how to do a book review academic

Organizing Research for Arts and Humanities Papers and Theses

• General Guide Information
• Developing a Topic
• What are Primary and Secondary Sources
• What are Scholarly and Non-Scholarly Sources
• Writing an Abstract
• Writing Academic Book Reviews
• Writing A Literature Review
• Using Images and other Media

Purpose of a Book Review

Note: This information is geared toward researchers in the arts and humanities. For a detailed guide on writing book reviews in the social sciences, please check the USC Libraries guide to  Writing and Organizing Research in the Social Sciences , authored by Dr. Robert Labaree.

When writing an academic book review, start with a bibliographic citation of the book you are reviewing [e.g., author, title, publication information, length]. Adhere to a particular citation style, such as Chicago, MLA, or APA.  Put your name at the very end of the book review text.

The basic purpose of a book review is to convey and evaluate the following:

a.     what the book is about;

b.     the expertise of the author(s);

c.     how well the book covers its topic(s) and whether it breaks new ground;

d.     the author’s viewpoint, methodology, or perspective;

e.     the appropriateness of the evidence to the topical scope of the book;

f.      the intended audience;

g.     the arrangement of the book (chapters, illustrations) and the quality of the scholarly apparatus, such as notes and bibliographies.

Point "c. how well the book covers its topics and whether it breaks new ground" requires your engagement with the book, and can be approached in a variety of ways. The question of whether the book breaks new ground does not necessarily refer to some radical or overarching notion of originality in the author’s argument. A lot of contemporary scholarship in the arts or humanities is not about completely reorienting the discipline, nor is it usually about arguing a thesis that has never been argued before. If an author does that, that's wonderful, and you, as a book reviewer, must look at the validity of the methods that contextualize the author's new argument.

It is more likely that the author of a scholarly book will look at the existing evidence with a finer eye for detail, and use that detail to amplify and add to existing scholarship. The author may present new evidence or a new "reading" of the existing evidence, in order to refine scholarship and to contribute to current debate. Or the author may approach existing scholarship, events, and prevailing ideas from a more nuanced perspective, thus re-framing the debate within the discipline.

The task of the book reviewer is to “tease out” the book’s themes, explain them in the review, and apply a well-argued judgment on the appropriateness of the book’s argument(s) to the existing scholarship in the field.

For example, you are reviewing a book on the history of the development of public libraries in nineteenth century America. The book includes a chapter on the role of patronage by affluent women in endowing public libraries in the mid-to-late-1800s. In this chapter, the author argues that the role of women was overlooked in previous scholarship because most of them were widows who made their financial bequests to libraries in the names of their husbands. The author argues that the history of public library patronage, and moreover, of cultural patronage, should be re-read and possibly re-framed given the evidence presented in this chapter. As a book reviewer you will be expected to evaluate this argument and the underlying scholarship.

There are two common types of academic book reviews: short summary reviews, which are descriptive, and essay-length critical reviews. Both types are described further down.

[Parenthetically, writing an academic/scholarly book review may present an opportunity to get published.]

Short summary book reviews

For a short, descriptive review, include at least the following elements:

a.     the bibliographic citation for the book;

b.     the purpose of the book;

c.     a summary of main theme(s) or key points;

d.     if there is space, a brief description of the book’s relationship to other books on the same topic or to pertinent scholarship in the field.

e.     note the author's affiliation and authority, as well as the physical content of the book, such as visual materials (photographs, illustrations, graphs) and the presence of scholarly apparatus (table of contents, index, bibliography, footnotes, endnotes, credit for visual materials);

f.     your name and affiliation.

Critical or essay-length book reviews

For a critical, essay-length book review consider including the following elements, depending on their relevance to your assignment:

b.     an opening statement that ought to peak the reader’s interest in the book under review

c.     a section that points to the author’s main intentions;

d.     a section that discusses the author’s ideas and the book’s thesis within a scholarly perspective. This should be a critical assessment of the book within the larger scholarly discourse;

e.     if you found errors in the book, point the major ones and explain their significance. Explain whether they detract from the thesis and the arguments made in the book;

f.     state the book's place within a strand of scholarship and summarize its importance to the discipline;

g.    include information about the author's affiliation and authority, as well as the physical content of the book, such as visual materials (photographs, illustrations, graphs) and the presence of scholarly apparatus (table of contents, index, bibliography, footnotes, endnotes, credit for visual materials);

h.     indicate the intended readership of the book and whether the author succeeds in engaging the audience on the appropriate level;

i.     your name and affiliation.

Good examples of essay-length reviews may be found in the scholarly journals included in the JSTOR collection, in the New York Review of Books , and similar types of publications, and in cultural publications like the New Yorker magazine.

Remember to keep track of your sources, regardless of the stage of your research. The USC Libraries have an excellent guide to  citation styles  and to  citation management software . 

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Book Reviews

What this handout is about.

This handout will help you write a book review, a report or essay that offers a critical perspective on a text. It offers a process and suggests some strategies for writing book reviews.

What is a review?

A review is a critical evaluation of a text, event, object, or phenomenon. Reviews can consider books, articles, entire genres or fields of literature, architecture, art, fashion, restaurants, policies, exhibitions, performances, and many other forms. This handout will focus on book reviews. For a similar assignment, see our handout on literature reviews .

Above all, a review makes an argument. The most important element of a review is that it is a commentary, not merely a summary. It allows you to enter into dialogue and discussion with the work’s creator and with other audiences. You can offer agreement or disagreement and identify where you find the work exemplary or deficient in its knowledge, judgments, or organization. You should clearly state your opinion of the work in question, and that statement will probably resemble other types of academic writing, with a thesis statement, supporting body paragraphs, and a conclusion.

Typically, reviews are brief. In newspapers and academic journals, they rarely exceed 1000 words, although you may encounter lengthier assignments and extended commentaries. In either case, reviews need to be succinct. While they vary in tone, subject, and style, they share some common features:

• First, a review gives the reader a concise summary of the content. This includes a relevant description of the topic as well as its overall perspective, argument, or purpose.
• Second, and more importantly, a review offers a critical assessment of the content. This involves your reactions to the work under review: what strikes you as noteworthy, whether or not it was effective or persuasive, and how it enhanced your understanding of the issues at hand.
• Finally, in addition to analyzing the work, a review often suggests whether or not the audience would appreciate it.

Becoming an expert reviewer: three short examples

Reviewing can be a daunting task. Someone has asked for your opinion about something that you may feel unqualified to evaluate. Who are you to criticize Toni Morrison’s new book if you’ve never written a novel yourself, much less won a Nobel Prize? The point is that someone—a professor, a journal editor, peers in a study group—wants to know what you think about a particular work. You may not be (or feel like) an expert, but you need to pretend to be one for your particular audience. Nobody expects you to be the intellectual equal of the work’s creator, but your careful observations can provide you with the raw material to make reasoned judgments. Tactfully voicing agreement and disagreement, praise and criticism, is a valuable, challenging skill, and like many forms of writing, reviews require you to provide concrete evidence for your assertions.

Consider the following brief book review written for a history course on medieval Europe by a student who is fascinated with beer:

Judith Bennett’s Ale, Beer, and Brewsters in England: Women’s Work in a Changing World, 1300-1600, investigates how women used to brew and sell the majority of ale drunk in England. Historically, ale and beer (not milk, wine, or water) were important elements of the English diet. Ale brewing was low-skill and low status labor that was complimentary to women’s domestic responsibilities. In the early fifteenth century, brewers began to make ale with hops, and they called this new drink “beer.” This technique allowed brewers to produce their beverages at a lower cost and to sell it more easily, although women generally stopped brewing once the business became more profitable.

The student describes the subject of the book and provides an accurate summary of its contents. But the reader does not learn some key information expected from a review: the author’s argument, the student’s appraisal of the book and its argument, and whether or not the student would recommend the book. As a critical assessment, a book review should focus on opinions, not facts and details. Summary should be kept to a minimum, and specific details should serve to illustrate arguments.

Now consider a review of the same book written by a slightly more opinionated student:

Judith Bennett’s Ale, Beer, and Brewsters in England: Women’s Work in a Changing World, 1300-1600 was a colossal disappointment. I wanted to know about the rituals surrounding drinking in medieval England: the songs, the games, the parties. Bennett provided none of that information. I liked how the book showed ale and beer brewing as an economic activity, but the reader gets lost in the details of prices and wages. I was more interested in the private lives of the women brewsters. The book was divided into eight long chapters, and I can’t imagine why anyone would ever want to read it.

There’s no shortage of judgments in this review! But the student does not display a working knowledge of the book’s argument. The reader has a sense of what the student expected of the book, but no sense of what the author herself set out to prove. Although the student gives several reasons for the negative review, those examples do not clearly relate to each other as part of an overall evaluation—in other words, in support of a specific thesis. This review is indeed an assessment, but not a critical one.

Here is one final review of the same book:

One of feminism’s paradoxes—one that challenges many of its optimistic histories—is how patriarchy remains persistent over time. While Judith Bennett’s Ale, Beer, and Brewsters in England: Women’s Work in a Changing World, 1300-1600 recognizes medieval women as historical actors through their ale brewing, it also shows that female agency had its limits with the advent of beer. I had assumed that those limits were religious and political, but Bennett shows how a “patriarchal equilibrium” shut women out of economic life as well. Her analysis of women’s wages in ale and beer production proves that a change in women’s work does not equate to a change in working women’s status. Contemporary feminists and historians alike should read Bennett’s book and think twice when they crack open their next brewsky.

This student’s review avoids the problems of the previous two examples. It combines balanced opinion and concrete example, a critical assessment based on an explicitly stated rationale, and a recommendation to a potential audience. The reader gets a sense of what the book’s author intended to demonstrate. Moreover, the student refers to an argument about feminist history in general that places the book in a specific genre and that reaches out to a general audience. The example of analyzing wages illustrates an argument, the analysis engages significant intellectual debates, and the reasons for the overall positive review are plainly visible. The review offers criteria, opinions, and support with which the reader can agree or disagree.

Developing an assessment: before you write

There is no definitive method to writing a review, although some critical thinking about the work at hand is necessary before you actually begin writing. Thus, writing a review is a two-step process: developing an argument about the work under consideration, and making that argument as you write an organized and well-supported draft. See our handout on argument .

What follows is a series of questions to focus your thinking as you dig into the work at hand. While the questions specifically consider book reviews, you can easily transpose them to an analysis of performances, exhibitions, and other review subjects. Don’t feel obligated to address each of the questions; some will be more relevant than others to the book in question.

• What is the thesis—or main argument—of the book? If the author wanted you to get one idea from the book, what would it be? How does it compare or contrast to the world you know? What has the book accomplished?
• What exactly is the subject or topic of the book? Does the author cover the subject adequately? Does the author cover all aspects of the subject in a balanced fashion? What is the approach to the subject (topical, analytical, chronological, descriptive)?
• How does the author support their argument? What evidence do they use to prove their point? Do you find that evidence convincing? Why or why not? Does any of the author’s information (or conclusions) conflict with other books you’ve read, courses you’ve taken or just previous assumptions you had of the subject?
• How does the author structure their argument? What are the parts that make up the whole? Does the argument make sense? Does it persuade you? Why or why not?
• How has this book helped you understand the subject? Would you recommend the book to your reader?

Beyond the internal workings of the book, you may also consider some information about the author and the circumstances of the text’s production:

• Who is the author? Nationality, political persuasion, training, intellectual interests, personal history, and historical context may provide crucial details about how a work takes shape. Does it matter, for example, that the biographer was the subject’s best friend? What difference would it make if the author participated in the events they write about?
• What is the book’s genre? Out of what field does it emerge? Does it conform to or depart from the conventions of its genre? These questions can provide a historical or literary standard on which to base your evaluations. If you are reviewing the first book ever written on the subject, it will be important for your readers to know. Keep in mind, though, that naming “firsts”—alongside naming “bests” and “onlys”—can be a risky business unless you’re absolutely certain.

Writing the review

Once you have made your observations and assessments of the work under review, carefully survey your notes and attempt to unify your impressions into a statement that will describe the purpose or thesis of your review. Check out our handout on thesis statements . Then, outline the arguments that support your thesis.

Your arguments should develop the thesis in a logical manner. That logic, unlike more standard academic writing, may initially emphasize the author’s argument while you develop your own in the course of the review. The relative emphasis depends on the nature of the review: if readers may be more interested in the work itself, you may want to make the work and the author more prominent; if you want the review to be about your perspective and opinions, then you may structure the review to privilege your observations over (but never separate from) those of the work under review. What follows is just one of many ways to organize a review.

Introduction

Since most reviews are brief, many writers begin with a catchy quip or anecdote that succinctly delivers their argument. But you can introduce your review differently depending on the argument and audience. The Writing Center’s handout on introductions can help you find an approach that works. In general, you should include:

• The name of the author and the book title and the main theme.
• Relevant details about who the author is and where they stand in the genre or field of inquiry. You could also link the title to the subject to show how the title explains the subject matter.
• The context of the book and/or your review. Placing your review in a framework that makes sense to your audience alerts readers to your “take” on the book. Perhaps you want to situate a book about the Cuban revolution in the context of Cold War rivalries between the United States and the Soviet Union. Another reviewer might want to consider the book in the framework of Latin American social movements. Your choice of context informs your argument.
• The thesis of the book. If you are reviewing fiction, this may be difficult since novels, plays, and short stories rarely have explicit arguments. But identifying the book’s particular novelty, angle, or originality allows you to show what specific contribution the piece is trying to make.
• Your thesis about the book.

Summary of content

This should be brief, as analysis takes priority. In the course of making your assessment, you’ll hopefully be backing up your assertions with concrete evidence from the book, so some summary will be dispersed throughout other parts of the review.

The necessary amount of summary also depends on your audience. Graduate students, beware! If you are writing book reviews for colleagues—to prepare for comprehensive exams, for example—you may want to devote more attention to summarizing the book’s contents. If, on the other hand, your audience has already read the book—such as a class assignment on the same work—you may have more liberty to explore more subtle points and to emphasize your own argument. See our handout on summary for more tips.

Analysis and evaluation of the book

Your analysis and evaluation should be organized into paragraphs that deal with single aspects of your argument. This arrangement can be challenging when your purpose is to consider the book as a whole, but it can help you differentiate elements of your criticism and pair assertions with evidence more clearly. You do not necessarily need to work chronologically through the book as you discuss it. Given the argument you want to make, you can organize your paragraphs more usefully by themes, methods, or other elements of the book. If you find it useful to include comparisons to other books, keep them brief so that the book under review remains in the spotlight. Avoid excessive quotation and give a specific page reference in parentheses when you do quote. Remember that you can state many of the author’s points in your own words.

Sum up or restate your thesis or make the final judgment regarding the book. You should not introduce new evidence for your argument in the conclusion. You can, however, introduce new ideas that go beyond the book if they extend the logic of your own thesis. This paragraph needs to balance the book’s strengths and weaknesses in order to unify your evaluation. Did the body of your review have three negative paragraphs and one favorable one? What do they all add up to? The Writing Center’s handout on conclusions can help you make a final assessment.

Finally, a few general considerations:

• Review the book in front of you, not the book you wish the author had written. You can and should point out shortcomings or failures, but don’t criticize the book for not being something it was never intended to be.
• With any luck, the author of the book worked hard to find the right words to express her ideas. You should attempt to do the same. Precise language allows you to control the tone of your review.
• Never hesitate to challenge an assumption, approach, or argument. Be sure, however, to cite specific examples to back up your assertions carefully.
• Try to present a balanced argument about the value of the book for its audience. You’re entitled—and sometimes obligated—to voice strong agreement or disagreement. But keep in mind that a bad book takes as long to write as a good one, and every author deserves fair treatment. Harsh judgments are difficult to prove and can give readers the sense that you were unfair in your assessment.
• A great place to learn about book reviews is to look at examples. The New York Times Sunday Book Review and The New York Review of Books can show you how professional writers review books.

Works consulted

We consulted these works while writing this handout. This is not a comprehensive list of resources on the handout’s topic, and we encourage you to do your own research to find additional publications. Please do not use this list as a model for the format of your own reference list, as it may not match the citation style you are using. For guidance on formatting citations, please see the UNC Libraries citation tutorial . We revise these tips periodically and welcome feedback.

Drewry, John. 1974. Writing Book Reviews. Boston: Greenwood Press.

Hoge, James. 1987. Literary Reviewing. Charlottesville: University Virginia of Press.

Sova, Dawn, and Harry Teitelbaum. 2002. How to Write Book Reports , 4th ed. Lawrenceville, NY: Thomson/Arco.

Walford, A.J. 1986. Reviews and Reviewing: A Guide. Phoenix: Oryx Press.

You may reproduce it for non-commercial use if you use the entire handout and attribute the source: The Writing Center, University of North Carolina at Chapel Hill

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How to Write a Book Review: Introduction

• Introduction

Steps to Write a Book Review

• Other Resources on Writing Reviews

Writing Book Reviews

Academic book reviews are helpful in enabling people to decide if they want to read a given book. A book review is not a book report, which you may hae done in elementary school. A book report describes the basic contents. Book reviews go far deeper than that. This guide will explain what an academic book review is and how to write one well.

Introduction to Writing Book Reviews

• What is a Book Review?
• Benefits of Writing Book Reviews

 What is a Book Review?

• Describes the purpose of the book
• Describes the contents of the book (subject of each chapter)
• Analyzes the approach/argument(s) of the book: Does it seem accurate? Does it make sense? Is the argument strong or weak?
• Assesses whether the book did what the author said it would do
• Suggests potential audiences for the book (pastors, students, professors, lay people) and potential uses, such as a textbook
• Based upon a careful reading of the entire book
• Uses a structured, formal, academic tone
• Most often appears in academic journals, though more informal versions may appear in magazines and blogs
• May include comparisons to other works in the same subject, e.g., if you are reviewing a book on Paul's theology, it would help to compare it briefly to another book on Paul's theology
• In an academic setting, a review assumes an academic audience

A book review requires the reviewer to read the book carefully and reflect on its contents. The review should tell a reader what the book seeks to do and offer an appraisal of how well the author(s) accomplished this goal. That is why this is a "critical" book review. You are analyzing the book, not simply describing it. A review assumes that the readers know the vocabulary of the discipline. For example, a reviewer of a book on the Gospel of Matthew could use "Q" and not need to explain it because it is assumed that the audience knows what Q is in the context of talking about the canonical gospels.

A book review does not

• Seek to be entertaining and/or engaging
• Describe your feelings regarding the book, e.g., “I loved it,” “it was terrible,” or “I disagree completely.”
• Superficial treatment similar to the blurb on the back of the book
• Offers an ad hominem (against the person) attack on the author

Here are two examples of typical academic book reviews:

https://search.ebscohost.com/login.aspx?direct=true&db=lsdar&AN=ATLAiFZU171223002713&site=eds-live&authtype=ip,sso&custid=s8984749

https://search.ebscohost.com/login.aspx?direct=true&db=lsdar&AN=ATLAi9KZ180630003303&site=eds-live&authtype=ip,sso&custid=s8984749

You may see non-academic book reviews that are more inform al or use humor but that is not appropriate for an academic book review.

Why would you write a book review? There are a few reasons.

• Meet a course requirement
• Understand a book better and grow as a scholar
• Write reviews for publications in the future, such as magazines

1. Your professor assigned it. You are probably reading this page because a professor gave you an assignment to write a review. This is straightforward. Your professor may have a specific set of requirements or directions and you need to follow those, even if they differ from what you read here. In either case, assume that your review is for a large audience. 

2. Writing a review will help you understand a book better. When you are going to write a good book review, you need to read the entire book carefully. By assigning a book review, the professor is seeking to help you understand the book better. A book review is a critical assessment of a book. “Critical” here means analytical. What did the author seek to do and how convincing was it? Your professor wants you to read the book carefully enough to explain both. A critical assessment recognizes that the status of an author/scholar is no guarantee that the book accomplishes its goal. The skill of critical assessment is valuable in all your research work, both now and after graduation.

3. You may have an opportunity in the future to write a book review for a denominational publication, a magazine like Christianity Today , a church newsletter, or in a blog post, which is very common.

So, a book review can fulfill a course requirement, make you better at critical assessment of the views of others, and create opportunities to use that skill for various publications.

Step 1: Read the book carefully.

Step 2: Write the basics.

Step 3: Fill in the details.

These steps are explained in the next tab of this research guide.

This is not for Book Reflections

If you have a (personal) reflection on a book assigned, what this guide says, besides step #1, likely does not apply to your assignment. You need to ask your professor for guidance on writing a reflection. There are two reasons.

1. A book reflection is not a standard, academic type of document. Therefore, general help based upon reading book reviews is not relevant.

2. Book reflections are heavily dependent upon exactly what a professor asks for. These frequently require comparing good and bad points of the book. That is not a feature of book reviews as such and reviews do not include your personal reflections.

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How To Do A Book Review: Tips For A Well-Written Review

Unleash your inner critic! Learn how to do a book review, writing clear, insightful reviews that engage readers.

Navigating the landscape of academic research often entails mastering the art of the book review—a crucial component that demands adherence to a well-structured format. The book review format serves as a blueprint for scholars to organize their insights, synthesize existing knowledge, and contribute to the scholarly discourse. 

In this guide, we delve into the intricacies of a good book review, exploring what constitutes a good format and providing invaluable insights on how to do a book review properly. By dissecting the elements of an effective book review and offering practical strategies for crafting compelling narratives, this article aims to empower researchers with the tools they need to excel in their scholarly pursuits.

Understanding The Book Review Process

Navigating the book review process as a reviewer involves a series of deliberate steps aimed at providing valuable insights to readers. Understanding this process is essential for delivering thoughtful and impactful reviews that contribute to the literary discourse. In this guide, the book review process will be broken down from a reviewer’s perspective, offering practical strategies and considerations at each stage.

From selecting a book for review to articulating meaningful critiques, the key elements that shape the review process will be explored, empowering reviewers to engage with the book effectively. Whether you’re a seasoned reviewer or embarking on your first review, this guide aims to demystify the process and enhance your ability to provide valuable perspectives on literary works.

Related article: Structure Of A Book Review Made Simple

Familiarize Yourself With The Book

Familiarizing yourself with the book is the first crucial step in the review process. To understand the book’s content fully, begin by immersing yourself in its pages, paying close attention to its themes, characters, and narrative structure. Take notes as you read, jotting down key plot points, memorable quotes, and any questions or observations that arise.

Additionally, it’s essential to consider the book’s genre and how it influences your review. Different genres have distinct conventions and expectations, which can shape the reader’s experience and impact their interpretation of the book. For example, a mystery novel may be judged based on its ability to build suspense and deliver a satisfying resolution, while a literary fiction novel may be evaluated for its depth of character development and thematic exploration.

By understanding the book’s content and genre, you can approach your review with a nuanced perspective, appreciating the author’s intentions and evaluating the book’s merits within the context of its genre conventions. This comprehensive understanding enables you to provide a well-rounded and insightful review that resonates with readers and contributes meaningfully to the literary conversation.

Understand The Author’s Perspective

Understanding the author’s perspective is a crucial aspect of conducting a thorough book review. To grasp the author’s viewpoint, delve into their background, previous works, and any interviews or statements they have made about the book. Analyze the themes, motifs, and characters in the book to discern the author’s intended message or commentary on relevant issues.

Additionally, understanding the author’s writing style is essential for providing a nuanced review. Pay attention to elements such as narrative voice, tone, pacing, and use of language. Consider how these stylistic choices contribute to the overall impact of the book and shape the reader’s experience. By understanding both the author’s perspective and writing style, you can offer insightful commentary on how effectively they convey their message and engage their audience.

How To Do a Book Review

Writing the book review is the culmination of the review process, where all your observations and insights come together to form a cohesive and informative evaluation of the book. It’s crucial that you understand what a good book review entails before diving into writing a review.

Reading The Book Comprehensively

Reading the book comprehensively is essential to crafting a thorough and insightful review. To ensure a comprehensive understanding, employ careful reading strategies such as active reading and critical analysis. Engage with the text by asking questions, making connections, and challenging assumptions to uncover deeper layers of meaning.

Additionally, take notes on key themes, characters, and plot developments as you read. Record your impressions, observations, and questions to facilitate deeper analysis and reflection. Pay close attention to recurring motifs, character arcs, and narrative twists that shape the overall trajectory of the book.

By adopting these strategies and actively engaging with the text, you can enhance your comprehension and glean valuable insights that inform your review. These notes will serve as a valuable reference point as you analyze the book’s strengths and weaknesses and articulate your assessment in your review.

Identifying Key Themes And Messages

Identifying key themes and messages within the book is essential for providing a nuanced and insightful review. Understanding the importance of these themes allows reviewers to uncover the underlying messages and ideas that drive the narrative and resonate with readers. By identifying these themes, reviewers can analyze how they are developed throughout the book and how they contribute to the overall impact and significance of the story.

To identify messages within the book, reviewers should pay close attention to recurring ideas, symbols, and motifs that emerge as they read. Consider how characters, plot events, and narrative elements contribute to the exploration of these themes. Look for patterns and connections between different parts of the book to discern the author’s intended messages and the deeper meaning behind the story.

By identifying key themes and messages, reviewers can offer valuable insights into the book’s thematic depth and significance, enriching the reader’s understanding and appreciation of the work.

Character Analysis

Character analysis is a fundamental aspect of writing a comprehensive book review. Analyzing characters in the book involves examining their traits, motivations, and relationships to understand their role in driving the plot forward and conveying the book’s themes and messages. By dissecting the characters’ personalities, actions, and interactions, reviewers can provide valuable insights into their complexity and relevance to the overall narrative.

The importance of character development in the book review cannot be overstated. Well-developed characters are the heart of any story, shaping readers’ emotional engagement and investment in the book. Reviewers should assess how characters evolve throughout the narrative, whether they undergo significant growth or face internal conflicts that drive the plot forward. By evaluating the depth and authenticity of character development, reviewers can offer nuanced critiques that highlight the book’s strengths and weaknesses in crafting compelling and relatable characters.

Structuring Your Book Review

Structuring your book review is essential to effectively communicate your insights and evaluations to your audience. Organizing your review in a clear and logical manner helps readers navigate through your analysis and understand your perspective on the book. Begin by introducing the book and providing some context, such as the author’s background or the book’s genre and themes.

Introduction Of The Book Review

The introduction of the book review sets the stage for your analysis and engages your audience from the outset. When writing the introduction and providing a summary of the book, aim to capture the reader’s attention with a compelling opening sentence or anecdote related to the book. Then, offer a concise summary of the book’s plot, characters, and central themes, providing enough context to pique the reader’s interest without giving away major spoilers.

In addition to summarizing the book, use the introduction to introduce the author and the book’s title. Provide some background information about the author, such as their previous works or any relevant biographical details that may shed light on their writing style or thematic interests. Discuss the significance of the book’s title and how it reflects the overarching themes or motifs explored in the narrative.

By writing a well-crafted introduction that provides a brief overview of the book and introduces the author and title, you can set the stage for a thoughtful and engaging review that resonates with your audience.

Body Of The Book Review

The body of the book review is where you delve into the heart of your analysis, exploring key aspects such as the plot, theme, and characters. When writing the review about the plot, theme, and characters, provide detailed insights into how these elements contribute to the overall impact and significance of the book. Discuss the plot’s pacing, twists, and resolution, considering how they engage the reader and drive the narrative forward. Analyze the central themes of the book, examining how they are developed and explored throughout the story and their relevance to broader issues or ideas.

Additionally, when mentioning important scenes and narration style, highlight specific scenes or passages that stand out for their emotional resonance, thematic significance, or narrative impact. Discuss the author’s narration style, examining aspects such as point of view, tone, and use of language. Consider how these elements shape the reader’s experience and contribute to the overall effectiveness of the book.

By providing a detailed analysis of the plot, theme, and characters, and discussing important scenes and narration styles, you can offer readers valuable insights into the book’s strengths and weaknesses, enriching their understanding and appreciation of the work.

Conclusion Of The Book Review

The conclusion of the book review is your opportunity to provide a final assessment and leave a lasting impression on your readers. When summarizing thoughts and impressions about the book, reflect on your overall reading experience and highlight the key insights and emotions the book evoked. Consider how the plot, characters, themes, and writing style contributed to your enjoyment or engagement with the book.

In addition to summarizing your thoughts, give a final assessment or recommendation to your readers. Offer your opinion on whether the book is worth reading and who might enjoy it most. Provide recommendations for readers who may be interested in exploring similar books or authors, and suggest any additional resources or further reading that may enhance their understanding of the book’s themes or context.

By providing a thoughtful summary of your thoughts and impressions about the book and offering a final assessment or recommendation, you can leave your readers with a clear understanding of your perspective and encourage them to engage with the book themselves.

Finalizing The Book Review

Finalizing the book review is a crucial step in ensuring that your analysis is polished and effectively communicates your insights to your audience. During this stage, take the time to review and revise your review for clarity, coherence, and accuracy. Pay attention to the overall structure and flow of your review, ensuring that each section transitions smoothly into the next and that your main points are clearly articulated.

Proofreading The Review

Proofreading the review is a critical step to ensure its quality and effectiveness. When discussing the importance of proofreading, emphasize that it allows you to catch errors and inconsistencies that could undermine the credibility of your analysis. A well-proofread review reflects positively on your professionalism and attention to detail, enhancing the overall impact of your critique.

Also read: Copyediting vs Proofreading: The Art Of Text Refinement

In addition to emphasizing the importance of proofreading, discuss checking for clarity, correctness, and coherence. Clarify that this involves reviewing your review for clarity of expression, ensuring that your arguments are presented logically and coherently. Check for correctness in grammar, spelling, and punctuation to maintain professionalism and readability. By ensuring that your review is clear, correct, and coherent, you can effectively convey your analysis and insights to your audience.

Getting Feedback

Getting feedback on your book review is essential for improving its quality and effectiveness. Discussing the importance of getting feedback from peers or mentors, emphasize that external perspectives can offer valuable insights and identify blind spots or weaknesses in your analysis that you may have overlooked. Peers or mentors can provide constructive criticism, suggestions for improvement, and alternative viewpoints that enrich your review and strengthen your arguments.

Furthermore, discuss how feedback can improve the book review. Highlight that constructive feedback helps you refine your ideas, clarify your arguments, and polish your prose. It can also help you identify areas where further explanation or evidence may be needed, ensuring that your review is thorough and well-supported. By incorporating feedback into your review process, you can enhance its overall quality and impact, ultimately providing readers with a more insightful and engaging analysis.

Regular Book Review vs. Science Book Review

• Regular book reviews typically focus on the literary aspects of a book, such as plot, characters, writing style, and themes. They may also discuss the author’s background and overall impression of the book.
• Science book reviews, on the other hand, center on the scientific content and contributions of the book. They delve into the accuracy of the science presented, the relevance of the research or ideas discussed, and the impact of the book on its field or the broader scientific community.
• Regular book reviews are aimed at a general audience interested in literature and storytelling. They may appear in literary magazines, newspapers, or online platforms.
• Science book reviews target readers with a background or interest in science, including researchers, academics, students, and science enthusiasts. They are often published in scientific journals, specialized magazines, or online forums dedicated to science communication.
• Regular book reviews typically follow a structure that includes an introduction, summary of the book, an analysis of key themes or elements, and a conclusion with the reviewer’s overall impression.
• Science book reviews may have a similar structure but with a focus on evaluating the scientific content. This could involve discussing the relevance of the research, the rigor of the methodology, the clarity of the presentation, and the implications of the findings.
• Reviewers of regular books may include professional critics, journalists, or avid readers with a passion for literature.
• Science book reviewers are often experts in the relevant scientific field, such as researchers, academics, or science journalists with knowledge and experience in the subject matter.

Mistakes To Avoid In Any Type Of Book Review

Now that you’ve learned how to do a book review properly, let’s explore common mistakes to be mindful of.

• Lack of Focus: Failing to establish a clear research question or objective can lead to a book review that lacks focus and coherence. Ensure that your book review addresses a specific research gap or question and stays focused on relevant books.
• Inadequate Search Strategy: Conducting a superficial or incomplete book search can result in overlooking key studies or sources relevant to your topic. Develop a comprehensive search strategy that includes multiple databases, keywords, and search terms to ensure thorough coverage of the book.
• Failure to Critically Evaluate Sources: Simply summarizing an existing book without critically evaluating its quality, relevance, or methodological rigor can weaken the credibility of your book review. Critically assess each source’s strengths, limitations, and contributions to the field to demonstrate your analytical skills.
• Lack of Synthesis: A book review should go beyond summarizing individual studies and strive to synthesize key findings, themes, or trends across multiple sources. Failure to synthesize the book can result in a descriptive rather than analytical review.
• Over-Reliance on Secondary Sources: Depending too heavily on secondary sources, such as book reviews or textbooks, without consulting primary sources can limit the depth and originality of your book review. Seek out primary sources, theoretical frameworks, and empirical evidence to provide a more comprehensive analysis.
• Bias or Cherry-Picking: Cherry-picking studies that support your preconceived ideas or biases while ignoring conflicting evidence can lead to a biased and one-sided book review. Aim for objectivity and balance by considering a diverse range of perspectives and evidence.
• Poor Organization and Structure: A poorly organized book review with disjointed sections or unclear transitions can confuse readers and undermine the overall coherence of your argument. Develop a clear and logical structure with well-defined sections that guide readers through your analysis.
• Inadequate Citation Practices: Failing to properly cite sources or adhere to citation guidelines can result in accusations of plagiarism or academic misconduct. Ensure that you accurately cite all sources consulted and follow the appropriate citation style consistently throughout your book review.
• Neglecting Recent Books: Ignoring recent studies or failing to incorporate the latest research developments into your review can make your review outdated and less relevant. Stay abreast of recent books in your field and prioritize including recent studies and advancements in your analysis.
• Lack of Conclusion or Implications: Concluding your book review without summarizing key findings, discussing implications for future research, or suggesting areas for further investigation can leave readers with unanswered questions. Provide a concise conclusion that highlights the main insights and implications of your review.

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• Writing Tips

How to Write an Academic Book Review

4-minute read

• 13th September 2019

For researchers and postgraduates , writing a book review is a relatively easy way to get published. It’s also a good way to refine your academic writing skills and learn the publishing process. But how do you write a good academic book review? We have a few tips to share.

1. Finding a Book to Review

Before you can write a book review, you need a suitable book to review. Typically, there are two main ways to find one:

• Look to see which books journal publishers are seeking reviews for.
• Find a book that interests you and pitch it to publishers.

The first approach works by finding a journal in your field that is soliciting reviews. This information may be available on the journal’s website (e.g., on a page titled “Books for Review”). However, you can also email the editor to ask if there are book review opportunities available.

Alternatively, you can find a book you want to review and pitch it to journal editors. If you want to take this approach, pick a book that:

• Is about a topic or subject area that you know well.
• Has been published recently, or at least in the last 2–3 years.
• Was published by a reputable publisher (e.g., a university printing press).

You can then pitch the review to a journal that covers your chosen subject.

Some publishers will even give reviewers access to new books. Springer, for example, has a scheme where reviewers can access books online and receive a print copy once a review is published. So this is always worth checking.

2. Follow the Style Guide

Once you know the journal you want to write for, look for the publisher’s style guide. This might be called the “Author Instructions” or “Review Guidelines,” but it should be available somewhere on the publisher’s website. If it is not obviously available, consider checking with the editor.

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When you have found the style guide, follow its instructions carefully. It should provide information on everything from writing style and the word count to submitting your review, making the process much simpler.

3. Don’t Make It About You!

You’d be surprised how often people begin by summarizing the book they’re reviewing, but then abandon it in favor of explaining their own ideas about the subject matter. As such, one important tip when reviewing an academic book is to actually review the book , not just the subject matter.

This isn’t to say that you can’t offer your own thoughts on the issues discussed, especially if they’re relevant to what the author has argued. But remember that people read reviews to find out about the book being reviewed, so this should always be your focus.

4. Questions to Answer in a Book Review

Finally, while the content of a review will depend on the book, there are a few questions every good book review should answer. These include:

• What is the book about? Does it cover the topic adequately? What does the author argue? Ideally, you will summarize the argument early on.
• Who is the author/editor? What is their field of expertise? How does this book relate to their past work? You might also want to mention relevant biographical details about the author, if there are any.
• How does the author support their argument? Do they provide convincing evidence? Do they engage with counterarguments? Try to find at least one strength (i.e., something the book does well) and one weakness (i.e., something that could be stronger) to write about.
• As a whole, has the book helped you understand the subject? Who would you recommend it to? This will be the concluding section of your review.

If you can cover all these points, you should end up with a strong book review. All you need then is to have it proofread by the professionals .

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Write a Book Review

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A book review describes, analyzes, and evaluates a book by examining its purpose and its contribution.

A book review should address the following:

• What are the authors trying to accomplish? What is their argument?
• Who is the author trying to convince?
• What strategies and evidence did you see in the book?
• To what extent are you convinced by the book? To whom (if anyone) would you recommend this book?

Your professor may specify additional instructions or objectives for their book review assignment. Therefore, be sure to read the assignment instructions carefully.

In many ways, your book review can be structured like a typical essay, using an introduction, body, and conclusion.

Like other introductions, the book review introduction should move from broad (the topic of the book) to narrow (your specific argument or purpose statement).

Your reader will expect you to do the following in your introduction:

• Introduce the topic of the book (what is the issue at hand, and why should we care?)
• Introduce the title and author of the book
• State the purpose of the book (including the author’s thesis or major findings)
• State your thesis (or the purpose of your review)

The thesis of your book review may vary depending on the assignment.

• If you are given a specific task (e.g., to relate the book to course themes), that task will likely form the basis of your review.
• If you are asked to evaluate the book’s contribution to a specific field, that evaluation will be the backbone of your thesis.

Example thesis relating the book to course themes:

George Orwell’s 1984 provides insight into three course themes: critical thinking as a form of resistance, the role of misinformation in totalitarian societies, and the connection between privacy and personal freedom. The review that follows argues that the novel’s engagement with these themes can deepen our understanding of these themes in the course context by illustrating their interconnections.

Example thesis evaluating the book’s contribution to the field:

Sara Jaquette Ray’s The Ecological Other: Environmental Exclusion in American Culture is an important contribution to environmental justice scholarship because it offers a nuanced account of how environmental discourse has positioned people with disabilities, immigrants, and Native Americans as environmental outsiders. At the same time, it suggests how environmental activists can frame their arguments with greater inclusivity and care.

In your body paragraphs, you will describe, analyze, and evaluate the book. Your reader will expect you to do the following in the body of your review:

• Summarize the major points of the author’s argument
• Discuss the author’s engagement with larger themes
• Identify key strengths and weaknesses
• Evaluate the author’s contribution to the field
• Support your claims with evidence from the text
• Suggest how the book extends, complicates, or overturns arguments from other sources

Paragraph Order

In the body of your book review, you will support your thesis with reference to specific examples from the text. Although you may organize this material in a number of different ways, three common patterns of organization are thematic, chronological, and evaluative.

• If you are tasked with relating a book to course themes, use these themes to structure your review.
• You can devote each section of the body to one theme.
• Use topic sentences and transitions to show your reader when you are moving from one theme to the next.
• This structure can help you discuss the author’s engagement with a set of issues.

Chronological

• The structure of your review can mirror the structure of the book itself.
• You can discuss topics in the same order as the author, providing an evaluation that moves from chapter to chapter or section to section.
• This structure can help you emphasize the thoroughness of your review.
• Many published academic reviews begin by highlighting the strengths of the book under discussion and then move toward a critique of the weaknesses.
• This structure can help you assert your own critical voice as a scholar.

Rather than summarizing the book or restating your thesis, use the conclusion to provide your final thoughts. Consider the following questions:

• What have you learned from reviewing the book?
• What is your overall assessment of the book’s importance?
• Who might benefit most from reading it?
• How can future researchers build on this book?
• Does the book make space for new kinds of research within its field?

The conclusion is your last chance to add analysis to your book review, so be sure to address the book’s overall significance.

Try using signal words like ‘ultimately’ or ‘overall’ instead of ‘in conclusion’ to help you frame your conclusion through an analytical lens while also telling the reader that they should pay special attention to what follows.

The assignment’s instructions may also provide clues for material that you could include in the conclusion.

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Fleur Johns

May 19th, 2021, why, when and how 10 tips for academic book reviewers.

2 comments | 112 shares

Estimated reading time: 7 minutes

Professor Fleur Johns  offers 10 rules of thumb that have guided her own reviewing efforts and may prove helpful to others working on book reviews, or thinking of doing so, in the course of their academic lives.

A recent experience prompted me to reflect on the role of academic book reviews and about when, why and how to write them. I wrote a  review  several months ago of a book that has received widespread and overwhelmingly laudatory attention. While acknowledging the importance and value of the book’s contribution, I took issue with it in no uncertain terms and questioned its attainment of one of its major goals. Several respondents on social media reacted with verbal frowns. One wondered if I had contacted the author prior to the review’s publication (I had not). Another bristled at what they interpreted as audacity on my part, remarking that it was ‘easier’ to write a book review than ‘a book of significance’ (it is). I worried a bit too. Had I been disrespectful, ungenerous? Should I have cushioned my remarks in a fuller recitation of the book’s strengths?

Reflection on this experience led me to formulate, more explicitly than I had previously, some rules of thumb for my own reviewing efforts. I reproduce these here in case they might be helpful to others working on book reviews, or thinking of doing so, in the course of their academic lives. It goes without saying – but let me say it anyway – that these are conditioned by my own unduly privileged circumstances and that I still have much to learn, as a reviewer and otherwise. I have thought and  written about lists  in the past, and have an affection for them, so I present these as 10 suggestions:

1.  Reviewing books maintains one’s sense of being part of a larger, longer, scholarly conversation. It should be as much of a regular responsibility of academic life as peer reviewing (relative to opportunity). And like peer reviewing, it needs to be approached with greater care than it is sometimes afforded.

2.  Everyone should write book reviews, at all academic career stages. It’s not just a practice recommended for graduate students needing free books. It keeps one in the habit of close, critical, cover-to-cover reading. And what of the probable response: that contemporary academic work is structured in ways that make the continued cultivation of this habit unachievable? That may be so for many of us at many times. If we concede that across the board, however, then we acquiesce to the very transformation of universities that we often lament.

Everyone should write book reviews, at all academic career stages. It’s not just a practice recommended for graduate students needing free books. It keeps one in the habit of close, critical, cover-to-cover reading.

3.  Conflicts of interest, actual or perceived, are best avoided. Book reviewers should disclose anything that could be viewed as such. I have reviewed friends’ books before, to try to lend support to and foster engagement with colleagues’ and collaborators’ work. Upon reflection though, I should not have done so because of the possible perception that I might benefit professionally from advances in my co-authors’ and collaborators’ careers, and that my judgment might be coloured accordingly. I might instead have facilitated reviews of these books by someone at a greater distance from their authors. Of particular importance among conflicts is the following: think very carefully before reviewing a book in which your own work features prominently. If there is any reference to your work in the book you’re reviewing, let it pass. Use of the first-person voice can be refreshing, but a book review ought not to revolve predominantly around the reviewer. Professor  Leslie Green’s 2020 review  of a section of Professor Joanne Conaghan’s 2013 book (to which Conaghan offered a  patient response ) is illustrative of the kinds of perils that can be associated with dwelling, as a reviewer, on the treatment of one’s own work in the book under review.

4.  Attend to power imbalances. If you are an established academic, don’t review a first book or a book of an early career researcher with which you fervently disagree. Ordinarily, disagreement can make for engaging writing and productive argument (more on this below). However, in the context of a power imbalance favouring the reviewer, discord may be misread and could do unintended damage.

5.  Foreground the criticism. Keep summary to a minimum. Be sure to make an argument – about the book, but also by reflecting critically on the intervention that it makes in the field, and what it suggests about the state of that field. Be fair, respectful and try to meet the book on its own terms, but don’t shy away from critical engagement. It is a mark of respect for the seriousness of the author’s endeavour.

6.  Some say one should only review books that one loves. I disagree. My version would be the following: only review books by which you feel provoked, and that seem significant to you. This position counsels against reading books that hold you in their thrall. If you are utterly in awe of a book or its author, that might be a good reason not to review it (gushy reviews can be a tad nauseating). At the same time, it militates against reviewing books that you think are good, but which don’t really excite you either positively or negatively. Critique can carry a degree of risk (recall the  extraordinary tribulations  through which journal editor Professor Joseph Weiler was put by one disgruntled author). Nonetheless, a fence-sitting, anodyne review wastes the writer’s, editor’s and reader’s energies and does the author concerned no service at all. Reviewing books that frustrate you, but that you still regard as important and worthy of attention – this can really help move scholarly argument along.

If you are utterly in awe of a book or its author, that might be a good reason not to review it

7.  Don’t just review ‘up’ or focus on renowned and established authors. Seek out lesser-known works to spotlight. If you are bilingual or multilingual, seek out books in a range of languages to pitch to book review editors to help disturb the  dominance of English  in scholarly publication.

8.  Don’t send the review to the author, at least not prior to publication. Don’t imagine yourself in direct conversation with the author so much as with the book and its other readers. This does not, of course, override the imperative of being fair.

Don’t imagine yourself in direct conversation with the author so much as with the book and its other readers.

9.  Explore the genre, including the (often undervalued) review essay. Read widely in it. Approach the genre on its own terms, inspired by those book reviews that you have found most arresting and illuminating as a reader. The  Los Angeles Review of Books , the  New York Review of Books , the  London Review of Books ,  Biblio , the  Paris Review , the  Singapore Review of Books ,  The New Yorker ,  The Nation   and the  Latin American Research Review  all publish excellent book reviews, as do many other online and print publications.

10.  There are awards for book reviewing: in the US,  the Nona Balakian Citation for Excellence in Reviewing , for example. One might learn from taking a look at the work of those lauded for reviewing and trying to unpick what they do well. Accolades for book reviewing are, however, very few. If you are a member of an editorial board or scholarly association, you might consider introducing such an award. Or maybe that suggestion misses part of the point of book reviewing. The poet Philip Larkin’s letters may have presented him as a ‘ habitual racist and full-time misogynist’ . Yet he was on to something, I think, when he ruefully celebrated the unheralded reading and writing of  ‘book-drunk freak[s]’  for precisely that – its ingloriousness. Perhaps, when one can, there is some small grace in doing difficult work in honour of reading and readers, with little or no expectation of recognition.

This blogpost originally appeared on the LSE Review of Books , where readers can find a wide range of books to review. If you would like to contribute please contact the managing editor of LSE Review of Books, Dr Rosemary Deller, at  [email protected]

Note: This article gives the views of the author, and not the position of the Impact of Social Science blog, nor of the London School of Economics. Please review our  Comments Policy  if you have any concerns on posting a comment below.

Image Credit: Adapted from Cottonbro via Pexels.

About the author

Fleur Johns is a Professor and Australian Research Council Future Fellow in the Faculty of Law and Justice at UNSW Sydney. Her books include Non-Legality in International Law: Unruly Law (Cambridge 2013). Fleur is also an avid reader and a periodic writer of book reviews. Find her on Twitter at @FleurEJ

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These are golden rules by Professor Fleur Johns, no doubt! Everyone should read and follow these rules.

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You might be asked to write a book review as a way to help you read actively and form an opinion on the author's views and the context in which the book was written. Book reviews are common ways for academics to evaluate each others' contributions to the field of research, especially in the arts and social sciences where publishing in books is more usual than publishing in journals.

A good review is more than just a summary of the contents. It should include your view on what the purpose of the book is and who it is intended for, and it should address the context (time and place) in which the book has been written,  an evaluation of the author's arguments for strengths and weaknesses, and your identification of any bias in their perspective on the topic. Your lecturer will probably give you some guidance on what they expect, and it is likely to involve you asking yourself some or all of the following questions:

• Who is the author? What is their disciplinary background? What have they published before? Is this building on their previous research or entering a new field?
• When was the book written? How might that affect the perspective taken? Is there, for example, a political, social or economic context that would impact on the writing?
• What is the book about? What is the main topic area and scope? How does it fit with other books that have been published in this area?
• What is the main argument in the book? Is it well argued? Are the author's assumptions valid? Is there any obvious bias in the source of evidence they use?
• Is the writing style appropriate? Is the book well structured and does it flow comfortably?
• What is your view on the book's strengths and weaknesses? Do you think it's a valuable contribution to the literature in the discipline?

All of this should be supported by reference to particular passages or chapters that provide evidence to support your views.

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How to Write a Book Review: The Ultimate Guide

WHAT IS A BOOK REVIEW?

Traditionally, book reviews are evaluations of a recently published book in any genre. Usually, around the 500 to 700-word mark, they briefly describe a text’s main elements while appraising the work’s strengths and weaknesses. Published book reviews can appear in newspapers, magazines, and academic journals. They provide the reader with an overview of the book itself and indicate whether or not the reviewer would recommend the book to the reader.

WHAT IS THE PURPOSE OF A BOOK REVIEW?

There was a time when book reviews were a regular appearance in every quality newspaper and many periodicals. They were essential elements in whether or not a book would sell well. A review from a heavyweight critic could often be the deciding factor in whether a book became a bestseller or a damp squib. In the last few decades, however, the book review’s influence has waned considerably, with many potential book buyers preferring to consult customer reviews on Amazon, or sites like Goodreads, before buying. As a result, book review’s appearance in newspapers, journals, and digital media has become less frequent.

WHY BOTHER TEACHING STUDENTS TO WRITE BOOK REVIEWS AT ALL?

Even in the heyday of the book review’s influence, few students who learned the craft of writing a book review became literary critics! The real value of crafting a well-written book review for a student does not lie in their ability to impact book sales. Understanding how to produce a well-written book review helps students to:

●     Engage critically with a text

●     Critically evaluate a text

●     Respond personally to a range of different writing genres

●     Improve their own reading, writing, and thinking skills.

Not to Be Confused with a Book Report!

WHAT’S THE DIFFERENCE BETWEEN A BOOK REVIEW AND A BOOK REPORT?

While the terms are often used interchangeably, there are clear differences in both the purpose and the format of the two genres. Generally speaking, book reports aim to give a more detailed outline of what occurs in a book. A book report on a work of fiction will tend to give a comprehensive account of the characters, major plot lines, and themes in the book. Book reports are usually written around the K-12 age range, while book reviews tend not to be undertaken by those at the younger end of this age range due to the need for the higher-level critical skills required in writing them. At their highest expression, book reviews are written at the college level and by professional critics.

Learn how to write a book review step by step with our complete guide for students and teachers by familiarizing yourself with the structure and features.

BOOK REVIEW STRUCTURE

ANALYZE Evaluate the book with a critical mind.

THOROUGHNESS The whole is greater than the sum of all its parts. Review the book as a WHOLE.

COMPARE Where appropriate compare to similar texts and genres.

THUMBS UP OR DOWN? You are going to have to inevitably recommend or reject this book to potential readers.

BE CONSISTENT Take a stance and stick with it throughout your review.

FEATURES OF A BOOK REVIEW

PAST TENSE You are writing about a book you have already read.

EMOTIVE LANGUAGE Whatever your stance or opinion be passionate about it. Your audience will thank you for it.

VOICE Both active and passive voice are used in recounts.

A COMPLETE UNIT ON REVIEW AND ANALYSIS OF TEXTS

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ELEMENTS OF A BOOK REVIEW

As with any of the writing genres we teach our students, a book review can be helpfully explained in terms of criteria. While there is much to the ‘art’ of writing, there is also, thankfully, a lot of the nuts and bolts that can be listed too. Have students consider the following elements before writing:

●     Title: Often, the title of the book review will correspond to the title of the text itself, but there may also be some examination of the title’s relevance. How does it fit into the purpose of the work as a whole? Does it convey a message or reveal larger themes explored within the work?

●     Author: Within the book review, there may be some discussion of who the author is and what they have written before, especially if it relates to the current work being reviewed. There may be some mention of the author’s style and what they are best known for. If the author has received any awards or prizes, this may also be mentioned within the body of the review.

●     Genre: A book review will identify the genre that the book belongs to, whether fiction or nonfiction, poetry, romance, science-fiction, history etc. The genre will likely tie in, too with who the intended audience for the book is and what the overall purpose of the work is.

●     Book Jacket / Cover: Often, a book’s cover will contain artwork that is worthy of comment. It may contain interesting details related to the text that contribute to, or detract from, the work as a whole.

●     Structure: The book’s structure will often be heavily informed by its genre. Have students examine how the book is organized before writing their review. Does it contain a preface from a guest editor, for example? Is it written in sections or chapters? Does it have a table of contents, index, glossary etc.? While all these details may not make it into the review itself, looking at how the book is structured may reveal some interesting aspects.

●     Publisher and Price: A book review will usually contain details of who publishes the book and its cost. A review will often provide details of where the book is available too.

BOOK REVIEW KEY ELEMENTS

As students read and engage with the work they will review, they will develop a sense of the shape their review will take. This will begin with the summary. Encourage students to take notes during the reading of the work that will help them in writing the summary that will form an essential part of their review. Aspects of the book they may wish to take notes on in a work of fiction may include:

●     Characters: Who are the main characters? What are their motivations? Are they convincingly drawn? Or are they empathetic characters?

●     Themes: What are the main themes of the work? Are there recurring motifs in the work? Is the exploration of the themes deep or surface only?

●     Style: What are the key aspects of the writer’s style? How does it fit into the wider literary world?

●     Plot: What is the story’s main catalyst? What happens in the rising action? What are the story’s subplots? 

A book review will generally begin with a short summary of the work itself. However, it is important not to give too much away, remind students – no spoilers, please! For nonfiction works, this may be a summary of the main arguments of the work, again, without giving too much detail away. In a work of fiction, a book review will often summarise up to the rising action of the piece without going beyond to reveal too much!

The summary should also provide some orientation for the reader. Given the nature of the purpose of a review, it is important that students’ consider their intended audience in the writing of their review. Readers will most likely not have read the book in question and will require some orientation. This is often achieved through introductions to the main characters, themes, primary arguments etc. This will help the reader to gauge whether or not the book is of interest to them.

Once your student has summarized the work, it is time to ‘review’ in earnest. At this point, the student should begin to detail their own opinion of the book. To do this well they should:

i. Make It Personal

Often when teaching essay writing we will talk to our students about the importance of climbing up and down the ladder of abstraction. Just as it is helpful to explore large, more abstract concepts in an essay by bringing it down to Earth, in a book review, it is important that students can relate the characters, themes, ideas etc to their own lives.

Book reviews are meant to be subjective. They are opinion pieces, and opinions grow out of our experiences of life. Encourage students to link the work they are writing about to their own personal life within the body of the review. By making this personal connection to the work, students contextualize their opinions for the readers and help them to understand whether the book will be of interest to them or not in the process.

ii. Make It Universal

Just as it is important to climb down the ladder of abstraction to show how the work relates to individual life, it is important to climb upwards on the ladder too. Students should endeavor to show how the ideas explored in the book relate to the wider world. The may be in the form of the universality of the underlying themes in a work of fiction or, for example, the international implications for arguments expressed in a work of nonfiction.

iii. Support Opinions with Evidence

A book review is a subjective piece of writing by its very nature. However, just because it is subjective does not mean that opinions do not need to be justified. Make sure students understand how to back up their opinions with various forms of evidence, for example, quotations, statistics, and the use of primary and secondary sources.

EDIT AND REVISE YOUR BOOK REVIEW

As with any writing genre, encourage students to polish things up with review and revision at the end. Encourage them to proofread and check for accurate spelling throughout, with particular attention to the author’s name, character names, publisher etc. 

It is good practice too for students to double-check their use of evidence. Are statements supported? Are the statistics used correctly? Are the quotations from the text accurate? Mistakes such as these uncorrected can do great damage to the value of a book review as they can undermine the reader’s confidence in the writer’s judgement.

The discipline of writing book reviews offers students opportunities to develop their writing skills and exercise their critical faculties. Book reviews can be valuable standalone activities or serve as a part of a series of activities engaging with a central text. They can also serve as an effective springboard into later discussion work based on the ideas and issues explored in a particular book. Though the book review does not hold the sway it once did in the mind’s of the reading public, it still serves as an effective teaching tool in our classrooms today.

Teaching Resources

Use our resources and tools to improve your student’s writing skills through proven teaching strategies.

BOOK REVIEW GRAPHIC ORGANIZER (TEMPLATE)

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Book and Movie review writing examples (Student Writing Samples)

Below are a collection of student writing samples of book reviews.  Click on the image to enlarge and explore them in greater detail.  Please take a moment to both read the movie or book review in detail but also the teacher and student guides which highlight some of the key elements of writing a text review

Please understand these student writing samples are not intended to be perfect examples for each age or grade level but a piece of writing for students and teachers to explore together to critically analyze to improve student writing skills and deepen their understanding of book review writing.

We would recommend reading the example either a year above and below, as well as the grade you are currently working with to gain a broader appreciation of this text type .

BOOK REVIEW VIDEO TUTORIALS

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Book Reviews: What Should An Academic Book Review Look Like?

• Book Reviews
• Finding Existing Book Reviews
• What Should An Academic Book Review Look Like?

Academic Book Reviews Follow a General Format

Academic Book Reviews are written for two main readers, the academic scholars and specialized readers.  Every book review will be different depending on assignment or the audience of review.  Generally speaking a review should have the following four sections.

Introduction

• Middle or Body
• Critical Book Review Tip Sheet from University of Alberta Libraries This PDF Tip Sheet has several elements to keep in mind when writing a Academic Book Review.
• Brienza, Casey. “Writing Academic Book Reviews.” Inside Higher Ed, 27 Mar. 2015, https://www.insidehighered.com/advice/2015/03/27/essay-writing-academic-book-reviews.

Standardized citation (MLA, APA, Chicago etc.) also include ISBN, number of pages in book, format (hard cover, online, etc.), and price (check cover or publishers web site for cost)  

Should generally cover three basic areas

• how this material fits into existing writings
• authors qualifications and standing in field
• history of topic
• state what the authors thesis is
• evaluate how this thesis compares with the field
• DO NOT just summarize, make sure to add your opinion as reader and expert (even if you don’t feel like one)
• give an overall value added commentary

Middle or Body – Method of Critique

• Author’s main argument
• Individual chapters and arguments
• Author’s methodology
• Accessibility / Readability
• Factual errors
• Appropriateness for intended audience
• Relationship to other research in field
• Originality
• Implications for future study
• Back up opinion with quotes from text
• Follow the Chapters : evaluate and group chapters together following the order of the book.
• Topic / Ideas : organize by the general topics covered in the book and evaluate each grouping as appropriate
• Criticism based : Each paragraph will address your critical points about the book. This can lead to a choppy review offering examples that jump around the text.
• End on a positive note but don’t lie or embellish
• Who should read and why
• Be Detailed but succinct
• Back up criticism with examples from the text. 
• Stay away from minor points such as spelling/grammar mistakes, cover art, visual appeal and gossip.
• << Previous: Finding Existing Book Reviews
• Last Updated: Nov 20, 2023 11:38 AM
• URL: https://uscupstate.libguides.com/BookReviews

Wendy Laura Belcher

How to write an academic book review.

This article “Writing the Academic Book Review” was originally written by Belcher to aid participants in a workshop sponsored by the UCLA Chicano Studies Research Center in February 2003 and to encourage book review submissions to  Aztlán: A Journal of Chicano Studies . Book reviews in the field of Chicano studies can be sent to  the journal; for information, see the  new submissions page. The article was updated in 2015. Cite as Belcher, Wendy Laura. 2003. “Writing the Academic Book Review.” Los Angeles, CA: UCLA Chicano Studies Research Center. Last Modified 2015. Retrieved from https://www.wendybelcher.com/writing-advice/how-to-write-book-review/ on [month year]. See also the best-selling book of advice on writing, now in its second edition: Writing Your Journal Article in 12 Weeks: A Guide to Academic Publishing Success.

Why Write a Book Review?

Writing book reviews is not only the easiest and quickest route to publication, it is a good way to improve your writing skills, develop your analytical skills, learn how the journal publishing process works, and get to know editors. Since some libraries can’t buy books unless they have been reviewed and many individuals won’t buy books unless they have read a review, reviewing books can definitely advance your field. Indeed, scholars in smaller fields sometimes get together and assign books for review so that every book published in their field is reviewed somewhere. Just remember that book reviews do not “count” as much on a curriculum vitae as an academic essay. If you are doing more than two book reviews a year, you may be spending too much time on book reviews and not enough on your other writing.

Choosing a Book

Think about what kind of book would be most useful to you in writing your dissertation, finalizing a paper for publication, or passing your exams. Since book reviews do take time, like any writing, it is best to chose a book that will work for you twice, as a publication and as research. Alternatively, some recommend that graduate students focus on reviewing textbooks or anthologies, since such reviews take less background knowledge and editors can find it difficult to find people willing to do such reviews. Although the traditional book review is of one book, editors will often welcome book reviews that address two or more related books–called a review essay.

Choose a book that (1) is in your field, (2) is on a topic for which you have sound background knowledge, (3) has been published in the past two or three years, and (4) has been published by a reputable publisher (i.e., any press affiliated with a university or large commercial presses).

Books on hot topics are often of special interest to editors. It can also be rewarding to pick an obscure but useful book in order to bring attention to it. To avoid complications, it is best not to review books written by your advisor, spouse, or ex!

To identify a suitable book in your field:

• Look up the call number of the favorite book in your field and go to the stacks of your university library. Do a shelf search around the call number to see if anything similar or related has been published in the past couple of years.
• Go to any book database—your university library on-line, Worldcat , Amazon.com , the Library of Congress —and search using two or three keywords related to your field (e.g., Chicano fiction, Chicana politics, Latino demographics, Latina high school education) to find books in your area.
• Read magazines that review books before publication—such as Choice , Library Journal, or Kirkus Reviews —to get a sense for interesting books that will be coming out. You can get copies of books for review before they are published. Editors especially like reviews of just published books.
• Read those academic journals that list books recently received for review or recently published in their area. 
• Ask faculty members in your department for recommendations.

Once you have identified several books, locate copies and skim them. Pick the book that seems the strongest. Do not pick a book that has major problems or with which you disagree violently. As a graduate student, you do not have the protection of tenure and may one day be evaluated by the person whose book you put to the ax. If you really feel strongly that you must write a negative review of a certain book, go ahead and write the review. Academia is, after all, quite oedipal and young scholars do sometimes make their reputations by deflating those who came before them. Just realize that going on record in such a public way may have consequences.

Choosing a Journal

Identify several leading journals in your field that publish book reviews. One way to do this is to search an on-line article database or something like Book Review Digest , if your library has access. Using several key words from your field, limit your search to book reviews and note the journals where the results were published.

Before starting to write your review, contact the book review editor of one of the journals. This is important standard practice; in particular because most journals do not accept unsolicited reviews. You do not want to write an entire review of a book and send it to a journal, only to be told that they don’t accept unsolicited reviews or that a review of that very book is to appear in the next issue.

So, send a short e-mail to book review editors at prospective journals (most journals have websites with such information) identifying the book you would like to review and your qualifications for reviewing it. This e-mail need not be longer than two sentences: “I am writing to find out if you would welcome a review from me of [ Book Title ], edited by [editor] and published in 2012 by [pubisher]. I am currently writing my dissertation at Stanford on the history of the field of [name of a field related to book].”

Another reason why you want to contact the book review editor is that they often can get you the book for free. Publishers frequently send books for review straight to journals or, if the book editor directly contacts them, straight to you. Of course, you don’t need to wait for the book to start your review if you have access to a library copy. If you get a free book, make sure to write the review. A book review editor will never send you another book if you don’t deliver on the first.

If the book review editor says yes, they would like a review of the book from you, make sure to ask if the journal has any book review submission guidelines. In particular, you want to make sure you understand how long their book reviews tend to be.

If the book review editor says the book is already under review, move on to your next journal choice or ask the editor if they have any books on the topic that they would like reviewed. You are under no obligation to review a book they suggest, just make sure to get back to them with a decision. It is perfectly acceptable to say “Thanks for the suggestion, I’ve decided to focus on writing my prospectus/dissertation.”

Reading the Book

It is best, when writing a book review, to be an active reader of the book. Sit at a desk with pen and paper in hand. As you read, stop frequently to summarize the argument, to note particularly clear statements of the book’s argument or purpose, and to describe your own responses. If you have read in this active way, putting together the book review should be quick and straightforward. Some people prefer to read at the computer, but if you’re a good typist, you often start typing up long quotes from the book instead of analyzing it. Paper and pen provides a little friction to prevent such drifting.

Take particular note of the title (does the book deliver what the title suggests it is going to deliver?), the table of contents (does the book cover all the ground it says it will?), the preface (often the richest source of information about the book), and the index (is it accurate, broad, deep?).

Some questions to keep in mind as you are reading:

• What is the book’s argument?
• Does the book do what it says it is going to do?
• Is the book a contribution to the field or discipline?
• Does the book relate to a current debate or trend in the field and if so, how?
• What is the theoretical lineage or school of thought out of which the book rises?
• Is the book well-written?
• What are the books terms and are they defined?
• How accurate is the information (e.g., the footnotes, bibliography, dates)?
• Are the illustrations helpful? If there are no illustrations, should there have been?
• Who would benefit from reading this book?
• How does the book compare to other books in the field?
• If it is a textbook, what courses can it be used in and how clear is the book’s structure and examples?

It can be worthwhile to do an on-line search to get a sense for the author’s history, other books, university appointments, graduate advisor, and so on. This can provide you with useful context..

Making a Plan

Book reviews are usually 600 to 2,000 words in length. It is best to aim for about 1,000 words, as you can say a fair amount in 1,000 words without getting bogged down. There’s no point in making a book review into a 20-page masterpiece since the time would have been better spent on an academic essay that would count for more on your c.v.

Some say a review should be written in a month: two weeks reading the book, one week planning your review, and one week writing it.

Although many don’t write an outline for an essay, you should really try to outline your book review before you write it. This will keep you on task and stop you from straying into writing an academic essay.

Classic book review structure is as follows:

• Title including complete bibliographic citation for the work (i.e., title in full, author, place, publisher, date of publication, edition statement, pages, special features [maps, color plates, etc.], price, and ISBN.
• One paragraph identifying the thesis, and whether the author achieves the stated purpose of the book.
• One or two paragraphs summarizing the book.
• One paragraph on the book’s strengths.
• One paragraph on the book’s weaknesses.
• One paragraph on your assessment of the book’s strengths and weaknesses.

Writing the Review

Once you’ve read the book, try to spend no more than one or two weeks writing the review. Allowing a great deal of time to fall between reading the book and writing about it is unfair to you and the author. The point of writing something short like a book review is to do it quickly. Sending a publication to a journal is always scary, sitting on the review won’t make it less so.

Avoiding Five Common Pitfalls

• Evaluate the text, don’t just summarize it. While a succinct restatement of the text’s points is important, part of writing a book review is making a judgment. Is the book a contribution to the field? Does it add to our knowledge? Should this book be read and by whom? One needn’t be negative to evaluate; for instance, explaining how a text relates to current debates in the field is a form of evaluation.
• Do not cover everything in the book. In other words, don’t use the table of contents as a structuring principle for your review. Try to organize your review around the book’s argument or your argument about the book.
• Judge the book by its intentions not yours. Don’t criticize the author for failing to write the book you think that he or she should have written. As John Updike puts it, “Do not imagine yourself the caretaker of any tradition, an enforcer of any party standards, a warrior in any ideological battle, a corrections officer of any kind.”
• Likewise, don’t spend too much time focusing on gaps. Since a book is only 200 to 500 pages, it cannot possibly address the richness of any topic. For this reason, the most common criticism in any review is that the book doesn’t address some part of the topic. If the book purports to be about ethnicity and film and yet lacks a chapter on Latinos, by all means, mention it. Just don’t belabor the point. Another tic of reviewers is to focus too much on books the author did not cite. If you are using their bibliography just to display your own knowledge it will be obvious to the reader. Keep such criticisms brief.
• Don’t use too many quotes from the book. It is best to paraphrase or use short telling quotes within sentences.

For further advice about writing for publication, see Writing Your Journal Article in Twelve Weeks: A Guide to Academic Publishing Success by Wendy Laura Belcher (University of Chicago Press, 2019).

Writing the Academic Book Review

I no longer teach this course , but you might want to think about teaching it, so I provide the information here.

This workshop aids students in actually writing and publishing a book review for a peer-reviewed journal. At the first session, students receive instruction on why graduate students should (or should not) write book reviews, how to choose a book for review, how to chose a journal for submission, how to read a book for review, how to plan and structure a book review, and five common pitfalls of reviewing. Students also form small groups to discuss the book each plans to review.At the second meeting, students bring a draft of their book review for exchange and feedback. At the third meeting, students arrive with a final version of their essay to submit to an editor for publication.

This workshop is sometimes offered by a particular journal with the editors serving on a panel the first night to provide students with specific advice for submitting reviews to their journal. I did such a workshop for Aztlán: A Journal of Chicano Studies , with the editors Chon A. Noriega and Alicia Gaspar de Alba.

Session 1, Week 1

• Introduction to book reviewing
• Selecting an appropriate book to review
• Five essential elements of any book review
• Typical errors graduate student reviewers make

Session 2, Week 10

• Assignment: First draft due
• Discussion of the writing process and challenges
• Exchanging and critiquing first drafts
• Some instructions on revising

Session 3, Week 16

• Assignment: Final draft due
• Working with editors and the publication process
• Refreshments

How to Write a Book Review: A Comprehensive Tutorial With Examples

You don’t need to be a literary expert to craft captivating book reviews. With one in every three readers selecting books based on insightful reviews, your opinions can guide fellow bibliophiles toward their next literary adventure.

Learning how to write a book review will not only help you excel at your assigned tasks, but you’ll also contribute valuable insights to the book-loving community and turn your passion into a professional pursuit.

In this comprehensive guide,  PaperPerk  will walk you through a few simple steps to master the art of writing book reviews so you can confidently embark on this rewarding journey.

What is a Book Review?

A book review is a critical evaluation of a book, offering insights into its content, quality, and impact. It helps readers make informed decisions about whether to read the book.

Writing a book review as an assignment benefits students in multiple ways. Firstly, it teaches them how to write a book review by developing their analytical skills as they evaluate the content, themes, and writing style .

Secondly, it enhances their ability to express opinions and provide constructive criticism. Additionally, book review assignments expose students to various publications and genres, broadening their knowledge.

Furthermore, these tasks foster essential skills for academic success, like critical thinking and the ability to synthesize information. By now, we’re sure you want to learn how to write a book review, so let’s look at the book review template first.

Table of Contents

Book Review Template

How to write a book review- a step by step guide.

Check out these 5 straightforward steps for composing the best book review.

Step 1: Planning Your Book Review – The Art of Getting Started

You’ve decided to take the plunge and share your thoughts on a book that has captivated (or perhaps disappointed) you. Before you start book reviewing, let’s take a step back and plan your approach. Since knowing how to write a book review that’s both informative and engaging is an art in itself.

Choosing Your Literature

First things first, pick the book you want to review. This might seem like a no-brainer, but selecting a book that genuinely interests you will make the review process more enjoyable and your insights more authentic.

Crafting the Master Plan

Next, create an  outline  that covers all the essential points you want to discuss in your review. This will serve as the roadmap for your writing journey.

The Devil is in the Details

As you read, note any information that stands out, whether it overwhelms, underwhelms, or simply intrigues you. Pay attention to:

• The characters and their development
• The plot and its intricacies
• Any themes, symbols, or motifs you find noteworthy

Remember to reserve a body paragraph for each point you want to discuss.

The Key Questions to Ponder

When planning your book review, consider the following questions:

• What’s the plot (if any)? Understanding the driving force behind the book will help you craft a more effective review.
• Is the plot interesting? Did the book hold your attention and keep you turning the pages?
• Are the writing techniques effective? Does the author’s style captivate you, making you want to read (or reread) the text?
• Are the characters or the information believable? Do the characters/plot/information feel real, and can you relate to them?
• Would you recommend the book to anyone? Consider if the book is worthy of being recommended, whether to impress someone or to support a point in a literature class.
• What could improve? Always keep an eye out for areas that could be improved. Providing constructive criticism can enhance the quality of literature.

Step 2 – Crafting the Perfect Introduction to Write a Book Review

In this second step of “how to write a book review,” we’re focusing on the art of creating a powerful opening that will hook your audience and set the stage for your analysis.

Identify Your Book and Author

Begin by mentioning the book you’ve chosen, including its  title  and the author’s name. This informs your readers and establishes the subject of your review.

Ponder the Title

Next, discuss the mental images or emotions the book’s title evokes in your mind . This helps your readers understand your initial feelings and expectations before diving into the book.

Judge the Book by Its Cover (Just a Little)

Take a moment to talk about the book’s cover. Did it intrigue you? Did it hint at what to expect from the story or the author’s writing style? Sharing your thoughts on the cover can offer a unique perspective on how the book presents itself to potential readers.

Present Your Thesis

Now it’s time to introduce your thesis. This statement should be a concise and insightful summary of your opinion of the book. For example:

“Normal People” by Sally Rooney is a captivating portrayal of the complexities of human relationships, exploring themes of love, class, and self-discovery with exceptional depth and authenticity.

Ensure that your thesis is relevant to the points or quotes you plan to discuss throughout your review.

Incorporating these elements into your introduction will create a strong foundation for your book review. Your readers will be eager to learn more about your thoughts and insights on the book, setting the stage for a compelling and thought-provoking analysis.

How to Write a Book Review: Step 3 – Building Brilliant Body Paragraphs

You’ve planned your review and written an attention-grabbing introduction. Now it’s time for the main event: crafting the body paragraphs of your book review. In this step of “how to write a book review,” we’ll explore the art of constructing engaging and insightful body paragraphs that will keep your readers hooked.

Summarize Without Spoilers

Begin by summarizing a specific section of the book, not revealing any major plot twists or spoilers. Your goal is to give your readers a taste of the story without ruining surprises.

Support Your Viewpoint with Quotes

Next, choose three quotes from the book that support your viewpoint or opinion. These quotes should be relevant to the section you’re summarizing and help illustrate your thoughts on the book.

Analyze the Quotes

Write a summary of each quote in your own words, explaining how it made you feel or what it led you to think about the book or the author’s writing. This analysis should provide insight into your perspective and demonstrate your understanding of the text.

Structure Your Body Paragraphs

Dedicate one body paragraph to each quote, ensuring your writing is well-connected, coherent, and easy to understand.

For example:

• In  Jane Eyre , Charlotte Brontë writes, “I am no bird; and no net ensnares me.” This powerful statement highlights Jane’s fierce independence and refusal to be trapped by societal expectations.
• In  Normal People , Sally Rooney explores the complexities of love and friendship when she writes, “It was culture as class performance, literature fetishized for its ability to take educated people on false emotional journeys.” This quote reveals the author’s astute observations on the role of culture and class in shaping personal relationships.
• In  Wuthering Heights , Emily Brontë captures the tumultuous nature of love with the quote, “He’s more myself than I am. Whatever our souls are made of, his and mine are the same.” This poignant line emphasizes the deep, unbreakable bond between the story’s central characters.

By following these guidelines, you’ll create body paragraphs that are both captivating and insightful, enhancing your book review and providing your readers with a deeper understanding of the literary work. 

How to Write a Book Review: Step 4 – Crafting a Captivating Conclusion

You’ve navigated through planning, introductions, and body paragraphs with finesse. Now it’s time to wrap up your book review with a  conclusion that leaves a lasting impression . In this final step of “how to write a book review,” we’ll explore the art of writing a memorable and persuasive conclusion.

Summarize Your Analysis

Begin by summarizing the key points you’ve presented in the body paragraphs. This helps to remind your readers of the insights and arguments you’ve shared throughout your review.

Offer Your Final Conclusion

Next, provide a conclusion that reflects your overall feelings about the book. This is your chance to leave a lasting impression and persuade your readers to consider your perspective.

Address the Book’s Appeal

Now, answer the question: Is this book worth reading? Be clear about who would enjoy the book and who might not. Discuss the taste preferences and circumstances that make the book more appealing to some readers than others.

For example:  The Alchemist is a book that can enchant a young teen, but those who are already well-versed in classic literature might find it less engaging.

Be Subtle and Balanced

Avoid simply stating whether you “liked” or “disliked” the book. Instead, use nuanced language to convey your message. Highlight the pros and cons of reading the type of literature you’ve reviewed, offering a balanced perspective.

Bringing It All Together

By following these guidelines, you’ll craft a conclusion that leaves your readers with a clear understanding of your thoughts and opinions on the book. Your review will be a valuable resource for those considering whether to pick up the book, and your witty and insightful analysis will make your review a pleasure to read. So conquer the world of book reviews, one captivating conclusion at a time!

How to Write a Book Review: Step 5 – Rating the Book (Optional)

You’ve masterfully crafted your book review, from the introduction to the conclusion. But wait, there’s one more step you might consider before calling it a day: rating the book. In this optional step of “how to write a book review,” we’ll explore the benefits and methods of assigning a rating to the book you’ve reviewed.

Why Rate the Book?

Sometimes, when writing a professional book review, it may not be appropriate to state whether you liked or disliked the book. In such cases, assigning a rating can be an effective way to get your message across without explicitly sharing your personal opinion.

How to Rate the Book

There are various rating systems you can use to evaluate the book, such as:

• A star rating (e.g., 1 to 5 stars)
• A numerical score (e.g., 1 to 10)
• A letter grade (e.g., A+ to F)

Choose a rating system that best suits your style and the format of your review. Be consistent in your rating criteria, considering writing quality, character development, plot, and overall enjoyment.

Tips for Rating the Book

Here are some tips for rating the book effectively:

• Be honest: Your rating should reflect your true feelings about the book. Don’t inflate or deflate your rating based on external factors, such as the book’s popularity or the author’s reputation.
• Be fair:Consider the book’s merits and shortcomings when rating. Even if you didn’t enjoy the book, recognize its strengths and acknowledge them in your rating.
• Be clear: Explain the rationale behind your rating so your readers understand the factors that influenced your evaluation.

Wrapping Up

By including a rating in your book review, you provide your readers with an additional insight into your thoughts on the book. While this step is optional, it can be a valuable tool for conveying your message subtly yet effectively. So, rate those books confidently, adding a touch of wit and wisdom to your book reviews.

Additional Tips on How to Write a Book Review: A Guide

In this segment, we’ll explore additional tips on how to write a book review. Get ready to captivate your readers and make your review a memorable one!

Hook ’em with an Intriguing Introduction

Keep your introduction precise and to the point. Readers have the attention span of a goldfish these days, so don’t let them swim away in boredom. Start with a bang and keep them hooked!

Embrace the World of Fiction

When learning how to write a book review, remember that reviewing fiction is often more engaging and effective. If your professor hasn’t assigned you a specific book, dive into the realm of fiction and select a novel that piques your interest.

Opinionated with Gusto

Don’t shy away from adding your own opinion to your review. A good book review always features the writer’s viewpoint and constructive criticism. After all, your readers want to know what  you  think!

Express Your Love (or Lack Thereof)

If you adored the book, let your readers know! Use phrases like “I’ll definitely return to this book again” to convey your enthusiasm. Conversely, be honest but respectful even if the book wasn’t your cup of tea.

Templates and Examples and Expert Help: Your Trusty Sidekicks

Feeling lost? You can always get help from formats, book review examples or online  college paper writing service  platforms. These trusty sidekicks will help you navigate the world of book reviews with ease. 

Be a Champion for New Writers and Literature

Remember to uplift new writers and pieces of literature. If you want to suggest improvements, do so kindly and constructively. There’s no need to be mean about anyone’s books – we’re all in this literary adventure together!

Criticize with Clarity, Not Cruelty

When adding criticism to your review, be clear but not mean. Remember, there’s a fine line between constructive criticism and cruelty. Tread lightly and keep your reader’s feelings in mind.

Avoid the Comparison Trap

Resist the urge to compare one writer’s book with another. Every book holds its worth, and comparing them will only confuse your reader. Stick to discussing the book at hand, and let it shine in its own light.

Top 7 Mistakes and How to Avoid Them

Writing a book review can be a delightful and rewarding experience, especially when you balance analysis, wit, and personal insights. However, some common mistakes can kill the brilliance of your review. 

In this section of “how to write a book review,” we’ll explore the top 7 blunders writers commit and how to steer clear of them, with a dash of  modernist literature  examples and tips for students writing book reviews as assignments.

Succumbing to the Lure of Plot Summaries

Mistake: Diving headfirst into a plot summary instead of dissecting the book’s themes, characters, and writing style.

Example: “The Bell Jar chronicles the life of a young woman who experiences a mental breakdown.”

How to Avoid: Delve into the book’s deeper aspects, such as its portrayal of mental health, societal expectations, and the author’s distinctive narrative voice. Offer thoughtful insights and reflections, making your review a treasure trove of analysis.

Unleashing the Spoiler Kraken

Mistake: Spilling major plot twists or the ending without providing a spoiler warning, effectively ruining the reading experience for potential readers.

Example: “In Metamorphosis, the protagonist’s transformation into a monstrous insect leads to…”

How to Avoid: Tread carefully when discussing significant plot developments, and consider using spoiler warnings. Focus on the impact of these plot points on the overall narrative, character growth, or thematic resonance.

Riding the Personal Bias Express

Mistake: Allowing personal bias to hijack the review without providing sufficient evidence or reasoning to support opinions.

Example: “I detest books about existential crises, so The Sun Also Rises was a snoozefest.”

How to Avoid: While personal opinions are valid, it’s crucial to back them up with specific examples from the book. Discuss aspects like writing style, character development, or pacing to support your evaluation and provide a more balanced perspective.

Wielding the Vague Language Saber

Mistake: Resorting to generic, vague language that fails to capture the nuances of the book and can come across as clichéd.

Example: “This book was mind-blowing. It’s a must-read for everyone.”

How to Avoid: Use precise and descriptive language to express your thoughts. Employ specific examples and quotations to highlight memorable scenes, the author’s unique writing style, or the impact of the book’s themes on readers.

Ignoring the Contextualization Compass

Mistake: Neglecting to provide context about the author, genre, or cultural relevance of the book, leaving readers without a proper frame of reference.

Example: “This book is dull and unoriginal.”

How to Avoid: Offer readers a broader understanding by discussing the author’s background, the genre conventions the book adheres to or subverts, and any societal or historical contexts that inform the narrative. This helps readers appreciate the book’s uniqueness and relevance.

Overindulging in Personal Preferences

Mistake: Letting personal preferences overshadow an objective assessment of the book’s merits.

Example: “I don’t like stream-of-consciousness writing, so this book is automatically bad.”

How to Avoid: Acknowledge personal preferences but strive to evaluate the book objectively. Focus on the book’s strengths and weaknesses, considering how well it achieves its goals within its genre or intended audience.

Forgetting the Target Audience Telescope

Mistake: Failing to mention the book’s target audience or who might enjoy it, leading to confusion for potential readers.

Example: “This book is great for everyone.”

How to Avoid: Contemplate the book’s intended audience, genre, and themes. Mention who might particularly enjoy the book based on these factors, whether it’s fans of a specific genre, readers interested in character-driven stories, or those seeking thought-provoking narratives.

By dodging these common pitfalls, writers can craft insightful, balanced, and engaging book reviews that help readers make informed decisions about their reading choices.

These tips are particularly beneficial for students writing book reviews as assignments, as they ensure a well-rounded and thoughtful analysis.!

Many students requested us to cover how to write a book review. This thorough guide is sure to help you. At Paperperk, professionals are dedicated to helping students find their balance. We understand the importance of good grades, so we offer the finest writing service , ensuring students stay ahead of the curve. So seek expert help because only Paperperk is your perfect solution!

What is the difference between a book review and a report?

Who is the target audience for book reviews and book reports, how do book reviews and reports differ in length and content, can i write professional book reviews, what are the key aspects of writing professional book reviews, how can i enhance my book-reviewing skills to write professional reviews, what should be included in a good book review.

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How to Find Book Reviews

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African-American and Diaspora Studies

• International Index to Black Periodicals This link opens in a new window Select "Review" under Document Type. more... less... All current Vanderbilt University students, faculty, and staff have access, both on and off campus.

Anthropology

• AnthroSource This link opens in a new window Archive of all journals, newsletters, and bulletins of the American Anthropological Association.

• Art Full Text and Art Index Retrospective This link opens in a new window Comprehensive resource for art literature: articles, indexing and abstracting of journals, and art dissertations; covering fine, decorative, and commercial art, folk art, photography, film, and architecture. Includes indexing of publications, and citations of book reviews. Indexing of art reproductions provides examples of styles and art movements, including works by emerging artists. more... less... Coverage: 1929 to present. User Limit: 4.

Asian Studies

• Historical Abstracts This link opens in a new window Select "Review" under Publication Type. more... less... Coverage: 1955 to present. User Limit: 6.
• JSTOR This link opens in a new window In Advanced Search, select Narrow By "Review."
• Nature Browse reviews by year: Click “Archive” in the headline banner, then click “Article category archive,” then look for “Books and Arts.”
• Science Book reviews may be searched or browsed by ticking the “Book & Web Reviews” box on the Advanced Search page.
• Springer Link This link opens in a new window Journal articles, book chapters, reference works, and protocols. more... less... All current Vanderbilt University students, faculty, and staff have access, both on and off campus.
• Business Source Complete This link opens in a new window Select "Book Review" under Document Type. more... less... All current Vanderbilt University students, faculty, and staff have access, both on and off campus.
• American Chemical Society Publications This link opens in a new window American Chemical Society's peer-reviewed research journals in chemical and related sciences.
• Choice Reviews Online This link opens in a new window ***Individual user accounts will not be ported to the new site. Users will need to create new individual accounts on choicereviews.org. For instructions on how to do so, please see the Choice Reviews Quick-start Guide.*** Reviews of academic books, electronic media, and Internet resources of interest to those in higher education. more... less... User Limit: 1. Vendor Tutorials: http://choicereviews.org/faq
• Royal Society of Chemistry Journals Do a search for book reviews in the search field.

Cinema & Media Studies

• FIAF International Index to Film Periodicals This link opens in a new window Indexes academic and popular film journals. In the Advanced Search limit Document Type to "Review" for best results. more... less... Coverage: 1972 to present.
• Année Philologique This link opens in a new window To find reviews: Search for the title of the book. In the detail record for the book there will be a list of references to book reviews at the end of the entry. more... less... Coverage: 1969 to present. User Limit: Unlimited. Vendor Tutorials: http://www.library.vanderbilt.edu/central/classics/APhGuide.html
• Classical Review The Classical Review publishes informative reviews from leading scholars on new work covering the literatures and civilizations of ancient Greece and Rome.

Communication Studies

• Communication & Mass Media Complete (CMMC) This link opens in a new window Content of CommSearch and Mass Media Articles Index and other journals in communication, mass media, and other closely-related fields of study.

Computer Science

• ACM Digital Library This link opens in a new window Association for Computing Machinery's access to journals, magazines, transactions, ACM proceedings, SIG proceedings, newsletters, and publications by affiliated organizations.

Earth and Environmental Science

• Earth Formerly known as Geotimes.
• Geology Today
• Nature Geoscience
• EconLit with Full Text This link opens in a new window Comprehensive, indexed bibliography with selected abstracts of the world's economic literature, produced by the American Economic Association. Includes working papers which have been licensed from the Cambridge University Press. more... less... Coverage: 1969 to present. User Limit: Unlimited.
• Education Full Text This link opens in a new window Select "Review" under Document Type. more... less... Coverage: 1929 to present. Full text begins 1996. User Limit: 4.

Engineering

• IEEE Xplore This link opens in a new window To browse book reviews, click the “Advanced Search” link, then type “book reviews” (quote marks optional) and change the value in the dropdown box to “IEEE Terms.” To search for a review of a specific title, follow the first steps above, then in the second search box enter the book title in quotes, keeping “Metadata Only” in the dropdown box. more... less... Coverage: 1988 to present. User Limit: 15.

English & Theatre

• Annual Bibliography of English Language and Literature, 1920- (ABELL) This link opens in a new window Select "Review" under Limit To. more... less... Coverage: 1920 to present.
• MLA International Bibliography This link opens in a new window Subject indexing of journals, books, proceedings, and dissertations in the areas of literature, language and linguistics, folklore, film, literary theory & criticism, dramatic arts, and the historical aspects of printing and publishing. more... less... Coverage: 1926 to present.

A brief selection of resources is below.  A larger selection is on the book reviews tab of the History Resources research guide.

• America: History and Life This link opens in a new window Select "Review" under Publication Type. more... less... Coverage: 1910 to present. User Limit: 6.

Jewish Studies

Mathematics.

• MathSciNet: Mathematical Reviews (EBSCOhost) This link opens in a new window Pure and applied mathematics and statistics, and applications to other fields, such as physics, computer science, and engineering. Most entries contain an author's abstract or critical review. more... less... Coverage: 1940 to present.
• MathSciNet: Mathematical Reviews (American Mathematical Society) This link opens in a new window Pure and applied mathematics and statistics, and applications to other fields, such as physics, computer science, and engineering. Most entries contain an author's abstract or critical review. more... less... Coverage: 1940 to present.
• Music Periodicals Database This link opens in a new window A database of articles published in music and related periodicals containing over 160,000 citations to more than 350 journals. Under Advanced Search, limit "Document Type" to "Review" for best results. more... less... User Limit: 5.
• Philosopher's Index This link opens in a new window Click Advanced Search, then select "Book Review" under Publication Type. more... less... Coverage: 1940 to present.
• ScienceDirect This link opens in a new window Scientific, business, technical and medical journals and books, including pre-pub and open access content. The back file of the Business collection is an invaluable archival source for business research. In Advanced Search, limit Article Types to Book Reviews. more... less... All current Vanderbilt University students, faculty, and staff have access, both on and off campus. You can set up your own personal profile which will enable you to save searches and create alerts for new issues.

Political Science

• Worldwide Political Science Abstracts (WPSA) This link opens in a new window In Advanced Search, choose "Book Review" from Document type. more... less... Coverage: 1975 to present.
• PsycINFO This link opens in a new window In Advanced Search, choose "Review-book" from Record type. more... less... Coverage: 1800s to present.
• ATLA (American Theological Library Association) Religion Database with ATLA Serials (Alumni Access) This link opens in a new window Select "Review" under Publication Type more... less... Access Note: To obtain or reset a VUNetID, submit a request via the link Ask a Librarian with your full name, school name and the year of graduation. Coverage: 19th century to present.
• Religion and Philosophy Collection This link opens in a new window Select "Book Review" under Document Type
• Review of Biblical Literature
• Reviews in Religion and Theology Journal dedicated to the review of theological scholarship
• Sociological Abstracts This link opens in a new window In Advanced Search, choose "Book Review" from Document type. more... less... Coverage: 1953 to present.
• << Previous: Books Published Before 1990
• Last Updated: Dec 7, 2023 2:13 PM
• URL: https://researchguides.library.vanderbilt.edu/bookreviews

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Homeschool Mama Planner 2024-2025: Weekly & Monthly Lesson Plan and Record Book for Teaching Multiple Kids | Academic School Year ( July 2024 to June 2025) Paperback – May 30, 2024

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• Schedules and Logs: Weekly schedules, curriculum planning, grade tracking, and reading logs.
• Print length 164 pages
• Language English
• Publication date May 30, 2024
• Dimensions 8.5 x 0.37 x 11 inches
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• ASIN ‏ : ‎ B0D5WK8Y54
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How Many Literary A.I. Characters and Plots Do You Know?

By J. D. Biersdorfer June 3, 2024

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Artificial intelligence is all over the news these days, but the concept has been a staple of science fiction for decades. This week’s Lit Trivia quiz tests your knowledge of books and authors who have used A.I. and cybernetic humans as plot devices or characters in their work.

In the five multiple-choice questions below, tap or click on the answer you think is correct. After the last question, you’ll find links to the books if you’d like to do some further reading.

The 1982 film “Blade Runner” is set in a world where synthetic human-like androids called replicants are bioengineered from organic material, often with superior strength and intelligence. Which work inspired the film?

“Ancillary Justice,” by Ann Leckie

“Do Androids Dream of Electric Sheep?” by Philip K. Dick

“I, Robot,” by Isaac Asimov

“The Left Hand of Darkness,” by Ursula K. Le Guin

In the A.I.-driven setting of “Klara and the Sun,” Kazuo Ishiguro’s 2021 novel, the robot narrator is employed as what?

As a butler for a wealthy English family

As a translator for an ambassador

As the navigator on a starship

As an “artificial friend” for a young girl

Which novel was one of the first works to introduce the word “cyberspace” to popular culture and helped establish the literary subgenre of science fiction known as “cyberpunk” — which typically blends computer-hacker culture, A.I. and other futuristic elements into technology-driven adventures?

“Snow Crash,” by Neal Stephenson

“Daemon,” by Daniel Suarez

“Neuromancer,” by William Gibson

“Midnight Robber,” by Nalo Hopkinson

The 2019 work “Emergency Skin” follows a protagonist with a synthetic body and an A.I. brain implant sent on a special mission. The story won the 2020 Hugo Award for best novelette and was written by the same author who won the Hugo for best novel three years in a row from 2016 to 2018. Who is it?

Samuel R. Delany

N.K. Jemisin

Orson Scott Card

Lois McMaster Bujold

In Jane Pek’s 2022 debut novel “The Verifiers,” Claudia Lin works at a detective agency that vets the human identities of people who use which type of online service?

Cybernetic augmentation

Organ harvesting

Cryptocurrency mining

Dating apps

Explore More in Books

Want to know about the best books to read and the latest news start here..

John S. Jacobs was a fugitive, an abolitionist — and the brother of the canonical author Harriet Jacobs. Now, his own fierce autobiography has re-emerged .

Don DeLillo’s fascination with terrorism, cults and mass culture’s weirder turns has given his work a prophetic air. Here are his essential books .

Jenny Erpenbeck’s “ Kairos ,” a novel about a torrid love affair in the final years of East Germany, won the International Booker Prize , the renowned award for fiction translated into English.

Kevin Kwan, the author of “Crazy Rich Asians,” left Singapore’s opulent, status-obsessed, upper crust when he was 11. He’s still writing about it .

Each week, top authors and critics join the Book Review’s podcast to talk about the latest news in the literary world. Listen here .

The evidence that led to Trump’s hush money conviction

The prosecution’s case against Trump relied on 34 documents: 11 invoices, 12 vouchers and 11 checks.

Throughout Donald Trump’s hush money trial, prosecutors repeatedly told jurors not to rely on what Michael Cohen, their key witness and the ex-president’s former lawyer and fixer, had said in court.

Instead, they should focus their attention on the paper trail.

The jury seems to have done that, finding Trump guilty on all 34 counts of falsifying business records. At the heart of the prosecution’s case against Trump were 34 documents: 11 invoices, 12 vouchers and 11 checks. Each of these documents accounted for one of the charges on which Trump was found guilty.

Breaking down the 34 charges in Trump’s hush money trial

Guilty count of falsifying business records

Payment requests

Business records

documenting payment

The invoices, vouchers and checks in early

2017 were handled by Trump’s trust. The rest

was handled via Trump’s personal account.

Money paid to Cohen

The invoices, vouchers and checks in early 2017 were handled by

Trump’s trust. The rest was handled via Trump’s personal account.

Prosecutors alleged that these documents show that Trump intentionally misclassified payments to Cohen that reimbursed him for hush money he gave adult-film actress Stormy Daniels ahead of the 2016 election. The hush money was to keep Daniels quiet about a sexual encounter she says she had with Trump in 2006 — an allegation Trump denies.

Trump guilty verdict

In total, the prosecution found that Cohen was paid $420,000 by Trump and his trust in 2017. Cohen told jurors in his testimony that this sum was discussed at a meeting with Trump and then-Trump Organization CFO Allen Weisselberg days before Trump’s inauguration. It includes the $130,000 in hush money, $50,000 toward a vendor payment Cohen had addressed for Trump, $180,000 to cover any tax liability on those two payments and a $60,000 bonus.

The various amounts were documented on a handwritten note by former Trump Organization controller Jeffrey McConney, who testified to a separate meeting with Weisselberg where they discussed the repayment plan to Cohen.

In the meeting with Trump and Weisselberg, Cohen testified, the men decided he would be repaid for his $130,000 payment to Daniels through twelve $35,000 payments.

Here’s an overview of how the reimbursement process worked each month, according to the evidence presented by prosecutors:

Each month, Cohen filed what he said were phony

invoices seeking payment for legal services.

The prosecution alleges these invoices were then

recorded incorrectly as legal expenses.

Finally, Cohen was paid via check — nine of which

carried Trump’s distinctive signature.

Each month, Cohen filed what he said were phony invoices seeking payment for legal

The prosecution alleges these invoices were then recorded incorrectly as legal expenses.

Finally, Cohen was paid via check — nine of which carried Trump’s distinctive signature.

Each month, Cohen filed what he said were

phony invoices seeking payment for legal

The prosecution alleges these invoices were

then recorded incorrectly as legal expenses.

Finally, Cohen was paid via check — nine of

which carried Trump’s distinctive signature.

And here are the 34 exhibits the prosecution introduced into evidence to support their claim of a paper trail to reimburse Cohen for his payment to Daniels.

In total, Cohen sent 11 invoices to Weisselberg in 2017 for “services rendered.” He later testified that no services were in fact rendered, and that the check was really “reimbursement of hush money.”

In total, 12 vouchers were created to record the payments to Cohen. Vouchers are a standard business practice to record how much money a company spends, and to detail who is paid and why, but the prosecution alleges that these vouchers inaccurately describe the money being paid to Cohen as a legitimate legal expense. The voucher entries were recorded by Trump Organization bookkeeper Deborah Tarasoff, who testified that authorization to pay Cohen came from Weisselberg and another top financial officer of the company.

In total, 11 checks were made out to Cohen, totaling $420,000. Two of the checks were from the Donald J. Trump Revocable Trust Account, but nine were from Trump’s personal account.

Documents from the Manhattan district attorney’s office. Editing by Sarah Frostenson, Kevin Uhrmacher and Debbi Wilgoren. Copy editing by Dorine Bethea. Photo editing by Max Becherer. Illustration by Emma Kumer.

Trump New York hush money case

Donald Trump is the first former president convicted of a crime .

Can Trump still run for president? Yes. He is eligible to campaign and serve as president if elected, but he won’t be able to pardon himself . Here’s everything to know about next steps , what this means for his candidacy and the other outstanding trials he faces .

What happens next? Trump’s sentencing is scheduled for July 11. He faces up to four years in prison, but legal experts say incarceration appears unlikely. Trump has 30 days to file notice of an appeal of the verdict and six months to file the full appeal.

Reaction to the verdict: Trump continued to maintain his innocence , railing against what he called a “rigged, disgraceful trial” and emphasizing voters would deliver the real verdict on Election Day.

The charges: Trump was found guilty on 34 felony counts of falsifying business records . Falsifying business records is a felony in New York when there is an “intent to defraud” that includes an intent to “commit another crime or to aid or conceal” another crime.