Start-up Funding | |
Start-up Expenses to Fund | $6,650 |
Start-up Assets to Fund | $21,350 |
Total Funding Required | $28,000 |
Assets | |
Non-cash Assets from Start-up | $2,000 |
Cash Requirements from Start-up | $19,350 |
Additional Cash Raised | $0 |
Cash Balance on Starting Date | $19,350 |
Total Assets | $21,350 |
Liabilities and Capital | |
Liabilities | |
Current Borrowing | $0 |
Long-term Liabilities | $0 |
Accounts Payable (Outstanding Bills) | $0 |
Other Current Liabilities (interest-free) | $0 |
Total Liabilities | $0 |
Capital | |
Planned Investment | |
Hillary MacQuilliams | $10,000 |
Family and Friends | $18,000 |
Other | $0 |
Additional Investment Requirement | $0 |
Total Planned Investment | $28,000 |
Loss at Start-up (Start-up Expenses) | ($6,650) |
Total Capital | $21,350 |
Total Capital and Liabilities | $21,350 |
Total Funding | $28,000 |
Mt. Hood Records is a new, Portland, Oregon based record label. Mt. Hood Records is taking a new, unusual approach to band promotion and CD sales. Instead of competing with the large, ultra competitive national record labels, as well with the larger Indie labels, Mt. Hood Records will adopt a regional, intimate approach where they concentrate on several local bands. By working with only a few bands at once, Mt. Hood Records is able to offer a much more specialized and attentive level of service for their bands. This will be their competitive edge, something no other record label can offer.
At the same time that the CDs provide visibility for the respective bands, it provides visibility for Mt. Hood Records. This is key for Mt. Hood Records’ business model. They need to be known as a hard working/promoting record label. This is important because the stronger the label appears, the more attractive the label becomes in terms of being an exclusive promoter for a band.
While the compilations CDs are released, Mt. Hood Records will be working with a variety of parties for networking purposes. The first is local radio stations. Being able to get air play for the CD depends on relationships with the key decision makers at the various stations. Mt. Hood Records will also be working with various record stores, developing relationships with them so that as some of the bands on the CDs become known and there is consumer interest, Mt. Hood Records can begin to sell the CDs. Lastly, Mt. Hood Records will be working with the different clubs to get the bands live gigs. Playing live to local crowds will be one of the most productive activities in terms of developing fanfare.
As the label becomes well known locally, it will become attractive for local acts looking to sign up with a record label. Mt. Hood Records will be looking to sign up a total of no more than five bands at any one time. This will allow Mt. Hood Records to offer specialized and intimate promotional assistance.
As the bands begin to sign on, the next tasks are to assist in the production of a studio CD for the band. Once the CD is cut key activities will be aimed at record sales and live show production. These are key activities as these are the sources of revenue for Mt. Hood Records, CD sales which occur at record stores as well as at the live shows.
Mt. Hood Records business model recognizes that there will be little to no revenue within the first year. First year revenue is being sacrificed for the building of a viable record label in future years.
Mt. Hood Records will not focus on a specific genre of music; that is difficult to do on a regional basis. It also creates competition at the local level between the bands within the same genre. Instead, Mt. Hood Records will focus on the element of improvisation which can be found in a wide range of genres. Improvisation can be described as adding free flow change or spontaneity to a performance. This occurs when a band is playing a pre-defined song, but certain or each member of the band deviates from the song, playing their own solo or rendition of the material. This occurs in the moment, in a spontaneous experimentation. This lends it elf to viewing a band’s performance multiple times, as no performance is the same. Improvisation also lets the musicians “shine,” it allows them to try new things, play around, have fun, and entertain the audience.
Mt. Hood Records will target two primary market segments, record stores and consumers at live shows. These will be the sources of income so they will be the main targets. Initially, Mt. Hood Records focus will be to develop visibility within the community, enough to be able to sign up bands which are the key to revenue generation. The need to sign up bands will drive the marketing activities that Mt. Hood Records will undertake in order to generate revenue in the future.
Mt. Hood Records has identified two target market segments which will be the main targeted customers.
Market Analysis | |||||||
Year 1 | Year 2 | Year 3 | Year 4 | Year 5 | |||
Potential Customers | Growth | CAGR | |||||
Record stores | 5% | 23 | 24 | 25 | 26 | 27 | 4.09% |
Consumers at live performances | 7% | 18,776 | 20,090 | 21,496 | 23,001 | 24,611 | 7.00% |
Total | 7.00% | 18,799 | 20,114 | 21,521 | 23,027 | 24,638 | 7.00% |
Mt. Hood Records has chosen these two distinct market segments because they are the main source of revenue. Mt. Hood Records will remain focused on their important marketing activities aimed at developing visibility for the record label, however, ultimately it comes down to CD sales for business viability and the record stores and consumers at live performances being the source of this revenue. This is a fairly intimate industry, most of the industry participants within a region know each other. Keeping this in mind, networking will be the most efficient and effective activity. The only way to get into record stores is by showing potential record sales. The way you begin to do this is to have good contacts within the stores to get the right people to listen to you.
Another source of revenue will be the buy out of a band from their Mt. Hood contract in favor of a larger, national label. These events will not be marketed for, they will tend to occur on their own. This source of revenue is, however, tracked in the sales forecasts.
In general, the record industry, at least when based on overall sales, is a highly concentrated national industry. There are several huge international corporations that control the bulk of record sales. For bands looking to break through into national stardom and significant record sales, this is the distribution/promotion channel that they must concentrate on.
There are also the “Indie” labels which are broader than regional companies, but do not have the same breadth as a national player. The Indie labels can be quite large, they just tend to do business in less commercial ways. Many Indie labels can support national acts who are professional musicians.
Mt. Hood Records will leverage their competitive edge of low overhead and low band count ensuring intimate specialized care and promotion for the lucky few bands that it represents. Mt. Hood Records will employ a marketing strategy that concentrates on developing a large web of networks to assist the visibility of their label as well as developing visibility for the bands it represents. Mt. Hood Records will be extremely active in the local music scene as an effective way of plugging their bands. Lastly, Mt. Hood Records will have an aggressive sales strategy with the goal of getting as many record stores as possible to assist with sales of the various CDs as well as having a heavy live gig schedule as another outlet for CD sales.
Mt. Hood Records will employ a two pronged competitive edge. The first edge prong is having low overhead. Mt. Hood Records’ office will be in Hillary’s home. There is not an immediate need for offices, as all work can be transacted from her home office. Additionally, unlike many record labels, there will not be a recording studio to support. Significant costs are saved by renting studio time as needed. There appears to be no time in the foreseeable future that would dictate the need for a dedicated studio.
Mt. Hood Records will also use their other competitive edge prong by retaining a low band count. Mt. Hood Records will have five or less bands under contract at once. While this will reduce the chance of large records sales associated with having many different bands under their label, it does allow Mt. Hood Records to offer the bands it represents very specialized and intimate care. This is quite unusual in the industry. Most record labels have many different bands under contract; that is the nature of the industry. It is very difficult for a band to pick up a contract that differs from this arrangement.
Mt. Hood Records recognizes the opportunity to get away from the status quo and operate under the business philosophy that specialized customer care and attention is the best way to make money in the long term. Unless you have tons of marketing money volume is not the way to make sustainable profits. Each of Mt. Hood Records’ bands therefore receive far better plugging and placement. Anytime Mt. Hood Records is in a networking activity, they can plug all of their bands at once due to the small number.
This approach to specialized care can be seen in the athlete representation field. Two current great cyclists have adopted the approach, bucking the same trend within the athlete representation industry. Both Lance Armstrong and Kevin Livingston have both chosen contract representatives that only represent a couple of athletes instead of the norm by choosing a large company that has many different athletes in many sports represented at once. They have chosen this arrangement recognizing the more intimate care that they receive.
Mt. Hood Records’ marketing strategy recognizes the fact that the value in the label is intrinsically based on their reputation within the music community. Mt Hood Records needs to be known as a premier label, creating a compelling reason for bands to sign up with them.
Mt. Hood Records will develop their industry visibility through the release of the various compilation CDs. The goal of these CDs is to get the word out about Mt. Hood Records. This will assist in securing their initial bands. This will be done through aggressive networking. Mt. Hood Records will be in close contact to who’s who in the Portland music scene, for both retail recordings as well as within the live music scene.
Once a few bands have been secured, it then becomes Mt. Hood Records’ marketing strategy to plug the bands as much as possible. This again will be done by leveraging all of their networking contacts. One effective way that Mt. Hood Records will be marketing their bands is to line up as many live shows as possible. For a local scene, it is very important for the bands to be performing quite often, this is the fastest way that demand is generated within a specific community regarding a band. Once the shows have been lined up, Mt. Hood Records will almost always man a booth where the concert goers can buy CDs, learn more about the performing band, as well as providing more information about the other bands that they represent. While this takes time and effort, it is this passionate effort that will assist Mt. Hood Records in becoming a viable label, not immediately, but over time and hard work.
Other activities, as intuitive as they may seem are (not an exhaustive list):
Mt. Hood Records will also address the need to sell CDs at live performances. As mentioned earlier, CDs purchased at shows are, more often than not, impulse purchases. The viewer is impressed by the live performance of the band and in a show of support or a desire to have more material from the band they buy a CD. It is likely that other bands’ CDs will be sold by leveraging the goodwill of Mt. Hood Records. Studies indicate that consumers are more likely to experiment with new bands if the bands are found on a record label that the consumer is already familiar with and has confidence in. In essence it is using the positive halo effect of the label to sell other bands the label represents. This is further reinforced by the common element of improvisation that Mt. Hood Records represents. If the customer appreciates the element of improvisation then they are much more likely to try another improvisational band, especially when it comes with a “seal of approval” from the record label.
Sales will be slow initially. It is forecasted that the first two compilation CDs will be handed out for free. Sales revenue is not anticipated yet. By the third compilation Mt. Hood Records will have signed two bands and this will be the beginning of revenue generating CD sales. Once bands are signed, Mt. Hood Records’ legitimacy will be developed and they will be able to begin to generate revenue both on band CDs as well as the compilations.
Sales will also be generated through online website CD sales. Margins for the online sales are quite good because it eliminates the retail layer of the distribution channel. This will be Mt. Hood Records attempt to capture revenue from the powerful Internet sales channel.
An additional source of revenue is contract buyout. At some point there is the possibility that one or two of the bands will receive an offer from a larger record label for national distribution. In all of the band’s contracts there will be a buy out clause that will allow a larger label to buy out the contract. This is in recognition that Mt. Hood Records has limited distribution and if a band does indeed “make it” they will need to move onto a new label that has an established distribution system. Having this clause and the phenomenon of a band or two moving on is of value to Mt. Hood Records because it allows them in turn to sign on another new band. This is not expected or desired to be a huge revenue contributor initially. While Mt. Hood Records has no desire to completely cash in on a band moving to a national audience they will certainly make some money when a contract is bought out. However, it is not their goal that all bands will move on to larger labels.
Direct cost of goods includes:
Sales Forecast | |||
Year 1 | Year 2 | Year 3 | |
Sales | |||
Record retailer sales | $0 | $28,090 | $39,076 |
Live concert record sales | $0 | $19,000 | $24,090 |
CD sales from website | $0 | $15,070 | $25,600 |
Contract buy-outs | $0 | $20,000 | $55,000 |
Total Sales | $0 | $82,160 | $143,766 |
Direct Cost of Sales | Year 1 | Year 2 | Year 3 |
Record retailer sales | $0 | $11,236 | $15,630 |
Live concert record sales | $0 | $6,650 | $8,432 |
CD sales from website | $0 | $5,275 | $8,960 |
Contract buy-outs | $0 | $0 | $0 |
Subtotal Direct Cost of Sales | $0 | $23,161 | $33,022 |
Several milestones have been established and will act as a set of goals and a tracking mechanism for achieving the goals. While the milestones are initially static, they can be dynamic if needed. Please see the following table for detail regarding the milestones.
Milestones | |||||
Milestone | Start Date | End Date | Budget | Manager | Department |
Business plan completion | 1/1/2003 | 2/15/2003 | $0 | Hillary | Business Development |
First compilation released | 2/15/2003 | 5/1/2003 | $0 | Hillary | Marketing |
Second compilation released | 5/1/2003 | 9/15/2003 | $0 | Hillary | Marketing |
First band signed | 2/15/2003 | 10/30/2003 | $0 | Hillary | Sales |
First revenue stream | 10/30/2003 | 2/28/2004 | $0 | Hillary | Sales |
Band representation currently full | 10/30/2003 | 6/30/2004 | $0 | Hillary | Sales |
Totals | $0 |
Mt. Hood Records’ website will be an excellent source of information dissemination and CD sales.
The site will be linked to the various Portland entertainment guides such as Willamette Weekly. Mt. Hood Records will also submit the site to several different search engines. Lastly, the URL address will be prominent on all printed material and correspondence.
The site will be developed by a computer science student.
Hillary MacQuilliams first got her feet wet in music after college. After graduating with a Bachelor of Arts degree, Hillary and bandmates of 180 South decided to start their own record label to support a regional tour. The goal of the record label was primarily self-promotion and personal satisfaction. By creating their own label, they could release their one studio CD. They did not expect to generate profits from this, they saw it as an opportunity to support their tour with a CD. They toured for a month straight, throughout NY, PA, and NJ, playing almost every night, driving to the new venue during the day. The tour was quite an accomplishment, but it really did not make any money, just covered expenses.
Hillary then earned a J.D. degree from Lewis & Clark Law School in Portland, Oregon. During the summer of her first and second year she interned at the Department of Justice (DOJ), but was unable to find a job after graduation.
At this point she decuded that she could leverage per passion for music into a job, and once again start a record label. This time around she would be able to rely on her husband’s income for the household for the first year or two of her new business. Hillary recognized that in order to build a sustainable label she would have to forgo revenue and keep overhead low for the first year. If she could weather this financial burden she could make the business model work.
Hillary will be the primary employee. She will be working long hours, often with her husband’s help, but after some sweat equity, the business model will begin producing revenue. Hillary will not take a salary for the first two years in order to build the business. For year three she will draw a salary. Hillary will hire two other employees to assist her.
Personnel Plan | |||
Year 1 | Year 2 | Year 3 | |
Hillary | $0 | $0 | $30,000 |
Sales | $0 | $12,000 | $13,000 |
Distribution | $1,600 | $12,000 | $13,000 |
Total People | 1 | 3 | 3 |
Total Payroll | $1,600 | $24,000 | $56,000 |
The following sections presents important financial information.
The following table lists important financial assumptions.
General Assumptions | |||
Year 1 | Year 2 | Year 3 | |
Plan Month | 1 | 2 | 3 |
Current Interest Rate | 10.00% | 10.00% | 10.00% |
Long-term Interest Rate | 10.00% | 10.00% | 10.00% |
Tax Rate | 30.00% | 30.00% | 30.00% |
Other | 0 | 0 | 0 |
The Break-even Analysis indicates what is needed in monthly revenue to break even.
Break-even Analysis | |
Monthly Revenue Break-even | $1,502 |
Assumptions: | |
Average Percent Variable Cost | 0% |
Estimated Monthly Fixed Cost | $1,502 |
The following table and charts illustrated projected profit and loss.
Explanations for some line items:
Pro Forma Profit and Loss | |||
Year 1 | Year 2 | Year 3 | |
Sales | $0 | $82,160 | $143,766 |
Direct Cost of Sales | $0 | $23,161 | $33,022 |
Other Costs of Goods | $0 | $0 | $0 |
Total Cost of Sales | $0 | $23,161 | $33,022 |
Gross Margin | $0 | $59,000 | $110,744 |
Gross Margin % | 0.00% | 71.81% | 77.03% |
Expenses | |||
Payroll | $1,600 | $24,000 | $56,000 |
Sales and Marketing and Other Expenses | $13,500 | $14,500 | $15,500 |
Depreciation | $400 | $400 | $400 |
Rent | $0 | $4,000 | $4,000 |
Website expenses | $1,560 | $1,800 | $2,000 |
Utilities | $360 | $800 | $1,000 |
Insurance | $360 | $600 | $800 |
Payroll Taxes | $240 | $3,600 | $8,400 |
Returned CDs | $0 | $1,200 | $1,200 |
Total Operating Expenses | $18,020 | $50,900 | $89,300 |
Profit Before Interest and Taxes | ($18,020) | $8,100 | $21,444 |
EBITDA | ($17,620) | $8,500 | $21,844 |
Interest Expense | $0 | $0 | $0 |
Taxes Incurred | $0 | $2,430 | $6,433 |
Net Profit | ($18,020) | $5,670 | $15,011 |
Net Profit/Sales | 0.00% | 6.90% | 10.44% |
The following chart and table show the projected cash flow.
Pro Forma Cash Flow | |||
Year 1 | Year 2 | Year 3 | |
Cash Received | |||
Cash from Operations | |||
Cash Sales | $0 | $20,540 | $35,942 |
Cash from Receivables | $0 | $61,620 | $107,825 |
Subtotal Cash from Operations | $0 | $82,160 | $143,766 |
Additional Cash Received | |||
Sales Tax, VAT, HST/GST Received | $0 | $0 | $0 |
New Current Borrowing | $0 | $0 | $0 |
New Other Liabilities (interest-free) | $0 | $0 | $0 |
New Long-term Liabilities | $0 | $0 | $0 |
Sales of Other Current Assets | $0 | $0 | $0 |
Sales of Long-term Assets | $0 | $0 | $0 |
New Investment Received | $0 | $0 | $0 |
Subtotal Cash Received | $0 | $82,160 | $143,766 |
Expenditures | Year 1 | Year 2 | Year 3 |
Expenditures from Operations | |||
Cash Spending | $1,600 | $24,000 | $56,000 |
Bill Payments | $15,595 | $48,234 | $70,690 |
Subtotal Spent on Operations | $17,195 | $72,234 | $126,690 |
Additional Cash Spent | |||
Sales Tax, VAT, HST/GST Paid Out | $0 | $0 | $0 |
Principal Repayment of Current Borrowing | $0 | $0 | $0 |
Other Liabilities Principal Repayment | $0 | $0 | $0 |
Long-term Liabilities Principal Repayment | $0 | $0 | $0 |
Purchase Other Current Assets | $0 | $0 | $0 |
Purchase Long-term Assets | $0 | $0 | $0 |
Dividends | $0 | $0 | $0 |
Subtotal Cash Spent | $17,195 | $72,234 | $126,690 |
Net Cash Flow | ($17,195) | $9,926 | $17,076 |
Cash Balance | $2,155 | $12,081 | $29,158 |
The following table presents the projected balance sheet.
Pro Forma Balance Sheet | |||
Year 1 | Year 2 | Year 3 | |
Assets | |||
Current Assets | |||
Cash | $2,155 | $12,081 | $29,158 |
Accounts Receivable | $0 | $0 | $0 |
Inventory | $0 | $0 | $0 |
Other Current Assets | $0 | $0 | $0 |
Total Current Assets | $2,155 | $12,081 | $29,158 |
Long-term Assets | |||
Long-term Assets | $2,000 | $2,000 | $2,000 |
Accumulated Depreciation | $400 | $800 | $1,200 |
Total Long-term Assets | $1,600 | $1,200 | $800 |
Total Assets | $3,756 | $13,281 | $29,958 |
Liabilities and Capital | Year 1 | Year 2 | Year 3 |
Current Liabilities | |||
Accounts Payable | $425 | $4,281 | $5,947 |
Current Borrowing | $0 | $0 | $0 |
Other Current Liabilities | $0 | $0 | $0 |
Subtotal Current Liabilities | $425 | $4,281 | $5,947 |
Long-term Liabilities | $0 | $0 | $0 |
Total Liabilities | $425 | $4,281 | $5,947 |
Paid-in Capital | $28,000 | $28,000 | $28,000 |
Retained Earnings | ($6,650) | ($24,670) | ($19,000) |
Earnings | ($18,020) | $5,670 | $15,011 |
Total Capital | $3,330 | $9,000 | $24,011 |
Total Liabilities and Capital | $3,756 | $13,281 | $29,958 |
Net Worth | $3,330 | $9,000 | $24,011 |
Business ratios for the years of this plan are shown below. Industry profile ratios based on the Music recording and distribuiting industry NAICS code 512220, are shown for comparison.
Ratio Analysis | ||||
Year 1 | Year 2 | Year 3 | Industry Profile | |
Sales Growth | 0.00% | 0.00% | 74.98% | -22.55% |
Percent of Total Assets | ||||
Accounts Receivable | 0.00% | 0.00% | 0.00% | 16.48% |
Inventory | 0.00% | 0.00% | 0.00% | 21.02% |
Other Current Assets | 0.00% | 0.00% | 0.00% | 31.62% |
Total Current Assets | 57.39% | 90.96% | 97.33% | 69.12% |
Long-term Assets | 42.61% | 9.04% | 2.67% | 30.88% |
Total Assets | 100.00% | 100.00% | 100.00% | 100.00% |
Current Liabilities | 11.32% | 32.24% | 19.85% | 25.08% |
Long-term Liabilities | 0.00% | 0.00% | 0.00% | 16.76% |
Total Liabilities | 11.32% | 32.24% | 19.85% | 41.84% |
Net Worth | 88.68% | 67.76% | 80.15% | 58.16% |
Percent of Sales | ||||
Sales | 100.00% | 100.00% | 100.00% | 100.00% |
Gross Margin | 0.00% | 71.81% | 77.03% | 29.18% |
Selling, General & Administrative Expenses | 0.00% | 64.91% | 66.59% | 10.66% |
Advertising Expenses | 0.00% | 0.00% | 0.00% | 0.44% |
Profit Before Interest and Taxes | 0.00% | 9.86% | 14.92% | 5.25% |
Main Ratios | ||||
Current | 5.07 | 2.82 | 4.90 | 2.54 |
Quick | 5.07 | 2.82 | 4.90 | 1.38 |
Total Debt to Total Assets | 11.32% | 32.24% | 19.85% | 49.40% |
Pre-tax Return on Net Worth | -541.06% | 89.99% | 89.31% | 6.25% |
Pre-tax Return on Assets | -479.79% | 60.98% | 71.58% | 12.35% |
Additional Ratios | Year 1 | Year 2 | Year 3 | |
Net Profit Margin | 0.00% | 6.90% | 10.44% | n.a |
Return on Equity | -541.06% | 63.00% | 62.52% | n.a |
Activity Ratios | ||||
Accounts Receivable Turnover | 0.00 | 0.00 | 0.00 | n.a |
Collection Days | 0 | 0 | 0 | n.a |
Inventory Turnover | 0.00 | 0.00 | 0.00 | n.a |
Accounts Payable Turnover | 37.66 | 12.17 | 12.17 | n.a |
Payment Days | 27 | 16 | 26 | n.a |
Total Asset Turnover | 0.00 | 6.19 | 4.80 | n.a |
Debt Ratios | ||||
Debt to Net Worth | 0.13 | 0.48 | 0.25 | n.a |
Current Liab. to Liab. | 1.00 | 1.00 | 1.00 | n.a |
Liquidity Ratios | ||||
Net Working Capital | $1,730 | $7,800 | $23,211 | n.a |
Interest Coverage | 0.00 | 0.00 | 0.00 | n.a |
Additional Ratios | ||||
Assets to Sales | n.a. | 0.16 | 0.21 | n.a |
Current Debt/Total Assets | 11% | 32% | 20% | n.a |
Acid Test | 5.07 | 2.82 | 4.90 | n.a |
Sales/Net Worth | 0.00 | 9.13 | 5.99 | n.a |
Dividend Payout | 0.00 | 0.00 | 0.00 | n.a |
Sales Forecast | |||||||||||||
Month 1 | Month 2 | Month 3 | Month 4 | Month 5 | Month 6 | Month 7 | Month 8 | Month 9 | Month 10 | Month 11 | Month 12 | ||
Sales | |||||||||||||
Record retailer sales | 0% | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 |
Live concert record sales | 0% | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 |
CD sales from website | 0% | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 |
Contract buy-outs | 0% | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 |
Total Sales | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Direct Cost of Sales | Month 1 | Month 2 | Month 3 | Month 4 | Month 5 | Month 6 | Month 7 | Month 8 | Month 9 | Month 10 | Month 11 | Month 12 | |
Record retailer sales | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Live concert record sales | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
CD sales from website | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Contract buy-outs | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Subtotal Direct Cost of Sales | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 |
Personnel Plan | |||||||||||||
Month 1 | Month 2 | Month 3 | Month 4 | Month 5 | Month 6 | Month 7 | Month 8 | Month 9 | Month 10 | Month 11 | Month 12 | ||
Hillary | 0% | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 |
Sales | 0% | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 |
Distribution | 0% | $0 | $0 | $800 | $0 | $0 | $800 | $0 | $0 | $0 | $0 | $0 | $0 |
Total People | 1 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | |
Total Payroll | $0 | $0 | $800 | $0 | $0 | $800 | $0 | $0 | $0 | $0 | $0 | $0 |
General Assumptions | |||||||||||||
Month 1 | Month 2 | Month 3 | Month 4 | Month 5 | Month 6 | Month 7 | Month 8 | Month 9 | Month 10 | Month 11 | Month 12 | ||
Plan Month | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | |
Current Interest Rate | 10.00% | 10.00% | 10.00% | 10.00% | 10.00% | 10.00% | 10.00% | 10.00% | 10.00% | 10.00% | 10.00% | 10.00% | |
Long-term Interest Rate | 10.00% | 10.00% | 10.00% | 10.00% | 10.00% | 10.00% | 10.00% | 10.00% | 10.00% | 10.00% | 10.00% | 10.00% | |
Tax Rate | 30.00% | 30.00% | 30.00% | 30.00% | 30.00% | 30.00% | 30.00% | 30.00% | 30.00% | 30.00% | 30.00% | 30.00% | |
Other | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Pro Forma Profit and Loss | |||||||||||||
Month 1 | Month 2 | Month 3 | Month 4 | Month 5 | Month 6 | Month 7 | Month 8 | Month 9 | Month 10 | Month 11 | Month 12 | ||
Sales | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Direct Cost of Sales | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Other Costs of Goods | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Total Cost of Sales | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Gross Margin | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Gross Margin % | 0.00% | 0.00% | 0.00% | 0.00% | 0.00% | 0.00% | 0.00% | 0.00% | 0.00% | 0.00% | 0.00% | 0.00% | |
Expenses | |||||||||||||
Payroll | $0 | $0 | $800 | $0 | $0 | $800 | $0 | $0 | $0 | $0 | $0 | $0 | |
Sales and Marketing and Other Expenses | $250 | $5,500 | $250 | $250 | $5,500 | $250 | $250 | $250 | $250 | $250 | $250 | $250 | |
Depreciation | $33 | $33 | $33 | $33 | $33 | $33 | $33 | $33 | $33 | $33 | $33 | $33 | |
Rent | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Website expenses | $130 | $130 | $130 | $130 | $130 | $130 | $130 | $130 | $130 | $130 | $130 | $130 | |
Utilities | $30 | $30 | $30 | $30 | $30 | $30 | $30 | $30 | $30 | $30 | $30 | $30 | |
Insurance | $30 | $30 | $30 | $30 | $30 | $30 | $30 | $30 | $30 | $30 | $30 | $30 | |
Payroll Taxes | 15% | $0 | $0 | $120 | $0 | $0 | $120 | $0 | $0 | $0 | $0 | $0 | $0 |
Returned CDs | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Total Operating Expenses | $473 | $5,723 | $1,393 | $473 | $5,723 | $1,393 | $473 | $473 | $473 | $473 | $473 | $473 | |
Profit Before Interest and Taxes | ($473) | ($5,723) | ($1,393) | ($473) | ($5,723) | ($1,393) | ($473) | ($473) | ($473) | ($473) | ($473) | ($473) | |
EBITDA | ($440) | ($5,690) | ($1,360) | ($440) | ($5,690) | ($1,360) | ($440) | ($440) | ($440) | ($440) | ($440) | ($440) | |
Interest Expense | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Taxes Incurred | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Net Profit | ($473) | ($5,723) | ($1,393) | ($473) | ($5,723) | ($1,393) | ($473) | ($473) | ($473) | ($473) | ($473) | ($473) | |
Net Profit/Sales | 0.00% | 0.00% | 0.00% | 0.00% | 0.00% | 0.00% | 0.00% | 0.00% | 0.00% | 0.00% | 0.00% | 0.00% |
Pro Forma Cash Flow | |||||||||||||
Month 1 | Month 2 | Month 3 | Month 4 | Month 5 | Month 6 | Month 7 | Month 8 | Month 9 | Month 10 | Month 11 | Month 12 | ||
Cash Received | |||||||||||||
Cash from Operations | |||||||||||||
Cash Sales | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Cash from Receivables | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Subtotal Cash from Operations | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Additional Cash Received | |||||||||||||
Sales Tax, VAT, HST/GST Received | 0.00% | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 |
New Current Borrowing | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
New Other Liabilities (interest-free) | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
New Long-term Liabilities | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Sales of Other Current Assets | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Sales of Long-term Assets | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
New Investment Received | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Subtotal Cash Received | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Expenditures | Month 1 | Month 2 | Month 3 | Month 4 | Month 5 | Month 6 | Month 7 | Month 8 | Month 9 | Month 10 | Month 11 | Month 12 | |
Expenditures from Operations | |||||||||||||
Cash Spending | $0 | $0 | $800 | $0 | $0 | $800 | $0 | $0 | $0 | $0 | $0 | $0 | |
Bill Payments | $15 | $615 | $5,519 | $556 | $615 | $5,519 | $556 | $440 | $440 | $440 | $440 | $440 | |
Subtotal Spent on Operations | $15 | $615 | $6,319 | $556 | $615 | $6,319 | $556 | $440 | $440 | $440 | $440 | $440 | |
Additional Cash Spent | |||||||||||||
Sales Tax, VAT, HST/GST Paid Out | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Principal Repayment of Current Borrowing | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Other Liabilities Principal Repayment | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Long-term Liabilities Principal Repayment | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Purchase Other Current Assets | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Purchase Long-term Assets | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Dividends | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Subtotal Cash Spent | $15 | $615 | $6,319 | $556 | $615 | $6,319 | $556 | $440 | $440 | $440 | $440 | $440 | |
Net Cash Flow | ($15) | ($615) | ($6,319) | ($556) | ($615) | ($6,319) | ($556) | ($440) | ($440) | ($440) | ($440) | ($440) | |
Cash Balance | $19,335 | $18,720 | $12,401 | $11,845 | $11,230 | $4,911 | $4,355 | $3,915 | $3,475 | $3,035 | $2,595 | $2,155 |
Pro Forma Balance Sheet | |||||||||||||
Month 1 | Month 2 | Month 3 | Month 4 | Month 5 | Month 6 | Month 7 | Month 8 | Month 9 | Month 10 | Month 11 | Month 12 | ||
Assets | Starting Balances | ||||||||||||
Current Assets | |||||||||||||
Cash | $19,350 | $19,335 | $18,720 | $12,401 | $11,845 | $11,230 | $4,911 | $4,355 | $3,915 | $3,475 | $3,035 | $2,595 | $2,155 |
Accounts Receivable | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 |
Inventory | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 |
Other Current Assets | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 |
Total Current Assets | $19,350 | $19,335 | $18,720 | $12,401 | $11,845 | $11,230 | $4,911 | $4,355 | $3,915 | $3,475 | $3,035 | $2,595 | $2,155 |
Long-term Assets | |||||||||||||
Long-term Assets | $2,000 | $2,000 | $2,000 | $2,000 | $2,000 | $2,000 | $2,000 | $2,000 | $2,000 | $2,000 | $2,000 | $2,000 | $2,000 |
Accumulated Depreciation | $0 | $33 | $67 | $100 | $133 | $167 | $200 | $233 | $266 | $300 | $333 | $366 | $400 |
Total Long-term Assets | $2,000 | $1,967 | $1,933 | $1,900 | $1,867 | $1,834 | $1,800 | $1,767 | $1,734 | $1,700 | $1,667 | $1,634 | $1,600 |
Total Assets | $21,350 | $21,302 | $20,654 | $14,301 | $13,712 | $13,064 | $6,712 | $6,122 | $5,649 | $5,176 | $4,702 | $4,229 | $3,756 |
Liabilities and Capital | Month 1 | Month 2 | Month 3 | Month 4 | Month 5 | Month 6 | Month 7 | Month 8 | Month 9 | Month 10 | Month 11 | Month 12 | |
Current Liabilities | |||||||||||||
Accounts Payable | $0 | $425 | $5,500 | $541 | $425 | $5,500 | $541 | $425 | $425 | $425 | $425 | $425 | $425 |
Current Borrowing | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 |
Other Current Liabilities | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 |
Subtotal Current Liabilities | $0 | $425 | $5,500 | $541 | $425 | $5,500 | $541 | $425 | $425 | $425 | $425 | $425 | $425 |
Long-term Liabilities | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 |
Total Liabilities | $0 | $425 | $5,500 | $541 | $425 | $5,500 | $541 | $425 | $425 | $425 | $425 | $425 | $425 |
Paid-in Capital | $28,000 | $28,000 | $28,000 | $28,000 | $28,000 | $28,000 | $28,000 | $28,000 | $28,000 | $28,000 | $28,000 | $28,000 | $28,000 |
Retained Earnings | ($6,650) | ($6,650) | ($6,650) | ($6,650) | ($6,650) | ($6,650) | ($6,650) | ($6,650) | ($6,650) | ($6,650) | ($6,650) | ($6,650) | ($6,650) |
Earnings | $0 | ($473) | ($6,197) | ($7,590) | ($8,063) | ($13,787) | ($15,180) | ($15,653) | ($16,126) | ($16,600) | ($17,073) | ($17,546) | ($18,020) |
Total Capital | $21,350 | $20,877 | $15,153 | $13,760 | $13,287 | $7,564 | $6,170 | $5,697 | $5,224 | $4,750 | $4,277 | $3,804 | $3,330 |
Total Liabilities and Capital | $21,350 | $21,302 | $20,654 | $14,301 | $13,712 | $13,064 | $6,712 | $6,122 | $5,649 | $5,176 | $4,702 | $4,229 | $3,756 |
Net Worth | $21,350 | $20,877 | $15,153 | $13,760 | $13,287 | $7,563 | $6,170 | $5,697 | $5,224 | $4,750 | $4,277 | $3,804 | $3,330 |
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By: Author Tony Martins Ajaero
Home » Business Plans » Entertainment Sector » Music Sector
Are you about starting a recording studio ? If YES, here is a complete sample music recording studio business plan template & feasibility study you can use for FREE.
The entertainment is a broad industry. This is because there are diverse things that you may be looking to start, and when you do start out, you can be sure to make good money in it. One of such genres of the entertainment industry is the recording studio business. This is one sure way to smile to the bank often and on.
The recording studio business is a very rewarding one as you can be sure to meet the needs of new entrants into the music and entertainment business, as well as other people. The funds required to start this business on a large scale is still moderate compared to other high end industries.
1. industry overview.
Recording studio business is indeed a thriving business that has loads of players making huge profits from the industry. One thing is certain, if a recording studio can successfully produce a major hit song / album or record songs for big time celebrity singers, it wouldn’t be too long before musicians and corporate organizations (for commercials and jingles) come calling from all over the united states and beyond.
No doubt the music industry of which recording studio business is a subset of is indeed a very large industry. Statistics has it that the global revenue of the music industry is estimated at about 15 billion U.S. dollars in 2013, and that is about the lowest revenue recorded since 2002; of course it is an indication that the recording studios need to become more creative and leverage on the changing tides in the world of technology.
Even the strong growth in streaming revenues was not enough to stop the music industry globally from experiencing income dropping below US $15bn for the first time in recent years in 2014. In the United States of America alone, there are about 4,917 legally registered recording studio businesses responsible for employing about 9,498 employees and the industry rakes in a whooping sum of $1bn annually.
Statistics also has it that in 2013 the three largest markets in the music industry, measured by the revenue they generated were the United States of America, Japan and Germany. Hence it is no surprise that the most of the leading recording studio brand who dominate the music industry in the globe are all headquartered in The United States of America.
Recent statistics from the IFPI revealed that overall global music production (recording studio inclusive) industry revenues dipped by just 0.4 percent last year – but that was enough to pull the annual tally down from $15.03bn to $14.97bn.
The biggest offenders for the fall were an 8.1 percent decline in revenues from physical format sales (to around $6.89bn, according to MBW calculations) and an 8.0 percent decline in download sales (to around $3.56bn).Single track downloads declined by 10.9 percent in the year, while digital albums sales saw revenues drop by 4.2 percent.
The Recording Studio cum Music Production industry is indeed witnessing a steady growth over the years especially in developed countries such as the United States, Japan and even the united kingdom. Though for some underdeveloped countries where piracy is still on rampage, the growth is a bit redundant.
One good thing about starting a recording studio business is that even if you decided to start it in the United States of America, your market will not be restricted to artists or business in the U.S.; the world will be your target market. Many thanks to the internet that has made the world a global village.
All you need to do is to strategically position your recording studio brand on the internet and you will be amazed at the rate people interested in recording their music, audio books, or jingles for adverts will be calling you from all parts of the world.
Crispy Clear® Recording Studio is a one stop and standard recording studio that is fully equipped with the latest technology in the recording studio industry.
Our recording studio will be located in the heart of Inglewood, Los Angeles – California, U.S and we are positioned to work for a wide range of client ranging from individual music artists to corporate organizations such as branding and advertising agencies et al.
Crispy Clear® Recording Studio is not just going to be engaged in the recording music for musicians, but we will also open our doors to corporate organizations who would want to record jingles for advertisement purposes and also authors who would want to record their audio books and other related works.
Our business goal is to work towards becoming one of the leading recording studio brands in the whole of Los Angeles and in the nearest future compete with the leaders in the industry not only in the United States but also in the global stage.
We are not ignorant of the fact that building a standard and world class recording studio from the scratch requires huge capital base especially for the purchase of world – class studio equipment (music production gadgets) et al, which is why we have perfect plans for steady flow of cash from our business partners with interest in our line of business.
We can confidently say that we have a robust financial standing and we are ready to take on any challenge that we encounter in the industry. We will ensure that all our employees are selected from a pool of talented and highly creative people with ears for good music in and around Los Angeles – California and also from any part of the United States.
We will make sure that we take all the members of our workforce through the required trainings that will position them to meet the expectation of the company and to compete with other players in the United States and throughout the globe.
At Crispy Clear® Recording Studio our client’s best interest will always come first, and everything we do will be guided by our values and professional ethics. We will ensure that we hold ourselves accountable to the highest standards by meeting our client’s needs precisely and completely.
We will cultivate a working environment that provides a human, sustainable approach to earning a living, and living in our world, for our partners, employees and for our clients. Crispy Clear® Recording Studio is owned majorly by Clement Boston and Claire Boston.
Clement Boston is a certified sound engineer and he has over 15 years of experience in the music industry working for two of the world’s top recording studios.
His wife Claire Boston will be the administrative head of the business. She has an MBA from University of California and she has occupied senior managerial roles before joining her husband to start Crispy Clear® Recording Studio. This duo have been able to cut their teeth in the musical industry both at national level and international level.
Crispy Clear® Recording Studio is going to offer varieties of services within the scope of the recording studio cum music production industry in the United States of America. Our intention of starting our recording studio in Inglewood – Los Angele is to make profits from the recording studio industry and we will do all that is permitted by the law in the US to achieve our aim and business goals.
Our business offering are listed below;
Our Business Structure
The success of any business is to a larger extent dependent on the business structure of the organization and the people who occupy the available role. Crispy Clear® Recording Studio will build a solid business structure that can support the growth of our recording studio business. We will ensure that we hire competent hands to help us build the business of our dream.
The fact that we want to become one of the leading recording studio brand in the industry in the whole of the United States of America makes it highly necessary for our organization to deliberately build a well – structured business from the onset.
We will work hard to ensure that we only attract people with the right mindset to help us achieve our business goals and objectives in record time. Below is the business structure that we will build Crispy Clear® Recording Studio Company;
Entertainment Lawyer / Legal Secretary
Studio Manager
Music / Record Producer
Sound / Recording Engineer
Admin and HR Manager
Marketing and Sales Executive
Front Desk Officer
Chief Executive Office:
Client Service Executive
Crispy Clear® Recording Studio engaged the services of a core professional in the area of music consulting and business structuring to assist the organization in building a standard recording studio company that can favorably compete with other leading recording studio brands in the United States of America.
Part of what the business consultant did was to work with the management of the company in conducting a SWOT analysis for Crispy Clear® Recording Studio. Here is a summary from the result of the SWOT analysis that was conducted on behalf of Crispy Clear® Recording Studio;
Our core strength lies in the power of our team and the state of the art recording studio equipment that we have. We have a team that can go all the way to give our clients value for their money; a team that can produce world class musical sounds.
We are well positioned in the heart of Inglewood, Los Angeles and we know we will attract loads of clients from the first day we open our music production studio for business.
As a new recording studio in Los Angeles, it might take some time for our organization to break into the market and attract some well – established music artists and bigger corporations to record in our studio; that is perhaps our major weakness. Another weakness is that we may not have the required cash to pump into the promotion our business the way we would want to.
The opportunities in the music industry are massive especially in Los Angeles, and we are ready to take advantage of any opportunity that comes our way.
Technology and the internet which of course is a major tool for the advancement and gains achieved in the music industry can also poses a threat to the industry. The truth is that with the advancement of technology, it is now easier for individuals to mix up their sounds and even form soundtracks with the help of music production software applications.
So also, just like any other business, one of the major threats that we are likely going to face is economic downturn. It is a fact that economic downturn affects purchasing / spending power. Another threat that may likely confront us is the arrival of a new recording studio or music production company in same location where our target market exist and who may want to adopt same Business model like us.
Entrepreneurs who are venturing into the music industry are coming in with creativity and good business skills. The fact that revenue is nose – diving in the industry does not in a way stop some recording studio companies from declaring profits year in year out.
The trend in the recording studio cum music production industry is that most recording studio companies are trying as much as possible to recreate themselves on a regular basis and also to be on top of their game. This is so because it is easier to find music mixer or music production / recording software applications that a rookie can make use of to produce good sound without stress.
When it comes to music recording or music production, there are no exemptions to who you can market your services to.
There are loads of people out there who are interested in releasing a single or a full musical album. There are corporate organizations that would need to services of a standard recording studio companies to help them produce jingles or soundtrack for advertisement and promotion purpose.
There are authors who would need the services of recording studios to help them record their audio books and the list goes on. Over and above, our target market as a recording studio company cuts across people of different class and people from all walks of life and corporate organizations.
In view of that, we have created strategies that will enable us reach out to various corporate organizations and individual who we know will our services. We have conducted our market research and survey and we will ensure that our recording studio attracts the kind of clients we would love to work with.
Below is a list of the people and organizations that we have specifically market our services to;
Our Competitive Advantage
We are mindful of the fact that there is stiffer competition in the recording studio cum music production industry in the United States of America; hence we have been able to hire some of the best business developer to handle our sales and marketing.
Crispy Clear® Recording Studio might be a new entrant into the recording studio line of business cum music industry in the United States of America, but we are coming into the industry with core professionals and of course a standard world – class recording studio with the best equipment in the industry.
Lastly, our employees will be well taken care of, and their welfare package will be among the best within our category (startups music production companies) in the industry meaning that they will be more than willing to build the business with us and help deliver our set goals and achieve all our aims and objectives.
Crispy Clear® Recording Studio is established with the aim of maximizing profits in the recording studio cum music industry and we are going to go all the way to ensure that we do all it takes to attract our target market. Crispy Clear® Recording Studio will generate income by offering the following services;
One thing is certain when it comes to music; music never dies and the demand for good music will continue to grow. This goes to show that any recording studio company that is known to always produce good music or voice recording will continue to attract talented music artists, corporate organizations and authors and that will sure translate to increase in revenue generation for the business.
We are well positioned to take on the available market in Los Angeles California and beyond and we are quite optimistic that we will meet our set target of generating enough income / profits from the first six month of operations and grow the business and our clientele base beyond Los Angeles – California to other cities in the U.S. and even the global market.
We have been able to critically examine the recording studio cum music production market and we have analyzed our chances in the industry and we have been able to come up with the following sales forecast. The sales projection is based on information gathered on the field and some assumptions that are peculiar to startups in Los Angeles – CA.
Below is the sales projection for Crispy Clear® Recording Studio, it is based on the location of our business and other factors as it relates to record label start – ups in the United States;
N.B : This projection is done based on what is obtainable in the industry and with the assumption that there won’t be any major economic meltdown and there won’t be any major competitor offering same studio / music production services as we do within same location. Please note that the above projection might be lower and at the same time it might be higher.
Recording studio business is not a business that you have to retail products which is why we must do all we can to maximize any opportunity that comes our way to attract people to make use of our recording studio or hire of services.
Our sales and marketing team will be recruited base on their vast experience in the music industry and they will be trained on a regular basis so as to be well equipped to meet their targets and the overall goal of the organization.
We will also ensure that our excellent music production / top class music speaks for us in the market place; we want to build a standard and well equipped recording studio that will leverage on word of mouth advertisement from satisfied clients / artists.
Our business goal is to build our recording studio business to become the number one choice in the whole of Los Angeles – California which is why we have mapped out strategy that will help us take advantage of the available market and grow to become a major force to reckon with not only in the U.S but in the world stage as well.
Crispy Clear® Recording Studio is set to make use of the following marketing and sales strategies to attract clients;
We have been able to work with brand and publicity specialist to help us map out publicity and advertising strategies that will help us walk our way into the heart of our target market.
We are set to take the music industry by storm which is why we have made provisions for effective publicity and advertisement of our recording studio company. Below are the platforms we intend to leverage on to promote and advertise Crispy Clear® Recording Studio;
It is important to point out that, though, music studio charge by the hour so it is the responsibility of the music producer to ensure that set target are met within the stipulated time. The more time you spend on the studio, the more money you would have to pay.
No doubt, hourly billing for music studios is a long – time tradition in the industry. However, for some types of music / record contracts, flat fees are adopted.
As a result of this, Crispy Clear® Recording Studio will charge our old clients (artists) a flat fee and charge new clients (new music artists) hourly when they make use of our music studio to record their music or produce music beats for their albums.
At Crispy Clear® Recording Studio we will keep our fees below the average market rate for all of our clients by keeping our overhead low and by collecting payment in advance.
In addition, we will also offer special discounted rates to start – ups, nonprofits, cooperatives, and small social enterprises who engage our services to help to produce musical jingles for advert purposes and authors who would need our services to record their audio books.
At Crispy Clear® Recording Studio, our payment policy will be all inclusive because we are quite aware that different people prefer different payment options as it suits them. Here are the payment options that we will make available to our clients;
In view of the above, we have chosen banking platforms that will help us achieve our plans with little or no itches.
The cost of setting up a recording studio business to a larger extent has reduced from what it used to be; many thanks to the advancement of technology and perhaps the internet. These days it is now easier to see people set up recording studios in their house. All they need to do is to register a business and set up a mini recording studio in their apartment!
Basically, it is not expensive starting a recording studio company in the United States of America except for the prices of setting up a standard and well – equipped studio. The amount required to start a music production company may vary slightly from country to country and from states to states.
Other factors that can influence the start – up cost of a recording studio company is the amount needed to rent or lease a facility, the cost of the equipment you would need and the money needed to brand your business et al.
When it comes to purchasing microphones and head phones, we will go for Neumann u87; it will cost us about $2000 or more. For mixer, we will go with Euphonix or any other brand of our choice. But Euphonix is great (especially with is sweet sounding preamp and on board compressors). It will cost us about $30,000 or more.
On the alternative, we can choose to go for purely digital and skip the mixer altogether. This means that we will need a good audio interface with multiple inputs. 12 stereo pairs minimum. The emu 1820m is a good one. Then cables (nothing else but mogami cables. these are the best audio cable in the market for now; although we may explore other options)
We would need to create budget for pre amp. Avalon is perhaps our best bet and we can get it for about $2500 or less. We have also prepared a good budget for monitor; monitor is one of the most important gadgets we would need in starting our own record label and record studio. We have made provision for a Yamaha monitor; it is simply one of the best we can get in the market.
When it comes to acquiring a computer, we just have to budget for high end computer designed for such purpose. It is important for computer to have a very large memory, high end graphic card, and 2.6 GHz quad core processor and we will search for a good software to work with.
Essentially, this is the area we are looking towards spending our start – up capital on;
Going by the report from the research and feasibility studies, we will need about $300,000 to set up a medium scale but standard recording studio in the United States of America. Here are some of the key equipment and musical gadgets that we would need to set up our recording studio;
Generating Funding / Startup Capital for Crispy Clear® Recording Studio
Crispy Clear® Recording Studio is going to start as a family business that will be solely owned and managed by Clement Boston and his wife Claire Boston.
Both of them will be the financial of the business, but may likely welcome other partners later which is why they have decided to restrict the sourcing of his start – up capital to 3 major sources. These are the areas we intend generating our start – up capital;
N.B: We have been able to generate about $100,000 (Personal savings $60,000 and soft loan from family members $40,000) and we are at the final stages of obtaining a loan facility of $200,000 from our bank. All the papers and document has been duly signed and submitted, the loan has been approved and any moment from now our account will be credited.
It is easier for businesses to survive when they have steady flow of business deals / customers patronizing their products and services. We are aware of this which is why we have decided to offer a wide range of music production related services and also to work with both music artists, corporate organizations and authors.
We know that if we continue to record hit songs, albums, audio books, soundtrack and jingles for both individuals and corporate organizations, there will be steady flow of income for the organization. Our key sustainability and expansion strategy is to ensure that we only hire competent employees, create a conducive working environment and employee benefits for our staff members.
We know that if we implement our business strategies, we will grow our recording studio business beyond Los Angeles – California to other states in the U.S in record time.
Check List / Milestone
This Section's Contents
Products served, customer focus, management team, success factors, financial highlights.
[Company Name], located at [insert location here] is a new, independent recording studio focusing on producing high quality sound for its clients.
We seek to cater to the needs of independent bands, musicians and artists, professionally sound engineering their music. By finding these local artists and producing their pieces, we will be able to build a good reputation for our company that will translate to more clients and bigger named clients that are in need of our services.
The company is not only equipped to record and produce music and vocal recordings, but also other audio types like sound effects for films and ads.
[Company Name] provides high quality sound engineering for musicians. Its services include:
[Company Name] will primarily serve artists and composers in [Location]. We also offer our services to advertising agencies and local filmmakers who need professional sound engineering and advertising jingles.
[Company Name] is led by [Founder’s Name] who has been in the recording business for 13 years. [Founder] has never run a recording studio business himself but he has the experience needed for it. He/she will have the help and support of his business partner, [Insert Name], that handles the marketing and admin tasks of the company.
[Company Name] is uniquely qualified to succeed due to the following reasons:
[Company Name] is seeking a total funding of $420,000 to launch its studio. The capital will be used for funding capital expenditures, staffing costs, marketing expenses and working capital.
Topline projections over the next five years are as follows:
Year 1 | Year 2 | Year 3 | Year 4 | Year 5 | |
---|---|---|---|---|---|
Revenue | $323,400 | $1,237,667 | $2,986,908 | $5,620,496 | $9,506,911 |
Total Expenses | $311,870 | $1,192,261 | $2,185,677 | $3,658,341 | $5,533,472 |
EBITDA | $11,530 | $45,406 | $801,231 | $1,962,155 | $3,973,439 |
Depreciation | $3,800 | $3,800 | $3,800 | $3,800 | $3,800 |
EBIT | $7,730 | $41,606 | $797,431 | $1,958,355 | $3,969,639 |
Interest | $6,653 | $5,821 | $4,990 | $4,158 | $3,326 |
PreTax Income | $1,077 | $35,785 | $792,441 | $1,954,197 | $3,966,312 |
Income Tax Expense | $377 | $11,625 | $277,355 | $683,969 | $1,388,209 |
Net Income | $700 | $24,159 | $515,087 | $1,270,228 | $2,578,103 |
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Recording Studio Business Plan Home I. Executive Summary II. Company Overview III. Industry Analysis IV. Customer Analysis V. Competitive Analysis VI. Marketing Plan VII. Operations Plan VIII. Management Team IX. Financial Plan
Written by Dave Lavinsky
Business Plan Outline
Start Your Recording Studio Plan Here
Recording Studio industry revenue is forecast to increase to $1.4 billion over the next five years. Growth will be driven by an increase in demand from record labels, TV producers and advertisers are anticipated to drive revenue growth. Furthermore, continued stability among these producers, as well as various advertisers, will also likely enable entertainment industries to take advantage of increasing consumer disposable income levels, which ultimately contributes to the continued need for the industry.
The industry also benefits from various revenue streams, including TV, movie, radio and advertising production. Secondary revenue streams are forecast to experience steady growth, and film and TV studio work is projected to continue its recent ascendency over music as the industry’s primary target market. This emergence of new content will likely continue over the next five years, providing steady demand for the industry.
Advertising production also provides consistent revenue to studios. Advertisements use audio production studios to edit and master audio, which could include music, spoken word or both, that synchronizes with the video content of a commercial. It is forecasted that total advertising expenditure to rise an annualized 5.8% over the next five years.
IMAGES
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Starting a recording studio business can be an exciting endeavor. Having a clear roadmap of the steps to start a business will help you stay focused on your goals and get started faster.. 1. Develop A Recording Studio Business Plan - The first step in starting a business is to create a detailed recording studio business plan that outlines all aspects of the venture.
The written part of a recording studio business plan usually consists of 7 comprehensive sections. Let's have a look at them. 1. The executive summary. When writing an executive summary for a recording studio business plan, it is important to provide an overview of the business, the market, and key financials.
Traditionally, a marketing plan includes the four P's: Product, Price, Place, and Promotion. For a recording studio business plan, your marketing strategy should include the following: Product: In the product section, you should reiterate the type of recording studio company that you documented in your company overview.
Let's delve into the key components that should be included in your recording studio business plan. 1. Executive Summary. The executive summary is a concise overview of your recording studio business plan. It highlights the key points and provides readers with an understanding of what your business is all about. 2.
The Executive Summary can be seen as a condensed overview of the business plan for your recording studio. Stick to a 2-page limit, highlighting only the most relevant points. When you give your business plan to a financial institution, this is the part they will read at the start.
A free example of business plan for a recording studio. Here, we will provide a concise and illustrative example of a business plan for a specific project. This example aims to provide an overview of the essential components of a business plan. It is important to note that this version is only a summary. As it stands, this business plan is not ...
A business plan for a recording studio business is an essential tool for entrepreneurs who are starting or operating a recording studio. It defines the company's goals and outlines plans to reach them, along with providing important information on the financial side of running a business. A well-defined and comprehensive business plan can be ...
The executive summary should summarize the entire business plan in a concise statement, highlighting the business's key objectives, strategies, and financial needs. ... A recording studio business plan is a document that outlines your strategy for starting and running a profitable music production business. It includes information about your ...
Download a detailed Recording studio business plan PDF for effective management strategies. ... Executive Summary. MelodyMakers Recording Studio stands at the confluence of innovative audio production and the vibrant musical talent thriving within Orlando, Florida. Established to meet the demand for premium recording services, we provide ...
Step 4: Create a Recording Studio Business Plan. Here are the key components of a business plan: Executive Summary: Outline the main goals, ... Starting a recording studio business requires obtaining a number of licenses and permits from local, state, and federal governments.
Here is a summary table to make it easier to digest. For a full breakdown of expenses, please check our financial plan for recording studios. Expense Category ... While the structure of a recording studio business plan shares commonalities with other business plans, the focus on certain aspects may vary.
Securing recording studio space, build-out, and design: $150,000. Three months of overhead expenses (payroll, rent, utilities): $75,000. Marketing & advertising: $25,000. Licensing & technology: $50,000. Recording studio equipment: $100,000. The following graph below outlines the pro forma financial projections for Benji's Beats Recording Studio.
Explore a real-world music recording producer business plan example and download a free template with this information to start writing your own business plan. ... 2.2 Start-up Summary. ... unlike many record labels, there will not be a recording studio to support. Significant costs are saved by renting studio time as needed.
In the dynamic realm of the music industry, establishing a recording studio demands more than just passion for music; it requires a strategic roadmap. A well-crafted recording studio business plan…
The cost for equipping the music studio with the required gadgets - $100,000. The Cost of Launching your official Website - $600. Budget for paying at least 5 employees for 3 months and utility bills - $100,000. Additional Expenditure (Business cards, Signage, Adverts and Promotions et al) - $2,500.
Financial Highlights. [Company Name] is seeking a total funding of $420,000 to launch its studio. The capital will be used for funding capital expenditures, staffing costs, marketing expenses and working capital. Recording equipment: $100,000. Build-out and Startup costs: $200,000.
Social Media. Benji's Beats Recording Studio will invest in advertising their business on social media platforms Facebook, Instagram, Snapchat, TikTok, and Twitter. By using targeted social media marketing, Benji's Beats Recording Studio will be able to reach those individuals and/or businesses looking for music and sound production services.
The business plan summarizes a recording studio that will offer music recording, sound production, studio sessions, and sound consulting. It will target artists, record labels, advertisers, and others. Revenue will come from studio sessions, jinglings, audio books, and consulting. The plan projects sales of KShs 250,000 in year 1, KShs 750,000 in year 2, and KShs 1,500,000 in year 3 ...
This document provides an overview of Revolutions recording studio's business plan. It includes sections on the executive summary, industry analysis, description of the venture, operations plan, marketing plan, organizational plan, assessment of risks, and financial plan. The executive summary outlines the studio's services, target clients, competitive advantages, and financial projections ...
7/15/202X - Begin build-out and design of 5,000 sf of recording studio with three sound rooms. 8/1/202X - Begin networking and advertising through social media and SEO tactics. 8/15/202X - Hire 2-3 sound engineers to begin training/developing them. 8/30/202X - Begin scouting out music venues and networking.
Executive Summary Business Overview Benji's Beats Recording Studio is a startup recording studio based in Atlanta, Georgia that offers professional and affordable quality sound recording services. Through their unique pricing model, Benji's Beats Recording Studio will be able to provide affordable pricing packages and can tailor a package to meet the needs of each individual client.
Recording Studio Industry Analysis. Recording Studio industry revenue is forecast to increase to $1.4 billion over the next five years. Growth will be driven by an increase in demand from record labels, TV producers and advertisers are anticipated to drive revenue growth. Furthermore, continued stability among these producers, as well as ...
Business Overview Benji's Beats Recording Studio is a startup recording studio based in Atlanta, Georgia that offers professional and affordable quality sound recording services. Through their unique pricing model, Benji's Beats Recording Studio will be able to provide affordable pricing packages and can tailor a package to meet the needs ...