daft punk homework box set

Daft Punk Surprise-Releases ‘Homework’ 25th Anniversary Boxed Set, Streams Unreleased 1997 Concert

By Jem Aswad

Executive Editor, Music

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In celebration of Daft Punk ’s 25th anniversary of their groundbreaking debut album, “Homework” comes the surprise release of “Homework Digital Deluxe.”  The physical boxed set arrives in April; the full track list appears below.

It will be previewed with an unreleased, exclusive and time-limited piece of content showing on 2/22 at 2:22 p.m. PT: a one-off livestream of the “Twitch of the Mayan 97” concert that you can hear here . The concert was filmed at the Mayan Theater in Los Angeles on December 17, 1997, during the “Daftendirektour,” the duo’s first concert tour.

The news comes exactly one year after the vastly influential duo announced their split .

The “Homework 25th Anniversary Edition” contains 15 remixes from the original album (nine of them previously unreleased on streaming services), including Masters At Work, DJ Sneak, Todd Terry, Motorbass, Slam, Ian Pooley, I:Cube, Roger Sanchez & Junior Sanchez. Knowing the ways of Daft Punk, it seems possible that other content could materialize around the set.

Popular on Variety

Vinyl editions of “Homework” and “Alive ’97” will be back in stores on April 15th and can be preordered on February 22 from the group’s website.

Daft Punk “Homework (25th Anniversary Edition)” (album) Street Date: 2/22/22 Label: Daft Life distributed by ADA/Warner Music

Disc 1: Homework – Original Album 01 Daftendirekt 02 WDPK 83.7 FM 03 Revolution 909 04 Da Funk 05 Phoenix 06 Fresh 07 Around The World 08 Rollin’ & Scratchin’ 09 Teachers 10 High Fidelity 11 Rock’n Roll 12 Oh Yeah 13 Burnin’ 14 Indo Silver Club 15 Alive 16 Funk Ad

…….

Disc 2: Homework REMIXES

(BOLD are previously unreleased on streaming platforms)

01 Around The World (I:Cube remix) 02 Revolution 909 (Roger Sanchez & Junior Sanchez Remix) 03 Around the World (Tee’s Frozen Sun Mix) 04 Around the World (Mellow Mix) 05 Burnin’ (DJ Sneak Main Mix) 06 Around the World (Kenlou Mix) 07 Burnin’ Ian Pooley cut up mix 08 Around The World Motorbass Vice Mix 09 Around The World (M.A.W. Remix) 10 Burnin’ (Slam mix) 11 Around The World (Original Lead Only) 12 Burnin’ (DJ Sneak Mongowarrier Mix) 13 Around The World (Raw Dub) 14 Teachers (extended mix) 15 Revolution 909 (Revolution A Capella)

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Homework (25th Anniversary Edition)

31 SONGS • 3 HOURS AND 2 MINUTES • FEB 25 2022

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As they evolved from '90s French house pioneers to 2000s dance tastemakers to mainstream heroes in the 2010s, Daft Punk remained one of dance music's most iconic acts. With their early singles and 1997's instant-classic debut album Homework, Guy-Manuel de Homem-Christo and Thomas Bangalter quickly won acclaim for their skill at blending their beloved Chicago house and Detroit techno with pop, funk, indie rock, and hip-hop into nostalgic yet futuristic forms. Not content to just widen electronic music's popularity, on 2001's Discovery they reinvented the then-unfashionable sounds of mid-'80s soft rock and R&B into stylish tracks that also had a childlike wonder. Despite their sizable popularity, Daft Punk were never afraid to challenge their listeners, which they did with 2005's cold and dystopic Human After All. Even when they polarized their audience, there was never any doubt that they staged groundbreaking concerts, and the tour captured on Alive 2007 helped pave the way for arena-sized EDM, particularly in the U.S. With 2013's Random Access Memories, the duo once again looked to the past to create the future, borrowing from prog, disco, and a laid-back West Coast vibe that bucked the predominant trends in electronic music but still resonated with a wide audience. Daft Punk's influence reached further into the mainstream through collaborations with Kanye West and the Weeknd, and the duo's music was sampled by artists ranging from Missy Elliott to the Fall. Though they reinvented themselves continually, wherever Daft Punk went, the rest of pop music followed.

After meeting in 1987 as students at Paris' Lycée Carnot secondary school, Bangalter and de Homem-Christo became friends and soon started making music together. In 1992, they formed the band Darlin'. Named after a Beach Boys song, the group featured Bangalter on bass, de Homem-Christo on guitar, and additional guitarist Laurent Brancowitz. Darlin's career was brief: The trio recorded a cover of their namesake song that appeared, along with an original song, on a various artists EP released by Stereolab's label Duophonic (the band also invited Darlin' to play some U.K. shows with them). Following a Melody Maker review that described Darlin's music as "a daft punky thrash," the band broke up. Bangalter and de Homem-Christo began experimenting with electronic music, taking their new project's name from that review and drawing inspiration from pioneers such as Todd Edwards, Juan Atkins, Kraftwerk, Frankie Knuckles, and many more.

By September 1993, Daft Punk had readied a demo tape, which they gave to Soma co-founder Stuart MacMillan at a rave at EuroDisney. The label released the duo's debut single, "The New Wave," in April 1994. Instantly hailed by the dance music press as the work of a new breed of house innovators, it was followed by May 1995's "Da Funk," the band's first true hit (the record sold 30,000 copies worldwide and saw thorough rinsings by everyone from Kris Needs to the Chemical Brothers). In 1996, the buzz around Daft Punk led them to sign with Virgin, and the label released the single "Da Funk"/"Musique" that year. Recorded and mixed at the duo's Paris studio Daft House, January 1997's debut album Homework -- named for Daft Punk's D.I.Y. aesthetic -- was a critical and commercial success. The album reached number three in France and stayed on the chart for over a year, while the singles "Da Funk," "Around the World," "Burnin'," and "Revolution 909" charted in France, the U.K., the U.S., and Australia. The duo supported the record with the Daftendirekt tour, while the Homework video collection D.A.F.T.: A Story about Dogs, Androids, Firemen and Tomatoes followed in 1999 and featured clips directed by Roman Coppola, Michel Gondry, and Spike Jonze.

To follow their breakthrough debut album, de Homem-Christo and Bangalter reached back to their childhoods in the '70s and '80s and sought to fuse technology with humanity. Once again recorded at Daft House, March 2001's Discovery incorporated disco and synth pop as well as house, garage, and R&B into a sleek, retro-futuristic sound that matched the robotic helmets and gloves the duo introduced with the release of the album. Featuring contributions from heroes such as Romanthony, Edwards, and DJ Sneak, Discovery was an even bigger hit than its predecessor. The album peaked at number two in France and the U.K., while the singles "One More Time," "Digital Love," "Harder, Faster, Better, Stronger," and "Face to Face" also charted in the U.K. and the U.S. That November saw the release of Alive 1997, an edit of the duo's Birmingham, England stop on the Daftendirekt tour. Daft Punk capped the Discovery era in 2003 with Interstella 5555: The 5tory of the 5ecret 5tar 5ystem, an animated film they produced with anime and manga creator Leiji Matsumoto that used the album as its soundtrack.

For Daft Punk's third album, the duo took a drastically different approach. Created in six weeks -- as opposed to the two years they spent making Discovery -- with a handful of gear that included an eight-track machine, March 2005's Human After All was a deliberately raw, stark set of songs inspired by George Orwell's Nineteen Eighty-Four. Though its cold, repetitive feel drew polarized reactions, the album fared well commercially: Human After All reached number three in France, was a Top Ten hit in the U.K., and hit number one on the Billboard Top Dance/Electronic Albums chart in the U.S. The set was also nominated for Best Electronic/Dance Album at the 2006 Grammy Awards. Shortly after its release, Human After All [Remixes] collected reworkings by Soulwax, Digitalism, and Erol Alkan among others.

April 2006 saw the arrival of Musique, Vol. 1: 1993-2005, a compilation of the duo's best-known songs and remixes accompanied by the videos for Human After All's singles. That May, Daft Punk premiered their film Electroma at the Director's Fortnight at that year's Cannes Film Festival. An experimental sci-fi film about a pair of robots seeking to become human, it began as the video for Human After All's title track before expanding into a feature film (unlike Interstella 5555, the movie did not feature any of Daft Punk's music). Initially earning mixed reviews, over time Electroma won a cult audience. That year, the duo embarked on the Alive tour, which lasted through 2007 and featured some of Daft Punk's most ambitiously staged live sets. Appearing in November 2007, Alive 2007 documented the tour. Early in 2009, the album and its single "Harder, Better, Faster, Stronger" won Grammy Awards.

Daft Punk returned with new music in November 2010 in the form of the score to Joseph Kosinski's feature film Tron: Legacy. A collaboration with Joseph Trapanese, who arranged and orchestrated the pair's compositions, it featured an 85-piece orchestra as well as Daft Punk's signature electronics. Bangalter and de Homem-Christo also appeared in the film in a brief cameo. The soundtrack eventually reached number four on the Billboard 200 Albums chart in the U.S. and was nominated for a Best Score Soundtrack Album for Visual Media Grammy Award. Also in 2010, the duo were admitted into the Ordre des Arts et des Lettres, with de Homem-Christo and Bangalter each receiving the rank of Chevalier. The following year saw the April release of the remix album Tron: Legacy Reconfigured, while that September's compilation Soma Records: 20 Years featured the track "Drive," an early recording that was believed to be lost.

For their fourth album, Daft Punk once again took a different creative tack. Seeking a breezy feel informed by Fleetwood Mac, the Eagles, and Jean Michel Jarre, the duo emphasized live instrumentation and collaborated with artists including Nile Rodgers, Paul Williams, Giorgio Moroder, and Panda Bear. Pharrell Williams appeared on the single "Get Lucky," which preceded the release of the full-length Random Access Memories in May 2013. Recorded in California, New York City, and Paris and spanning disco, prog, and indie influences, the album became one of Daft Punk's biggest successes. It topped the charts in over 20 countries including the U.S., where it became the duo's first number one album and was eventually certified platinum. It also won Grammy Awards for Best Dance/Electronica Album, Album of the Year, and Best Engineered Album, Non-Classical. "Get Lucky" hit number one in over 30 countries and earned Grammys for Best Pop Duo/Group Performance and Record of the Year. That year, Daft Punk also co-produced Kanye West's critically acclaimed album Yeezus, and worked on tracks including the single "Black Skinhead." In 2014, the duo appeared on Pharrell's album G I R L and collaborated with Jay-Z on the song "Computerized." A 2015 documentary titled Daft Punk Unchained charted their history from the '90s into the 2010s, featuring interviews with Rodgers, Pharrell, and West, among others. In turn, the duo appeared in that year's Rodgers documentary Nile Rodgers: From Disco to Daft Punk.

During the latter half of the 2010s, Daft Punk remained active. They teamed up with the Weeknd's Abel Tesfaye on a pair of songs from his 2016 album Starboy, including the chart-topping title track. The following year, the duo performed with the Weeknd at the 59th Annual Grammy Awards; later in 2017, they co-wrote and produced Parcels' "Overnight." During this time, Daft Punk's members also worked on separate projects. Bangalter co-produced Arcade Fire's 2017 album Everything Now and contributed pieces to the soundtrack to Gaspar Noé's 2018 film Climax, while de Homem-Christo co-wrote and produced tracks for Charlotte Gainsbourg's 2017 album Rest and the Weeknd's 2018 EP My Dear Melancholy,. In 2019, Daft Punk were featured in the Philharmonie de Paris' exhibition Electro, which traced the history of electronic music and its influence on visual arts. In February 2021, the duo disbanded, spreading the news with a YouTube video that featured scenes from the end of Electroma. ~ Heather Phares & Sean Cooper

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Daft Punk to Release ‘Homework’ 25th Anniversary Box Set

by Jacob Uitti February 24, 2022, 9:20 am

Despite announcing their split a year ago, mysterious pop band Daft Punk keeps working better, faster, harder, stronger…

Videos by American Songwriter

On Tuesday (February 22), exactly a year after the band announced its split, Daft Punk surprised fans with an announcement of a new 25th-anniversary box set for their popular album, Homework .

The physical edition of the new box set will arrive on shelves on April 15. Check out the full track listing here below.

To celebrate the news, the band dropped a previously unreleased live show from December 17, 1997. On 2/22, the band unveiled the live show at 2:22 PM PST on the band’s Twitch channel. The concert was filmed at the Mayan Theater in Los Angeles during the group’s “Daftendirektour,” which was Daft Punk’s first concert tour.

According to Variety, the Homework 25th Anniversary Edition will include 15 remixes from the original album, nine of them previously unheard and unavailable on streaming services.

Fans can pre-order the box set HERE .

See complete track list here:

Disc 1: Homework – Original Album 01 Daftendirekt 02 WDPK 83.7 FM 03 Revolution 909 04 Da Funk 05 Phoenix 06 Fresh 07 Around The World 08 Rollin’ & Scratchin’ 09 Teachers 10 High Fidelity 11 Rock’n Roll 12 Oh Yeah 13 Burnin’ 14 Indo Silver Club 15 Alive 16 Funk Ad

Disc 2: Homework REMIXES

01 Around The World (I:Cube remix) 02 Revolution 909 (Roger Sanchez & Junior Sanchez Remix) 03 Around the World (Tee’s Frozen Sun Mix) 04 Around the World (Mellow Mix) 05 Burnin’ (DJ Sneak Main Mix) 06 Around the World (Kenlou Mix) 07 Burnin’ Ian Pooley cut up mix 08 Around The World Motorbass Vice Mix 09 Around The World (M.A.W. Remix) 10 Burnin’ (Slam mix) 11 Around The World (Original Lead Only) 12 Burnin’ (DJ Sneak Mongowarrier Mix) 13 Around The World (Raw Dub) 14 Teachers (extended mix) 15 Revolution 909 (Revolution A Capella)

Photo by Kevin Mazur/WireImage

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© 2024 American Songwriter

On the anniversary of breaking up, Daft Punk announces a new Homework box set

Daft punk is going back to the days when they were still humans.

Leave your robot mask off and put on your disconcerting dog mask : It’s time to go back to Daft Punk’s Homework era—when Guy-Manuel de Homem-Christo and Thomas Bangalter were just human DJs and not cool robots (historians will recall that they became robots on 9/9/99 for the album Discovery ). It’s been a year since Daft Punk broke up , and given that occaision and the duo’s apparent fondness for dates that are all one number (today is 2/22/22), they’ve decided to celebrate with a new 25th anniversary box set of Homework and, if you catch it in time, a Twitch stream of a show from the Mayan Theater in Los Angeles on Daft Punk’s first tour in 1997.

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As for the box set, it’s available digitally right now and includes 15 remixes of songs off Homework —most of which have never been available on streaming services, according to Variety . The vinyl version of Homework (25th Anniversary Edition) and a vinyl reissue of Alive 97 will be available on April 15. The track list for new version of Homework is below.

01 “Daftendirekt”

02 “WDPK 83.7 FM”

03 “Revolution 909”

04 “Da Funk”

05 “Phoenix”

07 “Around The World”

08 “Rollin’ & Scratchin’”

09 “Teachers”

10 “High Fidelity”

11 “Rock’n Roll”

12 “Oh Yeah”

13 “Burnin’”

14 “Indo Silver Club”

16 “Funk Ad”

Disc 2 (remixes):

01 “Around The World (I:Cube remix)”

02 “Revolution 909 (Roger Sanchez & Junior Sanchez Remix)”

03 “Around the World (Tee’s Frozen Sun Mix)”

04 “Around the World (Mellow Mix)”

05 “Burnin’ (DJ Sneak Main Mix)”

06 “Around the World (Kenlou Mix)”

07 “Burnin’ Ian Pooley cut up mix”

08 “Around The World Motorbass Vice Mix”

09 “Around The World (M.A.W. Remix)”

10 “Burnin’ (Slam mix)”

11 “Around The World (Original Lead Only)”

12 “Burnin’ (DJ Sneak Mongowarrier Mix)”

13 “Around The World (Raw Dub)”

14 “Teachers (extended mix)”

15 “Revolution 909 (Revolution A Capella)”

• Exclusive Mixes

Daft Punk Announce 25th Anniversary Edition of ‘Homework’

A year after announcing they’ve broken up, Daft Punk has returned for a special live stream and 25th Anniversary Edition of Homework .

There are few duos in the dance music scene who captivated the planet quite as Daft Punk did. During their near-30 year run, they not only delivered some of the best tunes for everyone to dance to , but also provided the soundtrack for Tron: Legacy and completely changed the game for live show experiences. Now, a year after the duo announced their split , Daft Punk has returned with something extra special for their fans.

A buzz of activity grew online as Daft Punk’s social media profiles came alive earlier today. This left fans to wonder what was in-store and now that has been answered with a “one-time-only” live stream on Twitch of their performance in Los Angeles at the Mayan from 1997. More details, including a special 25th Anniversary Edition of Homework , surfaced from Rolling Stone and Variety . This new box set features a flurry of remixes from the album that had previously never graced streaming services from the likes of DJ Sneak and more.

Further, Daft Punk is set to reissue two of their vinyl albums that have been highly desired by their fans since the duo announced their split. Akin to the repressing of their Tron: Legacy soundtrack, Homework and Alive 1997 are currently available for preorder on Amazon and will begin to ship on April 15 .

Head over to Daft Punk’s website for more information and head to Twitch to watch the set!

Stream Daft Punk – Homework  25th Anniversary Edition on Spotify:

Daft punk – homework  25th anniversary edition – tracklist:.

Disc 1: Homework – Original Album

1. “Daftendirekt” 2. “WDPK 83.7 FM” 3. “Revolution 909” 4. “Da Funk” 5. “Phoenix” 6. “Fresh” 7. “Around The World” 8. “Rollin’ & Scratchin’” 9. “Teachers” 10. “High Fidelity” 11. “Rock’n Roll” 12. “Oh Yeah” 13. “Burnin’” 14. “Indo Silver Club” 15. “Alive” 16. “Funk Ad”

Disc 2: Homework Remixes

1. “Around The World” (I:Cube remix)* 2. “Revolution 909” (Roger Sanchez & Junior Sanchez Remix) 3. “Around the World” (Tee’s Frozen Sun Mix)* 4. “Around the World” (Mellow Mix)* 5. “Burnin’” (DJ Sneak Main Mix)* 6. “Around the World” (Kenlou Mix)* 7. “Burnin’” (Ian Pooley cut up mix) 8. “Around The World” (Motorbass Vice Mix) 9. “Around The World” (M.A.W. Remix)* 10. “Burnin’” (Slam mix) 11. “Around The World” (Original Lead Only)* 12. “Burnin’” (DJ Sneak Mongowarrier Mix)* 13. “Around The World” (Raw Dub)* 14. “Teachers” (extended mix) 15. “Revolution 909” (Revolution A Capella)

*not previously on streaming services

Connect with Daft Punk on Social Media:

Website  |  Facebook  |  Instagram  |  SoundCloud  |  YouTube

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Homework (25th Anniversary Edition)

Few records combine sonic innovation with veneration for what came before as succinctly as Daft Punk’s 1997 debut, Homework. The title itself implies this duality: It’s a reference to both the bedroom studio where musicians Thomas Bangalter and Guy-Manuel de Homem-Christo recorded their early house and techno productions, and a nod to the older artists the duo studied in preparation for their dance music breakthrough. Many of those musical ancestors are name-checked on the Homework track “Teachers,” on which Bangalter and Homem-Christo salute the (mostly) electronic music producers and DJs who inspired their work. That includes plenty of semi-obscure Chicago house music heroes and Detroit and UK techno champions, many of whom predated Daft Punk by a decade—but who were still active in the late-1990s rave scene. By tagging their peers, the members of Daft Punk were expressing solidarity with the many BIPOC artists whom they’d obsessed over for years. It was a declaration of belonging that could have come off as appropriation, had Homework not so fully elevated the genre. Bangalter and Homem-Christo might wear their influences on their sleeve, but their music transcends mere tribute; it’s some of the most unforgettable hook-laden house and techno ever put to wax. When it comes to the dance floor, if a record’s hot, that record is hot. And DJs across the globe pumped Homework’s 16 tracks, which included everything from playful filtered disco (“Revolution 909”) to throttling acid techno (“Rollin’ & Scratchin’”). Meanwhile, radio jocks and MTV programmers on the lookout for format-friendly versions of popular rave sounds swooned over Homework cuts like “Da Funk” and “Around the World,” which became breakout hits, thanks to inventive videos directed, respectively, by Spike Jonez and Michel Gondry. That near-impossible confluence of talent and timing allowed Homework to achieve its position atop every list of 1990s electronic music. As time went on, the members of Daft Punk would prove themselves worthy of every accolade Homework received as they continued to evolve from students to teachers to masters—elevating the state of electronic music every step of the way.

January 20, 1997 31 Songs, 3 hours, 2 minutes Distributed exclusively by Warner Music France / ADA France, ℗ 1997, 2022 Daft Life Ltd.

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Daft Punk|Homework (25th Anniversary Edition)

Homework (25th Anniversary Edition)

• Released on 1/20/97 by Daft Life Ltd. - ADA France
• Main artists: Daft Punk
• Genre: Dance

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Guy-Manuel de Homem-Christo and Thomas Bangalter, the two French twenty-something DJs who make up Daft Punk, are relentless dance music aficionados and historians. And unlike many of their contemporaries, their interests don't just lie in the electronic beats that have been rockin' the clubs since the mid-'80s. The two knob-twiddlers are just as well-versed in Giorgio Moroder's Euro-disco grooves, Chic, and the old-school rhythms of Afrika Bambaataa and the Sugarhill Records catalog as they are in the Chicago house and Detroit techno traditions. When they're not assembling catchy-as-hell bits of electro-pop ("Around the World"), throwing down slabs of minimalist funk ("Da Funk"), or marrying Miami bass to Kraftwerk-ian blips ("Oh Yeah"), Homem-Christo and Bangalter try to impart a little knowledge. On "Teachers," they use a Ween-esque distorted vocal line to name-check a broad list of influences who includes Brian Wilson, Dr. Dre, and Armand Van Helden. Their broad focus, utopian determination, and, of course, their way with a beat earn Daft Punk's Homework a well-deserved 'A'. © TiVo

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Nilesh Patel, MasteringEngineer - Daft Punk, MainArtist - Thomas Bangalter, Producer, Writer - Guy-Manuel de Homem-Christo, Producer, Writer

Distributed exclusively by Warner Music France / ADA France, © 1997, 2022 Daft Life Ltd. Distributed exclusively by Warner Music France / ADA France, ℗ 1996 Daft Life Ltd.

Nilesh Patel, MasteringEngineer - Daft Punk, MainArtist - Thomas Bangalter, Composer, Producer, Writer - Guy-Manuel de Homem-Christo, Composer, Producer, Writer

I:Cube, Remixer, RemixingEngineer - Daft Punk, MainArtist - Thomas Bangalter, Composer, Producer, Writer - Guy-Manuel de Homem-Christo, Composer, Producer, Writer

Junior Sanchez, Remixer - Daft Punk, MainArtist - Thomas Bangalter, Composer, Producer, Writer - Roger Sanchez, Remixer - Guy-Manuel de Homem-Christo, Composer, Producer, Writer

Distributed exclusively by Warner Music France / ADA France, © 1997, 2022 Daft Life Ltd. Distributed exclusively by Warner Music France / ADA France, ℗ 1997 Daft Life Ltd.

Daft Punk, MainArtist - Thomas Bangalter, Composer, Producer, Writer - TODD TERRY, Additional Producer, Remixer - Guy-Manuel de Homem-Christo, Composer, Producer, Writer

Masters At Work, Remixer - Daft Punk, MainArtist - Thomas Bangalter, Composer, Producer, Writer - Guy-Manuel de Homem-Christo, Composer, Producer, Writer - Steven Barkan, MixingEngineer - Louie Vega, Reconstruction, RemixingEngineer - KENNY "DOPE" GONZALEZ, Reconstruction, RemixingEngineer - Oscar Monsalve, AssistantEngineer

Carlos Sosa, RemixingEngineer - Nilesh Patel, MasteringEngineer - Daft Punk, MainArtist - Thomas Bangalter, Composer, Producer, Writer - DJ Sneak, Remixer - Guy-Manuel de Homem-Christo, Composer, Producer, Writer

Masters At Work, Remixer - Daft Punk, MainArtist - Thomas Bangalter, Composer, Producer, Writer - Kenny 'Dope' Gonzalez, Reconstruction - Guy-Manuel de Homem-Christo, Composer, Producer, Writer - Louie Vega, RemixingEngineer - KENNY "DOPE" GONZALEZ, RemixingEngineer - 'Little Louie' Vega, Reconstruction - Oscar Monsalve, AssistantEngineer - Oscar Monalve, AssistantEngineer - Steve Burkan, MixingEngineer

Nilesh Patel, MasteringEngineer - Daft Punk, MainArtist - Thomas Bangalter, Composer, Producer, Writer - Guy-Manuel de Homem-Christo, Composer, Writer - Ian Pooley, Remixer - Guy-Manuel De Homem-Cristo, Producer

Daft Punk, MainArtist - Thomas Bangalter, Composer, Producer, Writer - Guy-Manuel de Homem-Christo, Composer, Producer, Writer - Etienne De Crecy, RemixingEngineer - Philippe Cerboneschi, RemixingEngineer - Motorbass, Remixer

Nilesh Patel, MasteringEngineer - Daft Punk, MainArtist - Thomas Bangalter, Composer, Producer, Writer - Guy-Manuel de Homem-Christo, Composer, Writer - Slam, Remixer - Stuart McMillan, RemixingEngineer - Orde Meikle, RemixingEngineer - Guy-Manuel De Homem-Cristo, Producer

Daft Punk, MainArtist - Thomas Bangalter, Composer, Producer, Writer - TODD TERRY, Remixer - Guy-Manuel de Homem-Christo, Composer, Producer, Writer - Steven Barkan, MixingEngineer - Louie Vega, Reconstruction, RemixingEngineer - KENNY "DOPE" GONZALEZ, Reconstruction, RemixingEngineer - Oscar Monsalve, AssistantEngineer

Carlos Sosa, RemixingEngineer - Nilesh Patel, MasteringEngineer - Daft Punk, MainArtist - Thomas Bangalter, Composer, Producer, DJ, Writer - DJ Sneak, Remixer - Guy-Manuel de Homem-Christo, Composer, Producer, DJ, Writer

Daft Punk, MainArtist - Thomas Bangalter, Composer, Producer, Writer - Guy-Manuel de Homem-Christo, Composer, Writer - Guy-Manuel de Homem Christo, Producer

Album review

About the album.

• 2 disc(s) - 31 track(s)
• Total length: 03:01:50
• Composer: Various Composers
• Label: Daft Life Ltd. - ADA France
• Genre: Electronic Dance

Distributed exclusively by Warner Music France / ADA France, © 1997, 2022 Daft Life Ltd. Distributed exclusively by Warner Music France / ADA France, ℗ 1997, 2022 Daft Life Ltd.

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...essential

Daft Punk To Celebrate 25th Anniversary Of Homework With 2LP Box

Daft Punk , a popular duo with their foundation in electronica, have made recorded music since 1997 with their first album, Homework . Right out if the gate, Homework sold well eventually logging in over two million units sold worldwide. After, they delivered three more top-selling albums, their last in 2013 with Random Access Memories . It acheived number one on the charts worldwide.

On April 15, Homework will reissue as a 2LP Box set called Homework – 25th Anniversary Edition. The first LP will contain the original album, while the 2nd LP will add in 15 remixes, some not previously released. The 25th Anniversary Edition of Homework is already available as a DD.

Homework (25th Anniversary Edition) – Daft Punk

LP1 (Original Album) 01 Daftendirekt 02 WDPK 83.7 FM 03 Revolution 909 04 Da Funk 05 Phoenix 06 Fresh 07 Around The World 08 Rollin’ & Scratchin’ 09 Teachers 10 High Fidelity 11 Rock’n Roll 12 Oh Yeah 13 Burnin’ 14 Indo Silver Club 15 Alive 16 Funk Ad

LP2 (Homework Remixes) 01 Around The World (I:Cube remix) 02 Revolution 909 (Roger Sanchez & Junior Sanchez Remix) 03 Around the World (Tee’s Frozen Sun Mix) 04 Around the World (Mellow Mix) 05 Burnin’ (DJ Sneak Main Mix) 06 Around the World (Kenlou Mix) 07 Burnin’ Ian Pooley cut up mix 08 Around The World Motorbass Vice Mix 09 Around The World (M.A.W. Remix) 10 Burnin’ (Slam mix) 11 Around The World (Original Lead Only) 12 Burnin’ (DJ Sneak Mongowarrier Mix) 13 Around The World (Raw Dub) 14 Teachers (extended mix) 15 Revolution 909 (Revolution A Capella)

Previous Postings

Next rhino-issued quadio batch arrives with titles by hot tuna, seals & croft, roberta flack, and donny hathaway, 3cd box revisits the byron band set – on the rocks with on the rocks…again, the best of the doobie brothers v1 & v2 to be reissued as single set, have you read, hbo original documentary series, “stax: soulsville u.s.a.” debuts may 20th.

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By Larry Fitzmaurice

December 2, 2018

Daft Punk ’s Homework is, in its pure existence, a study in contradictions. The debut album from Thomas Bangalter and Guy-Manuel de Homem-Christo arrived in 1997, right around the proliferation of big-beat and electronica—a twin-headed hydra of dance music fads embraced by the music industry following the commercialization of early ’90s rave culture—but when it came to presumptive contemporaries from those pseudo-movements, Homework shared Sam Goody rack space and not much else. Daft Punk’s introduction to the greater world also came at a time when French electronic music was gaining international recognition, from sturdy discotheque designs to jazzy, downtempo excursions—music that sounded miles away from Homework ’s rude, brutalist house music.

In the 21 years since Homework ’s release, Daft Punk have strayed far from its sound with globe-traversing electronic pop that, even while incorporating other elements of dance music subgenres, has more often than not kept house music’s building blocks at arms’ length. 2001’s Discovery was effectively electronic pop-as-Crayola box, with loads of chunky color and front-and-center vocals that carried massive mainstream appeal. Human After All from 2005 favored dirty guitars and repetitive, Teutonic sloganeering, while the pair took a nostalgia trip through the history of electronic pop itself for 2013’s Random Access Memories . Were it not for a few choice Homework tracks that pop up on 2007’s exhilarating live document Alive 2007 , one might assume that Homework has been lost in the narrative that’s formed since its release—that of Daft Punk as robot-helmeted superstar avatars, rather than as irreverent house savants.

But even as the straightforward and strident club fare on Homework remains singular within Daft Punk’s catalog, the record also set the stage for the duo’s career to this very day—a massively successful and still-going ascent to pop iconography, built on the magic trick-esque ability to twist the shapes of dance music’s past to resemble something seemingly futuristic. Whether you’re talking about Bangalter and Homem-Christo’s predilection for global-kitsch nostalgia, their canny and self-possessed sense of business savvy, or their willingness to wear their influences on their sleeve like ironed-on jean-jacket patches—it all began with Homework .

It couldn’t possibly make more sense that a pair of musicians whose most recent album sounds like a theme park ride through pop and electronic music’s past got their big break at Disneyland. It was 1993, and schoolboy friends Bangalter and Homem-Christo’s rock band with future Phoenix guitarist Laurent Brancowitz, Darlin’—named after a track from the 1967 Beach Boys album Wild Honey that the three shared an affinity for—had disbanded after a year of existence that included a few songs released on Stereolab ’s Duophonic label. (Melody Maker writer Dave Jennings notoriously referred to their songs as possessing “a daft punky thrash,” which led to the pair assuming the Daft Punk moniker.)

While attending a rave in Paris, Bangalter and Homem-Christo had a chance encounter with Glasgow DJ/producer Stuart McMillan, the co-founder of the Soma Recordings dance label; like any aspiring musicians would, they gave him a demo tape of early Daft Punk music. The following year Soma released Daft Punk’s debut single “The New Wave,” a booming and acid-tinged instrumental that would later evolve into Homework cut “Alive.”

A follow-up, “Da Funk” b/w “Rollin’ & Scratchin’,” hit shops in 1995; according to a Muzik profile two years later, its initial 2,000-platter pressing was “virtually ignored” until rave-electronica bridge-gap veterans the Chemical Brothers started airing out its A-side during DJ sets. A major-label bidding war ensued, with Virgin as the victor which re-released “Da Funk” as a proper single in 1996 with non- Homework track “Musique” as its B-side. During this time, Bangalter and Homem-Christo casually worked on the 16 tunes that would make up Homework in the former’s bedroom, utilizing what The Guardian ’s Ben Osborne referred to in 2001 as “ low technology equipment ”—two sequencers, a smattering of samplers, synths, drum machines, and effects, with an IOMEGA zip drive rounding out their setup.

Bangalter and Homem-Christo’s work ethic while assembling the bulk of Homework was of the type that makes sloths appear highly efficient by comparison: no more than eight hours a week, over the course of five months. “We have not spent much time on Homework ,” Bangalter casually bragged to POP . “The main thing is that it sounds good… We have no need to make music every day.” The songs were crafted with the intention of being released as singles (“We do not really want to make albums,” Bangalter claimed in the same interview), Homework ’s eventual sequencing a literal afterthought after the pair realized they had enough material to evenly fill four sides of two vinyl platters. “Balance,” the pair said in unison when asked about Homework ’s format-specific sequencing in Dance Music Authority following the album’s release. “It is done for balance.”

Indeed, Homework is practically built to be consumed in side-long chunks; taking the album in at a single 75-minute listen can feel like running a 5K right after eating an entire pizza. Its A-side kicks off with the patient build of “Daftendirekt”—itself a live-recording excerpt of introductory music used during a Daft Punk set at 1995’s I Love Techno festival in Ghent—and concludes with the euphoric uplift of “Phoenix”; the B-side opens with the literal oceanic washes of “Fresh” before stretching its legs with the loopy, Gershon Kingsley-interpolating “Around the World” and the screeching fist-pump anthem “Rollin’ & Scratchin’.” The third side keeps things light with the flashy, instructional “Teachers” before getting truly twisted on “Rock’n Roll,” and the fourth side takes a few rubbery detours before landing on the full-bodied “Alive”—the thicker and meaner final form of “The New Wave”—and, quixotically, a slight and rewound “Da Funk” return, aptly titled “Funk Ad.”

Bangalter explained to POP that the title of Homework carries a few meanings: “You always do homework in the bedroom,” he stated, referencing the album’s homespun origins before elaborating on the didactic exercise that creating the album represented: “We see it as a training for our upcoming discs. We would as well have been able to call it Lesson or Learning .” That instructional nature is reflexive when it comes to listeners’ presumptive relationship with the album, as Homework practically represents a how-to for understanding and listening to house music.

Nearly every track opens with a single sonic element—more often than not, that steady 4/4 rhythm inextricably tied to house music—adding every successive element of the track patiently, like a played-in-reverse YouTube video showcasing someone taking apart a gadget to see what’s inside. Such a pedagogic approach can have its pitfalls; there’s always a risk of coming across as too rigid, and Daft Punk arguably fell victim to such dull, fussy didacticism later in their careers. But they sidestep such follies on Homework by way of the purely pleasurable music they carefully assembled, piece-by-piece, for whoever was listening.

Under the umbrella of house music, Homework incorporates a variety of sounds snatched from various musical subgenres—G-funk’s pleasing whine, the cut-up vocal-sample style of proto-UK garage made popular by frequent Daft Punk collaborator Todd Edwards , disco’s delicious synths and glittery sweep—to craft a true musical travelogue that also hinted at the widescreen sonic scope they’d take later in their careers. Above all, the album represents a love letter to black American pop music that’s reverberated through Daft Punk’s career to date—from Janet Jackson ’s sample of “Daftendirekt” on her 2008 Discipline track “So Much Betta” to Will.i.am’s failed attempt to remix “Around the World” the year previous, as well as the duo’s continued collaborations with artists ranging from Pharrell to Kanye West and the Weeknd .

The spirit of house music’s Midwestern originators is also literally and musically invoked throughout. Over the winding house-party groove of “Teachers,” Daft Punk pay homage to their formative influences, ranging from George Clinton and Dr. Dre to Black house and techno pioneers like Lil Louis, DJ Slugo, and Parris Mitchell—and in a meta twist, the song’s structure itself is a literal homage to Mitchell’s 1995 Dance Mania! single “Ghetto Shout Out,” an interpolation clearly telegraphed in the middle of Daft Punk’s astounding contribution to BBC’s Essential Mix series in 1997 .

Alongside Daft Punk’s preoccupations with American popular music, Homework also carries a very specific and politically pointed evocation of their native Paris in “Revolution 909,” the fourth and final single released from Homework that doubled as a critique of anti-rave measures taken by the French government after Jacques Chirac assumed power in 1995. “I don’t think it’s the music they’re after—it’s the parties,” Homem-Christo told Dance Music Authority , with Bangalter adding, “They pretend [the issue is] drugs, but I don’t think it’s the only thing. There’s drugs everywhere, but they probably wouldn’t have a problem if the same thing was going on at a rock concert, because that’s what they understand. They don’t understand this music which is really violent and repetitive, which is house; they consider it dumb and stupid.”

“Revolution 909” opens with ambient club noise, followed by the intrusion of police sirens and intimidating megaphone’d orders to “stop the music and go home.” The accompanying Roman Coppola-helmed music video was even more explicit in depicting the frequent clash between ravers and law enforcement that marked dance music’s rise to the mainstream in the early-to-mid-’90s; amidst a kitschy instructional video on making tomato sauce, a pair of cops attempt to disperse a rave, a young woman escaping one of their grasps after he becomes distracted by a tomato sauce stain on his own lapel.

It’s been rumored, but never quite confirmed, that Bangalter himself appears in the video for “Revolution 909”—a slice of speculation gesturing towards the fact that Daft Punk’s Homework era was the time in which the duo began embracing anonymity. The now-iconic robot helmets wouldn’t be conceived of until the Discovery era, and the magazine stories that came during Daft Punk’s pre- Homework days were typically accompanied by a fresh-faced photo of the pair; during Homework ’s promotional cycle, however, they donned a variety of masks to obscure their visages, including frog and pig-themed disguises .

In conversation with Simon Reynolds for The New York Times in 2013, the pair cited Brian De Palma’s glam-rock masterpiece Phantom of the Paradise as artistic inspiration for their decision to retain visual anonymity, and Daft Punk’s press-shy tendencies (since Homework , the interviews they’ve chosen to take part in have been few and far between) are firmly situated in a long tradition of letting the music do the talking in dance culture—from the sci-fi evasiveness of Drexciya and Aphex Twin ’s relative reclusiveness to the preferred reticence of Burial and his contemporaries in the UK bass scene.

But refusing to turn themselves into rock stars upon Homework ’s release also afforded Daft Punk a crucial element that has undoubtedly aided their perpetual ascent to the present-day: control. Retaining a sense of anonymity was but one of the conditions that the pair struck with Virgin upon signing to the label before Homework ’s release; while the music they released under the label (before signing to Columbia in 2013) was licensed exclusively to Virgin, they owned it through their own Daft Trax production and management company.

But Homework proved influential in other, more explicitly musical ways. G-house, an emergent dance subgenre in the mid-2010s dominated by acts like French duo Amine Edge & Dance, borrows liberally from Daft Punk’s own musical mash of hip-hop’s tough sounds and house music’s pounding appeal; the dirty bloghouse bruisers of Parisian collective Ed Banger—founded by Pedro Winter aka Busy P, who acted as the group’s manager until 2008—would literally not exist were it not for Homework , and that goes double for the party-hardy bloghouse micro-movement of the mid-late 2000s, which Ed Banger’s artists practically dominated. Parisian duo Justice , in particular, owe practically the entirety of their 2007 landmark † to the scraping tension of “Rollin’ & Scratchin’.”

It’s tempting, too, to tie a connective thread between Homework and the brash sounds that proliferated during the peak heyday of the financial descriptor-cum-music genre known as EDM; close your eyes while listening to “Alive”’s big-tent sweep and try not to imagine the tune destroying a festival crowd. But for all of Homework ’s aggressive charms, it’s also retained a homespun intimacy in comparison to how positively widescreen Daft Punk’s music became afterwards. “We focus on the illusion because giving away how it’s done instantly shuts down the sense of excitement and innocence,” Bangalter told Pitchfork in 2013, and the fact that two Beach Boys fans fiddling around in their bedroom could conceive of something so generously in-your-face and playful as Homework might still stand as Daft Punk’s greatest illusion yet.

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Le Corbusier’s triumphant return to Moscow

The exhibition of French prominent architect Le Corbusier, held in The Pushkin Museum, brings together the different facets of his talent. Source: ITAR-TASS / Stanislav Krasilnikov

The largest Le Corbusier exhibition in a quarter of a century celebrates the modernist architect’s life and his connection with the city.

Given his affinity with Moscow, it is perhaps surprising that the city had never hosted a major examination of Le Corbusier’s work until now. However, the Pushkin Museum and the Le Corbusier Fund have redressed that discrepancy with the comprehensive exhibition “Secrets of Creation: Between Art and Architecture,” which runs until November 18.

Presenting over 400 exhibits, the exhibition charts Le Corbusier’s development from the young man eagerly sketching buildings on a trip around Europe, to his later years as a prolific and influential architect.

The exhibition brings together the different facets of his talent, showing his publications, artwork and furniture design alongside photographs, models and blueprints of his buildings.

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Irina Antonova, director of the Pushkin Museum, said, “It was important for us to also exhibit his art. People know Le Corbusier the architect, but what is less well know is that he was also an artist. Seeing his art and architecture together gives us an insight into his mind and his thought-processes.”

What becomes obvious to visitors of the exhibition is that Le Corbusier was a man driven by a single-minded vision of how form and lines should interact, a vision he was able to express across multiple genres.

The upper wings of the Pushkin Museum are separated by the central stairs and two long balconies. The organizers have exploited this space, allowing comparison of Le Corbusier’s different art forms. On one side there are large paintings in the Purist style he adapted from Cubism, while on the other wall there are panoramic photographs of his famous buildings.

Le Corbusier was a theorist, producing many pamphlets and manifestos which outlined his view that rigorous urban planning could make society more productive and raise the average standard of living.

It was his affinity with constructivism, and its accompanying vision of the way architecture could shape society, which drew him to visit the Soviet Union, where, as he saw it, there existed a “nation that is being organized in accordance with its new spirit.”

The exhibition’s curator Jean-Louis Cohen explains that Le Corbusier saw Moscow as “somewhere he could experiment.” Indeed, when the architect was commissioned to construct the famous Tsentrosoyuz Building, he responded by producing a plan for the entire city, based on his concept of geometric symmetry.

Falling foul of the political climate

He had misread the Soviet appetite for experimentation, and as Cohen relates in his book Le Corbusier, 1887-1965, drew stinging attacks from the likes of El Lissitsky, who called his design “a city on paper, extraneous to living nature, located in a desert through which not even a river must be allowed to pass (since a curve would contradict the style).”

Not to be deterred, Le Corbusier returned to Moscow in 1932 and entered the famous Palace of the Soviets competition, a skyscraper that was planned to be the tallest building in the world.

This time he fell foul of the changing political climate, as Stalin’s growing suspicion of the avant-garde led to the endorsement of neo-classical designs for the construction, which was ultimately never built due to the Second World War.

Situated opposite the proposed site for the Palace of the Soviets, the exhibition offers a tantalizing vision of what might have been, presenting scale models alongside Le Corbusier’s plans, and generating the feeling of an un-built masterpiece.

Despite Le Corbusier’s fluctuating fortunes in Soviet society, there was one architect who never wavered in his support . Constructivist luminary Alexander Vesnin declared that the Tsentrosoyuz building was the "the best building to arise in Moscow for over a century.”

The exhibition sheds light on their professional and personal relationship, showing sketches and letters they exchanged. In a radical break from the abstract nature of most of Le Corbusier’s art, this corner of the exhibition highlights the sometimes volatile architect’s softer side, as shown through nude sketches and classical still-life paintings he sent to Vesnin.

“He was a complex person” says Cohen. “It’s important to show his difficult elements; his connections with the USSR, with Mussolini. Now that relations between Russia and the West have improved, we can examine this. At the moment there is a new season in Le Corbusier interpretation.” To this end, the exhibition includes articles that have never previously been published in Russia, as well as Le Corbusier’s own literature.

Completing Le Corbusier’s triumphant return to Russia is a preview of a forthcoming statue, to be erected outside the Tsentrosoyuz building. Even if she couldn’t quite accept his vision of a planned city, Moscow is certainly welcoming him back.

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Shooter Files by f.d. walker

Street Photography Tips, Interaction, Travel, Guides

Apr 24 2017

City Street Guides by f.d. walker: A Street Photography Guide to Moscow, Russia

*A series of guides on shooting Street Photography in cities around the world. Find the best spots to shoot, things to capture, street walks, street tips, safety concerns, and more for cities around the world. I have personally researched, explored and shot Street Photography in every city that I create a guide for. So you can be ready to capture the streets as soon as you step outside with your camera!

At over 12 million people, Moscow is the largest city in Russia and second largest in Europe by population ( Istanbul is #1). An urban, cosmopolitan metropolis with more than enough glitz and glam to cater to the elite, but without losing its fair share of Soviet era roughness around the edges. It can be fast paced, brash, busy, and trendy like other big cities, but it has its blend of West meets Russia atmosphere and beauty that provides plenty of unique interest. The Red Square is as famous as it gets, but there’s so much more to this city, including the most beautiful subway system you’ve ever seen. It would take years to capture all of Moscow, but that means you have an endless amount of areas to discover.

So here’s a Street Photography guide so you can be ready to capture all that Moscow has to offer before you even arrive!

• Patriarch’s Pond
• Old Arbat Street
• Maroseyka Street
• Tverskoy Boulevard

Top 5 Street Spots:

1. red square.

The Red Square is the most famous square in not just Russia, but all of Eastern Europe. The name actually doesn’t come from the color of the bricks or communism, but from the name in Russian, Krásnaya, once meaning “beautiful” before its meaning changed to “red.” This large plaza is what you see on the cover of guide books and magazines for Moscow, with St. Basil’s Cathedral being the center piece next to Lenin’s Mausoleum surrounded by the Kremlin Wall. Of course, the Red Square attracts hordes of tourist due to the main attractions, but all that activity around an interesting atmosphere does provide street photo opportunities. It’s also the central square connecting to the city’s major streets, providing a good starting point to explore outward.

You’ll also find the popular pedestrian only Nikolskaya Street connecting the Red Square to Lubyanka Square. This line of expensive shops includes plenty of activity, while also leading you to another popular square. Filled with history rivaling any city, the Red Square and surrounding areas are the heart and soul of Russia.

2. Patriarch’s Ponds

Patriarch’s Ponds is one of the most exclusive neighborhoods in Moscow. Despite the name being plural, there’s only one large pond, but it’s worth a visit with your camera. It’s a popular spot for locals and expats to come relax or take a stroll around the pond. You get an interesting mix of young and old too, from young love to “babushkas” feeding pigeons. It’s a very peaceful park atmosphere in one of the nicer areas within the city center, while bringing enough activity for street photography. 

The pond is shallow and in the winter becomes a popular spot for ice-skating too. The area is also well-known for the location in the famous Russian novel, The Master and Margarita. 

3. Old Arbat (Stary Arbat)

Old Arbat is the most famous pedestrian street in Moscow, and dating back to the 15th century, also one of its oldest. Originally, it was an area of trade, but soon became the most prestigious residential area in Moscow. During the 18th century, Arbat started attracting the city’s scholars and artists, including Alexander Pushkin. Cafes lined the streets and impressive homes filled the neighborhood. Since then, New Arbat street was created as a highway in the area, while Old Arbat was paved for a 1km pedestrian only walkway.

Due to the historic buildings, famous artists that lived here, and the bohemian atmosphere, Old Arbat has become a big attraction for tourists today. Now, there’s a mix of cafes, restaurants, souvenir shops, street performers, street merchants and other attractions for visitors, and some locals, to come enjoy. It can get really busy here and there’s usually something interesting going on so it’s a good street to come walk with your camera for guaranteed life.

4. Gorky Park

One of the most famous places in Moscow is Gorky Park. The official name is Maxim Gorky’s Central Park of Culture & Leisure, which gives you an idea of what goes on here. When built, it was the first of its kind in the Soviet Union. Divided into two parts, it stretches along Moscow River. One end contains fair rides, foods stands, tennis courts, a sports club, a lake for boat rides, and more. This end brings more active life due to its number of attractions, while the other end is more relaxed, where you’ll find gardens, trees, older buildings, and an outdoor amphitheater.

Gorky Park attracts mostly locals so it’s a good spot to capture the non-tourist side of Moscow life. Muscovites come here to escape the city and unwind in a picturesque setting. The park remains alive outside of the warmer months too, especially when the lake turns into the city’s largest outdoor skating rink. I’d recommend taking the metro out here to spend at least half a day exploring the massive park’s life with your camera.

5. Maroseyka Street

Maroseyka Street is a popular area not too far from the Red Square. The long, winding street turns into Pokrovka and is lined with restaurants, cafes, bars and places to stay. It’s actually where I like to stay when I’m in Moscow due to its location and solid street photography opportunities itself. You have Kitay-gorod station near and if you keep walking southwest, you’ll get to the Red Square. But if you walk northwest, as it changes to Pokrovka, you can find a long street of activity for photography with its own interesting atmosphere.

6. Tverskoy Boulevard

Tverskoy Boulevard is the oldest and longest boulevard in Moscow, beginning at the end of Nikitsky Boulevard, and finishing at Pushkin Square, a spot to come for activity itself. The boulevard is made up of two avenues, with pedestrian walkways in-between. You’ll find grass, shrubbery, trees, benches and more walking it’s almost kilometer length. Many people come here to enjoy some relaxation, walk their dog, or just to use it to walk wherever they’re going. Its center location also provides a nice place to walk with your camera near plenty of other spots you’ll want to check out anyway.

Sample Street Walk:

For a full day of Street Photography, covering some of the best spots, you can follow this sample street walk for Moscow:

• Start your morning walking around the Red Square (1), while exploring the surrounding area, including Nikolskaya Street
• Then walk northwest to Patriarch’s Ponds (2) and slowly walk the pond and surrounding area with your camera
• Next, walk east to the Pushkin Monument and stroll down Tverskoy Boulevard (6)
• Once Tverskoy Boulevard (6) ends, it will turn into Nikitsky Boulevard. Follow this down until you get to the start of Old Arbat Street (3), across from Arbatskaya station
• After you’re done walking down Old Arbat Street (3) for more street photography, spend some time checking out Moscow’s beautiful metro stations
• To finish off the day with more street photography, get off the metro near Red Square (1) again, Maroseyka Street (5) or wherever you’re staying for the night.

3 Things I’ll Remember about Shooting in Moscow:

1. museum metro.

The Moscow metro system was the first underground railway system in the Soviet Union and today includes 203 stations across 340km of routes. The elaborate system has some of the deepest stations in the world too, with escalators that seem to go on forever. None of this is what makes it so special, though. Many of its stations feel like stepping inside a museum, making it without a doubt the most interesting and beautiful metro system I’ve been in.

When built, Stalin wanted to make the metro stations “palaces for the people” with marble, chandeliers, and grand architecture. The best part is the variety of architecture and styles used, making many of the stations a completely different experience visually. You could easily spend a whole day traveling the stations and there are even tours available for people who wish to do just that. My advice, though, would be just to buy a ticket and hop on and off at different stations, while exploring different lines. The museum-like surrounding mixed with the crowds of characters can make for a great photography experience.

Since there are so many stations, here are some of my favorites to check out:

• Novoslobodskaya
• Mayakovskaya
• Elektrozavodskaya
• Komsomolskaya
• Ploschad Revolyutsii
• Dostoyevskaya
• Prospekt Mira

2. Moscow is Big

It’s no secret that Moscow is a big city, but it can feel even bigger with how spread out much of it is. This is especially true if you compare it to cities outside of Asia. If I compared it to cities in Europe, I’d probably say only Istanbul would warrant more time to really discover the depths of this city. Most only explore around the Red Square and surrounding area, but that is such a small part of the city. Although, that central area does give you plenty to see on its own.

Fortunately, I had a good friend living in the city to show me around, but it opened up my eyes even more to how much there is to discover in Moscow. It’s a big city with a variety of atmosphere that can take you from “east” to “west” and trendy to rugged depending on where you go. I’d imagine you’d have to live here a while to really know the city.

3. Cosmopolitan Mix of East meets West

Modern skyscrapers mixed with amazing architecture, a world-class metro system with museum-like beauty, trendy fashion and chic clubs, Moscow is a rich mix of Russian culture and history in a more western cosmopolitan package. There is a push to keep the Russian culture, while also pushing forward with a modern metropolis the whole world will envy. This comes with an impressive skyline, that continues to grow, and endless modernities, but with soviet nostalgia and atmosphere mixed in for good measure.

Mixed in with this grand western cosmopolitan atmosphere, is a strong national pride in Russia. This includes their famous leader, Vladimir Putin. Maybe no other place will you see a country’s leader more often. All over, from the pricey tourist shops to the underground walkway stalls, you’ll find goods with Putin’s likeness covering them. From t-shirts to magnets to Matryoshka dolls. There’s a strong national pride that can be seen around the city, which also extends to their leader. Moscow is many things. It’s East meets West, modernizations meets Soviet era, and a whole lot more.

What To Do For a Street Photography Break?:

Eat at a stolovaya.

Stolovayas are Russian cafeterias that became popular in the Soviet days. You grab a tray and walk down the line of freshly prepared local dishes, and select whatever you want from the chefs. They’re usually inexpensive and a much better value than restaurants, while giving you the opportunity to try from a wide selection of everyday Russian food. They’re also very tasty. I always include some borsch on my tray and go from there. The places themselves are all over Moscow and usually come with Soviet-era aesthetics to complete the experience.

Street Safety Score: 7

*As always, no place is completely safe! So when I talk about safety, I’m speaking in general comparison to other places. Always take precaution, be smart, observe your surroundings and trust your instincts anywhere you go!

Being the 2nd largest city in Europe with over 12 million people, you’re going to have your dangerous areas, but for the most part, it feels safe walking around. Russia is statistically higher in crime compared to most of Europe, but this generally doesn’t apply to tourists and visitors. Around the Red Square and surrounding city center, you should feel completely safe walking around. Pick pocketing can happen, but no more than other touristic places. I always explore Moscow freely without coming across too much to worry about. It’s a spread out city, though, so of course it matters where you are. Just use basic street smarts, know where you are and Moscow shouldn’t give you a problem. 

People’s Reaction Score: 7

Moscow is fast paced, big city life, which usually means people aren’t too concerned with you, or your camera. I don’t find people notice or pay much attention to me when I’m out taking photos in Moscow. For the most part, people just go about their day. You shouldn’t get too many looks or concern. But it can depend on the area you are in. The more you stick out, the more you might get noticed with suspicions. I’ve never had any problems in Moscow, or Russia, but just be careful who you’re taking a photo of if you get out of the city center. Other than that, it’s about average for reactions. 

Street Tips:

Learn the alphabet .

Much of Moscow, including the metro system, doesn’t use english. The Russian alphabet uses letters from the Cyrillic script, which if you aren’t familiar with it and don’t know the sounds, can be hard to decipher the words. This is most important for street names and metro stops when trying to get around. It can save confusion and make it easier getting around if you learn the basic alphabet. At the very least then, you can sound out the words to see which are similar in the english conversion, which can help matching them to maps. When out shooting street photography, getting around is as important as anything. So save yourself some time and frustration by learning the Russian Alphabet.

Use the metro

While Saint-Petersburg feels very walkable for a city its size, Moscow can feel very spread out, even for its bigger size. Outside of the Red Square area, you can have plenty of walking before getting anywhere very interesting, so you’ll need to take the metro a lot if you really want to explore the city. Maps are deceiving here too, it will always be further than it looks.

Another reason it’s less walkable than Saint-Petersburg is its completely different set-up. Moscow’s streets are mostly contstructed in rings with narrow, winding streets in-between. This is common with medieval city cities that used to be confined by walls, but you usually don’t have it in a city this massive. Saint-Petersburg has a more grid-like pattern that also uses the canals to help you know your way around. When it comes to navigating on foot in Moscow, it can be more difficult, so bring a map and take the metro when needed. It’s why Moscow’s metro carries more passengers per day than the London and Paris subways combined.

Explore other areas if you have time

Moscow is really big. While most people stay around the Red Square within the Boulevard Ring, there’s so much more to the city. I covered some other spots outside of this circle, but if you really want to see the city, you’ll need time. If you do have time, some other areas I’d check out first are Zamoskvarechye, along some of the south and western Moscow.

Inspiration:

For some more inspiration, you can look through the Street Photography of Moscow photographer Artem Zhitenev  and check out 33 of my photos taken in Moscow .

Conclusion:

Moscow’s name brings a certain mystique, but once you’re there it might bring a different atmosphere than you expect. It’s big and sprawling, but beautiful in many ways. It can feel like a European capital on a grand scale, but you can definitely find its Russian side in there.

The urban sprawl of Moscow can be intimidating, but give it enough time and you’ll be rewarded with plenty to discover. All with the world’s best metro system to take you around.

I hope this guide can help you start to experience some of what Moscow contains. So grab your camera and capture all that Moscow has to offer for Street Photography!

If you still have any questions about shooting in Moscow, feel free to comment below or email me!

(I want to make these guides as valuable as possible for all of you so add any ideas on improvements, including addition requests, in the comment section!)

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