smither Wulsin, C. (2016). Teaching secondary students to write effectively (NCEE 2017-4002). Washington, DC: National Center for Education Evaluation and Regional Assistance (NCEE), Institute of Education Sciences, U.S. Department of Education.

Scarborough, H. (2001). Connecting early language and literacy to later reading (dis)abilities: Evidence, theory, and practice. In S.B. Neuman & D.K. Dickinson (Eds.), Handbook of early literacy research (pp. 97-110). New York: Guilford Press.

Sedita, J. (2023). The writing rope: A framework for explicit writing instruction in all subjects. Baltimore, MD: Brookes.

• Joan Sedita

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1 Critical Reading

Elizabeth Browning; Karen Kyger; and Cate Bombick

Reading as a Conversation

What would happen if you walked by the tables in front of Duncan Hall on your first day at HCC, approached a group of strangers quietly chatting, and proceeded to announce to the group exactly what you were thinking at the moment? Most likely, the group would stop talking, look at you, laugh, and slowly move away. Let’s try another approach.

This time, you walk up and quietly join the group. You listen for a few minutes to figure out the topic being discussed and to understand the group members’ different perspectives before adding your own voice to the conversation. You have probably used this method many times throughout your life and have found it to work well, especially when joining a group of people you do not know very well. This method is the very same way to approach reading in your college courses.

To be a successful reader in college, you will need to move beyond simply understanding what the author is trying to say and think about the conversation in which the author is participating.

By thinking about reading and writing as a conversation, you will want to consider:

• Who else has written about this topic?
• Who are they?
• What is their perspective or argument on this topic?
• What type of evidence do they use to support their point of view?

In this chapter, we will introduce expectations for college reading, identify key strategies of skilled readers, and review the active reading process. Throughout the chapter, you will find links to samples, examples, and materials you may use.

We will also be introducing the concept of critical reading. Critical reading is moving beyond just understanding the author’s meaning of a text to consider the choices the author makes to communicate their message.

By learning to read critically, you will not only improve your comprehension of college-level texts, but also improve your writing by learning about the choices other writers have make to communicate their ideas. Honing your writing, reading, and critical thinking skills will give you a more solid foundation for success, both academically and professionally.

Understanding and using the strategies outlined in this chapter is an important part of your success in your ENGL-121 College Composition course. You will need strong reading skills in order to understand assignments, write papers and participate in class discussion. Here are the ENGL-121 objectives that are relevant to the reading process:

4) Maintain a controlling purpose for research and writing that emerges from a clearly-defined research question.

5) Locate, evaluate, and integrate appropriate sources accurately and fairly through paraphrase and direct quotation.

6) Critically engage sources through interpretation, analysis, and/or critique in service of developing and supporting logical, well-defined claims.

Taken together, these objectives prescribe an approach to reading that is driven by questions, that is sensitive to authors’ meaning, credibility, and relevance, and that does not take sources’ perspectives for granted but that evaluates the reliability of their claims.

In This Chapter

1.  Expectations for Reading in College

2.  What is critical reading?

3.  Why do we read critically?

4.  How do we read critically?

4.1 Start with Questions

4.2 Identify the Main Idea and Supporting Details

4.3  Decode Vocabulary

4.4 Utilize Metacognitive Strategies

4.5 read recursively, 5. the active reading process, 5.1 before you read, 5.2 while you read, 5.3 after you read.

6. Now what?

1. Expectations for Reading in College

How does reading in college differ from reading in high school.

In college, academic expectations change from what you may have experienced in high school. As the quantity of work expected of you increases, the quality of the work also changes. You must do more than just understand course material and summarize it on an exam. You will be expected to engage seriously with new ideas by reflecting on them, analyzing them, critiquing them, making connections, drawing conclusions, or finding new ways of thinking about them. Educationally, you are moving into deeper waters. Learning how to read and write strategically and critically will help you swim.

2. What is critical reading?

Reading critically does not simply mean being moved, affected, informed, influenced, and persuaded by a piece of writing. It refers to analyzing and understanding the overall composition of the writing as well as how the writing has achieved its effect on the audience.

This level of understanding begins with thinking critically about the texts you are reading. In this case, “critically” does not mean that you are looking for what is wrong with a work (although during your critical process, you may well do that). Instead, thinking critically means approaching a work as if you were a critic or commentator whose job it is to analyze a text beyond its surface.

These rhetorical strategies are covered in the next chapter . If you disagree with a text, what is the point of contention? If you agree with it, how do you think you can expand or build upon the argument put forth?

Consider the example below. Which of the following tweets below are critical and which are uncritical?

3. Why do we read critically?

Critical reading has many uses. If applied to a work of literature, for example, it can become the foundation for a detailed textual analysis. With scholarly articles, critical reading can help you evaluate their potential reliability as future sources.

Finding an error in someone else’s argument can be the point of destabilization you need to make a worthy argument of your own, illustrated in the final tweet from the previous image, for example. Critical reading can help you hone your own argumentation skills because it requires you to think carefully about which strategies are effective for making arguments, and in this age of social media and instant publication, thinking carefully about what we say is a necessity.

4. How to read critically

Reading does not come naturally. It is not an instinct that you were born with — rather, it is a cultural development that began 6,000 years ago when humans began to use symbols to represent ideas. The process of reading is learned through instruction and recruits brain mechanisms that evolved for other purposes.

In other words, you weren’t born to read. Reading is a learned skill that relies on interaction nature, nurture, and culture. It is a cognitive tool that is developed through learning and practice. So what reading strategies are already in your toolbox?  What strategies can you add to your toolbox to become a more efficient and effective college reader?

 4.1 Start with Questions

Questions to ask a text.

Inquiry-based learning methods, or question-based investigations, are often the basis for writing and research at the college level. Specific questions generated about the text can guide your critical reading process and help you when writing a formal analysis.

When reading critically, you should begin with broad questions and then work towards more specific questions; after all, the ultimate purpose of engaging in critical reading is to turn you into an analyzer who asks questions that work to develop the purpose of the text

In order to develop good questions before reading a text, you will want to think about your purpose for reading.  As a college student,  you’ll want to think about why your professor assigned this particular text?  How does this text connect to topics you have been discussing in class or to other assigned readings?

For example, if you have been assigned to read UMBC President, Freeman Hrabowski’s essay entitled, “Colleges Prepare People for Life,”  ask yourself why your professor assigned that particular text.  Perhaps your professor wants you to read a variety of perspectives on the purpose of college.  In that case, you’ll want to ask a question such as, What is Hrabowski’s view on the purpose of college?   Perhaps, your professor is preparing you to write an argument essay and would like students to see how other authors have crafted their arguments.  In that case, a good question might be, How does Hrabowski introduce other people’s views on this topic and how can that help me in my own writing?

Another effective questioning strategy is to turn the title or a sub-heading into a question by adding what, how, or why to the title or heading. You can turn the title into a question by adding how. The question becomes “How do colleges prepare people for life?” Once you have finished reading the essay, return to that question to see how well you can answer it using the information you learned from the text.

Questions For Further Inquiry

In addition to asking questions of the text and author, you will want to use a text to develop additional questions about the topic.  This is a crucial step in the process of entering into an academic conversation.  To develop questions for further inquiry, you should focus on open-ended questions that cannot be easily answered by a quick Internet search.

For example, if you are reading a text about changing the name of Washington’s NFL team, a question for future inquiry could be “What are the effects of media stereotypes?” A closed-ended question such as “What other NFL teams use Native Americans as a mascot?” would close the door to inquiry.  The answer to the second question can be easily found using a quick search that ends your line of inquiry.  Conversely, the first question can lead to a much deeper level of critical thinking about the topic.

As you read and learn more about the topic, you may want to develop additional questions even if this line of inquiry goes in a completely different direction from where you started. To develop questions for inquiry consider asking these types of questions:

• Where are there holes or gaps in the logic or evidence in this text?
• What else would you like to know about this topic beyond this text?
• How are other authors writing about this topic?
• Where are the disagreements between texts?

More on Starting with a Question

• Asking Questions as a Reading Comprehension Strategy
• Critical Reading Questionnaire
• K-W-L Guide

Your college professors will expect you to be able to read independently to understand all the information you are expected to process in your college texts. Some of your reading assignments will be fairly straightforward. Others will be longer and more complex, so you will need a plan for how to handle them.

For any expository writing—that is, nonfiction, informational writing—your first comprehension goal is to identify the main points and relate any details to those main points. Regardless of what type of expository text you are assigned to read, the primary comprehension goal is to identify the main point: the most important idea that the writer wants to communicate.  This idea is often stated early on in the introduction and re-emphasized in the conclusion.

Finding the main point gives you a framework to organize the details presented in the reading and to relate the reading to concepts you learned in class or through other reading assignments. After identifying the main point, find the supporting points: the details, facts, and explanations that develop and clarify the main point.

More on Identifying the Main Idea and Supporting Details

• Finding the Main Idea
• Implied Main Idea
• Supporting Details and Patterns in Reading
• Notes Outline 
• Notes Organizer 
• Argument Organizer

4.3 Decode Vocabulary

Understanding the vocabulary used in your college texts is a critical component of reading comprehension.  Having strategies to use when you come across unfamiliar words will help you build and improve your vocabulary.  You can sometimes determine the meaning of a word by looking within the word (at its root, prefix, or suffix) or around the word (at the clues given in the sentence or paragraph in which the word appears). If you are unable to determine the meaning of word in context, you may look up the definition.

Each academic discipline has its own terminology, and part of your success in all of your college courses will require you to move beyond simple memorization of word meanings to using these terms appropriately within the context of the situation.  This means being aware that words have different meanings and connotations associated with them, and these meanings and connotations can change depending upon the situation in which they are being used.

Context Determines Meaning

Match the correct meaning of the word synthesis to the context in which it is being used:

Definition #1: the combination of ideas to form a theory or system.

Definition #2: the production of chemical compounds by reaction from simpler materials.

Context: Your English professor would like to see you use more synthesis within the body of your essay.

Answer: You may get a failing grade on your essay if you combine chemicals to form an explosion, so you better go with definition #1!

More on Decoding Vocabulary

• Using Context Clues
• Context Clues and Practice
• Denote or Connote?
• Developing Strategies for Building Vocabulary

Because college-level texts can be challenging, you will also need to monitor your reading comprehension. That is, you will need to stop periodically and assess how well you understand what you are reading. You can improve comprehension by taking time to determine which strategies work best for you and putting those strategies into practice.

Finding the main idea and paying attention to text features as you read helps you figure out what you should know. Just as important, however, is being able to figure out what you do not know and developing a strategy to deal with it.

Textbooks often include comprehension questions in the margins or at the end of a section or chapter. As you read, stop occasionally to answer these questions on paper or in your head. Use them to identify sections you may need to reread, read more carefully, or ask your instructor about later. Even when a text does not have built-in comprehension features, you can actively monitor your own comprehension.

Try these strategies, adapting them as needed to suit different kinds of texts:

• Summarize. At the end of each section, pause to summarize the main points in a few sentences. If you have trouble doing so, revisit that section.
• Ask and answer questions. When you begin reading a section, try to identify two to three questions you should be able to answer after you finish it. Write down your questions and use them to test yourself on the reading. If you cannot answer a question, try to determine why.
• Don’t read in a vacuum. Look for opportunities to discuss the reading with your classmates. Many instructors set up online discussion forums or blogs specifically for that purpose. Participating in these discussions can help you determine whether your understanding of the main points is the same as that of your peers.

More on Metacognitive Strategies

• What is Metacognition?
• Setting a Purpose for Reading
• Cornell Notes

Reading is a recursive, rather than linear, activity. It is rare that you will read a text in college once, straight through from beginning to end. You may need to read a sentence or paragraph several times to understand it. Your reading will slow down or speed up as you encounter novel or familiar information. You may get “lost” in an example and need to double back or skip ahead to understand the point the author is trying to make.

You should plan on reading a text more than once: first for general understanding, and then to analyze and synthesize the material. Reading actively and recursively is the secret to becoming an effective reader.

• First Reading – Focus on the literal meaning of the text. What is the author “saying”? Annotate the text or take notes to keep track of the thesis and key points. Use strategies for unfamiliar vocabulary.
• Second Reading – Focus on “how” the author is communicating. What literary or rhetorical techniques does the author use? Pretend you are having a conversation with the author. What questions do you have? Are there any gaps in the narrative, evidence, or conclusions?
• What ideas/passages did you find most/least interesting?
• What did you learn from the reading that you did not know before?
• Did the author succeed in changing your view on the topic?  Why or why not?
• What elements of the text did you connect with the most?
• What problems do you have with the text?

More on Reading Recursively

• Active Reading
• Active Reading In Action
• Active Reading with a Digital Source

What strategies do I use when I  read?  What strategies do I need to add?

How many times have you read a page in a book, or even just a paragraph, and by the end of it thought to yourself, “I have no idea what I just read; I can’t remember any of it?” Almost everyone has done it, and it’s particularly easy to do when you don’t care about the material, are not interested in the material, or if the material is full of difficult or new concepts. If you don’t feel engaged with a text, then you will passively read it, failing to pay attention to substance and structure. Passive reading results in zero gains; you will get nothing from what you have just read.

On the other hand, critical reading is based on active reading because you actively engage with the text, which means thinking about the text before you begin to read it, asking yourself questions as you read it as well as after you have read it, taking notes or annotating the text, summarizing what you have read, and, finally, evaluating the text.

Completing these steps will help you to engage with a text, even if you don’t find it particularly interesting, which may be the case when it comes to assigned readings for some of your classes. In fact, active reading may even help you to develop an interest in the text even when you thought that you initially had none.

By taking an actively critical approach to reading, you will be able to do the following:

• Stay focused while you read the text
• Understand the main idea of the text
• Understand the overall structure or organization of the text
• Retain what you have read
• Pose informed and thoughtful questions about the text
• Evaluate the effectiveness of ideas in the text

Establish Your Purpose

Establishing why you read something helps you decide how to read it, which saves time and improves comprehension. Before you start to read, remind yourself what questions you want to keep in mind.   (Review Start with a Question section in this chapter).  Then establish your purpose for reading. 

In college and in your profession, you will read a variety of texts to gain and use information (e.g., scholarly articles, textbooks, reviews). Some purposes for reading might include the following:

• to scan for specific information
• to skim to get an overview of the text
• to relate new content to existing knowledge
• to write something (often depends on a prompt)
• to discuss in class
• to critique an argument
• to learn something
• for general comprehension

Strategies differ from reader to reader. The same reader may use different strategies for different contexts because her purpose for reading changes. Ask yourself “why am I reading?” and “what am I reading?” when deciding which strategies work best.

Preview the Text

Once you have established your purpose for reading, the next step is to preview the text. Previewing a text involves skimming over it and noticing what stands out so that you not only get an overall sense of the text, but you also learn the author’s main ideas before reading for details.  Thus, because previewing a text helps you better understand it, you will have better success analyzing it.

Questions to ask when previewing may include the following:

• What is the title of the text?  Does it give a clear indication of the text’s subject?
• Who is the author?  Is the author familiar to you?  Is any biographical information about the author included?
• If previewing a book, is there a summary on the back or inside the front of the book?
• What main idea emerges from the introductory paragraph?  From the concluding paragraph?
• Are there any organizational elements that stand out, such as section headings, numbering, bullet points, or other types of lists?
• Are there any editorial elements that stand out, such as words in italics, bold print, or in a large font size?
• Are there any visual elements that give a sense of the subject, such as photos or illustrations?

Once you have formed a general idea about the text by previewing it, the next preparatory step for critical reading is to speculate about the author’s purpose for writing.

• What do you think the author’s aim might be in writing this text?
• What sort of questions do you think the author might raise?

Activate Your Background Knowledge on the Topic

All of us have a library of life experiences and previous reading knowledge stored in our brains, but this stored knowledge will sit unused unless we consciously take steps to connect to it or “activate” this knowledge.

After previewing a text, ask yourself, “What do I already know about this topic?”  If you realize that you know very little about the topic or have some gaps, you may want to pause and do some quick Internet searches to fill in those gaps.

Although Wikipedia is usually not considered a credible source for an academic essay, it can be a helpful tool to discover what other people are saying about the topic, author, or publisher of a text.  Internet searches, online encyclopedias,  news websites may all be used to help you quickly learn some of the key issues related to the topic.

As you read, you should consider what new information you have learned and how it connects to what you already know.  Making connections between prior knowledge and new information is a critical step in reading, thinking, and learning.

• Reading with Purpose

Improve Comprehension through Annotation

Annotating a text means that you actively engage with it by taking notes as you read, usually by marking the text in some way (underlining, highlighting, using symbols such as asterisks) as well as by writing down brief summaries, thoughts, or questions in the margins of the page.  If you are working with a textbook and prefer not to write in it, annotations can be made on sticky notes or on a separate sheet of paper.

Regardless of what method you choose, annotating not only directs your focus, but it also helps you retain that information.  Furthermore, annotating helps you to recall where important points are in the text if you must return to it for a writing assignment or class discussion.

More on Active Reading Strategies

• Be an Active Reader
• 10 Active Reading Strategies
• How to Take Notes 
• Says/Does In Action
• UNC Annotated Journal Article
• UNC Annotated Book Chapter Excerpt
• Annotation Checklist

Consider the Unique Qualities of the Text

The way you approach a text should vary based on the type of text you encounter. Reading a poem is very different from reading a chapter in a textbook. There are unique structures, elements, and purposes to the various texts you will encounter in college.

Below are some examples of active reading strategies employed with a variety of “texts” you might encounter in college including textbooks, scientific research, online media, artwork, and more.  Notice how the readers approach the text differently based on the length, format, subject matter, and the reader’s own purpose for reading.

Once you’ve finished reading, take time to review your initial reactions from your first preview of the text.  Were any of your earlier questions answered within the text?  Was the author’s purpose similar to what you had speculated it would be?

The following steps will help you process what you have read so that you can move onto the next step of analyzing the text.

• Summarize the text in your own words (note your impressions, reactions, and what you learned)
• Talk to someone about the author’s ideas to check your comprehension
• Identify and reread difficult parts of the text
• Review your annotations
• Try to answer some of your own questions from your annotations
• Connect the text to others you have read or researched on the topic

Once you understand the text, the next steps will be to analyze and synthesize the information with other sources and with your own knowledge.  You will be ready to add your perspective, especially if you can provide evidence to support your viewpoint.

Just like with any new skill, developing your ability to read critically will require focus and dedication. With practice, you will gain confidence and fluency in your ability to read critically.  You will be ready to join the academic conversations that surround you at HCC and beyond.

More on After-Reading Strategies

• Summary/Response Organizer
• Cause Effect Organizer
• Problem Solution Organizer

6. Now What?

After you have taken the time to read a text critically, the next step, which is covered in the next chapter , is to analyze the text rhetorically to establish a clear idea of what the author wrote and how the author wrote it, as well as how effectively the author communicated the overall message of the text.

Key Takeaways

• College-level reading and writing assignments differ from high school assignments in quantity, quality, and purpose.
• Managing college reading assignments successfully requires you to plan and manage your time, set a purpose for reading, implement effective comprehension skills, and use active reading strategies to deepen your understanding of the text.
• Finding the main idea and paying attention to textual features as you read helps you figure out what you should know. Just as important, however, is being able to figure out what you do not know and developing a strategy to deal with it.
• Ask and answer questions. When you begin reading a section, try to identify two to three questions you should be able to answer after you finish it. If you cannot answer a question, try to determine why. Active engagement in the inquiry process is critical to success in college.
• College writing assignments place greater emphasis on learning to think critically about a particular discipline and less emphasis on personal and creative writing. Your focus becomes analyzing and synthesizing information to enter into academic conversations.
• Do not read in a vacuum. Simply put, don’t rely solely on your own interpretation. Look for opportunities to discuss the reading in and out of class to help clarify and deepen your understanding.

Additional Instructional Overviews

• The Reading Process
• Close Reading in College
• Student Success and Metacognition

CC Licensed Content, Shared Previously

English Composition I , Lumen Learning, CC-BY 4.0.

Rhetoric and Composition , John Barrett, et al., CC-BY-SA 3.0.

Writing for Success ,  CC-BY-NC-SA 3.0.

Rhetoric and Composition , Bay College , CC-BY 4.0

Image Credits

Figure 1.1 “High School versus College Assignments,” Cate Bombick, Howard Community College, CC -0, derivative image from “High School Versus College Assignments,” Writing for Success , CC-BY-NC-SA 3.0.

Figure 1.2 “Lean In Tweets,” Kalyca Schultz, Virginia Western Community College, CC-0.

Figure 1.3 “Example Questions to Ask a Text,” Kalyca Schultz, Virginia Western Community College, CC-0 .

Figure 1.4 “Sample Says/Does Annotation,” Karen Kyger, Howard Community College, CC-0.

Originally Composed by Elizabeth Browning; revised by Karen Kyger and Cate Bombick, Howard Community College Faculty

Critical Reading Copyright © 2021 by Elizabeth Browning; Karen Kyger; and Cate Bombick is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License , except where otherwise noted.

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Module 1: Success Skills

Critical thinking, introduction, learning objectives.

• define critical thinking
• identify the role that logic plays in critical thinking
• apply critical thinking skills to problem-solving scenarios
• apply critical thinking skills to evaluation of information

Consider these thoughts about the critical thinking process, and how it applies not just to our school lives but also our personal and professional lives.

“Thinking Critically and Creatively”

Critical thinking skills are perhaps the most fundamental skills involved in making judgments and solving problems. You use them every day, and you can continue improving them.

The ability to think critically about a matter—to analyze a question, situation, or problem down to its most basic parts—is what helps us evaluate the accuracy and truthfulness of statements, claims, and information we read and hear. It is the sharp knife that, when honed, separates fact from fiction, honesty from lies, and the accurate from the misleading. We all use this skill to one degree or another almost every day. For example, we use critical thinking every day as we consider the latest consumer products and why one particular product is the best among its peers. Is it a quality product because a celebrity endorses it? Because a lot of other people may have used it? Because it is made by one company versus another? Or perhaps because it is made in one country or another? These are questions representative of critical thinking.

The academic setting demands more of us in terms of critical thinking than everyday life. It demands that we evaluate information and analyze myriad issues. It is the environment where our critical thinking skills can be the difference between success and failure. In this environment we must consider information in an analytical, critical manner. We must ask questions—What is the source of this information? Is this source an expert one and what makes it so? Are there multiple perspectives to consider on an issue? Do multiple sources agree or disagree on an issue? Does quality research substantiate information or opinion? Do I have any personal biases that may affect my consideration of this information?

It is only through purposeful, frequent, intentional questioning such as this that we can sharpen our critical thinking skills and improve as students, learners and researchers.

—Dr. Andrew Robert Baker,  Foundations of Academic Success: Words of Wisdom

Defining Critical Thinking

Thinking comes naturally. You don’t have to make it happen—it just does. But you can make it happen in different ways. For example, you can think positively or negatively. You can think with “heart” and you can think with rational judgment. You can also think strategically and analytically, and mathematically and scientifically. These are a few of multiple ways in which the mind can process thought.

What are some forms of thinking you use? When do you use them, and why?

As a college student, you are tasked with engaging and expanding your thinking skills. One of the most important of these skills is critical thinking. Critical thinking is important because it relates to nearly all tasks, situations, topics, careers, environments, challenges, and opportunities. It’s not restricted to a particular subject area.

Critical thinking is clear, reasonable, reflective thinking focused on deciding what to believe or do. It means asking probing questions like, “How do we know?” or “Is this true in every case or just in this instance?” It involves being skeptical and challenging assumptions, rather than simply memorizing facts or blindly accepting what you hear or read.

Imagine, for example, that you’re reading a history textbook. You wonder who wrote it and why, because you detect certain assumptions in the writing. You find that the author has a limited scope of research focused only on a particular group within a population. In this case, your critical thinking reveals that there are “other sides to the story.”

Who are critical thinkers, and what characteristics do they have in common? Critical thinkers are usually curious and reflective people. They like to explore and probe new areas and seek knowledge, clarification, and new solutions. They ask pertinent questions, evaluate statements and arguments, and they distinguish between facts and opinion. They are also willing to examine their own beliefs, possessing a manner of humility that allows them to admit lack of knowledge or understanding when needed. They are open to changing their mind. Perhaps most of all, they actively enjoy learning, and seeking new knowledge is a lifelong pursuit.

This may well be you!

No matter where you are on the road to being a critical thinker, you can always more fully develop your skills. Doing so will help you develop more balanced arguments, express yourself clearly, read critically, and absorb important information efficiently. Critical thinking skills will help you in any profession or any circumstance of life, from science to art to business to teaching.

Critical Thinking in Action

The following video, from Lawrence Bland, presents the major concepts and benefits of critical thinking.

Critical Thinking and Logic

Critical thinking is fundamentally a process of questioning information and data. You may question the information you read in a textbook, or you may question what a politician or a professor or a classmate says. You can also question a commonly-held belief or a new idea. With critical thinking, anything and everything is subject to question and examination.

Logic’s Relationship to Critical Thinking

The word logic comes from the Ancient Greek logike , referring to the science or art of reasoning. Using logic, a person evaluates arguments and strives to distinguish between good and bad reasoning, or between truth and falsehood. Using logic, you can evaluate ideas or claims people make, make good decisions, and form sound beliefs about the world. [1]

Questions of Logic in Critical Thinking

Let’s use a simple example of applying logic to a critical-thinking situation. In this hypothetical scenario, a man has a PhD in political science, and he works as a professor at a local college. His wife works at the college, too. They have three young children in the local school system, and their family is well known in the community.

The man is now running for political office. Are his credentials and experience sufficient for entering public office? Will he be effective in the political office? Some voters might believe that his personal life and current job, on the surface, suggest he will do well in the position, and they will vote for him.

In truth, the characteristics described don’t guarantee that the man will do a good job. The information is somewhat irrelevant. What else might you want to know? How about whether the man had already held a political office and done a good job? In this case, we want to ask, How much information is adequate in order to make a decision based on logic instead of assumptions?

The following questions, presented in Figure 1, below, are ones you may apply to formulating a logical, reasoned perspective in the above scenario or any other situation:

• What’s happening? Gather the basic information and begin to think of questions.
• Why is it important? Ask yourself why it’s significant and whether or not you agree.
• What don’t I see? Is there anything important missing?
• How do I know? Ask yourself where the information came from and how it was constructed.
• Who is saying it? What’s the position of the speaker and what is influencing them?
• What else? What if? What other ideas exist and are there other possibilities?

Problem-Solving With Critical Thinking

For most people, a typical day is filled with critical thinking and problem-solving challenges. In fact, critical thinking and problem-solving go hand-in-hand. They both refer to using knowledge, facts, and data to solve problems effectively. But with problem-solving, you are specifically identifying, selecting, and defending your solution. Below are some examples of using critical thinking to problem-solve:

• Your roommate was upset and said some unkind words to you, which put a crimp in your relationship. You try to see through the angry behaviors to determine how you might best support your roommate and help bring your relationship back to a comfortable spot.

• Your final art class project challenges you to conceptualize form in new ways. On the last day of class when students present their projects, you describe the techniques you used to fulfill the assignment. You explain why and how you selected that approach.
• Your math teacher sees that the class is not quite grasping a concept. She uses clever questioning to dispel anxiety and guide you to new understanding of the concept.
• You have a job interview for a position that you feel you are only partially qualified for, although you really want the job and you are excited about the prospects. You analyze how you will explain your skills and experiences in a way to show that you are a good match for the prospective employer.
• You are doing well in college, and most of your college and living expenses are covered. But there are some gaps between what you want and what you feel you can afford. You analyze your income, savings, and budget to better calculate what you will need to stay in college and maintain your desired level of spending.

Problem-Solving Action Checklist

Problem-solving can be an efficient and rewarding process, especially if you are organized and mindful of critical steps and strategies. Remember, too, to assume the attributes of a good critical thinker. If you are curious, reflective, knowledge-seeking, open to change, probing, organized, and ethical, your challenge or problem will be less of a hurdle, and you’ll be in a good position to find intelligent solutions.

Evaluating Information With Critical Thinking

Evaluating information can be one of the most complex tasks you will be faced with in college. But if you utilize the following four strategies, you will be well on your way to success:

• Read for understanding by using text coding
• Examine arguments
• Clarify thinking

1. Read for Understanding Using Text Coding

When you read and take notes, use the text coding strategy . Text coding is a way of tracking your thinking while reading. It entails marking the text and recording what you are thinking either in the margins or perhaps on Post-it notes. As you make connections and ask questions in response to what you read,  you monitor your comprehension and enhance your long-term understanding of the material.

With text coding, mark important arguments and key facts. Indicate where you agree and disagree or have further questions. You don’t necessarily need to read every word, but make sure you understand the concepts or the intentions behind what is written. Feel free to develop your own shorthand style when reading or taking notes. The following are a few options to consider using while coding text.

See more text coding from PBWorks and Collaborative for Teaching and Learning .

2. Examine Arguments

When you examine arguments or claims that an author, speaker, or other source is making, your goal is to identify and examine the hard facts. You can use the spectrum of authority strategy for this purpose. The spectrum of authority strategy assists you in identifying the “hot” end of an argument—feelings, beliefs, cultural influences, and societal influences—and the “cold” end of an argument—scientific influences. The following video explains this strategy.

3. Clarify Thinking

When you use critical thinking to evaluate information, you need to clarify your thinking to yourself and likely to others. Doing this well is mainly a process of asking and answering probing questions, such as the logic questions discussed earlier. Design your questions to fit your needs, but be sure to cover adequate ground. What is the purpose? What question are we trying to answer? What point of view is being expressed? What assumptions are we or others making? What are the facts and data we know, and how do we know them? What are the concepts we’re working with? What are the conclusions, and do they make sense? What are the implications?

4. Cultivate “Habits of Mind”

“Habits of mind” are the personal commitments, values, and standards you have about the principle of good thinking. Consider your intellectual commitments, values, and standards. Do you approach problems with an open mind, a respect for truth, and an inquiring attitude? Some good habits to have when thinking critically are being receptive to having your opinions changed, having respect for others, being independent and not accepting something is true until you’ve had the time to examine the available evidence, being fair-minded, having respect for a reason, having an inquiring mind, not making assumptions, and always, especially, questioning your own conclusions—in other words, developing an intellectual work ethic. Try to work these qualities into your daily life.

• "logic." Wordnik . n.d. Web. 16 Feb 2016 . ↵
• "Student Success-Thinking Critically In Class and Online."  Critical Thinking Gateway . St Petersburg College, n.d. Web. 16 Feb 2016. ↵
• Outcome: Critical Thinking. Provided by : Lumen Learning. License : CC BY: Attribution
• Self Check: Critical Thinking. Provided by : Lumen Learning. License : CC BY: Attribution
• Foundations of Academic Success. Authored by : Thomas C. Priester, editor. Provided by : Open SUNY Textbooks. Located at : http://textbooks.opensuny.org/foundations-of-academic-success/ . License : CC BY-NC-SA: Attribution-NonCommercial-ShareAlike
• Image of woman thinking. Authored by : Moyan Brenn. Located at : https://flic.kr/p/8YV4K5 . License : CC BY: Attribution
• Critical Thinking. Provided by : Critical and Creative Thinking Program. Located at : http://cct.wikispaces.umb.edu/Critical+Thinking . License : CC BY: Attribution
• Critical Thinking Skills. Authored by : Linda Bruce. Provided by : Lumen Learning. Project : https://courses.lumenlearning.com/lumencollegesuccess/chapter/critical-thinking-skills/. License : CC BY: Attribution
• Image of critical thinking poster. Authored by : Melissa Robison. Located at : https://flic.kr/p/bwAzyD . License : CC BY: Attribution
• Thinking Critically. Authored by : UBC Learning Commons. Provided by : The University of British Columbia, Vancouver Campus. Located at : http://www.oercommons.org/courses/learning-toolkit-critical-thinking/view . License : CC BY: Attribution
• Critical Thinking 101: Spectrum of Authority. Authored by : UBC Leap. Located at : https://youtu.be/9G5xooMN2_c . License : CC BY: Attribution
• Image of students putting post-its on wall. Authored by : Hector Alejandro. Located at : https://flic.kr/p/7b2Ax2 . License : CC BY: Attribution
• Image of man thinking. Authored by : Chad Santos. Located at : https://flic.kr/p/phLKY . License : CC BY: Attribution
• Critical Thinking.wmv. Authored by : Lawrence Bland. Located at : https://youtu.be/WiSklIGUblo . License : All Rights Reserved . License Terms : Standard YouTube License

• Library Catalogue

Critical thinking for critical writing

On this page, non-critical vs. critical reading, modes of critical analysis, steps to writing critically, implications for writing.

Critical writing depends on critical thinking. Your writing will involve reflection on written texts: that is, critical reading.

Your critical reading of a text and thinking about a text enables you to use it to make your own arguments. As a critical thinker and writer, you make judgments and interpretations of the ideas, arguments, and claims of others presented in the texts you read.

The key is this: don’t read looking only or primarily for information . Instead, read to determine ways of thinking about the subject matter.

Non-critical   reading is focused on learning the information provided by a source. In this mode, a reader focuses on understanding the information, ideas, and opinions stated within the text. 

Sometimes non-critical reading is a part of our day-to-day lives. For example, we may consult a weather report to help us decide whether or not we need to pack an umbrella when we leave the house. Often, we don't need to be critical readers to get the information we need about the weather. However, if the weather report states that it will be a "sunny, cloudless day" and we can see that it is pouring outside our window, we will likely bring our critical reading abilities back into play! 

How to read critically

1. Determine the central claims or purpose of the text (its thesis). A critical reading attempts to identify and assess how these central claims are developed and argued.

2. Begin to make some judgments about context .

• What audience is the text written for?
• Who is it in dialogue with?
• In what historical context is it written?

3. Distinguish the kinds of reasoning the text employs.

• What concepts are defined and used?
• Does the text appeal to a theory or theories?
• Is any specific methodology laid out?
• If there is an appeal to a particular concept, theory, or method, how is that concept, theory, or method then used to organize and interpret the data?
• How has the author analyzed (broken down) the material?

4. Examine the evidence (the supporting facts, examples, etc.) the text employs. Supporting evidence is indispensable to an argument, so consider the kinds of evidence used: Statistical? Literary? Historical? From what sources is the evidence taken? Are these sources primary or secondary?

5. Critical reading may involve evaluation . Your reading of a text is already critical if it accounts for and makes a series of judgments about how a text is argued. Some assignments may also require you to assess the strengths and weaknesses of an argument.

Why to read critically

Critical reading is an important step for many academic assignments. Critically engaging with the work of others is often a first step in developing our own arguments, interpretations, and analysis. 

Critical reading often involves re-reading a text multiple times, putting our focus on different aspects of the text. The first time we read a text, we may be focused on getting an overall sense of the information the author is presenting - in other words, simply understanding what they are trying to say. On subsequent readings, however, we can focus on how the author presents that information, the kinds of evidence they provide to support their arguments (and how convincing we find that evidence), the connection between their evidence and their conclusions, etc. etc. 

Example:  A non-critical thinker/reader might read a history book to learn the facts of the situation or to discover an accepted interpretation of those events.

A critical thinker/reader might read the same work to appreciate how a particular perspective on the events and a particular selection of facts can lead to a particular understanding. A critical thinker/reader will likely also think about the perspectives of that event that are NOT being considered or presented in the text. 

What a text says  – restatement . Talks about the same topic as the original text. What a text does – description . Focuses on aspects of the discussion itself. What a text means – interpretation . Analyzes the text and asserts a meaning for the text as a whole.

TIP: An interpretation includes references to the content (the specific actions referred to), the language (the specific terms used), and the structure (such as the relationship between characters).

1. Take a critical stance:  recognize that every text, author, and argument comes from a perspective and is subject to interpretation and analysis.

2. Pay close attention : read texts not just for  what they say  but also for  how they say it . Notice examples, evidence, word choice, structure, etc. Consider the "fit" between the information a text provides and the way it provides that information. 

3. Think big picture : read texts in their context. This can sometimes also involve doing some research about your sources to learn more about the author, the time in which the text was written, the sources that funded the research, etc. 

4. Bring yourself in : critical writing also involves developing your own understandings, interpretations, analysis, and arguments in response to the texts you are reading. Sometimes this is accomplished by considering the connections/points of divergence between several texts you are reading. It can also involve bringing in your own perspectives and experiences to support or challenge evidence, examples, and/or conclusions. 

Writing critically involves:

• Providing appropriate and sufficient arguments and examples
• Choosing terms that are precise, appropriate, and persuasive
• Making clear the transitions from one thought to another to ensure the overall logic of the presentation
• Editing for content, structure, and language

An increased awareness of the impact of choices of content, language, and structure can help you as a writer to develop habits of rewriting and revision.

Reference: this resource was adapted from Dan Kurland's Critical Reading, at its Core, Plain and Simple

Reading Comprehension and Critical Thinking Improve Student Outcomes

Over 85% of exemplary schools focused on explicit instruction of comprehension strategies and text structures to address excellence gaps.

How does a focus on Critical Thinking and Reading Comprehension Strategy improve student outcomes?

Reading comprehension is a cornerstone of academic success, playing a crucial role in students' ability to understand, process, and engage with texts. Effective reading comprehension strategies not only enhance students' understanding but also foster critical thinking skills, enabling them to analyze and interpret information more deeply. Educators can significantly improve student outcomes across various subjects by integrating these strategies into the curriculum.

Increase Critical Thinking with Reading Comprehension Strategies offers a detailed approach to embedding comprehension strategies into your teaching practices. This guide emphasizes the importance of understanding text structures and employing targeted strategies to deepen students' engagement with texts. By providing educators with the tools to integrate these strategies into their curriculum, the guide ensures that students understand the material they are reading and interact with it on a deeper level. This deeper engagement with texts is crucial for developing critical thinking skills as students learn to analyze, synthesize, and evaluate information rather than merely memorize it.

Fostering a more profound interaction with reading materials equips students to think critically and achieve higher academic success. As students become more adept at comprehending and interacting with texts, they are better prepared to tackle complex ideas and concepts across all subjects. This enhanced comprehension ability not only improves their performance in specific reading-related tasks but also contributes to their overall academic growth. By mastering these comprehension strategies, students gain the confidence and skills needed to excel in their studies, paving the way for future educational and career opportunities.

Reading Comprehension Strategies - Key Takeaways

Enhanced text engagement.

Equip students with the skills to think critically about texts, enabling them to engage more deeply with the material and develop a greater appreciation for reading. By fostering a love for reading, students are more likely to become lifelong learners, continuously seeking knowledge and improving their critical thinking abilities.

Effective Strategies

Discover and implement proven methods for integrating reading comprehension strategies into every lesson, ensuring that students build strong reading and analytical skills. These strategies are designed to be flexible and scalable, making them suitable for both individual and group activities, and adaptable to different grade levels.

Improved Comprehension

Help students expand their ability to understand and interact with texts through targeted comprehension practices, leading to better academic performance and a deeper understanding of content. Enhanced comprehension skills also contribute to students' overall cognitive development, aiding in their ability to make connections between different pieces of information and apply their knowledge in real-world contexts.

Comprehensive Toolkit

Gain access to a wide range of tools that help seamlessly incorporate text structures and comprehension strategies across all subjects, thereby enhancing critical thinking. This toolkit provides practical resources and techniques that can be easily adapted to suit various learning environments and student needs.

With the right strategies and tools, your students will thrive. Gain practical insights, effective strategies, and an adaptable roadmap for improving reading comprehension for all students through the dynamic integration of text structures across the curriculum.

PD and Professional Learning Options

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Schedule a day of Professional Learning at your school. Onsite training with one of our experts provides opportunities for educators to expand their knowledge, refine teaching techniques, and stay up-to-date with the latest curriculum and instruction innovations. By investing in professional learning, your school can cultivate a culture of continuous learning, enhance teacher effectiveness, and ultimately improve student outcomes.

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Join us in Asheville, North Carolina, at the Learning-Focused Training Center.  With seats limited to 22 attendees, you are guaranteed to have a great experience.

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Contact us today to explore how Increase Critical Thinking with Reading Comprehension Strategies can help meet the needs of all students. Let's work together to enhance critical thinking and empower every student to thrive academically!

Increase Critical Thinking Series

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Tips on How to Use Critical Thinking in Reading and Writing

Have you ever heard of the phrase, “to read between the lines?” It means digging deeper into the text you’ve just read, or not taking it at face value. Reading between the lines means understanding what you’ve read and making judgments based on what you’ve read.

Reading between the lines is reading with critical thinking . And this skill is an important asset to have, no matter what career or future you want in life. But what exactly is critical thinking and how can you use it in reading and writing?

Examples of Critical Reading

Critical reading is the use of critical thinking in reading. You’ll have most likely encountered this during your school years, when an exam lets you read a passage or essay and then asks you questions about the text you’ve just read.

A simple example of critical reading would be:

John came inside the house, dripping water from the top of his head down to the soles of his shoes.

Simple reading would tell you that: 1) There’s a person named John, 2) and he’s wet.

But using critical thinking in reading, you would know that: 1) There’s a person named John, 2) it’s raining outside, 3) he didn’t have an umbrella or raincoat.

The sentence about John never mentioned any rain or umbrellas, so how do you know what was going on? With the use of critical thinking, you made logical inferences based on the scenario and facts stated in the text.

Why is Critical Thinking Important in Reading and Writing?

Critical thinking is important because you’ll need it to decipher the nuances that are hidden within a simple text. Or, if you are writing to someone, you can tell something in a not-so straightforward manner. In creative fiction, this makes for a more unique and dynamic storytelling, which will be more enjoyable to the reader.

Critical thinking in reading and writing will also enhance and train your brain into using this skill in every day events. Critical thinking is also important in judging fact from opinion, and making your own opinions based on facts and logic.

How to Use Critical Thinking in Reading?

Here are some tips on how to use or train your brain into reading critically:

• Set Aside Your Judgments. Your personal thoughts and opinions might cloud your interpretation of the text. Approach it with an open mind and let the author speak to you through their words.
• Learn to Spot Factual Sources. Anyone can just post anything on the internet, and claim it as fact. The reason why so many people fall prey to hoaxes and unscientific claims is because they didn’t exercise critical thinking when reading. Learn how to differentiate facts from opinions by looking at the source(s). Are they credible? Are they backed by research or studies? Is there more than one source? Is it linking or quoting research, surveys, or studies?
• Do a Second (or Even Third) Reading. Have you ever experienced hearing a song and thinking the lyrics were one thing, but then you actually looked for the lyrics and found out it was completely different? Sometimes the true meaning can go completely unnoticed if you breeze through the text too quickly. The best thing to do is to read the text more than once. The first reading is to get a general understanding of the material or text. The next ones are for a more thorough analysis. Don’t breeze through your second reading.
• Question. Don’t take the text presented to you at face value. Question it, then find the answers within the text itself. Questions such as, “What is it that this text is really trying to tell? What are the things implied in the context? How are the things described in the text relate to each other?” By questioning the text, you can explore more of what the author wants to tell that were left unwritten.
• Interpret and Evaluate. If you have understood a piece of text, you’ll be able to rewrite it after reading. But that is simple reading. When you read with critical thinking skills, you’ll be able to interpret the text and add your own thoughts and opinions. For instance, in the example given above, you can interpret it as John has forgotten to bring an umbrella, and evaluate it as saying John is forgetful. Neither of these things were told in the text, but with critical reading, you’ll be able to make these assumptions.

How to Use Critical Thinking in Writing?

If you want your readers to use their critical thinking skills when reading your text, try the following tips:

• Don’t Underestimate Your Audience. Knowing your audience is the basic rule in writing. For them to understand you, you need to get on to their level and write as such. However, underestimating your audience is also something that will hinder critical reading. When you underestimate your audience, you’ll make things easy for them. For example, you’ll simply write “John forgot his umbrella and got wet in the rain” instead of the example given earlier. This might be okay if your audience are small children, but critical readers will get bored and frustrated.
• Show, Don’t Tell. This is something commonly used in creative fiction, but it can be useful in other kinds of writing, too. Showing rather than telling gives your readers the chance to analyze. For example, instead of simply telling your reader that John is sad, show your readers by saying something like, “John’s face darkened. The corners of his lips sagged. He trudged upstairs with heavy footsteps and locked himself in his bedroom, taking neither food nor drink for the night.” Which one made a clearer picture? The second passage never mentioned the phrase “John is sad,” yet the picture of a sad John is stronger within it.
• Plan Ahead and Draft Your Text. Much like having to read twice or thrice, planning and drafting before releasing the final text is the author’s way of analyzing their own writing. This is important in academic and business-related writings, because you’ll be able to gather all your evidence, line up your arguments, and present your case in a coherent flow.
• Have the Answer to All the Questions. Remember when you were advised to question the text so you can use critical thinking when reading? Well, your audience won’t be able to ask questions if you don’t have the answers. When planning out and drafting your work, make sure to answer these two questions: What is it that you’re really trying to say? And how are you going to show it?
• Leave a Bit of Elbow Room for Discussion. When doing opinionated pieces, don’t go too heavy-handed on your own opinions that it leaves your audience against a corner. State your opinion, based on facts and logical assumptions, but leave a bit of room so your readers can question, analyze, and decide for themselves if your opinions are right or otherwise. Much like showing than telling, creating an environment where readers can decide for themselves rather than shoving an opinion down their throats is the best way to use critical thinking in writing.

Critical thinking is a skill that can be used in so many aspects of life. This is why schools focus on developing and honing this skill early on. Two of the best ways to do this are by reading and writing.

Try the tips mentioned above the next time you read or write a piece. See if it makes you think critically!

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