essay about romeo and juliet story

Romeo And Juliet Essay for Students and Children

500+ words essay on romeo and juliet.

Romeo and Juliet is the most famous love tragedy written by William Shakespeare. This is a story of love and fate. Furthermore, the basis of this tragic love story is the Old Italian tale translated into English in the sixteenth century. The story is about two young star-crossed lovers whose death results in reconcile between their feuding families. Moreover, Romeo and Juliet is among the most frequently performed plays by Shakespeare .

Lessons of Love from Romeo and Juliet

First of all, Romeo and Juliet teach us that love is blind. Romeo and Juliet belonged to two influential families. Furthermore, these two families were engaged in a big feud among themselves. However, against all odds, Romeo and Juliet find each other and fall in love. Most noteworthy, they are blind to the fact that they are from rival families. They strive to be together in spite of the threat of hate between their families.

Another important lesson is that love brings out the best in us. Most noteworthy, Romeo and Juliet were very different characters by the end of the story than in the beginning. Romeo was suffering from depression before he met Juliet. Furthermore, Juliet was an innocent timid girl. Juliet was forced into marriage against her will by her parents. After falling in love, the personalities of these characters changed in positive ways. Romeo becomes a deeply passionate lover and Juliet becomes a confident woman.

Life without love is certainly not worth living. Later in the story, Romeo learns that his beloved Juliet is dead. At this moment Romeo felt a heart-shattering moment. Romeo then gets extremely sad and drinks poison. However, Juliet was alive and wakes up to see Romeo dead. Juliet then immediately decides to kill herself due to this massive heartbreak. Hence, both lovers believed that life without love is not worth living.

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Legacy of Romeo and Juliet

Romeo and Juliet is one of Shakespeare’s most popular plays. Furthermore, the play was very popular even in Shakespeare’s lifetime. Scholar Gary Taylor believes it as the sixth most popular of Shakespeare’s plays. Moreover, Sir William Davenant of the Duke’s Company staged Romeo and Juliet in 1662. The earliest production of Romeo and Juliet was in North America on 23 March 1730.

There were professional performances of Romeo and Juliet in the mid-19th century. In 19th century America, probably the most elaborate productions of Romeo and Juliet took place. The first professional performance of the play in Japan seems to be George Crichton Miln’s company’s production in 1890. In the 20th century, Romeo and Juliet became the second most popular play behind Hamlet.

There have been at least 24 operas based on Romeo and Juliet. The best-known ballet version of this play is Prokofiev’s Romeo and Juliet. Most noteworthy, Romeo and Juliet have a huge impact on literature. Romeo and Juliet made romance as a worthy topic for tragedy. Before Romeo and Juliet, romantic tragedy was certainly unthinkable.

Romeo and Juliet are probably the most popular romantic fictional characters. They have been an inspiration for lovers around the world for centuries. Most noteworthy, the story depicts the struggle of the couple against a patriarchal society. People will always consider Romeo and Juliet as archetypal young lovers.

Q1 State any one lesson of love from Romeo and Juliet?

A1 One lesson of love from Romeo and Juliet is that love brings out the best in us.

Q2 What makes Romeo and Juliet unique in literature?

A2 Romeo and Juliet made romance as a worthy topic for tragedy. This is what makes it unique.

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A Summary and Analysis of William Shakespeare’s Romeo and Juliet

By Dr Oliver Tearle (Loughborough University)

Although it was first performed in the 1590s, the first  documented  performance of Romeo and Juliet is from 1662. The diarist Samuel Pepys was in the audience, and recorded that he ‘saw “Romeo and Juliet,” the first time it was ever acted; but it is a play of itself the worst that ever I heard in my life, and the worst acted that ever I saw these people do.’

Despite Pepys’ dislike, the play is one of Shakespeare’s best-loved and most famous, and the story of Romeo and Juliet is well known. However, the play has become so embedded in the popular psyche that Shakespeare’s considerably more complex play has been reduced to a few key aspects: ‘star-cross’d lovers’, a teenage love story, and the suicide of the two protagonists.

In the summary and analysis that follow, we realise that Romeo and Juliet is much more than a tragic love story.

Romeo and Juliet : brief summary

After the Prologue has set the scene – we have two feuding households, Montagues and Capulets, in the city-state of Verona; and young Romeo is a Montague while Juliet, with whom Romeo is destined to fall in love, is from the Capulet family, sworn enemies of the Montagues – the play proper begins with servants of the two feuding households taunting each other in the street.

When Benvolio, a member of house Montague, arrives and clashes with Tybalt of house Capulet, a scuffle breaks out, and it is only when Capulet himself and his wife, Lady Capulet, appear that the fighting stops. Old Montague and his wife then show up, and the Prince of Verona, Escalus, arrives and chastises the people for fighting. Everyone leaves except Old Montague, his wife, and Benvolio, Montague’s nephew. Benvolio tells them that Romeo has locked himself away, but he doesn’t know why.

Romeo appears and Benvolio asks his cousin what is wrong, and Romeo starts speaking in paradoxes, a sure sign that he’s in love. He claims he loves Rosaline, but will not return any man’s love. A servant appears with a note, and Romeo and Benvolio learn that the Capulets are holding a masked ball.

Benvolio tells Romeo he should attend, even though he is a Montague, as he will find more beautiful women than Rosaline to fall in love with. Meanwhile, Lady Capulet asks her daughter Juliet whether she has given any thought to marriage, and tells Juliet that a man named Paris would make an excellent husband for her.

Romeo attends the Capulets’ masked ball, with his friend Mercutio. Mercutio tells Romeo about a fairy named Queen Mab who enters young men’s minds as they dream, and makes them dream of love and romance. At the masked ball, Romeo spies Juliet and instantly falls in love with her; she also falls for him.

They kiss, but then Tybalt, Juliet’s kinsman, spots Romeo and recognising him as a Montague, plans to confront him. Old Capulet tells him not to do so, and Tybalt reluctantly agrees. When Juliet enquires after who Romeo is, she is distraught to learn that he is a Montague and thus a member of the family that is her family’s sworn enemies.

Romeo breaks into the gardens of Juliet’s parents’ house and speaks to her at her bedroom window. The two of them pledge their love for each other, and arrange to be secretly married the following night. Romeo goes to see a churchman, Friar Laurence, who agrees to marry Romeo and Juliet.

After the wedding, the feud between the two families becomes violent again: Tybalt kills Mercutio in a fight, and Romeo kills Tybalt in retaliation. The Prince banishes Romeo from Verona for his crime.

Juliet is told by her father that she will marry Paris, so Juliet goes to seek Friar Laurence’s help in getting out of it. He tells her to take a sleeping potion which will make her appear to be dead for two nights; she will be laid to rest in the family vault, and Romeo (who will be informed of the plan) can secretly come to her there.

However, although that part of the plan goes fine, the message to Romeo doesn’t arrive; instead, he hears that Juliet has actually died. He secretly visits her at the family vault, but his grieving is interrupted by the arrival of Paris, who is there to lay flowers. The two of them fight, and Romeo kills him.

Convinced that Juliet is really dead, Romeo drinks poison in order to join Juliet in death. Juliet wakes from her slumber induced by the sleeping draught to find Romeo dead at her side. She stabs herself.

The play ends with Friar Laurence telling the story to the two feuding families. The Prince tells them to put their rivalry behind them and live in peace.

Romeo and Juliet : analysis

How should we analyse Romeo and Juliet , one of Shakespeare’s most famous and frequently studied, performed, and adapted plays? Is Romeo and Juliet the great love story that it’s often interpreted as, and what does it say about the play – if it is a celebration of young love – that it ends with the deaths of both romantic leads?

It’s worth bearing in mind that Romeo and Juliet do not kill themselves specifically because they are forbidden to be together, but rather because a chain of events (of which their families’ ongoing feud with each other is but one) and a message that never arrives lead to a misunderstanding which results in their suicides.

Romeo and Juliet is often read as both a tragedy and a great celebration of romantic love, but it clearly throws out some difficult questions about the nature of love, questions which are rendered even more pressing when we consider the headlong nature of the play’s action and the fact that Romeo and Juliet meet, marry, and die all within the space of a few days.

Below, we offer some notes towards an analysis of this classic Shakespeare play and explore some of the play’s most salient themes.

It’s worth starting with a consideration of just what Shakespeare did with his source material. Interestingly, two families known as the Montagues and Capulets appear to have actually existed in medieval Italy: the first reference to ‘Montagues and Capulets’ is, curiously, in the poetry of Dante (1265-1321), not Shakespeare.

In Dante’s early fourteenth-century epic poem, the  Divine Comedy , he makes reference to two warring Italian families: ‘Come and see, you who are negligent, / Montagues and Capulets, Monaldi and Filippeschi / One lot already grieving, the other in fear’ ( Purgatorio , canto VI). Precisely why the families are in a feud with one another is never revealed in Shakespeare’s play, so we are encouraged to take this at face value.

The play’s most famous line references the feud between the two families, which means Romeo and Juliet cannot be together. And the line, when we stop and consider it, is more than a little baffling. The line is spoken by Juliet: ‘Romeo, Romeo, wherefore art thou Romeo?’ Of course, ‘wherefore’ doesn’t mean ‘where’ – it means ‘why’.

But that doesn’t exactly clear up the whys and the wherefores. The question still doesn’t appear to make any sense: Romeo’s problem isn’t his first name, but his family name, Montague. Surely, since she fancies him, Juliet is quite pleased with ‘Romeo’ as he is – it’s his family that are the problem. Solutions  have been proposed to this conundrum , but none is completely satisfying.

There are a number of notable things Shakespeare did with his source material. The Italian story ‘Mariotto and Gianozza’, printed in 1476, contained many of the plot elements of Shakespeare’s  Romeo and Juliet . Shakespeare’s source for the play’s story was Arthur Brooke’s  The Tragical History of Romeus and Juliet  (1562), an English verse translation of this Italian tale.

The moral of Brooke’s tale is that young love ends in disaster for their elders, and is best reined in; Shakespeare changed that. In Romeo and Juliet , the headlong passion and excitement of young love is celebrated, even though confusion leads to the deaths of the young lovers. But through their deaths, and the example their love set for their parents, the two families vow to be reconciled to each other.

Shakespeare also makes Juliet a thirteen-year-old girl in his play, which is odd for a number of reasons. We know that  Romeo and Juliet  is about young love – the ‘pair of star-cross’d lovers’, who belong to rival families in Verona – but what is odd about Shakespeare’s play is how young he makes Juliet.

In Brooke’s verse rendition of the story, Juliet is sixteen. But when Shakespeare dramatised the story, he made Juliet several years younger, with Romeo’s age unspecified. As Lady Capulet reveals, Juliet is ‘not [yet] fourteen’, and this point is made to us several times, as if Shakespeare wishes to draw attention to it and make sure we don’t forget it.

This makes sense in so far as Juliet represents young love, but what makes it unsettling – particularly for modern audiences – is the fact that this makes Juliet a girl of thirteen when she enjoys her night of wedded bliss with Romeo. As John Sutherland puts it in his (and Cedric Watts’) engaging  Oxford World’s Classics: Henry V, War Criminal?: and Other Shakespeare Puzzles , ‘In a contemporary court of law [Romeo] would receive a longer sentence for what he does to Juliet than for what he does to Tybalt.’

There appears to be no satisfactory answer to this question, but one possible explanation lies in one of the play’s recurring themes: bawdiness and sexual familiarity. Perhaps surprisingly given the youthfulness of its tragic heroine, Romeo and Juliet is shot through with bawdy jokes, double entendres, and allusions to sex, made by a number of the characters.

These references to physical love serve to make Juliet’s innocence, and subsequent passionate romance with Romeo, even more noticeable: the journey both Romeo and Juliet undertake is one from innocence (Romeo pointlessly and naively pursuing Rosaline; Juliet unversed in the ways of love) to experience.

In the last analysis, Romeo and Juliet is a classic depiction of forbidden love, but it is also far more sexually aware, more ‘adult’, than many people realise.

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4 thoughts on “A Summary and Analysis of William Shakespeare’s Romeo and Juliet”

Modern reading of the play’s opening dialogue among the brawlers fails to parse the ribaldry. Sex scares the bejeepers out of us. Why? Confer “R&J.”

It’s all that damn padre’s fault!

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What are some examples of film adaptations of Romeo and Juliet ?

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Romeo and Juliet

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What is Romeo and Juliet about?

Romeo and Juliet is about a young hero and heroine whose families, the Montagues and the Capulets, respectively, are ferocious enemies. Romeo and Juliet ’s passionate star-crossed love leads to their demise, which ultimately serves to pacify the relationship between their families.

What is Romeo and Juliet based on?

Shakespeare’s principal source for the plot of Romeo and Juliet was The Tragicall Historye of Romeus and Juliet , a long narrative poem written in 1562 by the English poet Arthur Brooke , who had based his poem on a French translation of a tale by the Italian writer Matteo Bandello .

Where is Romeo and Juliet set?

Shakespeare’s Romeo and Juliet is set in Verona , Italy.

How is Romeo and Juliet still relevant today?

The characters of Romeo and Juliet have been continuously depicted in literature, music, dance, and theatre. The premise of the young hero and heroine whose families are enemies is so appealing that Romeo and Juliet have become, in the modern popular imagination, the representative type of star-crossed lovers.

Some of the most distinct film adaptations of Romeo and Juliet are Franco Zeffirelli ’s 1968 version of the same name, which notably cast actors similar in age to the play’s young protagonists; Baz Luhrmann ’s visually vibrant 1996 Romeo + Juliet ; and the 2013 zombie romantic comedy Warm Bodies . Learn more.

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Romeo and Juliet , play by William Shakespeare , written about 1594–96 and first published in an unauthorized quarto in 1597. An authorized quarto appeared in 1599, substantially longer and more reliable. A third quarto, based on the second, was used by the editors of the First Folio of 1623. The characters of Romeo and Juliet have been depicted in literature , music, dance, and theatre. The appeal of the young hero and heroine—whose families, the Montagues and the Capulets, respectively, are implacable enemies—is such that they have become, in the popular imagination, the representative type of star-crossed lovers.

Shakespeare’s principal source for the plot was The Tragicall Historye of Romeus and Juliet (1562), a long narrative poem by the English poet Arthur Brooke , who had based his poem on a French translation of a tale by the Italian Matteo Bandello .

Shakespeare sets the scene in Verona , Italy . Juliet and Romeo meet and fall instantly in love at a masked ball of the Capulets, and they profess their love when Romeo, unwilling to leave, climbs the wall into the orchard garden of her family’s house and finds her alone at her window. Because their well-to-do families are enemies, the two are married secretly by Friar Laurence . When Tybalt, a Capulet, seeks out Romeo in revenge for the insult of Romeo’s having dared to shower his attentions on Juliet, an ensuing scuffle ends in the death of Romeo’s dearest friend, Mercutio . Impelled by a code of honour among men, Romeo kills Tybalt and is banished to Mantua by the Prince of Verona, who has been insistent that the family feuding cease . When Juliet’s father, unaware that Juliet is already secretly married, arranges a marriage with the eminently eligible Count Paris, the young bride seeks out Friar Laurence for assistance in her desperate situation. He gives her a potion that will make her appear to be dead and proposes that she take it and that Romeo rescue her. She complies. Romeo, however, unaware of the friar’s scheme because a letter has failed to reach him, returns to Verona on hearing of Juliet’s apparent death. He encounters a grieving Paris at Juliet’s tomb, reluctantly kills him when Paris attempts to prevent Romeo from entering the tomb, and finds Juliet in the burial vault. There he gives her a last kiss and kills himself with poison. Juliet awakens, sees the dead Romeo, and kills herself. The families learn what has happened and end their feud.

For a discussion of this play within the context of Shakespeare’s entire corpus, see William Shakespeare: Shakespeare’s plays and poems .

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Romeo and Juliet

Synopsis and plot overview of shakespeare's romeo and juliet.

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TL;DR (may contain spoilers): The classic story of boy meets girl; girl's family hates boy's family; boy's family hates girl's family; boy kills girl's cousin; boy and girl kill themselves.

Romeo and Juliet Summary

An age-old vendetta between two powerful families erupts into bloodshed. A group of masked Montagues risk further conflict by gatecrashing a Capulet party. A young lovesick Romeo Montague falls instantly in love with Juliet Capulet, who is due to marry her father’s choice, the County Paris. With the help of Juliet’s nurse, the women arrange for the couple to marry the next day, but Romeo’s attempt to halt a street fight leads to the death of Juliet’s own cousin, Tybalt, for which Romeo is banished. In a desperate attempt to be reunited with Romeo, Juliet follows the Friar’s plot and fakes her own death. The message fails to reach Romeo, and believing Juliet dead, he takes his life in her tomb. Juliet wakes to find Romeo’s corpse beside her and kills herself. The grieving family agree to end their feud.

• Read our  Romeo and Juliet Character Summaries . 

More detail: 2 minute read

Romeo and Juliet begins as the Chorus introduces two feuding families of Verona: the Capulets and the Montagues. On a hot summer's day, the young men of each faction fight until the Prince of Verona intercedes and threatens to banish them. Soon after, the head of the Capulet family plans a feast. His goal is to introduce his daughter Juliet to a Count named Paris who seeks to marry Juliet. 

Montague's son Romeo and his friends (Benvolio and Mercutio) hear of the party and resolve to go in disguise. Romeo hopes to see his beloved Rosaline at the party. Instead, while there, he meets Juliet and falls instantly in love with her. Juliet's cousin Tybalt recognises the Montague boys and forces them to leave just as Romeo and Juliet discover one another. 

Romeo lingers near the Capulet house to talk with Juliet when she appears in her window. The pair declare their love for one another and intend to marry the next day. With the help of Juliet's Nurse, the lovers arrange to marry when Juliet goes for confession at the cell of Friar Laurence. There, they are secretly married (talk about a short engagement). 

Parting is such sweet sorrow that I shall say goodnight till it be morrow — Romeo and Juliet, Act 2 Scene 2

Following the secret marriage, Juliet's cousin Tybalt sends a challenge to Romeo. Romeo refuses to fight, which angers his friend Mercutio who then fights with Tybalt. Mercutio is accidentally killed as Romeo intervenes to stop the fight. In anger, Romeo pursues Tybalt, kills him, and is banished by the Prince. 

Juliet is anxious when Romeo is late to meet her and learns of the brawl, Tybalt's death, and Romeo's banishment. Friar Laurence arranges for Romeo to spend the night with Juliet before he leaves for Mantua. Meanwhile, the Capulet family grieves for Tybalt, so Lord Capulet moves Juliet's marriage to Paris to the next day. Juliet’s parents are angry when Juliet doesn't want to marry Paris, but they don't know about her secret marriage to Romeo.

A pair of star-crossed lovers — Romeo and Juliet, Prologue

Friar Laurence helps Juliet by providing a sleeping draught that will make her seem dead. When the wedding party arrives to greet Juliet the next day, they believe she is dead. The Friar sends a messenger to warn Romeo of Juliet's plan and bids him to come to the Capulet family monument to rescue his sleeping wife. 

Ready to test your knowledge? Have a go at our multiple choice Romeo and Juliet Quiz

The vital message to Romeo doesn't arrive in time because the plague is in town (so the messenger cannot leave Verona). Hearing from his servant that Juliet is dead, Romeo buys poison from an Apothecary in Mantua. He returns to Verona and goes to the tomb where he surprises and kills the mourning Paris. Romeo takes his poison and dies, while Juliet awakens from her drugged coma. She learns what has happened from Friar Laurence, but she refuses to leave the tomb and stabs herself. The Friar returns with the Prince, the Capulets, and Romeo's lately widowed father. The deaths of their children lead the families to make peace, and they promise to erect a monument in Romeo and Juliet's memory.

Romeo and Juliet Animated Summary - 3-Minute Shakespeare

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Romeo and Juliet

William shakespeare, ask litcharts ai: the answer to your questions.

In Renaissance-era Verona, Italy, two noble families, the Montagues and Capulets, are locked in a bitter and ancient feud whose origin no one alive can recall. After a series of public brawls between both the nobles and the servants of the two families, which shed blood and disturb the peace in Verona’s city streets, Prince Escalus , the ruler of Verona, declares that anyone in either family involved in any future fighting will be put to death.

Every year, the Capulets throw a masquerade ball. The Montagues are, of course, not invited. As Capulet and Lady Capulet fuss over the arrangements for the party, ensuring that everything is perfect for their friends and guests, they hope that their daughter Juliet will fall in love with the handsome count Paris at the ball. At 13, Juliet is nearly of marriageable age, and the Capulets believe that marrying Paris would allow their daughter to ascend the social ladder in Verona. During the party, two Montagues, 16-year-old Romeo and his cousin Benvolio , along with their bawdy, quick-tongued friend Mercutio , a kinsmen of Prince Escalus, crash the affair. Romeo attends the party reluctantly, and only because he is hoping to see Rosaline , a young woman he has been hopelessly in love with—and unsuccessfully pursuing—for quite some time. His lack of romantic success has made him noticeably forlorn as of late, much to the chagrin of his friends, who nonetheless poke fun at their lovesick friend’s melodramatic state. Tybalt , a hot-blooded member of House Capulet, notices the intrusion of the Montagues and recognizes them in spite of their masks—but when he draws his rapier and begins approaching them to provoke a fight, Capulet urges Tybalt not to embarrass their family.

When the masked Romeo spots Juliet from across the room, he instantly falls in love with her. Juliet is equally smitten. The two of them speak, exchanging suggestive jokes, and then kiss. As the party ends, Romeo and Juliet, pulled away from one another to attend to their friends and family, separately discover who the other truly is. Both are distraught—Juliet laments that her “only love [has] sprung from [her] only hate.” As the party winds down and Romeo’s friends prepare to leave, Romeo breaks off from them, jumps an orchard wall, and hides in the dark beneath Juliet’s bedroom window. She emerges onto her balcony and bemoans her forbidden love for Romeo, wishing aloud that he could “be some other name.” Romeo jumps out from his hiding place and tells Juliet that he’d do anything for her—he is determined to be with her in spite of the obstacles they face. Romeo and Juliet exchange vows of love, and Romeo promises to call upon Juliet tomorrow so they can hastily be married.

The next day, Romeo visits a kindly but philosophical friar, Friar Laurence , in his chambers. He begs Friar Laurence to marry him to his new love, Juliet. Friar Laurence urges Romeo to slow down and take his time when it comes to love: “these violent delights,” he predicts, “have violent ends.” But Romeo insists he and Juliet know what they’re doing. Friar Laurence comes around, realizing that a marriage between Romeo and Juliet could end their parents’ age-old feud. Later that day, Benvolio and Mercutio encounter Tybalt, who is furious that the Montagues crashed the Capulet party. Tybalt has, in a letter, challenged Romeo to a duel, and Mercutio and Benvolio are worried about the impulsive Romeo rising to the skilled Tybalt’s challenge. When Romeo shows up to find Tybalt, Benvolio, and Mercutio exchanging verbal barbs and teetering on the edge of a fight, Romeo does all he can to resist dueling with Tybalt. He and Juliet have just hastily visited Friar Laurence’s chambers together and are now married. Romeo doesn’t want to fight Tybalt, who is now technically his kinsman—but he knows he can’t reveal the truth to Tybalt, either. Before Romeo can explain his reasons for hesitating, Mercutio disgustedly steps in and challenges Tybalt to a duel himself. Romeo tries to separate them, but Tybalt stabs and kills Mercutio under Romeo's arm. Mercutio dies from his wounds, cursing both the Montagues and the Capulets and invoking “a plague [on] both houses.” In a miserable, mournful rage, Romeo kills Tybalt, then declares himself “fortune’s fool.” Benvolio urges him to hurry from the square. The prince and the citizens’ watch arrive, along with the elders of House Capulet and House Montague. Benvolio tells Prince Escalus what has unfolded, and the prince decides to banish Romeo to Mantua rather than sentence him to death.

Back at the Capulet manse, Juliet dreamily awaits the arrival of Romeo, whom she believes is hurrying from church so that they can spend their wedding night together. Juliet’s reveries are shattered with her nurse enters and informs her that Romeo has slain Tybalt and been banished from Verona. Juliet is furious with Romeo for killing Tybalt, but at the same time, her love for him is so profound that she admits she’d rather he lived than Tybalt. Juliet bids her nurse to go find Romeo and bring him to her, letting him know that she still wants to see him in spite of his actions. The nurse heads to Friar Laurence’s chambers, where the miserable, embarrassed, and angry Romeo is hiding. Though Romeo laments his fate to Friar Laurence, the friar urges Romeo to see that he is lucky to be alive, and promises to find a way to bring him back to Verona from exile in Mantua soon enough. The nurse arrives and summons Romeo to Juliet’s chambers—he happily follows her, and Friar Laurence urges Romeo to head straight to Mantua in the morning and await word from a messenger.

The death of Tybalt affects Capulet deeply. He decides to marry Juliet to Paris immediately, to cheer both Juliet and himself up. Juliet and Romeo bid each another farewell as the dawn breaks the next morning, and though Juliet says she has a terrible feeling she’ll never see Romeo again, she urges him to hurry on to Mantua. Lady Capulet enters Juliet’s chambers just after Romeo leaves to find her daughter weeping. Believing Juliet is still sad over Tybalt’s death, Lady Capulet delivers the news that Juliet will soon be married to Paris. Juliet refuses, and Lady Capulet urges Juliet to tell her father of her decision. Capulet enters, and, when Juliet stubbornly and angrily refutes the arrangement he’s made for her, Capulet threatens to disown her. Lady Capulet sides with her husband, and even the nurse advises Juliet to marry Paris and forget Romeo.

Juliet rushes to Friar Laurence in a rage, threatening to kill herself if he cannot devise a plan to get her out of the marriage to Paris. Friar Laurence, sensing Juliet’s deep pain, quickly comes up with a scheme: he gives her a vial of potion that, once drunk, will make it seem like she's dead—but will really only put her to sleep for about 40 hours. Juliet will be laid to rest in the Capulet tomb, and once she wakes up there, Friar Laurence will collect her and hide her until Romeo returns from Mantua. The friar promises to get news of the plan to Romeo so that he can hurry back home. Juliet takes the vial and returns home with it. Though she is afraid the potion might either kill her or not work at all, Juliet drinks it and immediately falls unconscious. The next morning the Capulet household wakes to discover that Juliet has seemingly died. As Capulet and Lady Capulet dramatically mourn their daughter’s loss, Friar Laurence chides them for their tears—in life, he says, they sought Juliet’s social “promotion.” Now that she is in heaven, she has received the highest promotion of all.

In Mantua, Romeo’s servant Balthasar approaches and tells him that Juliet has died. Romeo is devastated—he plans to “deny [the] stars” and return to Verona. Before leaving Mantua, however, he visits the shop of a local apothecary who sells forbidden poisons . If Juliet really is dead, Romeo plans to drink the vial of poison and kill himself inside her tomb. Back in Verona, Friar Laurence learns that his brother in the cloth, Friar John , has failed to deliver the letter about Juliet’s feigned “death” to Romeo—Romeo has no idea that Juliet is really alive. Friar Laurence hurries to the Capulet crypt to try to head off any calamity. At the gravesite, however, trouble is brewing: Paris has arrived with his page, intending to scatter flowers around Juliet’s tomb. Romeo and Balthasar approach, and Paris hides to see who has come to the crypt. Romeo takes up some tools and begins to break open the Capulet tomb. The astonished, offended Paris steps forward to stop him. The two duel, and Romeo kills Paris. Romeo succeeds in opening Juliet’s tomb, and brings Paris’s corpse down into it with him.

As Romeo looks upon Juliet, he notes that her cheeks and lips still seem flushed with blood—but, believing she is dead, resolves to drink the poison after a final kiss. Romeo drinks the vial and dies. Friar Laurence arrives to find a terrible scene before him. Juliet wakes, and Friar Laurence urges her to follow him without looking at the bodies. As sounds of the citizens’ watch approach, however, Friar Laurence flees, begging Juliet to follow him so he can install her in a nunnery. Instead, Juliet stays behind with Romeo’s corpse. Seeing the poison in his hand, she tries to drink a drop from his lips, but Romeo has left none for her. Instead, she pulls Romeo’s dagger from his hip and uses it to kill herself. Several watchmen arrive and bring Friar Laurence, Balthasar, Prince Escalus, and Paris’s page to the crypt to investigate what has happened. As the truth unravels, the elders of House Montague and Capulet arrive. Prince Escalus tells them that their hatred has killed their children. “All,” the prince says, “are punished.” The Capulets and Montagues agree to end their feud and erect statues of each other’s children in the town square.

114 Romeo and Juliet Essay Titles & Examples

Looking for Romeo and Juliet essay titles? The world’s most tragic story is worth writing about!

🥀 Best Romeo and Juliet Essay Titles

🖤 romeo and juliet essay prompts.

• 🏆 Best Romeo and Juliet Essay Examples

📌 Interesting Romeo and Juliet Essay Topics

🎭 easy titles for romeo and juliet essays, 👍 exciting romeo and juliet title ideas, ❓ romeo and juliet essay questions.

Romeo and Juliet is probably the most famous tragedy by William Shakespeare. It is a story of two young lovers whose deaths reconcile their feuding families. Whether you are assigned an argumentative, persuasive, or analytical essay on this piece of literature, this article will answer all your questions. Below you’ll find Romeo and Juliet essay examples, thesis ideas, and paper topics.

• “Romeo and Juliet”: character analysis
• What role does the setting play in “Romeo and Juliet”?
• “Romeo and Juliet” and antique tradition of tragic love stories
• Theme of love in “Romeo and Juliet”
• What role does the theme of fate play in “Romeo and Juliet”?
• “Romeo and Juliet”: dramatic structure analysis
• Analyze the balcony scene in “Romeo and Juliet”
• “Romeo and Juliet”: feminist criticism
• The most famous adaptations of “Romeo and Juliet”
• “Romeo and Juliet” in the world culture

Keep reading to learn the key points you can use to write a successful paper.

• Original Italian Tale vs. Shakespeare’s Tragedy

The story described in Shakespeare’s tragedy is based on the Italian tale that was translated into English in the sixteenth century. Original version represents situations and lines from Romeo and Juliet lives.

Shakespeare added a few more main characters: Mercutio, Paris, and Tybalt. Numerous researches state that Shakespeare used three sources to write his tragedy: a novella Giulietta e Romeo by Matteo Bandello, written in 1554; a story Il Novellio, by Masuccio Salernitano; and the Historia Novellamente Ritrovata di Due Nobili Amanti, written by Luigi Da Porto.

You can learn more about these novels to find out similarities and differences between primary sources and Shakespeare’s work

• Love and Fate in Romeo and Juliet

If you’re going to write Romeo and Juliet essay on fate, read this paragraph. Fate is the fundamental concept of the plot. It makes us look at Romeo and Juliet affair as a single tragedy.

At the same time, another core element of the story is love. From the very beginning of the drama, you will clearly understand that the story will end in tragedy.

Shakespeare shows us the value of fate events.

However, love remains a crucial thematic element. The roles of Nurse, Paris, and Romeo show us a physical attraction, sympathy, and romantic affection while being the embodiment of love. Analyze what type of love is represented by each character in your essay. Explain, what do you think real love is.

• Value and Duality in Romeo and Juliet

Among the central idea to consider for your Romeo and Juliet essay titles is an issue of value and duality. Shakespeare actively uses duality in his tragedy by representing the deaths of Romeo and Juliet as reasons of tragedy in Verona, which brought new order to the city.

Friar Laurence also reveals ambiguity when he helped Romeo and thus forced young lovers to suffer in the end. The decision to marry couple had a reason to end the conflict between Montague and Capulets.

Romeo and Juliet’s example discloses happiness and blame brought by key episodes and change in society. In your writing, you may analyze how the effect of adoration had influenced Romeo, Juliet, and other people lives.

• Masculinity in Romeo and Juliet

A lot of Romeo and Juliet essay examples analyze the role of gender and masculinity in the tragedy. Mercutio is shown as a classic example of a real man: active, brave citizen.

He is a person of action. On the other hand, Romeo is described as a boy who seeks for love. Romeo and Juliet love thrown into quarreling world.

You can analyze the reasons why Romeo fights and kills Paris when finding him near Juliet body.

Covering all of the points mentioned above will help you to produce an outstanding Romeo and Juliet essay. Check the samples below to get inspiration and more ideas that you can use in your own paper.

🏆 Best Romeo and Juliet Topic Ideas & Essay Examples

• Different Types of Love Portrayed in Shakespeare’s Romeo and Juliet Term Paper In regards to this communication, the issue of romantic love between Romeo and Juliet is highlighted7. The concept of true love is no where to be seen in Romeo and Juliet’s relationship.
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• The Portrayal of Fate in “Romeo and Juliet” Thus, the play Romeo and Juliet demonstrates that fate is the invisible, unavoidable force behind the entirety of the human experience.
• Symbolism and Foreshadowing in “Romeo and Juliet” The love of Juliet to Romeo at the early stages is described as the “bud love, expected to grow into a beauteous flower” when the two meet later.
• Franco Zeffirelli’s “Romeo and Juliet” Adaptation As the plot of the play develops and the reader gets more involved in the reading of the play, the constant need to read the stage directions has a disruptive effect on the reader’s interaction […]
• Breaking the Rules: Romeo and Juliet’s Quest for Independence Finally, the death of Romeo and Juliet puts an end to their love and is powerful enough to reconcile their feuding families.
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• “Analysis of Causes of Tragic Fate in Romeo and Juliet Based on Shakespeare’s View of Fate” by Jie Li The article is easy to read and makes a compelling case for the reasons that precipitated the tragedy in Shakespeare’s Romeo and Juliet.
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• Analysis of “Romeo and Juliet” Directed by Simon Godwin The actors played in the theater without an audience, and the shooting itself took two and a half weeks, but also due to the director’s attempt to combine the action on the theater stage and […]
• What Shapes More Lovers’ “Story of Romeo and Juliet?” In Romeo and Juliet, love is the central theme of the tragedy, and the images of the protagonists are mostly shaped by the relationships and challenges they had to face.
• “Romeo and Juliet”: Play and Film Preminger et al.claim that poetry is to be educative and pleasurable and both versions of “Romeo and Juliet” meet this criterion regardless of the fact that they had to appeal to the audience of a […]
• Love and Sadness in the First Act of “Romeo and Juliet” The love story of Romeo and Juliet is well known to most people, but one might forget that Romeo was initially not in love with Juliet; he met her later.
• Carlo Carlea’s Film “Romeo and Juliet” The new adaptation of my play generally made a controversial impression: the actors look suitable for their roles, but the internal theme of the play seems to be not so profoundly got.
• “Romeo and Juliet” Staged in Greek Style According to the analysis, it is evident that even though the story, plot, and characters stay the same, the change in the style of “Romeo and Juliet” will have a significant difference from the original […]
• Personality and Maturity in the Romeo and Juliet Play by W. Shakespeare While this idea is not always true in specific cases, it can be assumed to be true in the case of Romeo and Juliet because of the ways in which they act.
• Oh Tae-Suk’s Romeo and Juliet Oh Tae-suk is a South-Korean playwright and director, well-known for his masterful portrayal of modern Korean life and the use of the elements of the traditional Korean theater in his plays.
• Nurse and Friar Laurence in Shakespeare’s “Romeo and Juliet” The way Friar Laurence supported Romeo and Juliet to get Married, The way the Nurse is opposing in her regards of Romeo and Paris, When Friar Laurence clandestinely married them, the way the Nurse is […]
• Character Analysis of Shakespeare’s “Romeo and Juliet” The Renaissance in Italy was a time in which historians and writers were most active, sparking a new wave of literacy in the Italian world, said to be the father of Renaissance Europe.
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Literary Theory and Criticism

Home › Drama Criticism › Analysis of William Shakespeare’s Romeo and Juliet

Analysis of William Shakespeare’s Romeo and Juliet

By NASRULLAH MAMBROL on July 25, 2020 • ( 6 )

Shakespeare, more than any other author, has instructed the West in the catastrophes of sexuality, and has invented the formula that the sexual becomes the erotic when crossed by the shadow of death. There had to be one high song of the erotic by Shakespeare, one lyrical and tragi-comical paean celebrating an unmixed love and lamenting its inevitable destruction. Romeo and Juliet is unmatched, in Shakespeare and in the world’s literature, as a vision of an uncompromising mutual love that perishes of its own idealism and intensity.

—Harold Bloom, Shakespeare: The Invention of the Human

Romeo and Juliet, regarded by many as William Shakespeare’s first great play, is generally thought to have been written around 1595. Shakespeare was then 31 years old, married for 12 years and the father of three children. He had been acting and writing in London for five years. His stage credits included mainly histories—the three parts of Henry VI and Richard III —and comedies— The Two Gentlemen of Verona, The Taming of the Shrew, The Comedy of Errors, and Love’s Labour’s Lost. Shakespeare’s first tragedy, modeled on Seneca, Titus Andronicus , was written around 1592. From that year through 1595 Shakespeare had also composed 154 sonnets and two long narrative poems in the erotic tradition— Venus  and  Adonis   and  The  Rape  of  Lucrece.  Both  his  dramatic  and  nondramatic  writing  show  Shakespeare  mastering  Elizabethan  literary  conventions.  Then,  around 1595, Shakespeare composed three extraordinary plays—R ichard II, A Midsummer Night’s Dream, and Romeo and Juliet —in three different genres—history, comedy, and tragedy—signalling a new mastery, originality, and excellence.  With  these  three  plays  Shakespeare  emerged  from  the  shadows  of  his  influences and initiated a period of unexcelled accomplishment. The two parts of Henry IV and Julius Caesar would follow, along with the romantic comedies The Merchant of Venice, As You Like It, and Twelfth Night and the great tragedies Hamlet, Othello, King Lear, Macbeth, and Antony and Cleopatra . The three plays  of  1595,  therefore,  serve  as  an  important  bridge  between  Shakespeare’s  apprenticeship and his mature achievements. Romeo and Juliet, in particular, is a crucial play in the evolution of Shakespeare’s tragic vision, in his integration of poetry and drama, and in his initial exploration of the connection between love and tragedy that he would continue in Troilus and Cressida, Othello, and Antony  and  Cleopatra.  Romeo  and  Juliet   is  not  only  one  of  the  greatest  love  stories in all literature, considering its stage history and the musicals, opera, music, ballet, literary works, and films that it has inspired; it is quite possibly the most popular play of all time. There is simply no more famous pair of lovers than Romeo and Juliet, and their story has become an inescapable central myth in our understanding of romantic love.

Despite  the  play’s  persistence,  cultural  saturation,  and  popular  appeal,  Romeo and Juliet has fared less well with scholars and critics, who have generally judged it inferior to the great tragedies that followed. Instead of the later tragedies of character Romeo and Juliet has been downgraded as a tragedy of chance, and, in the words of critic James Calderwood, the star-crossed lovers are “insufficiently endowed with complexity” to become tragic heroes. Instead “they  become  a  study  of  victimage  and  sacrifice,  not  tragedy.”  What  is  too  often missing in a consideration of the shortcomings of Romeo and Juliet by contrast with the later tragedies is the radical departure the play represented when compared to what preceded it. Having relied on Senecan horror for his first tragedy, Titus  Andronicus,  Shakespeare  located  his  next  in  the  world  of  comedy and romance. Romeo and Juliet is set not in antiquity, as Elizabethan convention dictated for a tragic subject, but in 16th-century Verona, Italy. His tragic protagonists are neither royal nor noble, as Aristotle advised, but two teenagers caught up in the petty disputes of their families. The plight of young lovers pitted against parental or societal opposition was the expected subject, since  Roman  times,  of  comedy,  not  tragedy.  By  showing  not  the  eventual  triumph  but  the  death  of  the  two  young  lovers  Shakespeare  violated  comic  conventions,  while  making  a  case  that  love  and  its  consequences  could  be  treated with an unprecedented tragic seriousness. As critic Harry Levin has observed, Shakespeare’s contemporaries “would have been surprised, and possibly shocked at seeing lovers taken so seriously. Legend, it had been hereto-fore taken for granted, was the proper matter for serious drama; romance was the stuff of the comic stage.”

Shakespeare’s innovations are further evident in comparison to his source material.  The  plot  was  a  well-known  story  in  Italian,  French,  and  English  versions. Shakespeare’s direct source was Arthur Brooke’s poem The Tragicall Historye of Romeus and Juliet (1562). This moralistic work was intended as  a  warning  to  youth  against  “dishonest  desire”  and  disobeying  parental  authority. Shakespeare, by contrast, purifies and ennobles the lovers’ passion, intensifies  the  pathos,  and  underscores  the  injustice  of  the  lovers’  destruction.  Compressing  the  action  from  Brooke’s  many  months  into  a  five-day crescendo, Shakespeare also expands the roles of secondary characters such as  Mercutio  and  Juliet’s  nurse  into  vivid  portraits  that  contrast  the  lovers’ elevated lyricism with a bawdy earthiness and worldly cynicism. Shakespeare transforms Brooke’s plodding verse into a tour de force verbal display that is supremely witty, if at times over elaborate, and, at its best, movingly expressive. If the poet and the dramatist are not yet seamlessly joined in Romeo and Juliet, the play still displays a considerable advance in Shakespeare’s orchestration of verse, image, and incident that would become the hallmark of his greatest achievements.

The play’s theme and outcome are announced in the Prologue:

Two households, both alike in dignity, In fair Verona, where we lay our scene, From ancient grudge break to new mutiny, Where civil blood makes civil hands unclean. From forth the fatal loins of these two foes A pair of star-cross’d lovers take their life; Whose misadventur’d piteous overthrows Doth with their death bury their parents’ strife.

Suspense over the lovers’ fate is eliminated at the outset as Shakespeare emphasizes the forces that will destroy them. The initial scene makes this clear as a public brawl between servants of the feuding Montagues and Capulets escalates to involve kinsmen and the patriarchs on both sides, ended only when the Prince of Verona enforces a cease-fire under penalty of death for future offenders of the peace. Romeo, Montague’s young son, does not participate in the scuffle since he is totally absorbed by a hopeless passion for a young, unresponsive beauty named Rosaline. Initially Romeo appears as a figure of mockery, the embodiment of the hypersensitive, melancholy adolescent lover, who  is  urged  by  his  kinsman  Benvolio  to  resist  sinking  “under  love’s  heavy  burden”  and  seek  another  more  worthy  of  his  affection.  Another  kinsman,  Mercutio, for whom love is more a game of easy conquest, urges Romeo to “be  rough  with  love”  and  master  his  circumstances.  When  by  chance  it  is  learned that Rosaline is to attend a party at the Capulets, Benvolio suggests that they should go as well for Romeo to compare Rosaline’s charms with the other beauties at the party and thereby cure his infatuation. There Romeo sees Juliet, Capulet’s not-yet 14-year-old daughter. Her parents are encouraging her  to  accept  a  match  with  Count  Paris  for  the  social  benefit  of  the  family.  Love  as  affectation  and  love  as  advantage  are  transformed  into  love  as  all-consuming, mutual passion at first sight. Romeo claims that he “ne’er saw true beauty till this night,” and by the force of that beauty, he casts off his former melancholic  self-absorption.  Juliet is  no  less  smitten.  Sending her nurse  to  learn the stranger’s identity, she worries, “If he be married, / My grave is like to be my wedding bed.” Both are shocked to learn that they are on either side of the family feud, and their risk is underscored when the Capulet kinsman, Tybalt, recognizes Romeo and, though prevented by Capulet from violence at the party, swears future vengeance. Tybalt’s threat underscores that this is a play as much about hate as about love, in which Romeo and Juliet’s passion is  increasingly  challenged  by  the  public  and  family  forces  that  deny  love’s  authority.

The  first  of  the  couple’s  two  great  private  moments  in  which  love’s  redemptive and transformative power works its magic follows in possibly the most famous single scene in all of drama, set in the Capulets’ orchard, over-looked by Juliet’s bedroom window. In some of the most impassioned, lyrical, and famous verses Shakespeare ever wrote, the lovers’ dialogue perfectly captures the ecstasy of love and love’s capacity to remake the world. Seeing Juliet above at her window, Romeo says:

But soft! What light through yonder window breaks? It is the East, and Juliet is the sun! Arise, fair sun, and kill the envious moon, Who is already sick and pale with grief That thou her maid art far more fair than she.

He overhears Juliet’s declaration of her love for him and the rejection of what is implied if a Capulet should love a Montague:

O Romeo, Romeo! wherefore art thou Romeo? Deny thy father and refuse thy name! Or, if thou wilt not, be but sworn my love, And I’ll no longer be a Capulet. . . . ’Tis but thy name that is my enemy. Thou art thyself, though not a Montague. What’s Montague? it is nor hand, nor foot, Nor arm, nor face, nor any other part Belonging to a man. O, be some other name! What’s in a name? That which we call a rose By any other name would smell as sweet .So Romeo would, were he not Romeo call’d, Retain that dear perfection which he owes Without that title. Romeo, doff thy name; And for that name, which is no part of thee, Take all myself.

In  a  beautifully  modulated  scene  the  lovers  freely  admit  their  passion  and  exchange vows of love that become a marriage proposal. As Juliet continues to be called back to her room and all that is implied as Capulet’s daughter, time and space become the barriers to love’s transcendent power to unite.

With the assistance of Friar Lawrence, who regards the union of a Montague and a Capulet as an opportunity “To turn your households’ rancour to pure  love,”  Romeo  and  Juliet  are  secretly  married.  Before  nightfall  and  the  anticipated consummation of their union Romeo is set upon by Tybalt, who is by Romeo’s marriage, his new kinsman. Romeo accordingly refuses his challenge, but it is answered by Mercutio. Romeo tries to separate the two, but in the  process  Mercutio  is  mortally  wounded.  This  is  the  tragic  turn  of  the  play  as  Romeo,  enraged,  rejects  the  principle  of  love  forged  with  Juliet  for  the claims of reputation, the demand for vengeance, and an identifi cation of masculinity with violent retribution:

My very friend, hath got this mortal hurt In my behalf; my reputation stain’d With Tybalt’s slander—Tybalt, that an hour Hath been my kinsman. O sweet Juliet, Thy beauty hath made me effeminate And in my temper soft’ned valour’s steel!

After killing Tybalt, Romeo declares, “O, I am fortune’s fool!” He may blame circumstances for his predicament, but he is clearly culpable in capitulating to the values of society he had challenged in his love for Juliet.

The lovers are given one final moment of privacy before the catastrophe. Juliet, awaiting Romeo’s return, gives one of the play’s most moving speeches, balancing sublimity with an intimation of mortality that increasingly accompanies the lovers:

Come, gentle night; come, loving, black-brow’d night; Give me my Romeo; and, when he shall die, Take him and cut him out in little stars, And he will make the face of heaven so fine That all the world will be in love with night And pay no worship to the garish sun.

Learning the terrible news of Tybalt’s death and Romeo’s banishment, Juliet wins her own battle between hate and love and sends word to Romeo to keep their appointed night together before they are parted.

As Romeo is away in Mantua Juliet’s parents push ahead with her wedding to Paris. The solution to Juliet’s predicament is offered by Friar Lawrence who gives her a drug that will make it appear she has died. The Friar is to summon Romeo,  who  will  rescue  her  when  she  awakes  in  the  Capulet  family  tomb.  The Friar’s message to Romeo fails to reach him, and Romeo learns of Juliet’s death. Reversing his earlier claim of being “fortune’s fool,” Romeo reacts by declaring, “Then I defy you, stars,” rushing to his wife and breaking society’s rules by acquiring the poison to join her in death. Reaching the tomb Romeo is surprised to find Paris on hand, weeping for his lost bride. Outraged by the intrusion  on  his  grief  Paris  confronts  Romeo.  They  fight,  and  after  killing  Paris, Romeo fi nally recognizes him and mourns him as “Mercutio’s kinsman.” Inside the tomb Romeo sees Tybalt’s corpse and asks forgiveness before taking leave of Juliet with a kiss:

. . . O, here Will I set up my everlasting rest And shake the yoke of inauspicious stars From this world-wearied flesh.

Juliet  awakes  to  see  Romeo  dead  beside  her.  Realizing  what  has  happened,  she responds by taking his dagger and plunges it into her breast: “This is thy sheath; there rest, and let me die.”

Montagues, Capulets, and the Prince arrive, and the Friar explains what has happened and why. His account of Romeo and Juliet’s tender passion and devotion shames the two families into ending their feud. The Prince provides the final eulogy:

A glooming peace this morning with it brings. The sun for sorrow will not show his head. Go hence, to have more talk of these sad things; Some shall be pardon’d, and some punished; For never was a story of more woe Than this of Juliet and her Romeo.

The  sense  of  loss  Verona  and  the  audience  feels  at  the  lovers’  deaths  is  a  direct  result  of  Shakespeare’s  remarkable  ability  to  conjure  love  in  all  its  transcendent power, along with its lethal risks. Set on a collision course with the values bent on denying love’s sway, Romeo and Juliet manage to create a dreamlike, alternative, private world that is so touching because it is so brief and perishable. Shakespeare’s triumph here is to make us care that adolescent romance matters—emotionally,  psychologically,  and  socially—and  that  the  premature and unjust death of lovers rival in profundity and significance the fall of kings.

Romeo and Juliet Oxford Lecture by Emma Smith

Analysis of William Shakespeare’s Plays

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Romeo and Juliet - Entire Play

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The prologue of Romeo and Juliet calls the title characters “star-crossed lovers”—and the stars do seem to conspire against these young lovers.

Romeo is a Montague, and Juliet a Capulet. Their families are enmeshed in a feud, but the moment they meet—when Romeo and his friends attend a party at Juliet’s house in disguise—the two fall in love and quickly decide that they want to be married.

A friar secretly marries them, hoping to end the feud. Romeo and his companions almost immediately encounter Juliet’s cousin Tybalt, who challenges Romeo. When Romeo refuses to fight, Romeo’s friend Mercutio accepts the challenge and is killed. Romeo then kills Tybalt and is banished. He spends that night with Juliet and then leaves for Mantua.

Juliet’s father forces her into a marriage with Count Paris. To avoid this marriage, Juliet takes a potion, given her by the friar, that makes her appear dead. The friar will send Romeo word to be at her family tomb when she awakes. The plan goes awry, and Romeo learns instead that she is dead. In the tomb, Romeo kills himself. Juliet wakes, sees his body, and commits suicide. Their deaths appear finally to end the feud.

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Verona's Romeo & Juliet

Based on the real story that inspired Shakespeare's Romeo and Juliet, follows the greatest love story of all time, set as an original pop musical. Based on the real story that inspired Shakespeare's Romeo and Juliet, follows the greatest love story of all time, set as an original pop musical. Based on the real story that inspired Shakespeare's Romeo and Juliet, follows the greatest love story of all time, set as an original pop musical.

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Defining Humanism and its Impact on World History

This essay about humanism highlights its core principles of reason, ethics, and compassion, celebrating the dignity and worth of individuals. It traces humanism’s origins from ancient philosophies to its emergence during the Renaissance, influencing art, science, politics, and culture. The essay discusses humanism’s role in shaping ethical and political discourse, including the Universal Declaration of Human Rights. It also addresses contemporary challenges to humanism, emphasizing the need for a renewed commitment to its values in the face of global issues.

How it works

Humanism, a concept intricately interwoven into the tapestry of human history, encompasses a wide range of beliefs and practices. At its essence, humanism celebrates the intrinsic worth and dignity of individuals, emphasizing reason, ethics, and compassion as foundational principles for both personal and societal advancement. Over the centuries, humanism has profoundly influenced societies, politics, arts, and sciences in myriad and significant ways.

The origins of humanism can be traced to ancient civilizations, where philosophical traditions such as Confucianism, Taoism, and Stoicism underscored the significance of human agency and ethical behavior.

However, humanism as a distinct intellectual movement emerged during the Renaissance in Europe, driven by a renewed interest in the classical texts of Greece and Rome. Renaissance humanists like Petrarch, Erasmus, and Pico della Mirandola sought to rekindle the spirit of antiquity by promoting the study of literature, philosophy, and history. They extolled the potential of human reason and creativity, advocating for education, civic participation, and the pursuit of excellence across various fields.

A hallmark of humanism is its rejection of dogma and authoritarianism in favor of critical inquiry and independent thought. This skepticism toward traditional sources of knowledge paved the way for the scientific revolution and the Enlightenment. Figures like Galileo Galilei and Isaac Newton, inspired by humanist ideals, challenged prevailing conceptions of the natural world, laying the groundwork for modern science. Concurrently, thinkers such as John Locke and Voltaire advanced the principles of religious tolerance, individual liberty, and rational governance, setting the stage for democratic revolutions and the establishment of secular states.

Humanism’s influence on world history is also evident in the realm of art and culture. Renaissance artists such as Leonardo da Vinci, Michelangelo, and Raphael embraced humanist themes, depicting the beauty and complexity of the human form with unprecedented realism and emotional depth. This celebration of human potential and creativity inspired successive generations of artists and redefined the role of art in society. Similarly, humanist ideals permeated literature, with authors like Shakespeare, Cervantes, and Montaigne exploring the intricacies of human nature and the moral dilemmas of existence.

Beyond its cultural and intellectual impact, humanism has significantly shaped ethical and political discourse. The Universal Declaration of Human Rights, adopted by the United Nations in 1948, reflects the enduring legacy of humanist principles in contemporary times. By affirming the inherent dignity and equality of all individuals, regardless of race, gender, or creed, the Declaration embodies the humanist commitment to social justice and human rights. Movements for gender equality, civil rights, and environmental sustainability continue to draw inspiration from humanist values of empathy, compassion, and solidarity.

Despite its numerous accomplishments, humanism faces ongoing challenges in the modern world. In an era characterized by globalization, technological advancement, and cultural diversity, humanist ideals are often threatened by intolerance, inequality, and authoritarianism. The rise of populist movements, religious fundamentalism, and xenophobic nationalism highlights the persistent struggle to uphold humanist principles in the face of ignorance and prejudice. Additionally, pressing global issues such as climate change, poverty, and armed conflict require a renewed commitment to humanist ethics and collective action.

In summary, humanism remains a potent force for positive change, inspiring generations of thinkers, artists, and activists to strive for a more just and compassionate world. By championing reason, empathy, and human dignity, humanism has shaped the course of human civilization, leaving an indelible mark on art, science, politics, and ethics. As we navigate the challenges of the 21st century, the enduring values of humanism offer a guiding light, reminding us of our shared humanity and our ability to create a better future for all.

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First State Ballet Theatre unveils its 2024-25 season schedule

The First State Ballet Theatre's 2024-25 season features three full-length story ballets.

Shakespeare’s Romeo and Juliet is up first in October at The Grand Opera House,

First State Ballet marketing coordinator Claire McGregor says Romeo and Juliet will be directed by a First State Ballet favorite.

“This one is by Viktor Plotnikov, who is a frequent First State Ballet Theatre collaborator. He also did Dracula, which was a couple of years ago, and he had a piece in Triple Bill last year, which was really beautiful.”

In December, the company will produce its traditional holiday offering The Nutcracker. In April 2025, audiences are treated to the World Premiere of A Midsummer Night’s Dream by choreographer Zachary Kapeluck.

McGregor says Kapeluck is a familiar name to their audiences.

“He’s also worked with First State Ballet before. He had a piece in Triple Bill, which is a little plug for Triple Bill there. It’s always a great performance to come to because you’ll always see new faces who you’ll see again in the future. It’s a great incubator for the company in a lot of ways.”

The season schedule is completed by the intimate Up Front on Market in November, and TheTriple Bill, an evening of three world premieres by new choreographers in February.

Subscriptions and single tickets for all performances are available now at The Grand Box Office.

Delaware Public Media' s arts coverage is made possible, in part, by support from the Delaware Division of the Arts, a state agency dedicated to nurturing and supporting the arts in Delaware, in partnership with the National Endowment for the Arts.

'Ghostlight' Review: Sorry Leo, This Is the Best Modern 'Romeo and Juliet'

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The Big Picture

• Ghostlight explores the timeless value of art in modern society through a family dealing with loss.
• The film uses the play Romeo and Juliet to help the characters process their emotions and find healing.
• Despite some clunky moments, Ghostlight offers a truthful and cathartic look at how individuals navigate trauma.

Early on in Ghostlight , the gentle yet earnest dramedy by filmmaking duo Alex Thompson and Kelly O’Sullivan , we sit with a couple of characters as they watch the 1996 Baz Luhrmann film Romeo + Juliet . The young daughter, Katherine Mallen Kupferer ’s Daisy, humorously remarks how star Leonardo DiCaprio has changed quite significantly in the decades since the film came out. At the same time, her father, Keith Kupferer ’s Dan, struggles to surreptitiously understand what this play is about at its core. The reason he is doing this is that he has become roped into a production of said play and is trying to learn the basics without his family finding out. Though it’s both a silly and sweet scene, authentically capturing a brief moment of peace in a family navigating a tumultuous time, it’s also gesturing towards the film’s prevailing thematic interests. What impact does William Shakespeare have on the modern day? Specifically, is there a timeless, even healing, value to art that we are at risk of losing in modern society? If all the world's a stage, what part do we now play in it ?

It’s these central ideas that set Ghostlight apart from the many more often hit-or-miss modern takes on Romeo and Juliet that we’ve gotten over the years . While not a literal adaptation, it’s distinctly grappling with some of the heavier ideas in the text surrounding mortality and loss. This is then filtered through the life of a lonely working-class man and his Chicago family as they try to collectively work through a recent loss that has shaken them to their core. There is nothing that can fix what has been taken, but they are all having a hard time processing the pain, let alone even speaking about it in the first place. That we begin to see how art mimics the family’s life could easily feel like a convenient contrivance in lesser hands, but Ghostlight handles its revelations with a grace that ensures it mostly all comes together. This is a film that wears its emotions on its sleeves and earns nearly every one of them, making for an often moving merging of performance and reality. For every moment where it can risk starting to feel cloying and a little clunky in parts, the care and charm of the performances make it a production worth applauding by the time it all comes together.

When a construction worker unexpectedly joins a local theater's production of Romeo and Juliet, the drama onstage starts to mirror his own life.

What Is 'Ghostlight' About?

This all begins with Dan going about getting up early to go work at his construction job. This won’t last long as he’ll get called in along with his wife Sharon ( Tara Mallen ) to Daisy’s school, where she has gotten in trouble for allegedly pushing a teacher. It’s the first of what we are told are many problems that she’s been having. Dan and Sharon clearly want to help her, though both feel like they’re also carrying around a weight that is making this quite difficult. There are allusions to something tragic having recently happened, and the trio are also preparing for a deposition of some kind that seems to be bringing all of this to the surface. The person who seems to be struggling with this most is Dan, even as he tries to keep it all bottled up, resulting in him grabbing a man from his car and shouting at him after he honks at him while he is working. In the midst of all of this, he unexpectedly meets Rita ( Dolly De Leon ), who is working on a local theater’s production of Romeo and Juliet . Dan, never one for acting in stage productions even as he likes watching Daisy in them, soon begins to find connection and an outlet for all of his feelings when he gets a major part in this humble staging.

Though not quite as good as this, Ghostlight asks fundamental questions about the value of art in modern life in the same vein as the recent Perfect Days did ever so subtly . The same poetry and patience aren’t quite achieved here as the story itself often plays out more conventionally, undercutting emotional beats ever so slightly at key moments to spell out its ideas. There are also a few less effective comedic scenes, riffing on some of the similar premises about actors and their pretentiousness already done much better in the series Barry , that it then has to backpedal on to reconfigure them into more dramatic ones.

While a little clunky, once it can get past these moments, that’s where Ghostlight finds its place on stage . There are plenty of reference points beyond the Shakespeare of it all, with scenes that recall the classic Good Will Hunting in terms of its reflections on therapy, just as there is a needle drop that had my mind bouncing to the more recent Aftersun , though the most interesting bits surround the way the ideas of the play get intertwined with the life of Dan and his family. While he is seemingly aware of this, becoming drawn to the play as a way to process his feelings, he still takes a while to vocalize them. This predictably leads to a bit of a humorous misunderstanding, one of the more delightful gags in the movie, but the greatest achievements come in everything that follows when it all comes into the open.

'Ghostlight' Is a Truthful Look at Trauma

For all the ways many modern movies tack on ideas surrounding trauma in ways that can feel ham-handed rather than honest , Ghostlight is a much more complete portrait that stands apart . As we come to see, Dan’s desire to join in on the play had far more to do with all he couldn’t say outside of it and the way what was written for him gave him the words that he needed. Even when there were some emotional beats elsewhere that felt forced, it’s this central element where the film itself finds all the right things to say.

There is nothing easy about this journey, and we see the agony that Dan has buried deep down come bursting out at the expense of others. And yet, this is what trauma looks like. It doesn’t always come in grand proclamations or neat metaphors. Rather, it’s about trying to find meaning where there may be none and the messy process that involves . It’s like a good theatrical production. It’s often charming and more than a little chaotic. However, if done well, it represents a cathartic way to send us all back into the world to navigate our own stages before we return to the ones we’ve built to practice what it means to be alive.

Ghostlight is an authentic look at art, trauma, and healing that wears its emotions on its sleeves.

• The film asks fundamental questions about the value of art in modern life, offering a new take on a classic story.
• It offers a complete portrait of trauma that stands apart from other more ham-handed offerings through its honesty.
• The film finds truth in its own production, capturing what it means to achieve the catharsis necessary to send us back into the stages of our own world.
• There are some clunky moments and less effective comedic beats scattered throughout.

Ghostlight is now playing in theaters in the U.S. Click below for showtimes near you.

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'Romeo & Juliet' and 'Snow White' are on Indianapolis Ballet's new season

Next season, Indianapolis Ballet will deliver the tradition it has become known for along with works it's not yet brought to audiences. The latter includes Sergei Prokofiev's powerful "Romeo & Juliet" in collaboration with the Indianapolis Symphony Orchestra next spring.

Also on the way are the beloved "Nutcracker" and masterpieces by renowned choreographer George Balanchine, whom the company consistently honors. Mixed into the season are plenty of original works, too.

Here's Indianapolis Ballet's 2023-2024 season schedule. Season packages and single tickets will go on sale Aug. 7. Buy tickets and find more information at indyballet.org .

'Beyond Ballet' at IndyFringe

Aug. 17-Sept. 3. Basile Theatre at the Athenaeum, 401 E. Michigan St.

Dancers will perform classic ballets with fresh choreography by the staff and company artists as part of the IndyFringe festival.

'Balancing Acts'

Sept. 22-24. The Toby at Newfields, 4000 N. Michigan Road.

The concert will comprise original works and works by Balanchine. He co-founded The School of American Ballet in New York City, where Indianapolis Ballet's founding artistic director Victoria Lyras studied.

Motown, pops and a Chaplin film: Here's Carmel Symphony's 2023-2024 season

Nov. 2-5. The District Theatre, 627 Massachusetts Ave.

Artistic staff and company artists will develop new choreography that leverages the venue's intimate feel.

'The Nutcracker'

Dec. 15-17. The Murat Theatre at Old National Centre, 502 N. New Jersey St.

The company will continue its tradition of producing a shimmering performance of Clara's journey in the Tchaikovsky masterwork.

Family Series: 'Nutcracker Sweets'

Dec. 21-23. The Toby at Newfields

The performance will deliver the best parts of "The Nutcracker" in a shortened, hourlong version.

Holocaust note defied victimhood: A mother's loving last letter now lives on in song.

'Love Springs Eternal'

Feb. 16-18, 2024. The Toby at Newfields.

Love will reign in this concert, which will include new works and some by Balanchine, that's timed near Valentine's Day.

Family Series: 'Snow White'

March 29-30, 2024. The Toby at Newfields.

The company will perform the classic tale of the fair maiden's battle against the wicked queen.

'Romeo & Juliet'

May 3-4, 2024. Clowes Memorial Hall at Butler University, 4602 Sunset Ave.

The ballet will join the Indianapolis Symphony to perform the tragic love story. The organizations last collaborated in 2018 on "The Nutcracker" to celebrate the ballet's first season.

Looking for things to do? Our newsletter has the best concerts, art, shows and more — and the stories behind them

Contact the reporter at 317-444-7339.

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ABT’s Summer Season Dances Great Works of Literature

'america's national ballet company' is the master of the story ballet, but don’t mistakenly assume that means they're putting fairy tales on the stage..

This summer, American Ballet Theatre (ABT) is bringing five stunning ballets to the Metropolitan Opera House stage. Four are based on great works of literature, three are repertory favorites, two are contemporary masterpieces and one is a New York Premiere. Founded in 1940 and designated America’s National Ballet Company in 2006, ABT is dedicated to preserving and presenting full-length ballets from the 19th and 20th Centuries while also performing exciting new works. They are, quite simply, the masters of the story ballet, but don’t make the mistake of assuming that means putting fairy tales on the stage. The stories of this Summer Season , which kicks off today (June 18) and runs through July 20), are based on a 19th-century Russian verse novel, three British modernist novels, a Shakespearean play and a contemporary Mexican novel. There are no fae or witches, but do not fear—there’s still plenty of lust and love, betrayal and heartbreak and magic.

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While some of the ballets are literal visualizations of the tales that inspired them, others present a more abstract exploration of the source texts’ themes and ideas. Either way, as ABT’s Associate Artistic Director Clinton Luckett told Observer, “there will be great storytelling through great dancing.”

The season opens with Onegin (June 18-22) , one of the greatest story ballets of the 20th Century. This ballet adaptation of Alexander Pushkin ’s verse novel Eugene Onegin falls into the “literal visualization” category, remaining faithful to the source’s plot and characterization. Choreographed by John Cranko and set to music by Peter Ilyitch Tchaikovsky (arranged and orchestrated by Kurt-Heinz Stolze), the three-act ballet received its World Premiere by Stuttgart Ballet in 1965. ABT first performed the work in 2001, and though it has been part of their repertory ever since, they last performed it in 2017.

The story, set in 19th-century Russia, is powerful—full of passion, duty, honor, shame and regret—but Cranko’s delicate choreography adds another layer of poetry to it. In ABT’s Pop Up Book Club: Onegin , Principal Dancers Cory Stearns and Hee Seo (the only Principals who have previously performed in Onegin ) spoke on the importance of not over-dramatizing the already dramatic plot, on trusting that the choreography and physical movement—though never slipping into mime—will express the storyline accurately enough. Stearns said that over his years of performing Onegin, he has learned, “It does not require extra embellishment… less is more.”

Pushkin’s characters are complex and demand a lot from dancers, which is one of the reasons ABT’s Artistic Director Susan Jaffe (who has danced in Onegin herself) wanted to bring the ballet back into rotation. It takes seasoned dancers to accurately portray the lead roles, Luckett (who has also danced in Onegin ) explained, especially the role of the romantic heroine Tatyana. The Company currently has several strong female Principal Dancers ready to take on the challenge of such rich material and character arcs. Seo will return as Tatyana, and Christine Shevchenko and Chloe Misseldine will make their debuts in the lead role as well.

SEE ALSO: Legendary New York Gallerist Barbara Gladstone Dies at 89

Next is the season’s highlight: the New York Premiere of  Woolf Works (June 25-29). The award-winning ballet triptych, directed and choreographed by Wayne McGregor and set to an original score by composer Max Richter , received its World Premiere by The Royal Ballet in 2015. Inspired by three of Virginia Woolf’s modernist novels ( Mrs. Dalloway ,  Orlando and  The Waves ), it falls into the “abstract exploration of the texts’ themes and ideas” category. McGregor worked with dramaturg  Uzma Hameed to delve into not only Woolf’s novels but also her life—as told in her letters, essays and diaries. The result is, as ABT’s Dance Historian Elizabeth Kaye says in Behind the Ballet with Elizabeth Kaye: Woolf Works , “the portrayal of a woman’s soul” and “a revelation, a marvel, and an artistic triumph.”

McGregor is a contemporary choreographer, the first ever to hold the role of Resident Choreographer for The Royal Ballet, and his movement language is, I promise you, unlike anything you’ve ever seen before. McGregor calls it “bodies misbehaving beautifully.” I’ve been following his work since seeing a performance by his company Random Dance (now Company Wayne McGregor) many years ago. His style is extremely physical, extremely exact—a movement-based pointillism.

Woolf Works  is structured into three dramatically different acts: “I now, I then,” “Becomings” and “Tuesday.” But there are thematic throughlines, held together by repeated movements and the compelling score by Richter, McGregor’s frequent collaborator. “You can really feel the symbiosis between the sound environment and the movement environment,” Luckett said. “It’s deeply emotional… And that’s what Wayne has mined, too. He’s mined the deep emotion in Woolf’s work.”

McGregor created the work for ABT’s former Principal Dancer Alessandra Ferri , and Ferri will make a guest appearance in two performances (Tuesday, June 25 and Friday, June 28) alongside Herman Cornejo in his debut. Gillian Murphy and Joo Won Ahn , Teuscher and James Whiteside , and Seo and Aran Bell will all make their New York debuts in this work as well.

Following Woolf Works are two repertory and audience favorites: Swan Lake (July 1-6) and Romeo and Juliet (July 9-13). 

Swan Lake , with its gorgeous choreography by Kevin McKenzie after Marius Petipa and Lev Ivanov’s 1895 production, and its incredible score by Tchaikovsky, remains ABT’s best-selling ballet. It is, as Kaye says , “the crown jewel of classical ballet.” Isabella Boylston will be first to take on the show-stopping thirty-two fouettés as Odette-Odile alongside Daniel Camargo as Prince Siegfried. Misseldine, alongside Bell, will be making her New York debut in the lead role at the July 3 matinee. Romeo and Juliet , created by Kenneth MacMillan in 1965 and in ABT’s rotation since 1985, with its beautiful score by Sergei Prokofiev,   will open with Teuscher and Bell in the title roles. Another ballet in the “literal visualization” category, it stays true to the plot and passion in William Shakespeare’s famous tragedy of star-crossed lovers.

Closing out ABT’s Summer season is Like Water for Chocolate (July 16-20 ), which premiered to great critical and audience acclaim in 2022. Based on Laura Esquivel ’s novel of the same name, the ballet was created by Tony Award-winning choreographer Christopher Wheeldon with music by composer Joby Talbot . It straddles the two categories of adaptation, remaining true to much of Esquivel’s story of familial duty and forbidden love but veering into abstraction in a visually lush production steeped in magical realism. It will open with Cassandra Trenary as Tita and Cornejo as Pedro—a duo whose chemistry and execution in these roles are hard to beat. The talented Murphy will make her debut as the formidable Mama Elena—an experience not to be missed.

There are a few other auxiliary performances and events to mention. For younger ballet fans, the one-hour ABTKids Performance will take place on Saturday, June 22. And throughout the season, ABT will host a series of pre-performance workshops for children ages 4-12 and several post-performance celebratory toasts for grownups.

• SEE ALSO : ‘The Bikeriders’ Review: The Vibe Is Pitch Perfect, The Story Less So

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