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The 8 Best 'Modern Love' Essays

Isn't it a fantastic feeling when you stumble upon a column that makes you think, "I can't believe I survived without these stories in my life"? Ever since I read my first New York Times "Modern Love" essay, I was hooked by the series' concept of meditations on connection. The New York Times began publishing essays on the subject, written exclusively by NYT readers, in 2004. However, the series has experienced an upswing in popularity in recent months. This is mostly due to the excellently-produced Modern Love podcast (from WBUR) that's been around since January of this year. In each episode, a talented actor brings a favorite "Modern Love" article to life . Listening to an episode is a great way to freshen up your commute, or provide a soundtrack to your afternoon walk.

But with all these essays, podcasts, and even a Modern Love: 50 True and Extraordinary Tales book out there, I sometimes feel like there's an embarrassment of riches when it comes to "Modern Love." How on earth am I supposed to pick the best stories? Since I know I'm not the only one with this problem, I dug into the "Modern Love" archives from the past three years and picked eight of my favorite stories from 2014-2016. Whether you're a newcomer to the series or you've been a longtime fan, you'll enjoy this assortment of essays on all kinds of unlikely love.

1. Just One Last Swirl Around the Bowl

Dave Barry, the Pulitzer Prize-winning reporter and author of the New York Times' "This Land" column , wrote this essay about his daughter's dying fish. One of the few Modern Love pieces that isn't about romantic love, the essay explores his memories of his parents' deaths, and how he tried to care for them as best as he knew how during their final days. While his daughter comes to terms with the fish's imminent death, Barry, too, reflects on what it means to watch someone you love die.

You can also listen to Jason Alexander read this on the Modern Love podcast , and he does a bang-up job.

2. All Twisted Up by Genderbending

Delacey Skinner doesn't know what to think when she discovers that her ex-boyfriend is dating a trans woman. This information causes Skinner to question her own identity as a woman. She's never felt particularly comfortable in her femininity, so what does it mean that her ex now has a relationship with someone who presents herself as far more traditionally feminine than Skinner herself ever has? Skinner's essay is a poignant and thought-provoking take on gender identity.

3. Putting Love to the Stress Test

What happens when you meet a person so scarily similar to yourself that you assume something has to go wrong? In this essay, Jasmine Jaksic signs up for OkCupid and finds a man who's answered almost every question on the site in the same way as her. Since she and her new beau are both software developers, they decide to implement a real-life version of the "stress test," which is the practice of testing a computer program to its limits. What Jaksic discovers during the four weeks of their stress test changes the way she thinks about the necessities of a relationship.

4. Sharing a Cab, and My Toes

After abandoning her life as an academic, Julia Anne Miller fulfills her decades-long dream of moving to New York City. While working as a writer for a test-prep company, she sets out to explore the city. Each of her coworkers nurses an artistic dream, and the test-prep job is only a way to pay the bills. Miller's dream: to perform. One night, she shares a cab ride home with a coworker, leading to a bizarre sexual experience. This forms the basis of her eloquent meditation on what it means to get what you want.

5. One Bouquet of Fleeting Beauty, Please

This stunning and lyrical essay will make you smell tulips and lilies as you're reading. Written by Alisha Gorder, it tells the story of Gorder's time at a floral shop, arranging and selling bouquets to people trying to communicate with their loved ones through flowers. People often send commonplace messages with their bouquets, such as "Happy Birthday" (H.B.), "Happy Anniversary" (H.A.), and "Thinking of You" (T.O.Y.). But sometimes, what they're trying to say isn't so simple. Gorder weaves those anecdotes into the fabric of her own life: when she was 18, her boyfriend of two years killed himself, and she was forced to learn an agonizing lesson about love.

6. One Thousand and One Nights of Laundry

Wendy Rasmussen, the author of this melancholy reflection on love and loss, married an Iraqi refugee and then divorced him. Her essay captures an episode of her life in which she went to his house with their sons to do laundry, since she didn't have a working laundry machine. One night, her drunk ex-husband told her a story about escaping from Iraq by crossing the Saudi Arabian deserts, and about the man he left behind in the sand. Rasmussen's essay is subtle, but evocative, and it's a read you won't forget.

7. Finding My Own Rescuer

Anna March brings us this story about the love of her life, a man disabled in a car accident when he was 16. Though he has to use a wheelchair, Adam is anything but helpless: he can cook, walk the dogs, and drive, and he helps keep March's life in order when they move in together. But their new house has more than one story, and while they're waiting for the proper ramps to be installed, the tables turn in their relationship. Now March is the one caring for him - and she doesn't know if she's up to the task.

8. No Labels, No Drama, Right?

This is the essay that made me start following "Modern Love" - mostly because I've seen the exact same story play out in my friends' lives so many times. The author, Jordana Narin, writes about the man who occupied the space between friend and boyfriend for so long that she hardly knew how to handle her relationship with him - especially because, as a Millennial and college student, she didn't know how to admit her feelings. If you've tried to navigate the muddy waters of hookup culture, this is an essay that will resonate with you.

Images: Caleb Ekeroth , Brenda Helen , Luis Llerena, Daria Sukhorukova , Kai Oberhäuser , freestocks.org /Unsplash; jill111 , Unsplash , ferobanjo /Pixabay

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Guide to The NY Times’ Five Best College Essays on Work, Money and Class

So, you might ask, “What can I learn from this year’s crop of college essays about money, work and class? And how can they help me craft my own memorable, standout essays?”  To help get to the bottom of what made the Times ‘ featured essays so exceptional, we made you a guide on  w hat worked, and what you can emulate in your own essays to make them just as memorable for admissions.

• Contradictions are the stuff of great literature . “I belong to the place where opposites merge in a…heap of beautiful contradictions,” muses Tillena Treborn in her lyrical essay on straddling rural and urban life in Flagstaff, AZ, one of the five pieces selected by t he Times this year. Each of the highlighted essays mined contradictions: immigrant versus citizen; service worker versus client; insider versus outsider; urban versus rural; poverty versus wealth; acceptance versus rebellion; individual versus family. Every day, we navigate opposing forces in our lives. These struggles—often rich, and full of tension—make for excellent essay topics. Ask yourself this: Do you straddle the line between ethnicities, religions, generations, languages, or locales? If so, how? In what ways do you feel like you are stuck between two worlds, or like you are an outsider? Examining the essential contradictions in your own life will provide you with fodder for a fascinating, insightful college essay.  
• The magic is in the details — especially the sensory ones. Sensory details bring writing to life by allowing readers to experience how something looks, sounds, smells, tastes, or feels. In his American dream-themed essay about his immigrant mother cleaning the apartment of two professors, Jonathan Ababiy describes “the whir,” “suction,” and “squeal” of her “blue Hoover vacuum” as it leaps across “miles of carpet.” These descriptions allow us to both hear and see the symbolic vacuum in action. The slice-of-life familial essay by Idalia Felipe–the only essay to be published in The Times’ Snapchat Discover feature–opens with a scene: “As I sit facing our thirteen-year old refrigerator, my stomach growls at the scent of handmade tortillas and meat sizzling on the stove.” Immediately, we are brought inside Felipe’s home with its distinctive smells and sounds; our stomach seems to growl alongside hers. Use descriptive, sensory language to engage your reader, bring them into your world, and make your writing shine.
• One-sentence paragraphs are catchy . A one-sentence paragraph, as I’m sure you’ve gleaned, is a paragraph that is only one sentence long. The form has been employed by everyone from Tim O’Brien to Charles Dickens and, now, the writers of this year’s featured Times college essays. “I live on the edge,” Ms. Treborn declares at the beginning of her poetic essay on the differences between her mother and father’s worlds. “The most exciting part was the laptop,” asserts Zoe Sottile, the recipient of the Tang Scholarship at Phillips Academy in her essay about the mutability and complexity of class identity. Starting your essay with a one-sentence paragraph—a line of description, a scene, or a question, for example—is a great way to hook the reader. You could also use a one-sentence paragraph mid-essay to emphasize a point, as Ms. Treborn does, or in your conclusion. A one-sentence paragraph is one of many tricks that you have in your writing toolkit to make your reader pause and take notice.
• The Familiar Can Be Fascinating. The most daring essay this year, a rant on the imbalances of power embedded in the service industry by Caitlin McCormick, delivers us into the world of a family bed and breakfast with its clinking silverware and cantankerous guests demanding twice-a-day room cleanings. In Ms. Felipe’s more atmospheric piece, we enter her home before dinnertime where we see her attempting to study while her sisters giggle and watch Youtube cat videos. These are the environments these students grew up in, and they inspired everything from frustration at glaring class inequalities to gratitude for the dream of a better life. Rather than feeling like you have to write about something monumental, focus on the familiar, and consider how your environment has shaped you. How did you grow up—in the restaurant business, on a farm, in a house full of artists, construction workers, or judges? Bring us into your world, describing it meticulously and thoughtfully. Tease out the connection between your environment and who you are/what you strive for today and you will be embarking on the path of meaningful self-discovery, which is the key to college essay success.

About Nina Bailey

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Written by Nina Bailey

Category: advice , Essay Tips , Essay Writing , New York Times , Uncategorized

Tags: advice , college admissions , college admissions essay , college essay , college essay advisors , common application , tips , writing

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Vanessa Mobley Joins Opinion to Lead Op-Ed Team

Opinion announces Vanessa Mobley will join Times Opinion as head of Op-Ed team.

We have exciting news to announce about one of Opinion’s leadership positions vital to shaping our daily report and some of our most influential work.

Starting Feb. 7, Vanessa Mobley will join the Times as Op-Ed editor, overseeing our stellar team of editors in charge of guest essays and contributing writers on politics, culture, international affairs, business, health, climate and much more. She will work with the vertical leaders and our Op-Ed staff to pursue our goals of ever-higher quality in writing, originality in argument, and ambition in the swings we take at the biggest ideas and challenges facing society and the world today.

Having worked with many accomplished writers, including a few of our own, Vanessa brings a fiercely creative mind, an insightful collaborative style, deep editing experience and a competitive hunger for exciting and smart pieces to Times Opinion. She is a clear thinker who loves crystalizing an idea and pairing it with a great author, and she is a thoughtful listener and empathetic colleague who wants the work on her team to be great — but also be a thrill to do.

Most recently, Vanessa was vice president, executive editor at Little, Brown and Co., where she published Clint Smith’s “How the Word Is Passed,” Ronan Farrow’s “Catch and Kill” and Beth Macy’s “Dopesick,” among other acclaimed books. She is widely respected in the publishing industry for her instinct for talent, narrative and excellence in writing, and prized by her authors for her incisive feedback and edits.

Previously, Vanessa worked at Crown, Penguin Press, Henry Holt and Basic Books. She has edited best-selling and prize-winning books from a diverse group of journalists and academics including Pulitzer Prize winners Samantha Power (“A Problem From Hell”), Caroline Elkins (“Imperial Reckoning”) and Liaquat Ahamed (“Lords of Finance”); scholars Peniel Joseph (“Waiting ’Til the Midnight Hour”), Moustafa Bayoumi (“How Does It Feel to Be a Problem?”), Dorothy Roberts (“Shattered Bonds”), Matthew Crawford (“Shop Class as Soulcraft”), Reuben Jonathan Miller (“Halfway Home”); and journalists Chris Hayes (“Twilight of the Elites”), Sheri Fink (“Five Days at Memorial”), Rebecca Mead (“My Life in Middlemarch”), Binyamin Appelbaum (“The Economists’ Hour”), Wesley Lowery (“They Can’t Kill Us All”), Scott Shane (“Objective Troy”), Josh Levin (“The Queen”), Reeves Wiedeman (“Billion Dollar Loser”), Michelle Goldberg (“The Means of Reproduction”), Seyward Darby (“Sisters in Hate”), Bridgett M. Davis (“The World According to Fannie Davis”) and Kate Fagan (“What Made Maddy Run” and “All the Colors Came Out”).

Vanessa is a graduate of Williams College and did graduate coursework in English at the University of California, Berkeley.

The Op-Ed team will also soon enjoy the talents of one of our strongest and most trusted editors: Brian Zittel . In recognition of a job well done launching Opinion’s newsletter portfolio, Brian’s role is expanding to become managing editor for both Op-Ed and newsletters. As an experienced planner and problem solver, Brian will work closely with Vanessa and Patrick to focus on coordinating our daily line-up of guest essays and newsletters to ensure smooth workflow and execution, and help support the Op-Ed team while continuing to oversee our newsletters.

We are looking forward to what’s to come.

— Kathleen Kingsbury and Patrick Healy

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NYT publishes college essays (THEY'RE SO GOOD!)

The one about the father is insanely well written. The last passage was truly heartwarming. Excellent read.

Also, credit to the New York Times for their fastidious fixation with the college admissions process.

https://www.nytimes.com/2018/05/11/your-money/college-essay-topic-money-social-class.html

This piece from the last essay resonates so profoundly:

" Often, obstacles have not only redesigned my course, but have changed my perspective and allowed for me to see greater and better things present within my life. The progression of each patch depicts the instability present within my family. However, when you put all these patches together as one, you have a quilt with several seams and reinforcements keeping it together to depict the obstacles we have faced and have overcome to show resilience."

That girl is going places.

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The Best Films of 2024, So Far

Our critics pick nine films that they think are worth your time on this long holiday weekend.

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By The New York Times

Looking for a good movie to pass the time this Memorial Day weekend? The New York Times’s chief film critic, Manohla Dargis, and movie critic, Alissa Wilkinson, have you covered. Here are their top picks for the year so far. All are in theaters or available on demand.

In theaters; June 7 on Netflix .

The story: Glen Powell is a philosophy professor who moonlights for the police in New Orleans when he finds himself undercover posing as a hit man in this Richard Linklater movie. An encounter with Madison (Adria Arjona), a housewife looking to hire him, raises the stakes, comedically and romantically.

Alissa Wilkinson’s take: “If I see a movie more delightful than “Hit Man” this year, I’ll be surprised. It’s the kind of romp people are talking about when they say that “they don’t make them like they used to”: It’s romantic, sexy, hilarious, satisfying and a genuine star-clinching turn for Glen Powell, who’s been having a moment for about two years now.” Read the review.

‘Civil War’

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The Best Books of 2024 So Far

These are independent reviews of the products mentioned, but TIME receives a commission when purchases are made through affiliate links at no additional cost to the purchaser.

W hat does it mean to really belong? What happens when we can no longer recognize where we came from? And what do we owe to the places that raised us? These questions and more drive the best books of the year so far, a crop of novels, memoirs, and essay collections that tackle love, loss, friendship, and more. From Lydia Millet’s exploration of our collapsing planet to Kaveh Akbar’s portrait of an orphaned son looking for answers about his family’s history, these narratives interrogate deep feelings about the world and how to find a place in it.

Here, the best books of the year so far. 

There's Always This Year, Hanif Abdurraqib

In Hanif Abdurraqib’s There’s Always Next Year: On Basketball and Ascension , the Ohio-native channels his musings on life through the sport and the state that have shaped him. Structured in quarters with timestamps and timeouts like a basketball game, the essay collection moves through reflections on his father’s jump shot, a dissection of the legend of LeBron James , and more. Abdurraqib, a poet, cultural critic, and National Book Award finalist, offers a complex rumination on home, belonging, and mortality. — Cady Lang

Buy Now : There's Always This Year on Bookshop | Amazon

Martyr! , Kaveh Akbar

The protagonist of poet Kaveh Akbar’s devastating debut novel is grappling with a death that shaped him from an early age. When he was just a baby, Cyrus Shams lost his mother to a plane crash over the Persian Gulf. He then moved from Tehran to the U.S. with his father, who worked in the Midwest as a farmer. Now a college graduate and freshly sober, Cyrus finds himself drawn to an exhibit at the Brooklyn Museum, where a painter with terminal cancer is spending her remaining days on display. Martyr! explores the connection between these two characters, culminating in a decades-long examination of addiction, art, and belonging. — Annabel Gutterman

Buy Now : Martyr! on Bookshop | Amazon

Beautyland , Marie-Helene Bertino

Much like a certain lord and savior, the heroine of Marie-Helene Bertino’s strange, engrossing third novel is at once fully human and entirely otherworldly. Born in 1970s Philadelphia and raised by a penniless single mother, Adina Giorno also happens to be a space alien who communicates via fax with extraterrestrial overlords who’ve sent her to report on earth’s society. Beautyland tells the bittersweet story of her similarly contradictory life, a regular existence punctuated by flashes of the extraordinary. Underlying these paradoxes is the poetic observation that there’s nothing more human than the experience of gazing out at a planet full of incomprehensible people who look just like you and deciding that you must be from outer space. —Judy Berman

Buy Now : Beautyland on Bookshop | Amazon

James , Percival Everett

In James, Percival Everett finds new insight in retelling Mark Twain’s Adventures of Huckleberry Finn from a different point of view—that of Jim, who is enslaved by one of Huck’s guardians. Everett follows the original’s episodic adventures on the Mississippi river, but sticks with Jim as he escapes the plantation to find his wife and child. In reimagining the story through Jim, the author adds to it, imparting depth through keen observation and sharp humor as he exploits the familiar tale to skewer American racism and social expectations. The reader gets the inside view of James in his full, varied self, and how he hides his erudition and humanity to play an amenable caricature for the white people around him. With Everett’s deft writing, this playful, pointed novel is a commanding and captivating read. — Merrill Fabry

Buy Now : James on Bookshop | Amazon

Anita de Monte Laughs Last , Xochitl Gonzalez

It’s 1985 when Anita de Monte—the new jewel of the art world—falls out of a window and dies after a fight with her husband, the minimalist sculptor Jack Martin. De Monte’s legacy is shrouded and forgotten by time until Raquel Toro, a third-year art history student at Brown University, rediscovers her story in 1998 and goes on her own journey of navigating class, race, and misogyny in creative spaces. Inspired by real-life Cuban-American artist Ana Mendieta’s untimely death and her relationship with artist Carl Andre, author Xochitl Gonzalez’s latest novel delivers a hilarious, vivid, and blistering account of how power manifests not only in art but also in history—and who ultimately gets the last word. —Rachel Sonis

Buy Now : Anita de Monte Laughs Last on Bookshop | Amazon

Coming Home , Brittney Griner

Even those who closely followed the news of American basketball star Brittney Griner’s unlawful detainment in Russia in 2022 will find new insights in her story. In Coming Home , a searing memoir co-written with Michelle Burford, Griner takes readers behind the scenes to trace her steps from the airport security screening that resulted in her arrest on drug charges, to her first days in jail and on trial, to her transfer to a remote prison, and finally to her release in a prisoner swap. Griner’s voice jumps off the page as she turns an international news story into an intimate, moving tale of perseverance. — Lucy Feldman

Read TIME's excerpt from Brittney Griner’s Coming Home

Buy Now : Coming Home on Bookshop | Amazon

Splinters , Leslie Jamison

In her bruising memoir, Leslie Jamison traces the cracks in her marriage, which fell apart shortly after she gave birth to her daughter. Splinters follows the author as she navigates the COVID-19 shutdown while unexpectedly raising a child as a single mother. She also chronicles the ennui of teaching through a computer screen—and dating through one, too—in frank prose, imbuing passages with startling honesty and lush turns of phrase. — Meg Zukin

Buy Now : Splinters on Bookshop | Amazon

Real Americans , Rachel Khong

Rachel Khong broke out in 2017 with her debut novel Goodbye, Vitamin , which told the story of a woman caring for a parent after an Alzheimer’s diagnosis. In Real Americans , she builds on her interest in the family story, this time offering a multigenerational tale that traces the lives of a mother, a daughter, and a grandson from Cultural Revolution-era China to near-future San Francisco. Khong never lets her reader settle too comfortably in any one character’s narrative, gently calling for deeper curiosity and compassion for the people in our lives, who, she posits, we may never fully understand. — L . F.

Read TIME’s profile of Rachel Khong

Buy Now : Real Americans on Bookshop | Amazon

The Book of Love , Kelly Link

When The Book of Love begins, teenagers Laura, Daniel, and Mo have just been resurrected from the dead. Though it’s news to them, the trio mysteriously disappeared almost a year ago, and they now have the opportunity to return to their lives, which are inextricably changed. But the chance to reverse their bad fortune is tricky—and made even more complicated by their burgeoning supernatural capabilities. Bizarre in the best way, Pulitzer Prize finalist Kelly Link’s debut novel offers a dizzying narrative about grief, love, and possibility as the group attempts to adjust to their new normal. — A.G.

Buy Now : The Book of Love on Bookshop | Amazon

We Loved It All , Lydia Millet

Lydia Millet’s award-winning fiction is rooted in her deep admiration of nature—and she dissects that passion in her first memoir, We Loved It All . In her strikingly clear voice, Millet moves between moments in her own life and those of the nonhumans that surround us all. She’s as honest in her reflections on love, motherhood, and ambition as she is in capturing the terrifying realities of climate change. Her novel is a love letter to the earth and all who inhabit it, punctuated by sharp and lyrical prose. — A.G.

Buy Now : We Loved It All on Bookshop | Amazon

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Write to Lucy Feldman at [email protected] , Annabel Gutterman at [email protected] and Cady Lang at [email protected]

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Writers on Writing: Collected Essays from The New York Times Paperback – May 1, 2002

Now in paperback, today's most celebrated writers explore literature and the literary life in an inspirational collection of original essays. By turns poignant, hilarious, and practical, Writers on Writing brings together more than forty of contemporary literature's finest voices. Pieces range from reflections on the daily craft of writing to the intersection of art's and life's consequential moments. Authors discuss what impels them to write: creating a sense of control in a turbulent universe; bearing witness to events that would otherwise be lost in history or within the writer's soul; recapturing a fragment of time. Others praise mentors and lessons, whether from the classroom, daily circumstances, or the pages of a favorite writer. For anyone interested in the art and rewards of writing, Writers on Writing offers an uncommon and revealing view of a writer's world. Contributors include Russell Banks, Saul Bellow, E. L. Doctorow, Richard Ford, Kent Haruf, Carl Hiaasen, Alice Hoffman, Jamaica Kincaid, Barbara Kingsolver, Sue Miller, Walter Mosley, Joyce Carol Oates, Annie Proulx, Carol Shields, Jane Smiley, Susan Sontag, John Updike, Kurt Vonnegut Jr., Alice Walker, and Elie Wiesel.

• Print length 288 pages
• Language English
• Publication date May 1, 2002
• Dimensions 5.5 x 0.64 x 8.5 inches
• ISBN-10 0805070850
• ISBN-13 978-0805070859
• See all details

Editorial Reviews

“The essays . . . are all unified by an overwhelming sense of generosity of spirit, of writers offering encouragement, reflection, and introspection . . .” ― Kirkus Reviews “In a time when everything around me seemed completely out of control, when lives were being cut short and fate seemed especially cruel, I had the need to get to an ending of something. I was desperate to know how things turned out, in fiction if not in life. More than ever, more than anything, I was a writer.” ― Alice Hoffman, from Writers on Writing “The trial lawyer's job and the novelist's were, in some aspects, shockingly similar. Both involved the reconstruction of experience, usually through many voices. . . . But there the paths deviated. In this arena the universal trumped; there were no prizes for being rarefied or ahead of the times. The trial lawyer who lost the audience also inevitably lost the case.” ― Scott Turow, from Writers on Writing

About the Author

John Darnton , winner of the Pulitzer Prize and the George Polk Award for his journalism, is culture editor for The New York Times and the author of two novels, The Experiment and Neanderthal . He lives in New York.

Excerpt. © Reprinted by permission. All rights reserved.

"The trial lawyer's job and the novelist's were, in some aspects, shockingly similar. Both involved the reconstruction of experience, usually through many voices. . . . But there the paths deviated. In this arena the universal trumped; there were no prizes for being rarefied or ahead of the times. The trial lawyer who lost the audience also inevitably lost the case." --Scott Turow, from Writers on Writing

Product details

• Publisher ‏ : ‎ Times Books; Revised edition (May 1, 2002)
• Language ‏ : ‎ English
• Paperback ‏ : ‎ 288 pages
• ISBN-10 ‏ : ‎ 0805070850
• ISBN-13 ‏ : ‎ 978-0805070859
• Item Weight ‏ : ‎ 2.31 pounds
• Dimensions ‏ : ‎ 5.5 x 0.64 x 8.5 inches
• #478 in Authorship Reference
• #1,136 in Fiction Writing Reference (Books)
• #1,251 in Essays (Books)

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More From Forbes

Today’s nyt ‘strands’ hints, spangram and answers for friday, june 7.

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Today's NYT Strands hints and answers.

Looking for Thursday’s Strands hints, spangram and answers? You can find them here:

Hey, everyone! This is my last day of covering Strands for now. I’m passing the reins back over to my colleague Paul Tassi tomorrow. I was happy to have a very straightforward game to end my current stint on.

Today’s NYT Strands hints, spangram and answers are coming right up.

How To Play Strands

The New York Times’ Strands puzzle is a play on the classic word search. It’s in beta for now, which means it’ll only stick around if enough people play it every day.

There’s a new game of Strands to play every day. The game will present you with a six by eight grid of letters. The aim is to find a group of words that have something in common, and you’ll get a clue as to what that theme is. When you find a theme word, it will remain highlighted in blue.

You’ll also need to find a special word called a spangram. This tells you what the words have in common. The spangram links at least two sides of the board, but it may not start or end there. While the theme words will not be a proper name, the spangram can be a proper name. When you find the spangram, it will remain highlighted in yellow.

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Every letter is used once in one of the theme words and spangram. You can connect letters vertically, horizontally and diagonally, and it’s possible to switch directions in the middle of a word. If you’re playing on a touchscreen, double tap the last letter to submit your guess.

If you find three valid words of at least four letters that are not part of the theme, you’ll unlock the Hint button. Clicking this will highlight the letters that make up one of the theme words.

Be warned: You’ll need to be on your toes. Sometimes you’ll need to fill the missing word(s) in a phrase. On other days, the game may revolve around synonyms or homophones. The difficulty will vary from day to day, and the puzzle creators will try to surprise you sometimes.

What Is Today’s Strands Hint?

Scroll slowly! Just after the hint for today’s Strands puzzle, I’ll reveal what the answer words are.

The official theme hint for today’s Strand puzzle is...

Sorority signs

Need some extra help? Here’s another hint...

It’s all Greek to me

There are eight theme words to find today, including the spangram.

What Are Today’s Strands Answers?

Spoiler alert! Don’t scroll any further down the page until you’re ready to find out today’s Strands answers.

I’ll first tell you the spangram and show you where that is on the grid. I’ll then tell you the other words and show you how they fit in.

This is your final warning!

Today’s Strands spangram is...

GREEK LETTERS

Here’s where you’ll find it on the grid...

New York Times Strands screenshot, showing the highlighted term GREEK LETTERS.

The rest of today’s Strands theme words are...

Here’s what the completed grid looks like...

Completed Strands grid for June 7 featuring the words BETA, GREEK LETTERS ALPHA, GAMMA, DELTA, ... [+] KAPPA, SIGMA and EPSILON.

I’m not really familiar with the sorority/fraternity system other than what I’ve seen in movies, but I do know that their names typically include Greek letters. Sure enough, I quickly found ALPHA (top right), DELTA (left) and SIGMA (bottom right), followed by the spangram.

The latter closed off the letters for BETA and GAMMA in the top right. That left KAPPA and EPSILON for a surprisingly easy victory.

I used one hint and the spangram was the fourth theme word I found.

That’s all there is to it for today’s Strands clues and answers. Be sure to check Paul’s blog for hints and the solution for Saturday’s game if you need them.

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