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SAMPLE THESIS STATEMENTS

These sample thesis statements are provided as guides, not as required forms or prescriptions.

______________________________________________________________________________________________________________

The thesis may focus on an analysis of one of the elements of fiction, drama, poetry or nonfiction as expressed in the work: character, plot, structure, idea, theme, symbol, style, imagery, tone, etc.

In “A Worn Path,” Eudora Welty creates a fictional character in Phoenix Jackson whose determination, faith, and cunning illustrate the indomitable human spirit.

Note that the work, author, and character to be analyzed are identified in this thesis statement. The thesis relies on a strong verb (creates). It also identifies the element of fiction that the writer will explore (character) and the characteristics the writer will analyze and discuss (determination, faith, cunning).

Further Examples:

The character of the Nurse in Romeo and Juliet serves as a foil to young Juliet, delights us with her warmth and earthy wit, and helps realize the tragic catastrophe.

The works of ecstatic love poets Rumi, Hafiz, and Kabir use symbols such as a lover’s longing and the Tavern of Ruin to illustrate the human soul’s desire to connect with God.

The thesis may focus on illustrating how a work reflects the particular genre’s forms, the characteristics of a philosophy of literature, or the ideas of a particular school of thought.

“The Third and Final Continent” exhibits characteristics recurrent in writings by immigrants: tradition, adaptation, and identity.

Note how the thesis statement classifies the form of the work (writings by immigrants) and identifies the characteristics of that form of writing (tradition, adaptation, and identity) that the essay will discuss.

Further examples:

Samuel Beckett’s Endgame reflects characteristics of Theatre of the Absurd in its minimalist stage setting, its seemingly meaningless dialogue, and its apocalyptic or nihilist vision.

A close look at many details in “The Story of an Hour” reveals how language, institutions, and expected demeanor suppress the natural desires and aspirations of women.

The thesis may draw parallels between some element in the work and real-life situations or subject matter: historical events, the author’s life, medical diagnoses, etc.

In Willa Cather’s short story, “Paul’s Case,” Paul exhibits suicidal behavior that a caring adult might have recognized and remedied had that adult had the scientific knowledge we have today.

This thesis suggests that the essay will identify characteristics of suicide that Paul exhibits in the story. The writer will have to research medical and psychology texts to determine the typical characteristics of suicidal behavior and to illustrate how Paul’s behavior mirrors those characteristics.

Through the experience of one man, the Narrative of the Life of Frederick Douglass, An American Slave, accurately depicts the historical record of slave life in its descriptions of the often brutal and quixotic relationship between master and slave and of the fragmentation of slave families.

In “I Stand Here Ironing,” one can draw parallels between the narrator’s situation and the author’s life experiences as a mother, writer, and feminist.

SAMPLE PATTERNS FOR THESES ON LITERARY WORKS

1. In (title of work), (author) (illustrates, shows) (aspect) (adjective). 

Example: In “Barn Burning,” William Faulkner shows the characters Sardie and Abner Snopes struggling for their identity.

2. In (title of work), (author) uses (one aspect) to (define, strengthen, illustrate) the (element of work).

Example: In “Youth,” Joseph Conrad uses foreshadowing to strengthen the plot.

3. In (title of work), (author) uses (an important part of work) as a unifying device for (one element), (another element), and (another element). The number of elements can vary from one to four.

Example: In “Youth,” Joseph Conrad uses the sea as a unifying device for setting, structure and theme.

4. (Author) develops the character of (character’s name) in (literary work) through what he/she does, what he/she says, what other people say to or about him/her.

Example: Langston Hughes develops the character of Semple in “Ways and Means”…

5. In (title of work), (author) uses (literary device) to (accomplish, develop, illustrate, strengthen) (element of work).

Example: In “The Masque of the Red Death,” Poe uses the symbolism of the stranger, the clock, and the seventh room to develop the theme of death.

6. (Author) (shows, develops, illustrates) the theme of __________ in the (play, poem, story).

Example: Flannery O’Connor illustrates the theme of the effect of the selfishness of the grandmother upon the family in “A Good Man is Hard to Find.”

7. (Author) develops his character(s) in (title of work) through his/her use of language.

Example: John Updike develops his characters in “A & P” through his use of figurative language.

Perimeter College, Georgia State University,  http://depts.gpc.edu/~gpcltc/handouts/communications/literarythesis.pdf

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How to Write an Effective Literary Analysis Thesis Statement

Center for writing excellence blog.

Cailey Rogers is a class of 2024 Writing Center consultant. She is studying Journalism and English Literature. At Elon, she is a Communications Fellow and is involved in Elon Learning Assistance, Colonnades Literary and Art Journal, and the Pendulum.

literary criticism thesis

I distinctly remember that when I was in middle school and just beginning to learn how to write essays, the most daunting task was crafting a thesis statement. Back then, my teachers would put so much emphasis on one part of the entire paper; now that I’m in college, I understand why.

Writing a thesis statement hasn’t become easier over time for me. In fact, now that I am writing complex papers for my 3000-level classes, it has proved to be even more challenging. But honestly, I have come to appreciate this part of a paper to the point where I cannot write the body paragraphs of my work until I am satisfied with the thesis statement.

As an English Literature major, I most look forward to writing thesis statements for literary analysis essays. But I realize that the idea of writing a long analysis on a piece of literature is not fun for everyone. Well, I’m going to offer some suggestions and advice to anyone tackling a literary analysis paper – whether this is your first time writing one, or you’ve been doing it for years, these thesis statement tips will give you a roadmap to creating a thesis that will not just start your paper off on the right note, but also display your writing skills and critical thinking. If you have a strong thesis, I guarantee that your paper will be more sophisticated and easier to write. While my focus here in on literary analysis, my tips apply to anyone writing an analysis and interpretation of a text.

Like any thesis statement, a literary analysis thesis should work as both a roadmap and a foundation for your essay. As the Writing Center at the University of North Carolina at Chapel Hill advises, the thesis statement should do more than illuminate how you are going to “interpret the significance of the subject matter under discussion;” it should also give the reader an outline of the paper itself. This means you need to state what topic you want to focus on, what specific details you will use as textual evidence, and why your argument is important. If you draw a clear map and build a sturdy foundation, the rest of your analysis can grow to be much stronger as a whole.

Let’s break down an example that may make this point a little easier to digest. Here is a practice thesis statement from the WAC Clearinghouse that distinguishes between a vague thesis and one that provides a detailed blueprint for the paper:

literary criticism thesis

Another valuable piece of advice is to make sure not to state the obvious in your thesis statements. In addition to thinking of your thesis statement as a map or a foundation, think of it also as a hook. You want your readers to be interested in what you have to say, so make your thesis statement compelling enough so that a reader simply can’t resist reading the rest of the paper.

Here is another example from the WAC Clearinghouse on how to accomplish this feat:

literary criticism thesis

Note: To learn more about the “what,” “how,” and “why” aspects highlighted in these examples, check out the second blog post in this series, where I discuss my own personal process when writing a literary analysis thesis statement here!

Now, these may seem like pretty standard suggestions that would work for all kinds of thesis statements across a variety of fields. And they are. That doesn’t mean they aren’t important to keep in mind, though. But I did come prepared with some suggestions that are specific to writing a literary analysis essay that I have learned from Dr. Janet Myers, Professor of English in the  English Department at Elon University. I’ve taken several classes with Dr. Myers, written countless literary analysis papers, and these four simple characteristics to include in a thesis statement have gotten me through each one. According to Dr. Myers, these are the four characteristics of a successful thesis statement:

literary criticism thesis

By this, I mean that you want to assert a position that moves beyond something that is clearly obvious within the text. More specifically, you are going to want to isolate a subject you can explore with your own voice. You don’t want to merely point out that a theme of pattern exists in a text; you want to argue about its meaning or purpose. Think of everything you write as being a contribution to a big conversation of scholars. What do you want to contribute to this conversation? You don’t want it to be just an observation but rather an argument that you can support and defend.

2. Narrowly Focused 

Even though you do want to address some universal and pervading aspects of the text you are analyzing, you definitely don’t want to overburden yourself. The broader your thesis is, the more you would be required to explain, and the harder it would be for your audience to understand the particulars of your argument. So, make your thesis statement limited in scope. Identify a specific pattern, theme, literary device, character, or historical event (and there are certainly more possibilities) from the text that you want to analyze in your paper. This is where you could build the roadmap aspect of the thesis: list the elements in the order you will write about them in, and suddenly you will have a clear path for entire literary analysis.

3. Clear and Concise 

This may seem obvious, but it is crucial. A clear thesis will play into the idea of a roadmap, but it will also avoid using long, complex clauses or unnecessary jargon. In terms of making it concise, look for any words in your thesis that may not add to the overall point you are trying to make, and cut them out. Streamline your thesis statement by simplifying your ideas as much as you can, almost as if you were trying to explain it to someone who has never read the text before. Ultimately, your thesis should be able to stand completely on its own. If you just gave your professor your thesis statement and left out the rest of your paper, your topic, evidence, and argument should all be transparent and evident.

4. Capable of Transcending Specific Characters and Events in the Text 

This one is particularly important to keep in mind for a literary analysis paper. What makes a strong literary analysis is an argument that isn’t limited to one specific plot point or character within the text. Think of it this way: pretend you are trying to convince a friend that they should take up reading as a hobby because it is entertaining and enriching. But the only evidence you have to back this up is that you really enjoyed reading one book in the past month. Obviously, that is never going to convince your friend to take up reading because that argument only pertains to one person’s experience at a singular point in time. You would want to have more examples of how reading has changed people’s lives across the world, not just you. Also, you would probably want to address some of the larger persuasive arguments like how literature increases the value of an education, or how it can teach you about a variety of different topics. You would do the same thing in a literary analysis paper: you would want to address the wider implications of the text and find patterns or themes that pertain to more than one specific event or character. Challenge yourself to find connections between events and characters, and then trace those connections in your writing. But even more than that, try to find a universally significant message that your text represents. Literature is a reflection of reality, so find out what your text is trying to express about the real world, and then write about it.

I know it can seem intimidating to write a literary analysis paper, but if you follow these tips when writing your thesis, the challenge will suddenly seem much less impossible. If you want to continue learning about writing a successful literary analysis thesis statement, you can find another blog post I wrote about my personal process and tips by clicking on this link. And if you still find yourself doubting your work, you can always come to The Writing Center, and we would be happy to help you!

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One response to “How to Write an Effective Literary Analysis Thesis Statement”

[…] In my short time at Elon, I have found that the most challenging and rewarding part of writing a long literary analysis paper is the thesis statement. It’s funny how just one small portion of what can become an eight-page essay seems impossible to accomplish. If you feel that way, you are certainly not alone. Even English majors struggle with it – I can say that from personal experience! That is exactly why I decided to share the tips and processes that have helped me the most when writing a literary analysis thesis statement in hopes that it could help others staring at a blank document, not knowing where to start or feeling like they will never be able to write a good paper about a piece of literature. If you want to know some of the general tips and tricks that I have acquired through my English classes and some other resources, you can read my first blog post here.  […]

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Thesis Statements for a Literature Assignment

A thesis prepares the reader for what you are about to say. As such, your paper needs to be interesting in order for your thesis to be interesting. Your thesis needs to be interesting because it needs to capture a reader's attention. If a reader looks at your thesis and says "so what?", your thesis has failed to do its job, and chances are your paper has as well. Thus, make your thesis provocative and open to reasonable disagreement, but then write persuasively enough to sway those who might be disagree.

Keep in mind the following when formulating a thesis:

  • A Thesis Should Not State the Obvious
  • Use Literary Terms in Thesis With Care
  • A Thesis Should be Balanced
  • A Thesis Can be a Blueprint

Avoid the Obvious

Bland: Dorothy Parker's "Résumé" uses images of suicide to make her point about living.

This is bland because it's obvious and incontestable. A reader looks at it and says, "so what?"

However, consider this alternative:

Dorothy Parker's "Résumé" doesn't celebrate life, but rather scorns those who would fake or attempt suicide just to get attention.

The first thesis merely describes something about the poem; the second tells the reader what the writer thinks the poem is about--it offers a reading or interpretation. The paper would need to support that reading and would very likely examine the way Parker uses images of suicide to make the point the writer claims.

Use Literary Terms in Thesis Only to Make Larger Points

Poems and novels generally use rhyme, meter, imagery, simile, metaphor, stanzas, characters, themes, settings and so on. While these terms are important for you to use in your analysis and your arguments, that they exist in the work you are writing about should not be the main point of your thesis. Unless the poet or novelist uses these elements in some unexpected way to shape the work's meaning, it's generally a good idea not to draw attention to the use of literary devices in thesis statements because an intelligent reader expects a poem or novel to use literary of these elements. Therefore, a thesis that only says a work uses literary devices isn't a good thesis because all it is doing is stating the obvious, leading the reader to say, "so what?"

However, you can use literary terms in a thesis if the purpose is to explain how the terms contribute to the work's meaning or understanding. Here's an example of thesis statement that does call attention to literary devices because they are central to the paper's argument. Literary terms are placed in italics.

Don Marquis introduced Archy and Mehitabel in his Sun Dial column by combining the conventions of free verse poetry with newspaper prose so intimately that in "the coming of Archy," the entire column represents a complete poem and not a free verse poem preceded by a prose introduction .

Note the difference between this thesis and the first bland thesis on the Parker poem. This thesis does more than say certain literary devices exist in the poem; it argues that they exist in a specific relationship to one another and makes a fairly startling claim, one that many would disagree with and one that the writer will need to persuade her readers on.

Keep Your Thesis Balanced

Keep the thesis balanced. If it's too general, it becomes vague; if it's too specific, it cannot be developed. If it's merely descriptive (like the bland example above), it gives the reader no compelling reason to go on. The thesis should be dramatic, have some tension in it, and should need to be proved (another reason for avoiding the obvious).

Too general: Edna St. Vincent Millay wrote many poems with love as the theme. Too specific: Edna St. Vincent Millay wrote "Love is not all: it is not meat nor drink" in <insert date> after <insert event from her life>. Too descriptive: Edna St. Vincent Millay's "Love is not all: it is not meat nor drink" is a sonnet with two parts; the first six lines propose a view of love and the next eight complicate that view. With tension and which will need proving: Despite her avowal on the importance of love, and despite her belief that she would not sell her love, the speaker in Edna St. Vincent Millay's "Love is not all: it is not meat nor drink" remains unconvinced and bitter, as if she is trying to trick herself into believing that love really does matter for more than the one night she is in some lover's arms.

Your Thesis Can Be A Blueprint

A thesis can be used as roadmap or blueprint for your paper:

In "Résumé," Dorothy Parker subverts the idea of what a résumé is--accomplishments and experiences--with an ironic tone, silly images of suicide, and witty rhymes to point out the banality of life for those who remain too disengaged from it.

Note that while this thesis refers to particular poetic devices, it does so in a way that gets beyond merely saying there are poetic devices in the poem and then merely describing them. It makes a claim as to how and why the poet uses tone, imagery and rhyme.

Readers would expect you to argue that Parker subverts the idea of the résumé to critique bored (and boring) people; they would expect your argument to do so by analyzing her use of tone, imagery and rhyme in that order.

Citation Information

Nick Carbone. (1994-2024). Thesis Statements for a Literature Assignment. The WAC Clearinghouse. Colorado State University. Available at https://wac.colostate.edu/repository/writing/guides/.

Copyright Information

Copyright © 1994-2024 Colorado State University and/or this site's authors, developers, and contributors . Some material displayed on this site is used with permission.

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How to Write a Thesis Statement for a Literary Analysis Essay

Many people would read a literature work for fun or purely educational purposes. However, it isn’t so fun when you have to formulate a thesis statement for a literary analysis essay. Find out everything you need to know about how to write a thesis for literary analysis.

What is a literary analysis essay?

A literary analysis essay is an essay that analyzes a literature work. A literature work can come in different forms ranging from poems to poetry. It is often an argument for or against a segment of the literary work. It is important to note, however, that a literary analysis is not merely a literature review. This kind of essay focuses on specific parts of a book and not the whole book in general. The focus could be a theme, plot setting, or character featured in the work.

Features of a Literary Analysis Thesis

  • It Answers the Question of your Literary Analysis Essay

One of the most important features of a thesis statement for a literary essay is the need to answer the question of your literary analysis. A literary analysis essay generally aims to address thought-provoking questions. This could come as a plain question or an argument. Hence, what your thesis would do is to examine the manner through which your topic comes and address it. 

  • It is Concise

Your literary thesis statement should be concise and not too broad. Being broad goes beyond the number of sentences or words you use to relay your message. It concerns the area or field that you intend to analyze. Many things could be analyzed about literature no matter how short the work appears to be. Always remember that you must discuss every point mentioned in your thesis. It is for this reason that you should be careful while constructing your thesis statement. You don’t want to cover too many aspects that you do not give enough attention to the work. It is better to give quality work.

  • It Features Facts about Literature

The primary feature of an argument-based essay is the need to make constant references to facts. More often than not, your thesis would have to point towards facts to back up your claims and arguments. It is important therefore that you make proper research concerning what your argument would be about before you begin to construct your thesis. As the writer of the essay, it is assumed that you know everything there is about the literary work. You hence must criticize, justify, analyze, and break down actions, plots, or themes in the work. This is why there are experts in certain fields of literary analysis. If you’re analyzing themes and devices used in the work, you must be well informed in concepts like onomatopoeia, oxymoron, pun, metaphor, etc.

  • It is Argumentative

Your literary essay thesis should not aim to point out an already known fact about a book or literary piece. Everyone probably already knows that the book is interesting, fiction, nonfiction, or boring. What people would rather know is why certain acts behaved the way they did, and if they could have handled a situation better. They would like to argue if the theme of the poem is contrary to the poetic device employed. Your thesis should give room for debate and sharing of opinions.

  • Its Primary Purpose is with the Book

Sometimes, writers get tempted to include scenery that does not correlate with the literature they’re analyzing. For instance, bringing an author’s personal life history into an analysis. It is important to note that in literary analysis, your work should be all about the work and facts related to it, and your thesis statement should not be any different. If the character or plot setting is not originally included in the work you’re analyzing, there should be no reason for you to involve it.

How to Write a Literary Analysis Thesis

To write the best thesis statement for a literary analysis essay, you need to follow certain procedures. Here is a step-by-step guide on how to write a literary analysis thesis.

  • Understand the Work you want to Analyze

To get the right thesis for your literary essay, you need to first understand the work that you wish to understand. This is important for many reasons; your thesis has to be in context with the work even if you include external facts to back up your claims. You must read and understand the context of the literature work before you think of drafting a thesis statement.

  • Draft out the Title of your Literary Essay

After you have understood the work you want to analyze, you can go ahead and draft out your topic. Remember that your topic should not be too broad, rather it should be concise and precise. This will help your thesis statement to be organized and less bulky.

  • Write out what you want to Analyze from your Title

Once you’ve sorted what you want your topic to be, you need to write out what you want to analyze. For instance, if your essay topic is on the character in a book, you might want to analyze his emotional vulnerability. If you like you can include his gullibility, weaknesses, and strengths.

  • Tell your Readers why you want to Analyze that Area

Why would you want to analyze a character’s vulnerability? Perhaps it affects the storyline of the book negatively, and if his character had been otherwise, the book just might be better. This is one given assumption as to why you may consider critically examining a character. Your reason for picking out a literary piece for analysis may be entirely different, depending on what you’re analyzing. Always remember that your thesis statement should be backed up with facts and not personal emotions.

Everything you need to know about how to write a thesis for literary analysis has been addressed in this article. The outcome of your thesis statement is determined from the moment that you formulate the idea to write a literary analysis essay. In writing a literary analysis thesis statement, you must be able to observe, analyze, and state the importance of a literary work. To get the best result, apply the guidelines here to your writing.

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Literary Criticism: thesis examples

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thesis statement examples

SAMPLE THESIS STATEMENTS

These sample thesis statements are provided as guides, not as required forms or prescriptions.

______________________________________________________________________________________________________________

The thesis may focus on an analysis of one of the elements of fiction, drama, poetry or nonfiction as expressed in the work: character, plot, structure, idea, theme, symbol, style, imagery, tone, etc.

In “A Worn Path,” Eudora Welty creates a fictional character in Phoenix Jackson whose determination, faith, and cunning illustrate the indomitable human spirit.

Note that the work, author, and character to be analyzed are identified in this thesis statement. The thesis relies on a strong verb (creates). It also identifies the element of fiction that the writer will explore (character) and the characteristics the writer will analyze and discuss (determination, faith, cunning).

Further Examples:

The character of the Nurse in Romeo and Juliet serves as a foil to young Juliet, delights us with her warmth and earthy wit, and helps realize the tragic catastrophe.

The works of ecstatic love poets Rumi, Hafiz, and Kabir use symbols such as a lover’s longing and the Tavern of Ruin to illustrate the human soul’s desire to connect with God.

The thesis may focus on illustrating how a work reflects the particular genre’s forms, the characteristics of a philosophy of literature, or the ideas of a particular school of thought.

“The Third and Final Continent” exhibits characteristics recurrent in writings by immigrants: tradition, adaptation, and identity.

Note how the thesis statement classifies the form of the work (writings by immigrants) and identifies the characteristics of that form of writing (tradition, adaptation, and identity) that the essay will discuss.

Further examples:

Samuel Beckett’s Endgame reflects characteristics of Theatre of the Absurd in its minimalist stage setting, its seemingly meaningless dialogue, and its apocalyptic or nihilist vision.

A close look at many details in “The Story of an Hour” reveals how language, institutions, and expected demeanor suppress the natural desires and aspirations of women.

The thesis may draw parallels between some element in the work and real-life situations or subject matter: historical events, the author’s life, medical diagnoses, etc.

In Willa Cather’s short story, “Paul’s Case,” Paul exhibits suicidal behavior that a caring adult might have recognized and remedied had that adult had the scientific knowledge we have today.

This thesis suggests that the essay will identify characteristics of suicide that Paul exhibits in the story. The writer will have to research medical and psychology texts to determine the typical characteristics of suicidal behavior and to illustrate how Paul’s behavior mirrors those characteristics.

Through the experience of one man, the Narrative of the Life of Frederick Douglass, An American Slave, accurately depicts the historical record of slave life in its descriptions of the often brutal and quixotic relationship between master and slave and of the fragmentation of slave families.

In “I Stand Here Ironing,” one can draw parallels between the narrator’s situation and the author’s life experiences as a mother, writer, and feminist.

SAMPLE PATTERNS FOR THESES ON LITERARY WORKS

1. In (title of work), (author) (illustrates, shows) (aspect) (adjective). 

Example: In “Barn Burning,” William Faulkner shows the characters Sardie and Abner Snopes struggling for their identity.

2. In (title of work), (author) uses (one aspect) to (define, strengthen, illustrate) the (element of work).

Example: In “Youth,” Joseph Conrad uses foreshadowing to strengthen the plot.

3. In (title of work), (author) uses (an important part of work) as a unifying device for (one element), (another element), and (another element). The number of elements can vary from one to four.

Example: In “Youth,” Joseph Conrad uses the sea as a unifying device for setting, structure and theme.

4. (Author) develops the character of (character’s name) in (literary work) through what he/she does, what he/she says, what other people say to or about him/her.

Example: Langston Hughes develops the character of Semple in “Ways and Means”…

5. In (title of work), (author) uses (literary device) to (accomplish, develop, illustrate, strengthen) (element of work).

Example: In “The Masque of the Red Death,” Poe uses the symbolism of the stranger, the clock, and the seventh room to develop the theme of death.

6. (Author) (shows, develops, illustrates) the theme of __________ in the (play, poem, story).

Example: Flannery O’Connor illustrates the theme of the effect of the selfishness of the grandmother upon the family in “A Good Man is Hard to Find.”

7. (Author) develops his character(s) in (title of work) through his/her use of language.

Example: John Updike develops his characters in “A & P” through his use of figurative language.

Perimeter College, Georgia State University,  http://depts.gpc.edu/~gpcltc/handouts/communications/literarythesis.pdf

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literary criticism thesis

What is Literary Criticism?

According to the Oxford English Dictionary, literary criticism is "The art or practice of judging and commenting on the qualities and character of a literary work; consideration or analysis of a text in relation to language, structure, biography, history, etc., or (in later use, freq. with modifying word) by a particular philosophical, political, or linguistic method; (also) an instance of this, esp. in a written form; a school or method of criticizing literature.

  • Library research, reading, and note-taking are time consuming.  When planning your time, make sure to take this into account and leave sufficient time for writing, reviewing, and proofreading your paper.
  • Request material to come to a branch convenient to you (5-7 days)
  • Request material through Interlibrary Loan (3-4 weeks)
  • Plan a visit to the Research Library at Copley Square to use in-library-use-only material.
  • Use Gale Virtual Reference Library (GVRL) to obtain an overview essay on your author, title, or topic and use that as the starting point for creating a tentative outline and thesis statement for your paper.   Note: When searching GVRL consider not limiting your search to the literature sources.  An unrestricted search returns results from a wide variety of sources some of which could prove useful to your research.   Note: GVRL has a translate feature which should facilitate use of the database for those who do not speak English as a first language. Watch the tutorial .
  • Use the literary criticism databases on this page to explore your topic further. This will help to determine whether there is sufficient material to support your thesis or perhaps lead you in a different direction.   Note: Literature Criticism Online can be browsed by topic, which can be useful in suggesting new topics connected to your original search.  Note: Literature Resource Center also has a translate feature.
  • Use the bibliographies found in relevant articles to expand your range of sources.
  • When taking notes, make sure to put quotation marks around any words that are not your own and take down all the necessary publication information that you will need for your works-cited list, including page numbers and date of access if you are using a website.   Note: You do not need to document material that is common knowledge.
  • Credo Reference This link opens in a new window Credo Reference is a giant online reference library that provides access to as many as 162 reference books, including encyclopedias, dictionaries, thesauri, books of quotations, as well as a range of subject-specific titles all cross-referenced throughout the collection. Special features include a crossword solver and conversion calculators.
  • Gale eBooks This link opens in a new window Gale Virtual Reference Library includes more than 90 encyclopedias, plus numerous specialized reference sources covering a diversity of subject including Arts, Biography, Business, Education, Environment, History, Law, Literature, Medicine, Multicultural Studies, Nation & World, Religion, Science, and Social Science. The Literature collection includes the popular literary criticism sets Drama for Students, Novels for Students, Poetry for Students, Shakespeare for Students, Short Stories for Students, and more. more... less... Includes more than 90 encyclopedias, plus numerous specialized reference sources covering a diversity of subjects including Arts, Biography, Business, Education, Environment, History, Law, Literature, Medicine, Multicultural Studies, Nation & World, Religion, Science, and Social Science. Some "Junior" sources included as well.
  • Gale Literature Resource Center This link opens in a new window Literature Resource Center pulls together materials from many different print and online sources, including scholarly journals, literary reviews, reference books, authoritative websites, and more. The Research Guide walks you through the process of writing a research paper on a literature topic, from choosing a topic to gathering information, from formulating a thesis statement to writing, revising, and preparing a Works Cited page.
  • Gale Literature This link opens in a new window An integrated search for Literature Criticism Online, Literature Resource Center, and Modern Language Association (MLA) International Bibliography.
  • Gale Literature Criticism This link opens in a new window Literature Criticism Online provides tens of thousands of hard-to-find essays on books and plays by the scholars of today and from the past. This resource includes full-text criticism from ten different sources: Contemporary Literary Criticism, Twentieth-Century Literary Criticism, Nineteenth-Century Literature Criticism, Shakespeare Criticism, Literature Criticism 1400-1800, Classical and Medieval Literature Criticism, Poetry Criticism, Short Story Criticism, Drama Criticism, Children's Literature Review
  • Gale In Context: Biography This link opens in a new window Nearly 300,000 full-text biographies gathered from Gale's award-winning reference sources and 250 periodicals specifically chosen for their renowned biographical content in a broad range of subject areas.
  • A Glossary of Literary Terms A listing of terms with explanations and examples.
  • Oxford English Dictionary This link opens in a new window The Oxford English Dictionary (OED) is a recognized authority on the evolution of the English language over the last millennium. It is a guide to the meaning, history and pronunciation of over half a million words.
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Literary Theory and Criticism

Home › Literature › Analysis of Kate Chopin’s The Story of an Hour

Analysis of Kate Chopin’s The Story of an Hour

By NASRULLAH MAMBROL on July 28, 2021

Originally entitled “The Dream of an Hour” when it was first published in Vogue (December 1894), “The Story of an Hour” has since become one of Kate Chopin’s most frequently anthologized stories. Among her shortest and most daring works, “Story” examines issues of feminism, namely, a woman’s dissatisfaction in a conventional marriage and her desire for independence. It also features Chopin’s characteristic irony and ambiguity .

The story begins with Louise Mallard’s being told about her husband’s presumed death in a train accident. Louise initially weeps with wild abandon, then retires alone to her upstairs bedroom. As she sits facing the open window, observing the new spring life outside, she realizes with a “clear and exalted perception” that she is now free of her husband’s “powerful will bending hers” (353). She becomes delirious with the prospect that she can now live for herself and prays that her life may be long. Her newfound independence is short-lived, however. In a surprise ending, her husband walks through the front door, and Louise suffers a heart attack and dies. Her death may be considered a tragic defeat or a pyrrhic victory for a woman who would rather die than lose that “possession of self-assertion which she suddenly recognized as the strongest impulse of her being” (353). The doctors ironically attribute her death to the “joy that kills” (354).

BIBLIOGRAPHY Chopin, Kate. The Complete Works of Kate Chopin. Edited by Per Seyersted. Baton Rouge: Louisiana State University Press, 1969. Koloski, Bernard. Kate Chopin: A Study of the Short Fiction. New York: Twayne, 1996. Seyersted, Per. Kate Chopin: A Critical Biography. Baton Rouge: Louisiana State University Press, 1969. Toth, Emily. Kate Chopin. New York: Morrow, 1990

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TAFT COLLEGE

Literary Criticism: Developing a Topic

  • Introduction
  • Literary Theories
  • Five Steps of Writing
  • Find Resources
  • Cite Sources
  • Thesis Examples

Developing a Topic

Your professor assigned a literary analysis of a work you read in your class. How do you start? What do you need? Below are some tips and suggestions for writing about literature using literary criticism.

Whether literary research is easy or hard very often depends on the topic or literary work you choose to analyze. The process does not have to be nerve-wracking or take forever. Here are some tips regarding topic selection to help make the research process stress-free:

  • It is easier to find criticism on works of authors from the past than on works by contemporary authors. It takes time for a body of critical writing about an author or literary work to grow.
  • It is easier to find criticism on works by well-known authors than on works by those not so famous.
  • Larger works, like novels and plays, seem to attract more critical attention than individual short stories, essays, or poems.
  • Don't finalize your topic too soon. Consider two or three works of literature, do some quick, preliminary searching for each title in the tools introduced in this research guide, and choose the one on which you can find the most information most quickly.  
  • Unless, of course, an obscure work or work by a contemporary author is something you are passionately interested in. Then ignore Tips One through Four, and choose it.

Your first step is to choose the work you want to focus on. This will be a poem, a short story, a play, a novel, etc. When developing a topic, consider

  • Figures of Speech
  • Rhyme/Rhythm
  • Point of view
  • Historical, Political, Geographical Context
  • Literary Theory

Step two is to make sure your topic has sufficient supporting evidence within the text, and that you can find secondary sources in support of your argument. Do a search in the library catalog, OneSearch, for the author or the title of the work. Check out Literature Resource Center to see if there are articles about the author/work.

  • Literature Resource Center Literature Resource Center offers up-to-date biographical information, overviews, full-text literary criticism, and reviews on more than 130,000 writers in all disciplines, from all time periods and from around the world.
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Thesis Statements in Literary Analysis Papers  

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Humanities LibreTexts

1.7: Literary Criticism

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  • Anne Eidenmuller
  • Columbia Basin College

By reading and discussing literature, we expand our imagination, our sense of what is possible, and our ability to empathize with others. Improve your ability to read critically and interpret texts while gaining appreciation for different literary genres and theories of interpretation. Read samples of literary interpretation. Write a critique of a literary work.

Texts that interpret literary works are usually persuasive texts. Literary critics may conduct a close reading of a literary work, critique a literary work from the stance of a particular literary theory, or debate the soundness of other critics’ interpretations. The work of literary critics is similar to the work of authors writing evaluative texts. For example, the skills required to critique films, interpret laws, or evaluate artistic trends are similar to those skills required by literary critics.

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Why Write Literary Criticism?

“Literary texts” include works of fiction and poetry. In school, English instructors ask students to critique literary texts, or works. Literary criticism refers to a genre of writing whereby an author critiques a literary text, either a work of fiction, a play, or poetry. Alternatively, some works of literary criticism address how a particular theory of interpretation informs a reading of a work or refutes some other critics’ reading of a work.

Diverse Rhetorical Situations

The genre of literary interpretation is more specialized than most of the other genres addressed in this section, as suggested by the table below. People may discuss their reactions to literary works informally (at coffee houses, book clubs, or the gym) but the lion’s share of literary criticism takes place more formally: in college classrooms, professional journals, academic magazines, and Web sites.

Students interpret literary works for English instructors or for students enrolled in English classes. In their interpretations, students may argue for a particular interpretation or they may dispute other critics’ interpretations. Alternatively, students may read a text with a particular literary theory in mind, using the theory to explicate a particular point of view. For example, writers could critique The Story of an Hour by Kate Chopin from a feminist theoretical perspective. Thanks to the Internet, some English classes are now publishing students’ interpretations on Web sites. In turn, some students and English faculty publish their work in academic literary criticism journals.

Over the years, literary critics have argued about the best ways to interpret literature. Accordingly, many “schools” or “theories of criticism” have emerged. As you can imagine–given that they were developed by sophisticated specialists–some of these theoretical approaches are quite sophisticated and abstract.

Below is a summary of some of the more popular literary theories. Because it is a summary, the following tends to oversimplify the theories. In any case, unless you are enrolled in a literary criticism course, you won’t need to learn the particulars of all of these approaches. Instead, your teacher may ask you to take an eclectic approach, pulling interpretative questions from multiple literary theories.

Note : If you are interested in learning more about these theories, review either Skylar Hamilton Burris’ Literary Criticism: An Overview of Approaches or Dino F. Felluga’s Undergraduate Guide to Critical Theory

  • Schools of Literary Criticism
  • New Criticism : Focuses on “objectively” evaluating the text, identifying its underlying form. May study, for example, a text’s use of imagery, metaphor, or symbolism. Isn’t concerned with matters outside the text, such as biographical or contextual information. Online Examples: A Formalist Reading of Sandra Cisneros’s “Woman Hollering Creek” , Sound in William Shakespeare’s The Tempest by Skylar Hamilton Burris
  • Reader-Respons : Criticism Focuses on each reader’s personal reactions to a text, assuming meaning is created by a reader’s or interpretive community’s personal interaction with a text. Assumes no single, correct, universal meaning exists because meaning resides in the minds of readers. Online Examples: Theodore Roethke’s “My Papa’s Waltz”: A Reader’s Response (PDF)
  • Feminism: Criticism Focuses on understanding ways gender roles are reflected or contradicted by texts, how dominance and submission play out in texts, and how gender roles evolve in texts. Online Example: “The Yellow Wall-Paper”: A Twist on Conventional Symbols , Subverting the French Androcentric Influence by Jane Le Marquand
  • New Historicism Focuses on understanding texts by viewing texts in the context of other texts. Seeks to understand economic, social, and political influences on texts. Tend to broadly define the term “text,” so, for example, the Catholic Church could be defined as a “text.” May adopt the perspectives of other interpretive communities–particularly reader-response criticism, feminist criticism, and Marxist approaches–to interpret texts. Online Example Monstrous Acts by Jonathan Lethem
  • Media Criticism Focuses on writers’ use of multimedia and hypertexts. Online Examples The Electronic Labyrinth by Christopher Keep, Tim McLaughlin, and Robin Parmar
  • Psychoanalytical Criticism Focuses on psychological dimensions of the work. Online Examples: A Freudian Approach to Erin McGraw’s “A Thief” by Skylar Hamilton Burris
  • Marxist Criticism Focuses on ways texts reflect, reinforce, or challenge the effects of class, power relations, and social roles. Online Example: A Reading of Shirley Jackson’s “The Lottery” by Peter Kosenko
  • Archetypal Criticism Focuses on identifying the underlying myths in stories and archetypes, which reflect what the psychologist Carl Jung called the “collective unconsciousness.” Online Example: A Catalogue of Symbols in The Awakening by Kate Chopin by Skylar Hamilton Burris
  • Postcolonial Criticism Focuses on how Western culture’s (mis)representation of third-world countries and peoples in stories, myths, and stereotypical images encourages repression and domination. Online Example: Other Voices
  • Structuralism/Semiotics Focuses on literature as a system of signs where meaning is constructed in a context, where words are inscribed with meaning by being compared to other words and structures. Online Example: Applied Semiotics [Online journal with many samples]
  • Post-Structuralism/Deconstruction Focuses, along with Structuralism, on viewing literature as a system of signs, yet rejects the Structuralist view that a critic can identify the inherent meaning of a text, suggesting, instead that literature has no center, no single interpretation, that literary language is inherently ambiguous

Powerful works of literature invoke multiple readings. In other words, we can all read the same story or poem (or watch the same movie or listen to the same song) and come up with different, even conflicting, interpretations about what the work means. Who we are reflects how we read texts. Our experiences inspire us to relate to and sympathize with characters and difficult situations. Have we read similar stories? Have we actually faced some of the same challenges the characters in the story face?

In addition, literary theories have unique ways to develop and substantiate arguments. Some theories draw extensively on the work of other critics, while others concentrate on the reader’s thoughts and feelings. Some theories analyze a work from an historical perspective, while others focus solely on a close reading of a text.

Accordingly, as with other genres, the following key features need to be read as points of departure as opposed to a comprehensive blueprint:

Examine a subject from a rhetorical perspective. Identify the intended audience, purpose, context, media, voice, tone, and persona.Distinguish between summarizing the literary work and presenting your argument. Many students fall into the trap of spending too much time summarizing the literature being analyzed as opposed to critiquing it. As a result, it would be wise to check with your teacher regarding how much plot summary is expected. As you approach this project, remember to keep your eye on the ball: What, exactly (in one sentence) is the gist of your interpretation?

Development

You can develop your ideas by researching the work of other literary critics. How do other critics evaluate an author’s work? What literary theories do literary critics use to interpret texts or particular moments in history? Reading sample proposals can help you find and adopt an appropriate voice and persona. By reading samples, you can learn how others have prioritized particular criteria.

Below are some of the questions invoked by popular literary theories. Consider these questions as you read a work, perhaps taking notes on your thoughts as you reread. You may focus on using one theory to “read and interpret” text or, more commonly, you may compare the critical concerns of different theories.

New Criticism/Formalism

  • Character: How does the character evolve during the story? What is unique or interesting about a character? Is the character a stereotypical action hero, a patriarchal father figure, or Madonna? How does a character interact with other characters?
  • Setting: How does the setting enhance tension within the work? Do any elements in the setting foreshadow the conclusion of the piece?
  • Plot:What is the conflict? How do scenes lead to a suspenseful resolution? What scenes make the plot unusual, unexpected, suspenseful?
  • Point of View: Who is telling the story? Is the narrator omniscient (all knowing) or does the narrator have limited understanding?

Reader-Response Criticism

How does the text make you feel? What memories or experiences come to mind when you read? If you were the central protagonist, would you have behaved differently? Why? What values or ethics do you believe are suggested by the story? As your reading of a text progresses, what surprises you, inspires you?

Feminist Criticism

How does the story re-inscribe or contradict traditional gender roles? For example, are the male characters in “power positions” while the women are “dominated”? Are the men prone to action, decisiveness, and leadership while the female characters are passive, subordinate? Do gender roles create tension within the story? Do characters’ gender roles evolve over the course of the narrative?

New Historicism Cristicism

How does the story reflect the aspirations and conditions of the lower classes or upper classes? Is tension created by juxtaposing privileged, powerful positions to subordinated, dominated positions? What information about the historical context of the story helps explain the character’s motivations? Who benefits from the outcome of the story or from a given character’s motivation?

Media Criticism

How does the medium alter readers’ interactions with the text? Has the reader employed multimedia or hypertext? What traditions from print and page design have shaped the structure of the text? In what ways has the author deviated from traditional, deductively organized linear texts?

Cite from the Work

Literary criticism involves close reading of a literary work, regardless of whether you are arguing about a particular interpretation, comparing stories or poems, or using a theory to interpret literature.Do not summarize the story. The purpose of the document is not to inform the readers, but to argue a particular interpretation. You only need to cite parts of the work that support or relate to your argument and follow the citation format required by your instructor (see Using and Citing Sources).

Below is an example from Sample Essays for English 103: Introduction to Fiction, Professor Matthew Hurt. Note how the writer uses block quotes to highlight key elements and paraphrase and summarizes the original works, using quotation marks where necessary.

…Twain offers a long descriptive passage of Huck and Jim’s life on the raft that seems, at first glance, to celebrate the idyllic freedom symbolized by the river and nature. . . A close reading of this passage, however, shows that the river is not a privileged natural space outside of and uncontaminated by society, but is inextricably linked to the social world on the shore, which itself has positive value for Huck. Instead of seeking to escape society, Huck wants to escape the dull routines of life.

The passage abounds with lyrical descriptions of the river’s natural beauty. For example, Huck’s long description of the sunrise over the river captures the peaceful stillness and the visual beauty of the scene:

The first thing to see, looking away over the water, was a kind of dull line — that was the woods on t’other side — you couldn’t make nothing else out; then a pale place in the sky; then more paleness, spreading around; then the river softened up, away off, and warn’t black any more, but gray; . . . sometimes you could hear a sweep screaking; or jumbled up voices, it was so still, and sounds come so far; and by-and-by you could see a streak on the water which you know by the look of the streak that there’s a snag there in the swift current which breaks on it and makes the streak look that way; and you see the mist curl up off of the water, and the east reddens up, and the river, and you make out a log cabin in the edge of the woods, away on the bank on t’other side of the river, . . . then the nice breeze springs up, and comes fanning you from over there, so cool and fresh, and sweet to smell, on account of the woods and the flowers; . . . and next you’ve got the full day, and everything smiling in the sun, and the song-birds just going at it! (129-130)

Here Huck celebrates the beauty of the natural world coming to life at the beginning of a new day. The “paleness” gradually spreading across the sky makes new objects visible which he describes in loving detail for the reader. The “nice breeze” is “cool and fresh” and “sweet to smell,” and the world seems to be “smiling in the sun” as the song-birds welcome the new day.

However, Huck includes a number of details within this passage that would seem to work against the language of natural beauty. After describing the gradually brightening sky, Huck notes that “you could see little dark spots drifting along, ever so far away — trading scows, and such things; and long black streaks — rafts.” The sun rise reveals not only natural objects (the brightening sky, the “snag,” the “mist”), but also brings into view man-made objects (“trading scows” and “rafts”) that signify human society’s presence in this natural environment. Similarly, Huck speculates that the picturesque “log cabin” on the distant shore is a “woodyard, likely, and piled by them cheats so you can throw a dog through it anywheres.” Here the marker of human society takes on a sinister tone of corruption as Huck describes how unscrupulous wood sellers stack wood loosely to cheat their customers. Finally, although the breeze is “sweet to smell,” Huck assures the reader that this isn’t always the case: “but sometimes not that way, because they’ve left dead fish laying around, gars, and such, and they do get pretty rank.”

These signs of society’s presence on the river are largely negative. The woodyard is “piled by cheats” and the stacked fish pollute the “sweet” smell of the breeze. At this point, the opposition between “good nature” and “bad society” remains intact. The signs of human presence suggest a corruption of nature’s beauty. In the paragraphs that follow, however, this opposition is subtly reversed. After Huck’s account of the sunrise over the river, he describes how he and Jim watch the steamboats “coughing along up stream.” But when there are no steamboats or rafts to watch, he describes the scene as “solid lonesomeness” (130). No songbirds, no sweet breezes. Without human activities to watch, the scene suddenly becomes empty and “lonesome,” and nothing captures Huck’s attention until more rafts and boats pass by and he can watch them chopping wood or listen to them beating pans in the fog.

Cite Other Critics’ Interpretations of the Work

Criticism written by advanced English majors, graduate students, and literary critics may be more about what other critics have said than about the actual text. Indeed, many critics spend more time reading criticism and arguing about critical approaches than actually reading original works. However, unless you are enrolled in a literary theory course, your instructor probably wants you to focus more on interpreting the work than discussing other critical interpretations. This does not mean, however, that you should write about a literary work “blindly.” Instead, you are wise to find out what other students and critics have said about the work.

Below is a sample passage that illustrates how other critics’ works can inspire an author and guide him or her in constructing a counter argument, support an author’s interpretation, and provide helpful biographical information.

In her critical biography of Shirley Jackson, Lenemaja Friedman notes that when Shirley Jackson’s story “The Lottery” was published in the June 28, 1948 issue of the New Yorker it received a response that “no New Yorker story had ever received”: hundreds of letters poured in that were characterized by “bewilderment, speculation, and old-fashioned abuse.”1 It is not hard to account for this response: Jackson’s story portrays an “average” New England village with “average” citizens engaged in a deadly rite, the annual selection of a sacrificial victim by means of a public lottery, and does so quite deviously: not until well along in the story do we suspect that the “winner” will be stoned to death by the rest of the villagers.

Organization

The format for literary critiques is fairly standard:

  • State your claim(s).
  • Forecast your organization.
  • Marshal evidence for your claim.
  • Reiterate argument and elaborate on its significance.

In English classes, you may be able to assume that your readers are familiar with the work you are critiquing. Perhaps, for example, the entire class is responding to one particular work after some class discussions about it. However, if your instructor asks you to address a broader audience, you may need to provide bibliographical information for the work. In other words, you may need to cite the title, publisher, date, and pages of the work (see Citing Sources ).

Literary critiques are arguments. As such, your instructors expect you to state a claim in your introduction and then provide quotes and paraphrased statements from the text to serve as evidence for your claim. Ideally, your critique will be insightful and interesting. You’ll want to come up with an interpretation that isn’t immediately obvious. Below are some examples of “thesis statements” or “claims” from literary critiques:

  • In “The Yellow Wallpaper,” by Charlotte Perkins Gilman, the protagonist is oppressed and represents the effect of the oppression of women in society. This effect is created by the use of complex symbols such as the house, the window, and the wall-paper which facilitate her oppression as well as her self expression. [“‘The Yellow Wall-Paper’: A Twist on Conventional Symbols” by Liselle Sant]
  • “The Yellow Wallpaper” by Charlotte Gilman is a sad story of the repression that women face in the days of the late 1800’s as well as being representative of the turmoil that women face today. [Critique of “The Yellow Wallpaper” by Brandi Mahon]
  • “The Yellow Wallpaper,” written by Charlotte Perkins Gilman, is a story of a woman, her psychological difficulties and her husband’s so called therapeutic treatment of her aliments during the late 1800s. . . Gilman does well throughout the story to show with descriptive phrases just how easily and effectively the man “seemingly” wields his “maleness” to control the woman. But, with further interpretation and insight I believe Gilman succeeds in nothing more than showing the weakness of women, of the day, as active persons in their own as well as society’s decision making processes instead of the strength of men as women dominating machines. “The View from the Inside” by Timothy J. Decker
  • In Adventures of Huckleberry Finn, Mark Twain creates a strong opposition between the freedom of Huck and Jim’s life on the raft drifting down the Mississippi River, which represents “nature,” and the confining and restrictive life on the shore, which represents “society.” [ “‘All I wanted was a change’: Positive Images of Nature and Society in Chapter 19 of Adventures of Huckleberry Finn” from Professor Matthew Hurt’s “Sample Essays for English 103: Introduction to Fiction”]
  • In Gabriel Garcia Marquez’s short story, “A Very Old Man with Enormous Wings,” an unexpected visitor comes down from the sky, and seems to test the faith of a community. The villagers have a difficult time figuring out just how the very old man with enormous wings fits into their lives. Because this character does not agree with their conception of what an angel should look like, they try to determine if the aged man could actually be an angel. In trying to prove the origin of their visitor, the villagers lose faith in the possibility of him being an angel because he does not adhere to their ordered world. Marquez keeps the identity of the very old man with enormous wings ambiguous to critique the villagers and, more generally, organized religion for having a lack of faith to believe in miracles that do not comply with their master narrative. [“Prove It: A Critique of the Villagers’ Faith in ‘A Very Old Man with Enormous Wings'” from Sample Essays for English 103: Introduction to Fiction, Professor Matthew Hurt]

Literary criticism is a fairly specialized kind of writing. Instead of writing to a general lay audience, you are writing to members of a literary community who have read a work and who developed opinions about the work–as well as a vocabulary of interpretation.

Following are some common words used by literary critics. More specialized terms can be learned by reading criticism or by referring to a good encyclopedia for criticism or writing, including the Writer’s Encyclopedia:

  • Protagonist: The protagonist is the major character of the story; typically the character must overcome significant challenges.
  • Antagonist: The protagonist’s chief nemesis; in other words, the character whom the protagonist must overcome.
  • Symbols: Metaphoric language; see A Catalogue of Symbols in The Awakening by Kate Chopin
  • Viewpoint: Stories are told either in the first person or third person point of view. The first person is limited to a single character, although dialog can let you guess at other characters’ intentions. The third person allows readers inside the character’s mind so you know what the character feels and thinks.Viewpoint can be “limited,” where the character knows less than the reader, or “omniscient,” where the reader can hear the thoughts and feelings of all characters. Occasionally writers will use multiple character viewpoint, which takes you from one character’s perspective to another.
  • Plot: Plots are a series of scenes, typically moving from a conflict situation to a resolution. To surprise readers, authors will foreshadow “false plants,” which lead readers to anticipate other resolutions. The term “denouement” refers to the unraveling of the plot in the conclusion.
  • Literary Criticism. Authored by : Joseph Moxley. Provided by : Writing Commons. Located at : http://writingcommons.org/open-text/genres/academic-writing/literary-criticism/28-literary-criticism . License : CC BY-NC-ND: Attribution-NonCommercial-NoDerivatives
  • Academic Writing Tips : How to Write a Literary Analysis Paper. Authored by : eHow. Located at : https://youtu.be/8adKfLwIrVk . License : All Rights Reserved . License Terms : Standard YouTube license

Table of Contents

Ai, ethics & human agency, collaboration, information literacy, writing process, literary criticism.

  • © 2023 by Angela Eward-Mangione - Hillsborough Community College
  • Some of the people in the group say they do not like the film because it portrays Bella as a weak female who becomes obsessed with Edward Cullen whom she cannot marry without leaving her loving father and losing her precious mortality.
  • Other people like those aspects of the film, however, arguing that the film makes them disagree with its representation of some women as meek characters.

What is Literary Criticism?

Literary Criticism is

  • a research method , a type of textual research , that literary critics employ to interpret texts and debate interpretations
  • a genre of argument about a specific text or a set of texts .

Key Terms: Archive, Canon ; Dialectic ; Hermeneutics ; Semiotics ; Text & Intertextuality ; Tone ; rhetoric , intersubjectivity, modernism, postmodernism.

*Alternative Article Title(s): Critical Theory

General Strategies for Engaging in Literary Criticism

Engage in rhetorical analysis.

The methods for engaging in rhetorical criticism and presenting interpretations are bounded by the values and customs of particular disciplinary communities–i.e., the conventions of particular critical schools (e.g., Critical Disability Studies or Feminist Criticism ).

Distinguish between summarizing the literary work and presenting your argument. Many students fall into the trap of spending too much time summarizing the literature being analyzed as opposed to critiquing it. As a result, it would be wise to check with your teacher regarding how much plot summary is expected. As you approach this project, remember to keep your eye on the ball: What, exactly (in one sentence) is the gist of your interpretation?

Development

One of the most strategic things you can do if you’ve assigned to write some criticism is to read other critics who are well regarded by the disciplinary community you choose to address.

How do other critics evaluate an author’s work? What literary theories do literary critics use to interpret texts or particular moments in history? Reading sample analysis papers can help you find and adopt an appropriate voice and persona. By reading samples, you can learn how others have prioritized particular criteria.

Cite Other Critics’ Interpretations of the Work

Criticism written by advanced English majors, graduate students, and literary critics may be more about what other critics have said than about the actual text. Indeed, many critics spend more time reading criticism and arguing about critical approaches than actually reading original works. However, unless you are enrolled in a literary theory course, your instructor probably wants you to focus more on interpreting the work than discussing other critical interpretations. This does not mean, however, that you should write about a literary work “blindly.” Instead, you are wise to find out what other students and critics have said about the work.

Below is a sample passage that illustrates how other critics’ works can inspire an author and guide him or her in constructing a counter argument, support an author’s interpretation, and provide helpful biographical information.

In her critical biography of Shirley Jackson, Lenemaja Friedman notes that when Shirley Jackson’s story “The Lottery” was published in the June 28, 1948 issue of the New Yorker it received a response that “no New Yorker story had ever received”: hundreds of letters poured in that were characterized by “bewilderment, speculation, and old-fashioned abuse.”1 It is not hard to account for this response: Jackson’s story portrays an “average” New England village with “average” citizens engaged in a deadly rite, the annual selection of a sacrificial victim by means of a public lottery, and does so quite deviously: not until well along in the story do we suspect that the “winner” will be stoned to death by the rest of the villagers.

[ Scholarship as a Conversation ]

Organization

The format for literary critiques is fairly standard:

  • State your claim(s).
  • Forecast your organization.
  • Marshal evidence for your claim.
  • Reiterate argument and elaborate on its significance.

In English classes, you may be able to assume that your readers are familiar with the work you are critiquing. Perhaps, for example, the entire class is responding to one particular work after some class discussions about it. However, if your instructor asks you to address a broader audience, you may need to provide bibliographical information for the work. In other words, you may need to cite the title, publisher, date, and pages of the work (see Citing Sources ).

Literary critiques are arguments. As such, your instructors expect you to state a claim in your introduction and then provide quotes and paraphrased statements from the text to serve as evidence for your claim. Ideally, your critique will be insightful and interesting. You’ll want to come up with an interpretation that isn’t immediately obvious. Below are some examples of “thesis statements” or “claims” from literary critiques:

  • In “The Yellow Wallpaper,” by Charlotte Perkins Gilman, the protagonist is oppressed and represents the effect of the oppression of women in society. This effect is created by the use of complex symbols such as the house, the window, and the wall-paper which facilitate her oppression as well as her self expression. [“‘The Yellow Wall-Paper’: A Twist on Conventional Symbols” by Liselle Sant]
  • “The Yellow Wallpaper” by Charlotte Gilman is a sad story of the repression that women face in the days of the late 1800’s as well as being representative of the turmoil that women face today. [Critique of “The Yellow Wallpaper” by Brandi Mahon]
  • “The Yellow Wallpaper,” written by Charlotte Perkins Gilman, is a story of a woman, her psychological difficulties and her husband’s so called therapeutic treatment of her aliments during the late 1800s. . . Gilman does well throughout the story to show with descriptive phrases just how easily and effectively the man “seemingly” wields his “maleness” to control the woman. But, with further interpretation and insight I believe Gilman succeeds in nothing more than showing the weakness of women, of the day, as active persons in their own as well as society’s decision making processes instead of the strength of men as women dominating machines. “The View from the Inside” by Timothy J. Decker
  • In Adventures of Huckleberry Finn, Mark Twain creates a strong opposition between the freedom of Huck and Jim’s life on the raft drifting down the Mississippi River, which represents “nature,” and the confining and restrictive life on the shore, which represents “society.” [ “‘All I wanted was a change’: Positive Images of Nature and Society in Chapter 19 of Adventures of Huckleberry Finn” from Professor Matthew Hurt’s “Sample Essays for English 103: Introduction to Fiction”]
  • In Gabriel Garcia Marquez’s short story, “A Very Old Man with Enormous Wings,” an unexpected visitor comes down from the sky, and seems to test the faith of a community. The villagers have a difficult time figuring out just how the very old man with enormous wings fits into their lives. Because this character does not agree with their conception of what an angel should look like, they try to determine if the aged man could actually be an angel. In trying to prove the origin of their visitor, the villagers lose faith in the possibility of him being an angel because he does not adhere to their ordered world. Marquez keeps the identity of the very old man with enormous wings ambiguous to critique the villagers and, more generally, organized religion for having a lack of faith to believe in miracles that do not comply with their master narrative. [“Prove It: A Critique of the Villagers’ Faith in ‘A Very Old Man with Enormous Wings'” from Sample Essays for English 103: Introduction to Fiction, Professor Matthew Hurt]

Literary criticism is a fairly specialized genre . Instead of writing to a general lay audience, you are writing to members of a literary community who have read a work and who developed opinions about the work–as well as a vocabulary of interpretation.

Across Schools of Criticism, critics share a common vocabulary of critique. Below are some common words used by literary critics.

  • Protagonist: The protagonist is the major character of the story; typically the character must overcome significant challenges.
  • Antagonist: The protagonist’s chief nemesis; in other words, the character whom the protagonist must overcome.
  • Symbols: Metaphoric language; see A Catalogue of Symbols in The Awakening by Kate Chopin
  • Viewpoint: Stories are told either in the first person or third person point of view. The first person is limited to a single character, although dialog can let you guess at other characters’ intentions. The third person allows readers inside the character’s mind so you know what the character feels and thinks.Viewpoint can be “limited,” where the character knows less than the reader, or “omniscient,” where the reader can hear the thoughts and feelings of all characters. Occasionally writers will use multiple character viewpoint, which takes you from one character’s perspective to another.
  • Plot: Plots are a series of scenes, typically moving from a conflict situation to a resolution. To surprise readers, authors will foreshadow “false plants,” which lead readers to anticipate other resolutions. The term “denouement” refers to the unraveling of the plot in the conclusion.

Cite from the Work

Literary criticism involves close reading of a literary work, regardless of whether you are arguing about a particular interpretation, comparing stories or poems, or using a theory to interpret literature. The purpose of the document is not to inform the readers, but to argue a particular interpretation. You only need to cite parts of the work that support or relate to your argument and follow the citation format required by your instructor

What are Schools of Literary Criticism?

Literary theory and criticism have existed from classical through contemporary times. Over time, schools of criticism have evolved as critics (aka communities of practitioners) have introduced new ideas about texts and intertextuality , rhetoric , intersubjectivity, modernism, postmodernism.

Schools of Literary Criticism include

Critical Disability Studies

Feminist criticism, lgbtq + criticism, marxist criticism, new historicist criticism, post-colonial criticism, post-structuralist, deconstructive criticism, psychological criticism, reader-response criticism, russian formalism and new criticism, structuralist criticism.

Most schools of literary criticism draw extensively on the work of other theorists and critics, while others concentrate on the reader’s thoughts and feelings. Additionally, some theorists analyze a work from an historical perspective, while others focus solely on a close reading of a text.

The first step in formulating a critical argument is to assume a rhetorical stance that engages a type, school, or approach of literary criticism. The critical approach you employ to engage in textual analysis will shape the content of your interpretation.

[ Rhetorical Stance | Rhetorical Reasoning ]

Related Articles:

Marxist Criticism

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Marxist Criticism

Marxist Criticism refers to a method you’ll encounter in literary and cultural analysis. It breaks down texts and societal structures using foundational concepts like class, alienation, base, and superstructure. By...

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Literary criticism is an analysis of a literary work. An article of literary criticism is looking at a work of literature and analyzing the different elements. Literary criticism helps a reader understand the meaning of a literary work. It should not be confused with a plot summary.

A plot summary explains the plot (what happened) of a literary work. Plot summaries give an overview of the major events in a literary work without an analysis.

Literary Criticism - Video

Literary criticism video transcript.

Hello and welcome! The SCC Library presents an introductory video on...Finding Literary Criticism at the SCC library.

Before we talk about where, let's talk about what literary criticism is and is not. Literary criticism is the art or practice of judging and commenting on the qualities and character of literary works. Here are your two key concepts - judging and commenting. Literary criticism is not a summary of what happened in the story, so stay away from plot summaries. For example: "In the first act of Shakespeare's Hamlet, Hamlet is visited by his father's ghost." No. That's a plot summary. Instead, literary criticism is an analysis of the work, an examination, a critique. For example: "The appearance of the ghost in the first act of Hamlet introduces the theme of revenge." Much better. See the Difference?

Anyone can write literary criticism, even you [Student writes "Hamlet is awesome because..."], but instructors and other academics tend to value literary criticism written by subject experts [Subject expert professor stands at chalkboard lecturing; message on chalkboard reads "Shakespeare is my life!"]. Those are people who have studied literature in-depth [Professor stands over book with a magnify glass] and can use that knowledge to help inform your reading of the work [Professor gives gift wrapped present to student, who accepts it and says "For me?"]. Think of the authors of literary criticism like tour guides in a museum, using his or her vast knowledge of a subject to help make the work more meaningful to you, clueing you into things you may not have otherwise known [Guide addresses a crowd of people and says "I bet you didn't know..."].

So how do you use literary criticism from the experts in your paper? When you write your paper you'll be trying to prove your thesis. Your thesis is your interpretation of the work. [Cartoon student types "Hamlet is crazy."] In order to do this, you'll need evidence to support your point. [Cartoon student asks "What evidence do I have that Hamlet is crazy?"] You will use evidence from the work itself, but you will also use the literary critics ideas to support your point - think of them like your expert witnesses at a trial. [Literary critic cartoon man sits on witness stand and says "In my opinion..."] You will pull their thoughts into your paper to help you prove your thesis [Student types "In Mr. Jones' opinion, Shakespeare..."] (citing them correctly, of course) [Student continues typing "blah blah blah (Jones 13).]. Also, reading literary criticism before you develop your thesis, can help inform your own understanding of the work [Light bulb comes on over student's head, and student shouts "Eureka! I've got it!].

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IMAGES

  1. How To Write A Thesis For A Critical Essay

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  2. Sample literary thesis statements

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  3. How to Write a Literary Criticism

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  4. Literary Analysis Thesis Statement Writing Process

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  5. Thesis Statement Example Literary Essay

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  6. How to Write a Critique of a Novel

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VIDEO

  1. Literary Criticism Of Aristotle

  2. 'What is Criticism?' by Roland Barthes, Notes and Summary, MA English SEM 2, Poststructuralism, UGC

  3. Introduction to Literary Studies #19 What is Anti-Thesis with Examples (Literary Device) Urdu/Hindi

  4. Russian Formalism and New Criticism Literary Theory

  5. #1 Literary Response

  6. 🔴Literary Criticism

COMMENTS

  1. thesis examples

    Example: In "Barn Burning," William Faulkner shows the characters Sardie and Abner Snopes struggling for their identity. 2. In (title of work), (author) uses (one aspect) to (define, strengthen, illustrate) the (element of work). Example: In "Youth," Joseph Conrad uses foreshadowing to strengthen the plot. 3.

  2. PDF Literary Analysis Thesis Statements

    A thesis in a literary analysis or literary research paper can take many forms. The thesis statement is one of the (if not the) most important parts of your paper. ... #1 The thesis may focus on an analysis of one of the elements of fiction, drama, poetry or nonfiction as expressed in the work: character, plot, structure, idea, theme, symbol ...

  3. How to Write a Literary Analysis Essay

    Table of contents. Step 1: Reading the text and identifying literary devices. Step 2: Coming up with a thesis. Step 3: Writing a title and introduction. Step 4: Writing the body of the essay. Step 5: Writing a conclusion. Other interesting articles.

  4. 12.6: Literary Thesis Statements

    The Literary Thesis Statement. Literary essays are argumentative or persuasive essays. Their purpose is primarily analysis, but analysis for the purposes of showing readers your interpretation of a literary text. So the thesis statement is a one to two sentence summary of your essay's main argument, or interpretation.

  5. How to Write Literary Analysis

    Literary analysis involves examining all the parts of a novel, play, short story, or poem—elements such as character, setting, tone, and imagery—and thinking about how the author uses those elements to create certain effects. ... A thesis is a claim about a work of literature that needs to be supported by evidence and arguments. The thesis ...

  6. How to Write an Effective Literary Analysis Thesis Statement

    This is where you could build the roadmap aspect of the thesis: list the elements in the order you will write about them in, and suddenly you will have a clear path for entire literary analysis. 3. Clear and Concise. This may seem obvious, but it is crucial. A clear thesis will play into the idea of a roadmap, but it will also avoid using long ...

  7. 5.2: Thesis Examples

    SAMPLE THESIS STATEMENTS. These sample thesis statements are provided as guides, not as required forms or prescriptions. _____ The thesis may focus on an analysis of one of the elements of fiction, drama, poetry or nonfiction as expressed in the work: character, plot, structure, idea, theme, symbol, style, imagery, tone, etc. Example:

  8. 12.14: Sample Student Literary Analysis Essays

    Heather Ringo & Athena Kashyap. City College of San Francisco via ASCCC Open Educational Resources Initiative. Table of contents. Example 1: Poetry. Example 2: Fiction. Example 3: Poetry. Attribution. The following examples are essays where student writers focused on close-reading a literary work.

  9. PDF HOW TO WRITE A LITERARY ANALYSIS ESSAY

    The term regularly used for the development of the central idea of a literary analysis essay is the body. In this section you present the paragraphs (at least 3 paragraphs for a 500-750 word essay) that support your thesis statement. Good literary analysis essays contain an explanation of your ideas and evidence from the text (short story,

  10. Thesis Statements for a Literature Assignment

    Use Literary Terms in Thesis Only to Make Larger Points. Poems and novels generally use rhyme, meter, imagery, simile, metaphor, stanzas, characters, themes, settings and so on. While these terms are important for you to use in your analysis and your arguments, that they exist in the work you are writing about should not be the main point of ...

  11. How to Write a Thesis Statement for a Literary Analysis Essay

    The outcome of your thesis statement is determined from the moment that you formulate the idea to write a literary analysis essay. In writing a literary analysis thesis statement, you must be able to observe, analyze, and state the importance of a literary work. To get the best result, apply the guidelines here to your writing.

  12. thesis examples

    SAMPLE THESIS STATEMENTS. These sample thesis statements are provided as guides, not as required forms or prescriptions. _____ The thesis may focus on an analysis of one of the elements of fiction, drama, poetry or nonfiction as expressed in the work: character, plot, structure, idea, theme, symbol, style, imagery, tone, etc. Example:

  13. Literary Criticism for Students (and anyone else)

    Literature Criticism Online provides tens of thousands of hard-to-find essays on books and plays by the scholars of today and from the past. This resource includes full-text criticism from ten different sources: Contemporary Literary Criticism, Twentieth-Century Literary Criticism, Nineteenth-Century Literature Criticism, Shakespeare Criticism, Literature Criticism 1400-1800, Classical and ...

  14. Analysis of Kate Chopin's The Story of an Hour

    Analysis of Kate Chopin's The Story of an Hour By NASRULLAH MAMBROL on July 28, 2021. Originally entitled "The Dream of an Hour" when it was first published in Vogue (December 1894), "The Story of an Hour" has since become one of Kate Chopin's most frequently anthologized stories. Among her shortest and most daring works, "Story" examines issues of feminism, namely, a woman's ...

  15. Literary Criticism: Developing a Topic

    It is easier to find criticism on works of authors from the past than on works by contemporary authors. It takes time for a body of critical writing about an author or literary work to grow. It is easier to find criticism on works by well-known authors than on works by those not so famous. Larger works, like novels and plays, seem to attract ...

  16. ENGL 2111 and 2112 World Literature: Thesis Statement

    The Thesis Statement A thesis statement should be specific and make a clear, definable and arguable claim. For the literary research paper, a thesis statement may suggest a particular way of reading or understanding a story, perhaps providing an original or even controversial interpretation.

  17. 1.7: Literary Criticism

    Below are some examples of "thesis statements" or "claims" from literary critiques: In "The Yellow Wallpaper," by Charlotte Perkins Gilman, the protagonist is oppressed and represents the effect of the oppression of women in society. ... Literary criticism is a fairly specialized kind of writing. Instead of writing to a general lay ...

  18. Literary Criticism: thesis examples Library Home / Subject and Course

    Title: thesis examples - Literary Criticism - ...es at University of Texas at Arlington.pdf Created Date: 1/31/2018 5:23:43 PM

  19. Literary Criticism

    Literary Criticism is. a research method, a type of textual research, that literary critics employ to interpret texts and debate interpretations. a genre of discourse employed by literary critics used to share the results of their interpretive efforts. a genre of argument about a specific text or a set of texts.

  20. What is Literary Criticism?

    What is Literary Criticism? Literary criticism is an analysis of a literary work. ... When you write your paper you'll be trying to prove your thesis. Your thesis is your interpretation of the work. [Cartoon student types "Hamlet is crazy."] In order to do this, you'll need evidence to support your point.

  21. Welcome to the Purdue Online Writing Lab

    The Online Writing Lab at Purdue University houses writing resources and instructional material, and we provide these as a free service of the Writing Lab at Purdue.

  22. Land

    Lake sediment records are of great importance for understanding the evolution of watershed environments. Various studies have been carried out to determine the depositional ages of lake sediments and to examine their physical, chemical, and biological characteristics. The aim is to construct the historical vegetation, environment, and climate patterns in Chinese lake watersheds. In this review ...