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English Language Arts

From ‘Lives’ to ‘Modern Love’: Writing Personal Essays With Help From The New York Times

By Katherine Schulten

• Oct. 20, 2016

If you’re a regular Times reader, you’ve no doubt enjoyed, and maybe even taught with, some of the 1,000-plus personal essays from the Magazine’s Lives column , which has run weekly for decades.

But did you know that NYTimes.com also regularly features personal writing on everything from love and family to life on campus , how we relate to animals , living with disabilities and navigating anxiety ?

In this post we suggest several ways to inspire your students’ own personal writing, using Times models as “mentor texts,” and advice from our writers on everything from avoiding “zombie nouns” to writing “dangerous” college essays.

And since we’ve linked to but a fraction of the thousands of engaging personal pieces published in the paper over the years, we also invite you to add your own suggestions in the comments.

Seven Ideas to Inspire and Improve Personal Essays

App smart | digital diaries, a look at apps that help you document your daily life, through words, pictures and social media..

1. Keep a journal.

Research suggests that recording our run-of-the-mill, daily experiences, rather than just our highs and lows, could bring us unexpected joy. And there are apps you can use to make doing that easier.

Read “ How Keeping a Diary Can Surprise You ” to learn more — and check out what other teenagers told us back in 2011 when we asked, Do You Keep a Diary or Journal?

But don’t stop at just journaling. Go back, read over what you wrote, look for patterns and think about what these “personal stories” reveal about you. A recent article on the Well blog suggests that writing and editing stories about yourself can help you see your life differently, and actually lead to behavioral changes:

The concept is based on the idea that we all have a personal narrative that shapes our view of the world and ourselves. But sometimes our inner voice doesn’t get it completely right. Some researchers believe that by writing and then editing our own stories, we can change our perceptions of ourselves and identify obstacles that stand in the way of better health.

Read about how personal story editing helped 40 college freshman at Duke University who were struggling academically, then think about how you can use the techniques yourself.

2. Use current events and issues as a jumping-off point.

That’s what we’ve done every school day since 2009 with our Student Opinion question : we find an interesting article in The Times, pose a question about it, and invite any teenager anywhere in the world to answer it.

In fact, we’ve just published a list of 650 of those questions that ask for personal and narrative writing , on topics like sports, travel, education, gender roles, video games, fashion, family, pop culture, social media and more. Visit the collection to get ideas and to access related Times articles to help you think more about each.

Then, ask you yourself, what issues and current events do you care most about? How do they impact your life? What personal stories can you tell that relate to them in some way?

For instance, maybe the impact of technology on our lives concerns you. In our collection of prompts , you can find nearly 50 different ways we’ve taken that topic on, each linked to a Times article or essay on the topic.

For just one example, though, you might read Gary Shteyngart’s essay “ Only Disconnect ”:

With each post, each tap of the screen, each drag and click, I am becoming a different person — solitary where I was once gregarious; a content provider where I at least once imagined myself an artist; nervous and constantly updated where I once knew the world through sleepy, half-shut eyes; detail-oriented and productive where I once saw life float by like a gorgeously made documentary film.

Does it surprise you to realize this essay was written in 2010? Do you think his observations are even more true today? What stories do you have to tell about life online?

Another excellent place to glean ideas is the Op-Ed page , where writers respond to the news of the day with occasional personal essays. In this one, a classic from 1999, a teenager reacts to the Columbine school shootings — then blamed in part on school cliques that made some feel like outsiders — with an essay headlined, “ Yes, I’m in a Clique .”

Or read this week’s “ How to Vote as an Immigrant and a Citizen ,” an Op-Ed by the novelist Imbolo Mbue about what it means to her to vote on November 8 and, for the first time, have “a say in America’s future.”

Other great places to look for ideas other than our daily Student Opinion question and the Op-Ed page? Check the Trending lists , or visit our monthly Teenagers in The Times series .

3. Take some tips from experts.

Our lesson plan, Writing Rules! Advice From The Times on Writing Well , compiles nine guidelines from many different Times sources on everything from “listening to the voice in your head” to writing with “non-zombie nouns and verbs.”

But for one-stop shopping on the personal essay in particular, you might just read “ How to Write a Lives Essay ,” in which the author asks the magazine’s editors for a “single, succinct piece of advice” for getting an essay published in the long-running column devoted to personal stories.

Here are a few of the answers, but read the whole post to see them all:

• More action, more details, less rumination. Don’t be afraid of implicitness. And the old Thom Yorke line: “Don’t get sentimental. It always ends up drivel.” • Meaning (or humor, or interestingness) is in specific details, not in broad statements. • Write a piece in which something actually happens, even if it’s something small. • Don’t try to fit your whole life into one “Lives.” • Don’t try to tell the whole story. • Do not end with the phrase “I realized that … ” • Tell a small story — an evocative, particular moment. • Better to start from something very simple that you think is interesting (an incident, a person) and expand upon it, rather than starting from a large idea that you then have to fit into an short essay. For example, start with “the day the Santa Claus in the mall asked me on a date” rather than “the state of affairs that is dating in an older age bracket.” • Go to the outer limit of your comfort zone in revealing something about yourself. • Embrace your own strangeness.

How can you apply any, or all, of these pieces of advice to an essay you’re writing?

4. Borrow an opening line for inspiration.

Back in 2011, we ran a contest that invited students to Use Opening Lines From the Magazine’s ‘Lives’ Column as Writing Prompts . Contestants were allowed to write stories, essays, plays, memoirs or poetry, and could use lines like these:

It’s impossible to look cool when you’re part of a tour group. (From “ In Too Deep ”) Mornings are not our best family moments . (From “ Mother’s Little Helper ”) Cosmic forces have a way of turning up the heat to make us change. (From “ The Tractor Driver or the Pothead?” )

After you look at the full list of first lines, jump over to read the work of our winners , and see how they took first sentences like “I am parked in a rental car in front of the house where I grew up,” and made them their own.

Around Valentine’s Day that same year, we invited students to use first lines from the weekly Modern Love column as “passion prompts ,” and that time we showed them how to take the basic idea from the essay and adapt it for themselves:

• Times sentence, from “The Day the House Blew Up” : We went out to the house last month to celebrate Valentine’s Day. But then the house exploded. Sentence starter: We went to [place and time] to celebrate Valentine’s Day. But then… • Times sentence , from “In a Wedding Album From the City’s 5 Borough Halls, Tales as Varied as the Rooms” : It was just another Saturday night on Queens Boulevard two years ago when Eddie Ellis and Gladys Corcino pulled up beside each other at a red light near 65th Street. Sentence starter : It was just another [day/time of the week] on/in [location] when [name] and [name]…

Scroll through all our choices from these two posts, or find your own opening line from a more recent Times essay to inspire you. How can you adapt it and make it your own?

5. Use images to spur memories and ideas.

We’re all about images as inspiration on this site, and this year we even have a new daily writing feature called Picture Prompts , and a lesson plan about teaching with images to go with it.

Scroll through the feature , and either follow the prompts we suggest, or use any of the images that catch your interest to write whatever you like. What memories does it inspire? What personal connection to the content can you make? What stories from your own life does it remind you of?

Other great places to find images in The Times?

• Lens , a Times site for photography, video and photojournalism

• The Lively Morgue , a Tumblr of images from the Times archives

• Looking at Our Hometowns , a 2013 Lens project that asked, “What would happen if you asked high school students to help create a 21st-century portrait of the country by turning their cameras on their neighborhoods, families, friends and schools?”

6. Craft a great college essay.

Our lesson plan, Getting Personal: Writing College Essays for the Common Application , helps students explore the open-ended prompts on the Common Application , then analyze Times pieces that might serve as models for their own application essays.

For example, take this prompt: “ The lessons we take from failure can be fundamental to later success. Recount an incident or time when you experienced failure. How did it affect you, and what did you learn from the experience? ”

Here are some first-person Times essays that could serve as models for writing about the theme of failure:

• “A Rat’s Tale ”: A writer discusses her failure to be the sister her brother wanted and what she learned. • “Pancake Chronicles ”: An entertaining account of a disastrous first job. • “A Heartbroken Temp at Brides.com ”: After a groom changes his mind, his would-be bride, with “no money, no apartment, no job” takes a position at a wedding website.

The lesson also links to a number of Times articles that offer advice on everything from “ Going for the ‘Dangerous’ Essay ” to “ Treating a College Admissions Essay Like a First Date .”

Another source of inspiration is Ron Lieber’s annual contest for the best college essays that address issues of money, work and social class.

These essays, as he wrote in 2015 , are “filled with raw, decidedly mixed feelings about parents and their sacrifices; trenchant accounts of the awkwardness of straddling communities with vastly different socio-economic circumstances; and plain-spoken — yet completely affecting — descriptions of what it means to make a living and a life in America today.”

You can find them all, by year, here:

2016: Memories and Hopes: The Top Essays

2015: Essays About Work and Class That Caught a College’s Eye

2014: Four Stand-Out College Essays About Money

2013: Standing Out From the Crowd

7. Learn from more Times models on popular themes.

What we’ve compiled below is just a very, very small taste of the thousands of essays you can find in The Times on these topics.

Please preview any that you assign to students to make sure they are appropriate.

Love, Romance and Relationships

Most of the selections below are from the long-running Modern Love column , and begin with some winners of their college essay contest. You might also want to read some observations from the editor on “ How We Write About Love ” and his selection of “ The 10 Best Modern Love Columns Ever .”

” Want to Be My Boyfriend? Please Define ”

“ Let’s Not Get to Know Each Other Better ”

“ No Labels, No Drama, Right? ”

“ The Perils of Not Dying for Love ”

“ Swearing Off the Modern Man ”

“ Swiping Right on Tinder, but Staying Put ”

“GPS on a Path to the Heart”

“Alone When the Bedbugs Bite”

“Drowning in Dishes, but Finding a Home”

“ The Ballad of Tribute Steve ”

“Geekdom Revisited”

“ The Summer I Discovered Suburbia ”

“ Safe on the Southbank ”

“Advice; Teen Angst? Nah!”

“ My High-School Hoax ”

“ My New Look ”

“ How Ramen Got Me Through Adolescence ”

“ Forbidden Nonfruit ”

“ Familiar Dish, Familiar Friend ”

“ Memories of Meals Past ”

“We Found Our Son in the Subway”

“ Disco Papa ”

“Nice Girls”

“ Skinny-Dipping With Grandma ”

“ Dive Nights ”

“ Praying for Common Ground at the Christmas-Dinner Table ”

“ A Nanny’s Love ”

“The Subject of the Sibling”

“Montana Soccer-Mom Moment”

Race, Religion, Gender and Sexuality

“ Milwaukee’s Divide Runs Right Through Me ”

“ An Open Letter to the Woman Who Told My Family to Go Back to China ”

“ I’m Ghanaian-American. Am I Black? ”

“ Anti-Semitism at My University, Hidden in Plain Sight ”

“ Intolerance and Love in Jamaica ”

“ What I Learned in the Locker Room ”

“ The Boy of Summer ”

“ Track Changes ”

“ Learning to Embrace Sexuality’s Gray Areas ”

“ The Undress Code ”

“ My Gymnastics Feminism ”

And a Few Extras that Don’t Fit Neatly Into Any of the Previous Categories ...

”The Monkey Suit”

“ Who’s the Jerk Now, Jerk? ”

“Finding That Song”

“ Scanning the Pandas ”

“ Eternal Bragging Rights ”

Places to Find Personal Essays in The New York Times

Lives: A place for true personal essays, this column has been running weekly in the Magazine for decades.

Modern Love : A series of weekly reader-submitted essays that explore the joys and tribulations of love.

On Campus : Dispatches from college students, professors and administrators on higher education and university life.

Ties : Essays on parenting and family from Well .

Essay series from The Opinionator (some no longer taking submissions):

• The Couch: A series about psychotherapy • Private Lives : Personal essays from writers around the globe, on the news of the world and the news of individual lives. • The Stone : A forum for contemporary philosophers and other thinkers on issues both timely and timeless. • Draft : Essays by grammarians, historians, linguists, journalists, novelists and others on the art of writing — from the comma to the tweet to the novel — and why a well-crafted sentence matters more than ever in the digital age. • Townies: A series about life in New York — and occasionally other cities — written by the novelists, journalists and essayists who live there. • Disability : Essays, art and opinion exploring the lives of people living with disabilities. • Anxiety : This series explores how we navigate the worried mind, through essay, art and memoir. • Menagerie : Explores the strange and diverse ways the human and animal worlds intersect.

Metropolitan Diary : Short anecdotes about life in New York City

Complaint Box : Discontinued in 2013, this column was part of the City Room blog and simply asked New Yorkers, “What Annoys You?”

More of Our Lesson Plans on Writing Personal Pieces

I Remember: Teaching About the Role of Memory Across the Curriculum

Creative State of Mind: Focusing on the Writing Process

Reading and Responding: Holding Writing Workshops

Reader Idea | Personal Writing Based on The Times’s Sunday Routine Series

Can’t Complain? Writing About Pet Peeves

Thank You, Thesaurus: Experimenting With the Right Word vs. the Almost-Right Word

Skills Practice | Writing Effective Openings

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80 Best Magazines & Websites That Publish Personal Essays

Wouldn’t it be great to find a whole list of magazines that publish personal essays, and even pay you for the privilege?

Well, you’re in luck because you’ve just found a list of magazines that accept essay submissions around pop culture, personal finance, personal stories, and many other topics. If you’re passionate about crafting personal essays and your work typically falls within a range of 600 to 10,000 words, consider submitting your essays to the organizations listed below. They generally offer compensation of $50-$250 for each accepted essay. After this guide, you may also want to check my list of the best essays of all time .

Here are the top magazines and publications that publish thought-provoking essays:

1. the new york times – modern love.

“Modern Love” accepts essay submissions via email at [email protected] with the essay subject or potential title as the email subject line. Submissions should be original, true stories between 1,500 and 1,700 words, sent both as an attached Microsoft Word-compatible document and pasted into the body of the email. The team collaborates with writers on editing, and authors are compensated for published work. Submission info .

2. The New York Times – Opinion Essays

To submit an essay to this publication, fill out the provided submission form with the essay and a brief explanation of your professional or personal connection to its argument or idea. The essay should include sources for key assertions (either as hyperlinks or parenthetical citations). Although all submissions are reviewed, the publication may not be able to respond individually due to the high volume of entries. If there’s no response within three business days, authors are free to submit their work elsewhere. Submission info .

3. Dame Magazine

DAME is a women’s magazine that prioritizes accessible and intersectional journalism that dives into context rather than breaking news. Their stories are unexpected, emotional, straightforward, illuminating, and focused on people rather than policy. They aim to reveal new or surprising information, provoke action or empathy, simplify complex issues, introduce fresh ideas, and foreground the people most affected by discussed topics. Submission info .

4. The New Yorker

The New Yorker welcomes letters to the editor sent to [email protected] and includes your postal address and phone number. For fiction submissions, send your work as a PDF to [email protected] or mail it to their New York address. They review all submissions within ninety days and will only contact you if they decide to publish your work. Submission info .

5. The Atlantic

The Atlantic is keen on high-quality nonfiction, fiction, and poetry. Familiarity with their past publications can guide your submission. All manuscripts should be submitted as a Word document or PDF. They only respond if they’re interested in discussing your submission further. Separate submission channels exist for fiction and poetry. Submission info .

6. The Globe and Mail

The Globe and Mail welcomes your original experiences, viewpoints, and unique perspectives for your daily first-person essay. A good essay should have an original voice, an unexpected view, humor, vivid details, and anecdotes that illuminate a wider theme. While a successful essay could be funny, surprising, touching, or enlightening, it should always be personal and truthful, rather than political or fictional. Submission info .

7. The Guardian

To contribute to this publication, you should identify the most relevant section and contact the commissioning editor with a brief outline of your idea. You may be invited to submit your work speculatively, meaning payment will only be provided if your contribution is published. It’s important to note that your contribution should be sent electronically and will be published under standard copyright terms with payment at normal rates unless agreed otherwise before publication. Submission info .

8. Los Angeles Times

The Los Angeles Times is open to opinion articles on any subject, with most published pieces being about 750 words long. Submissions must be exclusive to them and not published elsewhere, including personal blogs or social media. Full drafts of articles are required for consideration and should include the author’s name, the topic, the full text, a short author biography, and contact information. Submission info .

9. The Sun Magazine

The Sun publishes personal essays, short stories, and poems from both established and emerging writers globally, particularly encouraging submissions from underrepresented perspectives. Their contributors’ work often garners recognition in prestigious anthologies and prizes. The Sun seeks personal essays that are deeply reflective, celebrating hard-won victories or exploring big mistakes, aiming to make newsworthy events feel intimate and wrestle with complex questions. Submission info .

Slate invites pitches that are fresh, and original, and propose strong arguments. They appreciate ideas that challenge conventional wisdom and encourage you to clearly articulate the insights your reporting can uncover. A concise pitch is preferred, even if a full draft is already written. You should include a short bio and any relevant published work. They advise waiting a week before pitching to other publications, and if an editor passes, refrain from sending it to another editor at Slate. Submission info .

VICE is primarily interested in mid-length original reports, reported essays, narrative features, and service journalism related to contemporary living and interpersonal relationships. They welcome stories informed by personal experiences and insight but advise writers to consider what makes their story unique, why they’re the right person to tell it, and why it should be on VICE. While all stories don’t need to be tied to current events, a timely element can distinguish a pitch. They also accept quick-turnaround blogs and longer features. Submission info .

12. Vox Culture

Vox Culture seeks to provide readers with context and analysis for understanding current entertainment trends. They are interested in pitches that answer significant questions about major movies, TV shows, music artists, internet culture, fame, and women’s issues in the entertainment business. Notably, they are not interested in personal essays or celebrity interviews. Past successful stories have ranged from exploring Disney’s move away from traditional villains to analyzing historical inaccuracies in popular shows. They accept story pitches ranging between 1,000 and 2,500 words. Submission info .

Aeon, a unique digital magazine since 2012, is known for publishing profound and provocative ideas addressing big questions. Their signature format is the Essay, a deep dive into a topic, usually between 2,500-5,000 words, approached from a unique angle and written with clarity to engage curious and intelligent general readers. Aeon’s contributors are primarily academic experts, but they also welcome those with significant professional or practical expertise in various fields. Submission info .

14. BuzzFeed Reader

This platform welcomes freelance pitches on cultural criticism, focusing on current or timeless topics in various categories like books, technology, sports, etc. Essays should offer a unique perspective on how these subjects reflect our society. The content must be relevant, advance ongoing dialogues, and add value to the existing discourse. Submission info .

15. The Boston Globe

Boston Globe Ideas welcomes a variety of content including op-eds, reported stories, book excerpts, first-person essays, and Q&A features. Submissions should be sent directly, not as pitches. Please include your submission in the body of the email, not as an attachment. Briefly explain why you’re uniquely qualified to write this piece. Ensure your submission hasn’t been published or under review elsewhere. Submissions page .

16. The Bold Italic

This platform is actively seeking submissions in the genre of personal narrative essays. These pieces can encompass a broad range of experiences from the hilariously light-hearted to deeply poignant, encapsulating the vibrant and diverse experiences of living in your community. Submission info .

Before pitching to a Medium Publication, thoroughly understand its unique style by reviewing published content and submission guidelines. This ensures your work aligns with their preferences. With numerous Medium Publications available, persist in your submissions until you find a fitting outlet. Submission info .

18. Refinery29

Refinery29 Australia is committed to empowering women and underrepresented groups, with a particular focus on Australian women and trans and gender-diverse individuals, primarily Gen-Z and millennials. We publish a diverse array of content, from timely personal essays to reports on race, reproductive rights, and pop culture, all with a distinctly local perspective. They aim to shed light on the world around us, and highly value pieces that capture the unique Australian experience, be it in subject matter or authorial voice. Submission info .

ELLE’s annual talent competition is back for, seeking out the next superstar in writing. The winner will have their 500-word piece, inspired by the hashtag #RelationshipGoals and focusing on a significant relationship in their life. Submission info .

20. Cosmopolitan

Cosmopolitan is looking for first-person features that cover all aspects of beauty. This can include writing personal essays or narratives about your struggles with adult acne, your journey to an all-natural beauty routine, or other unique beauty experiences. We are also open to opinion pieces about beauty trends or movements that resonate with you. Submission info .

Bustle encourages freelance pitches across different verticals such as Lifestyle, Books, News and politics, Fashion and beauty, and Entertainment. We value pitches that are brief yet comprehensive, including a sample headline, a 2-3 sentence description of the piece, your plan for photos, sources you have access to, your clips if you haven’t written for us before, and your standard rate. Make sure to understand what we’re looking for and convey your story idea clearly and professionally. Submission info .

22. The Walrus

The Walrus seeks short essays (up to 1,200 words) that are timely, focused, and sourced from Canada and globally. These can be reported narratives, memoirs, or mini-features on specific topics. Each essay should exhibit a distinct argument, a strong writing voice, and present an original and significant viewpoint. Writers new to The Walrus or those without long-form journalism experience are particularly encouraged to contribute to this section. Submission info .

23. Autostraddle

Autostraddle welcomes pitches, works in progress, and completed submissions. Any issues with the submission form should be emailed to Laneia Jones with the subject line “SUBMISSION ERROR”. Questions about the submission process can be directed to Kayla Kumari Upadhyaya with “SUBMISSION PROCESS” in the subject line. Please note that pitches or submissions sent via email will not be accepted. Submission info .

24. Narratively

Narratively focuses on original and untold human stories, welcoming pitches and completed submissions from diverse voices. They use Submittable for managing submissions. To better understand what they’re looking for in new writers, contributors can review their guidelines, and the best pitches they’ve received, and ask questions to their editors about how to pitch. Submission info .

25. Catapult

Catapult offers a regularly updated list of submission and freelancing opportunities. Some current options include Black Fox Literary Magazine, open for fiction submissions; Carina Press, seeking romance manuscripts; Elegant Literature, welcoming submissions for its contest; Inkspell Publishing, looking for romance manuscripts; Interlude Press, seeking original novels featuring diverse casts; and Intrepid Times, accepting stories about romance while traveling. Submission info .

26. Jezebel

At Jezebel, the high volume of daily emails (over 500), including tips and questions from readers, makes it impossible to respond to all of them, even though they are all read and appreciated. Their primary job involves posting 60+ items a day, and due to workload constraints, they may not always be able to reply to your email. Submission info .

27. Bitch Media

Bitch Media seeks pitches offering feminist analysis of culture, covering a wide array of topics including social trends, politics, science, health, life aspects, and popular culture phenomena. They publish critical essays, reported features, interviews, reviews, and analyses. First-person essays should balance personal perspectives with larger themes. Both finished work and query letters are welcome. However, due to the volume of submissions, they cannot guarantee a response or that every pitch will be read. Submission info .

28. Broadview

Broadview magazine prefers pitches from professional writers for unique, audience-focused stories. While unsolicited articles may be accepted, the initial idea pitch is recommended. Responses to each pitch are not guaranteed due to high submission volumes. Submission info .

29. Briarpatch Magazine

Briarpatch Magazine accepts pitches on a variety of political and social issues, valuing stories from diverse voices. They seek well-researched, fact-backed pieces aimed at a non-specialist, progressive audience. They recommend writers to first pitch their ideas, including contact info, estimated word count, recent publications, and a short writing sample. The magazine aims to respond within one to two weeks after the pitch deadline for each issue. Submission info .

30. Maisonneuve

Maisonneuve Magazine welcomes non-fiction writing submissions in various forms (reporting, essays, memoirs, humor, reviews) and visual art (illustration, photography, comics). They do not accept fiction, poetry, or previously published work. They prefer well-developed, well-researched pitches, but also accept polished drafts if the writer is open to edits. To understand what the magazine is looking for, it’s recommended to read some recent issues or check their website. Submission info .

31. Room Magazine

Room Magazine seeks original fiction, poetry, creative non-fiction, and art from individuals of marginalized genders, including women (cisgender and transgender), transgender men, Two-Spirit, and nonbinary people. Simultaneous submissions are welcome, and submissions can be made through Submittable. Submission info .

32. Hazlitt

Hazlitt is currently not accepting submissions but it might reopen soon. They seek original journalism, investigative features, international reporting, profiles, essays, and humor pieces, but they are not considering unsolicited fiction. Pitches with proposed word counts are preferred, and they have a section called “Hazlitt Firsts” for reviews of experiencing mundane things for the first time as adults. Submission info .

33. This Magazine

This Magazine seeks pitches for their annual Culture Issue with a DIY theme, open to various topics related to DIY spirit. They publish Canadian residents only and prefer queries over already completed essays or manuscripts. They look for unique stories with a social justice angle, and pitches should include reasons for telling the story, relevant sources, and potential takeaways for readers. Submission info .

34. Geist Magazine

Geist magazine seeks submissions with a literary focus, including short non-fiction for the Notes & Dispatches section (around 800-1200 words) with a sense of place, historical narrative, humor, and personal essays on art, music, and culture. They encourage submissions from diverse writers and will pay writers $300-500 for accepted pieces. Submission info .

35. Discover Magazine

Discover magazine seeks pitches from freelance writers for science-related stories that enlighten and excite readers, with a conversational tone and high reader interest. Pitch one idea per email, mentioning the newness of the science and specific studies and researchers to be cited. Include your science-writing credentials and best clips in the pitch and send them to [email protected]. Payment starts at $1/word for print and typically $300/story for web, with rights purchased for both. Submission info .

36. Eater Voices

Eater Voices accepts personal essays from chefs, restaurateurs, writers, and industry insiders about the food world. To pitch, email a brief explanation of the topic and why you are the right person to write about it to [email protected]. Submission info .

37. The Temper

The Temper is an online publication focused on sobriety, addiction, and recovery, challenging drinking culture. They seek diverse and intersectional stories written through the lens of addiction, covering various topics like sex, food, relationships, and more. Submissions are currently closed, but they are especially interested in amplifying voices from marginalized and underrepresented groups. Submission info .

38. Chatelaine

Chatelaine is a prominent Canadian women’s magazine covering health, current events, food, social issues, decor, fashion, and beauty. To pitch, read the magazine first, and submit a one-page query letter explaining the idea’s fit for the magazine, section, and format. They prefer email submissions with at least two previously published writing samples, and response time may take six to eight weeks. Submission info .

39. Conde Nast Traveler

Condé Nast Traveler seeks pitches for reported and personal travel stories with inclusive coverage, including BIPOC, LGBTQ+, and disabled communities. Focus on stories and angles rather than destinations, check for previous coverage, and offer a fresh perspective. If pitching a personality, indicate exclusivity and access. Consider your expertise in telling stories, especially about marginalized communities, and disclose any sponsorships. Keep pitches brief, including a suggested headline, angle, sources, and why it’s timely. Responsible travel stories are prioritized during the pandemic. Submission info .

40. Boston Globe Ideas

Globe Ideas is dedicating an entire issue to young people’s voices and stories. Teens are invited to share their aspirations, concerns, and experiences about mental health, school, social media, and more, up to 700 words or through short notes, videos, or illustrations. This is a chance for teens to set the record straight and tell the world what matters most to them. Submission info .

41. Babbel Magazine

Babel welcomes submissions from all linguists, focusing on accessible and stimulating articles about language. Writers can submit feature articles or propose ideas for regular features, and guidelines for contributions are available for download. For those with ideas but not interested in writing, they can also suggest topics for articles through email. Submission info .

42. HuffPost Personal

HuffPost seeks to amplify voices from underrepresented communities, including BIPOC, LGBTQ, and people with disabilities. They accept freelance pitches on a wide range of topics, providing clear guidelines for submissions. They also encourage visual creatives to submit their work, and all published contributors are paid for their work. Please note that due to the volume of submissions, individual responses may not be possible. Submission info .

43. Adelaide Literary Magazine

Adelaide magazine accepts submissions in various categories, including fiction, poetry, creative nonfiction, translations, book reviews, interviews, and art/photography. Fiction and nonfiction submissions have a size limit of 5,000 words, while book reviews have a limit of 2,000 words. They do not accept previously published work or simultaneous submissions. Artists retain all rights to their work, and upon publication, rights revert to the author/artist. Submission info .

44. bioStories

BioStories welcomes nonfiction prose submissions of 500 to 7500 words, with the typical piece being around 2500 words. Submit via email to [email protected], pasting the submission in the email body with the subject line “biostories submission” and your last name. Simultaneous submissions are accepted, but immediate notification is required if accepted elsewhere. Multiple submissions are allowed at a one-month interval, and the work must be previously unpublished in print and online. Noncompliant submissions will not receive a response. Submission info .

45. Quarter After Eight

Quarter After Eight welcomes innovative writing submissions in any genre from both new and established writers. To withdraw work, use the “withdraw” option on Submittable for the entire submission or the “note” function to specify which pieces to withdraw; do not email about withdrawals. Submission info .

46. The Rappahannock Review

The Rappahannock Review accepts original and innovative writing in various genres, including fiction, nonfiction, poetry, and audio pieces. They encourage experimentation and creativity, seeking enthralling voices and compelling narratives. Additionally, the magazine showcases a variety of visual artists and welcomes submissions for consideration in each new issue. Submission info .

Allure is seeking writers to contribute pieces that explore beauty, style, self-expression, and liberation. They are looking for writers with relevant credentials and experience in the field, and they offer compensation of $350 for reported stories and $300 for personal essays. Submission info .

48. MLA Style Center

The Modern Language Association is inviting students to submit research papers written in MLA style for consideration in their online collection “Writing with MLA Style.” Essays should be 2,000 to 3,000 words in length and must be written in English. Works-cited-list entries do not count toward the word limit. Submission info .

49. Marie Claire

Marie Claire magazine is dedicated to highlighting the diversity and depth of women’s experiences. They offer award-winning features, essays, and op-eds, as well as coverage of sustainable fashion, celebrity news, fashion trends, and beauty recommendations. Submission info .

SELF magazine is actively seeking new writers, particularly from marginalized communities, to contribute to their health and wellness content. They are interested in pitches that offer helpful insights on topics related to health, fitness, food, beauty, love, and lifestyle. The focus should be on improving personal or public health clearly and straightforwardly. Submission info .

51. Her Story

HerStry is a platform that focuses on the experiences of women-identifying persons, including cisgender women, transgender women, non-binary persons, and more. They accept personal essays that are true stories about the author, with a length between 500 to 3,000 words. They pay $10 for each published personal essay here, but there is a $3 submission fee (with limited free submission periods). Stories are read blind, and explicit or offensive content is not accepted. Submission info .

52. Griffith Review

Griffith Review accepts submissions based on specific themes for each edition. They welcome new and creative ideas, allowing writers to express their voices in essays, creative and narrative nonfiction-fiction, and analytical pieces. Submissions should generally range from 2,000 to 5,000 words, with up to four poems allowed on theme. Submission info .

53. Literary Review of Canada

The Literary Review of Canada welcomes prospective writers, photographers, and illustrators to submit specific review proposals, essay pitches, or general queries. They prefer to receive unsolicited review topics and essay ideas rather than completed work and do not accept simultaneous submissions. Submission info .

54. Harper’s Magazine

For Harper’s Magazine, nonfiction writers should send queries accompanied by a self-addressed, stamped envelope. Ideas for the Readings section can be sent to [email protected], but individual acknowledgment is not guaranteed due to volume. All submissions and queries must be sent by mail to their New York address. Submission info .

55. Virginia Quarterly Review

VQR only considers unpublished work, submitted online via Submittable. One prose piece and four poems are allowed per reading period, but multiple submissions in the same genre will be declined unread. Simultaneous submissions are permitted, but if accepted elsewhere, notify them immediately via Submittable. Submission info .

56. The New England Review

New England Review is open for submissions in all genres during specific periods. They accept fiction, poetry, nonfiction, dramatic writing, and translations. The magazine only considers previously unpublished work, and simultaneous submissions are allowed. They welcome submissions from writers of all backgrounds and encourage diverse perspectives. Submission info .

57. One Story

One Story seeks literary fiction between 3,000 and 8,000 words, any style, and subject. They pay $500 and provide 25 contributor copies for First Serial North American rights. Only unpublished material is accepted, except for stories published in print outside North America. Simultaneous submissions allowed; prompt withdrawals upon acceptance elsewhere. Accepts DOC, DOCX, PDF, and RTF files via Submittable. No comments on individual stories. No revisions of previously rejected work. Translations are accepted with proper attribution. No emailed or paper submissions, except for incarcerated individuals. Submission info .

58. The Threepenny Review

The Threepenny Review accepts submissions for fiction, poetry, travel essays, and Table Talk pieces. They pay $400 per story/article and $200 per poem, granting first serial rights and copyright reversion to the author. Mailed manuscripts require a self-addressed stamped envelope, while online submissions should be in Word format with a single document for prose or poetry. Submission info .

59. Zoetrope: All-Story

Zoetrope: All-Story is currently not accepting general submissions. They will announce when submissions reopen and update the guidelines accordingly. Submission info .

60. American Short Fiction

American Short Fiction accepts regular submissions of short fiction from September to December. The magazine publishes both established and new authors , and submissions must be original and previously unpublished. Manuscripts should be typed, double-spaced, and accompanied by the author’s contact information. Simultaneous submissions are allowed, but authors must withdraw their work if accepted elsewhere. Payment is competitive and upon publication, with all rights reverting to the author. American Short Fiction does not accept poetry, plays, nonfiction, or reviews. Submission info .

61. The Southern Review

The Southern Review accepts work during its submission period. They only consider unpublished pieces in English and accept simultaneous submissions. If your work is accepted elsewhere, promptly notify them via email with the subject line “withdrawal.” Do not submit work via email, as it will be discarded. They do not consider submissions from anyone currently or recently affiliated with Louisiana State University within the past four years. It is recommended to familiarize yourself with the journal’s aesthetic by subscribing before submitting your work. Submission info .

62. Boulevard Magazine

Boulevard seeks to publish exceptional fiction, poetry, and non-fiction from both experienced and emerging writers. They accept works of up to 8,000 words for prose and up to five poems of up to 200 lines. They do not consider genres like science fiction, erotica, horror, romance, or children’s stories. Payment for prose ranges from $100 to $300, while payment for poetry ranges from $50 to $250. Natural Bridge Online publication offers a flat rate of $50. Submission info .

63. The Cincinnati Review

The Cincinnati Review accepts submissions for its print journal during specific periods: September, December, and May. miCRo submissions are open almost year-round, except during the Robert and Adele Schiff Awards and backlogs. They welcome submissions from writers at any stage, except current/former University of Cincinnati affiliates. Simultaneous submissions are allowed, and response time is around six months. Payment is $25/page for prose, $30/page for poetry in print, and $25 for miCRo posts/features. Submission info .

64. The Antioch Review

The Antioch Review seeks nonfiction essays that appeal to educated citizens, covering various social science and humanities topics of current importance. They aim for interpretive essays that draw on scholarly materials and revive literary journalism. The best way to understand their preferences is to read previous issues and get a sense of their treatment, lengths, and subjects used in the publication. Submission info .

AGNI’s online Submission Manager is open from September 1st to midnight December 15th, and again from February 15th to midnight May 31st. Manuscripts can also be submitted by mail between September 1st and May 31st. AGNI considers prose in various genres, including personal essays, short stories, prose poems, and more. They do not publish academic essays or genre romance, horror, mystery, or science fiction. Simultaneous submissions are welcome, and sending through the online portal incurs a $3 fee, but regular mail submissions can be made to avoid the fee. Submission info .

66. Barrelhouse

Barrelhouse accepts unsolicited submissions for book reviews through their Submittable online submissions manager. They pay $50 to each contributor and accept simultaneous submissions. There is no maximum length, but most published pieces are shorter than 8,000 words. They only accept Word or rich-text (.rtf) files and prefer poetry to be submitted as a single document. Submissions for their print and online issues are currently closed, but book reviews are open. Response time is approximately six months. Submission info .

67. Tin House Online

Tin House is a good company that offers a two-day submission period three times a year for writers without a current agent and no previous book publication (chapbooks accepted). They accept fiction, literary nonfiction, and poetry, both in English and in translation (with formal permission). Completed drafts are required. They are particularly interested in engaging with writers from historically underrepresented communities. Submission info .

68. One Teen Story

One Teen Story publishes 3 stories annually and welcomes submissions from teen writers aged 13-19. They seek original, unpublished fiction across genres, focusing on the teen experience. Great short stories with compelling teen characters, strong writing, and a well-structured narrative are encouraged for submission to their contest. Submission info .

69. Bennington Review

Bennington Review accepts unsolicited submissions through Submittable during their reading periods in fall, winter, and spring. They seek innovative and impactful fiction, creative nonfiction, poetry, film writing, and cross-genre work. Response times vary, but they aim to respond within five to eight months. Accepted contributors will receive payment ranging from $25 per poem to $250 for prose over six typeset pages, along with two copies of the published issue and a copy of the subsequent issue. Submission info .

70. Epoch Literary

Epoch Literary accepts poetry submissions of up to five poems, short fiction or essay submissions as a single piece or a suite of smaller pieces, and visual art and comics for the cover. They do not publish literary criticism or writing for children and young adults. Electronic submissions are open in August and January, with a $3 fee, part of which supports the Cornell Prison Education Program. Submission info .

71. The Gettysburg Review

The Gettysburg Review accepts poetry, fiction, essays, and essay reviews from September 1 to May 31, with a focus on quality writing. Full-color graphics submissions are accepted year-round. It’s recommended to read previous issues before submitting, and sample copies are available for purchase. The journal stays open during the summer for mailed submissions or those using Submittable and purchasing a subscription or the current issue. Submission info .

72. Alaska Quarterly Review

The publication accepts submissions of fiction, poetry, drama, literary nonfiction, and photo essays in traditional and experimental styles. Fiction can be short stories, novellas, or novel excerpts up to 70 pages, and poetry submissions can include up to 6 poems. They aim to respond within 4 to 12 weeks, but authors can inquire about their manuscript status after 4 weeks if needed. Submission info .

73. Colorado Review

Colorado Review only accepts submissions through its Submittable portal and no longer accepts paper submissions. They encourage writers to be familiar with their publication before submitting and provide sample copies and examples of recently published work on their website. They look for engaging stories with original characters, crisp language , and a provocative central problem or issue. Submission info .

74. The Georgia Review

The Georgia Review accepts submissions both online and by post, but not via email. Submissions are free for current subscribers. They do not consider unsolicited manuscripts between May 15 and August 15 and aim to respond within eight months. Previously published work will not be considered, and simultaneous submissions are allowed if noted in the cover letter. They offer different prizes for poetry and prose and accept submissions in fiction, poetry, essays, and book reviews. Submission info .

75. New Letters

New Letters accepts submissions year-round through Submittable, with a small fee waived for current subscribers. They welcome up to six poems, one chapbook, one piece of nonfiction, one short story (graphic or traditional), or one novella per submission. Simultaneous submissions are allowed if notified, and response time is approximately six months. They publish short stories up to 5,000 words, novellas up to 30,000 words, graphic short stories up to ten pages in color or black and white, and chapbooks up to 30 pages. Submission info .

76. Shenandoah

Submissions for comics will reopen soon. The Graybeal-Gowen Prize for Virginia Poets will be open for a limited time. Poetry submissions are considered in November and spring. Prose submissions will open soon. Short stories, creative nonfiction, and flash fiction are welcome. Editor Beth Staples looks for writing that challenges and offers diverse perspectives. Submission info .

77. TriQuarterly

TriQuarterly, the literary journal of Northwestern University, welcomes submissions in poetry, fiction, creative nonfiction, video essays, short drama, and hybrid work from both established and emerging writers. They are especially interested in work that engages with global cultural and societal conversations. Submissions are accepted through Submittable, and they charge a small reading fee. Submission windows vary by genre. Submission info .

78. E-International Relations

E-International Relations invites current and former undergraduate and Master’s students to submit their highest-graded essays and dissertations for publication. They seek work that is of academic utility to other students and demonstrates engagement with the subject, using pertinent case studies/examples and engaging with complex literature and ideas. Submissions must meet specific entry criteria, including word count, language standards, and full bibliographic references. Submission info .

79. Longreads

Longreads publishes the best long-form nonfiction storytelling and accepts pitches for original work. They pay competitive rates and prefer pitches via email to [email protected]. Fiction is not accepted, and submissions using generative AI tools will be rejected. You can also nominate published stories by tweeting with the #longreads hashtag. Submission info .

80. Education Week

EdWeek welcomes submissions from various perspectives within the K-12 education community, including teachers, students, administrators, policymakers, and parents. Submissions should be concise, relevant to a national audience, and have a clear point of view backed by factual evidence. We value solution-oriented and practical pieces that offer best practices, policy recommendations, personal reflections and calls to action. Essays longer than 1,000 words or shorter than 600 words will not be considered. Please submit in Word format via email. Submission info .

If you want to get your essays published in a print magazine or an online publication, it’s time to approach the appropriate section editor or send your work via a submissions page. Even in a world where so much content is produced by AI, publications are still interested in receiving great writing written in a conversational tone. Just make sure to follow the guidelines (especially those around word count) and show off your flamboyant writing style in a prestigious online magazine. Next up, you might want to check a list of the top sites that will pay you to write,  or my extensive list of publishing companies .

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First Person

When sharing is daring — the art of the personal essay

Nichole Perkins named her new essay collection after a line from “If I Was Your Girlfriend,” a Prince song, and the book is partially dedicated to him as well. “I was fascinated by his determination to be who he was, fully,” Perkins said, adding that she was attracted to the way the late artist “seemed to sometimes battle his sensual side with his spiritual side. I felt very connected to that.”

In “ Sometimes I Trip On How Happy We Could Be ,” Perkins, who is also a poet and a podcaster, writes about sex, religion, family, pop culture, and a sometimes difficult childhood in Nashville, Tennessee. She acknowledged that it takes courage to tell personal stories. “I think I’ve always been pretty bold, but it still gets scary,” she said. “Once it’s out in a book, it’s there.”

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Still, there have been rewards to sharing as much as she does in the book. “My sister told me that it’s been really interesting learning about me as an adult,” Perkins said. “Although I did not write it with the intention of showing my family that I’m an adult now, I’m kind of glad that they see it.”

One essay chronicles her journey away from her childhood church. “I had to figure out a new way to remain a spiritual person while breaking free of the structures of Christianity,” Perkins said. “I still listen to gospel music . . . especially if it’s gospel music by Aretha Franklin.”

Anyone can read her book, Perkins said, but she hopes it appeals to women. “I want women to read the book. I especially want Black women to read the book,” she added. In her essays, she hopes readers will see that “you can get to a point where you’re happy, even if you don’t have all the answers.”

Perkins will be in conversation with Farrah Rochon (“ The Dating Playbook ”) at 7 p.m. Wednesday in a virtual event hosted by Porter Square Books .

Kate Tuttle, a freelance writer and critic, can be reached at [email protected] .

‘First Person’ sees Globe and Mail essays translated to screen

Carousel Pictures and Sugar Shack Productions are producing the six-part project, which began shooting last week.

With the ongoing success of the New York Times ‘ “ Modern Love ” IP, two Canadian prodcos are hoping to uncover a similar gem with a new six-film anthology series based on the Globe and Mail ‘s First Person essays.

Based on the long-running personal essay section (previously called Facts & Arguments), the project will see Renuka Jeyapalan, Joyce Wong and Jessie Gabe turn six stories into short films: Code Red , Life Support , My Father’s Dignity , Masculinity , My Toronto Home and My Wife’s Affair Is Kind of a Funny Story . Toronto-based production companies Carousel Pictures and Sugar Shack Productions are producing the project, which began shooting last week in Toronto and is scheduled to wrap later this week.

Some of the original stories have been read more than 100,000 times, according to a press release.

“Facts and Arguments (now First Person) is a venerable Canadian literary series which one might expect the adaptation of these articles to be a traditional and standard process,” said Carousel Pictures’ founder and president Tyler Levine. “Instead, we’ve decided to turn this collection of beloved stories into an incubator of Canada’s most promising writer and director talent and challenge each of our three directors to do things behind the camera and in the edit that they’ve always dreamed of.”

The  Globe ‘s research department helped sift through 10,000 stories for the series, with each of the three directors picking their favourite stories. Each author was consulted prior to Jeyapalan, Wong and Gabe penning the scripts.

Workin’ Moms director Jeyapalan will direct three of the six films. She wrote Code Red , Life Support and My Father’s Dignity . Code Red stars Alexandra Ordolis, Ian Ho and Christopher Jacot; Life Support features Raven Dauda and Jayne Eastwood; and finally, Kate Drummond stars in My Father’s Dignity .

Meanwhile, Wong, whose directing credits include Wexford Plaza and True Dating Stories , adapted Masculinity starring Chris Robinson and My Toronto Home , which stars actors Louise Pitre and Joe Matheson. In addition, Mr. D ‘s Jessie Gabe wrote and will direct My Wife’s Affair , starring Rayisa Kondracki and Rodrigo Fernandez-Stoll.

Producers on the project include Carousel’s Levine and Sugar Shack’s Patrice Theroux. Jeyapalan serves as an exec producer. Coproducers on First Person also include Bruno Lyra and Carousel’s Katelyn Cursio and Kevin Prozes.

Following completion, the  First Person  team plans to submit the series to film festivals. iThentic is handling global distribution of the project on digital platforms.

First Person received funding from the  Independent Production Fund and tax credits.

Carousel Pictures , First Person , Jessie Gabe , Joyce Wong , Renuka Jeyapalan , Sugar Shack Productions

Related Articles

Story Advent Calendar

Personal Essay Publication with The Globe and Mail

Check out the globe and mail's first person column.

Dear Story Advent Calendar Readers,

I have some special news to share: Canada’s national newspaper, The Globe and Mail, has published my personal essay, Decorating with Grandpa’s Wooden Santas helps me miss him a little less.

This story has deep roots within Story Advent Calendar; the original version was the very first story I wrote two years ago in late November 2020.

Not only was the whole world staring down a pandemic Christmas, but it was also the first Christmas since Grandpa passed away. Telling the stories of his beautiful Santa carvings helped me through that time and reminded me of the joys of creating and storytelling, which led me to create Story Advent Calendar.

Special thanks to Ali Bryan, former Author in Residence at Calgary Public Library, who encouraged me to send it to The Globe and Mail last year, and to Catherine Dawson March, First Person’s editor extraordinaire, for the final polish.

Pick up a print copy of The Globe and Mail today, or click the link above to read it digitally.

Thank you all for your support!

Ready for more?

Your daily horoscope: May 28, 2024

Gemini. iStockPhoto / Getty Images

HOROSCOPES IF TODAY IS YOUR BIRTHDAY

If you are serious about your ambitions, and you should be, you must spell out in words of three syllables or less what it is you are hoping to accomplish this year. Write down your aims on a piece of card and look at it each and every day.

ARIES (March 21 - April 20):

A financial issue may take a bit of untangling today but once you put your mind to it you will find out what went wrong and who is to blame. Don’t make a big issue of it though. Everyone makes mistakes and this one won’t be too costly.

TAURUS (April 21 - May 21):

You will have plenty to say for yourself today but as communications planet Mercury is linked with Saturn you must make sure you stick to the facts. If you deviate from reality by even the smallest degree someone is sure to pounce on the fact.

GEMINI (May 22 - June 21):

With both the sun and Jupiter moving through your sign at the moment you certainly don’t lack for confidence but take care today because if you start to believe you cannot lose whatever you do or say the universe could have a surprise for you.

CANCER (June 22 - July 23):

Why do you feel that time is running out when in fact the opposite is true? The sun’s presence in the most sensitive area of your chart makes you believe the clock is against you but that simply isn’t true. It may be ticking but what’s the rush?

LEO (July 24 - Aug. 23):

A difficult phase is coming to an end and in a matter of days you will be all smiles again. On the work front, especially, your confidence will return and you will soon be on top of your game. Look in the mirror and see a winner staring back!

VIRGO (Aug. 24 - Sept. 23):

Everyone seems to be singing your praises but don’t let it go to your head or you could make a serious miscalculation. Beware those who both flatter you shamelessly and suggest you should be taking the kind of risks you usually avoid. They’re after something.

Missed one of your horoscopes? Here are the most recent days’ forecasts:

Your daily horoscope: May 27, 2024

Your lookahead horoscope for the week: May 26, 2024

Your daily horoscope: May 25, 2024

Your daily horoscope: May 24, 2024

Your daily horoscope: May 23, 2024

LIBRA (Sept. 24 - Oct. 23):

What seems like a setback today will turn out to be a stroke of good fortune come the end of the week, so don’t let it deflect you from the course you have chosen – it was the right course yesterday and it is still the right course today.

SCORPIO (Oct. 24 - Nov. 22):

You may be tempted to tell a friend or loved one what you know isn’t true because you don’t want to upset them but that is the wrong approach to take. The fact that it is a lie, though well intentioned, will rebound on you later in the week.

SAGITTARIUS (Nov. 23 - Dec. 21):

You have been working so hard of late that you deserve a break but you will have to arrange it yourself as no one will give it to you. There will be more tough assignments coming up, so be smart and take a breather while you can.

CAPRICORN (Dec. 22 - Jan. 20):

Keep plugging away at what you are working on and keep believing that sooner or later there will be a breakthrough worthy of the name. You may not be as flashy in your ways as some of your rivals but you always reach the end and that’s what counts.

AQUARIUS (Jan. 21 - Feb. 19):

Do some things happen for no apparent reason? Maybe, but it’s more likely they are part of a long string of cause and effect that, while invisible to the naked eye, can be seen with the mind’s eye. Look inward if you want to understand the outside world.

PISCES (Feb. 20 - Mar. 20):

Anyone who tries to tell you that you need to be cautious must be shown the way to the door. It’s true that you need to plan ahead but you also need to give yourself permission to rush off in a new direction any time the fancy takes you.

Discover more about yourself at sallybrompton.com

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