the best month of the year essay pdf

• Share full article

Advertisement

Supported by

Student Opinion

What Is the Best Month of the Year? What Is the Worst?

Some people say January is secretly great. Do you agree?

By Natalie Proulx

It’s January, a month that many would call the worst of the year. What do you think? Do you find January dreary and dull?

Or, instead, do you see it as cozy and restful? Would you ever consider it your favorite month?

In “ January’s Secret: It’s the Best Month ,” Steven Kurutz writes about all the things that fans of January say actually make it a wonderful time of year:

Consider the plight of January, the sad sack of months. It lacks for sunlight. It has some of the worst weather in the Northern Hemisphere — a dreary cold that happens to stretch on for 31 days. It’s a month without social holidays. Even lowly February, its companion in the winter doldrums, has Valentine’s Day. January suffered another blow in 2022, when its one day of excitement, Super Bowl Sunday, moved permanently to the year’s second month. Hollywood isn’t much help. Rather than providing distractions in these bleak days, the entertainment industry has made January a dumping ground for films that have no shot at winning awards or making year-end critics’ lists. But the very things that make January a bit of a bore have endeared it to its fans. And while many people loathe the month because it means a restart of the daily grind, Robert Mac, a stand-up comedian, welcomes the return of steady work. “I dislike breaking up my routine in the second half of December,” said Mr. Mac, 55, who lives in suburban Washington and, like many comics, travels extensively. “I can’t get anything done.” Others like the month’s lack of social obligations and sense of calm. “January is quickly becoming my favorite month of the year,” Chelsea Delman, a real estate agent in Providence, R.I., said in a video the she recently posted on her TikTok account, the Socialite Files. “I don’t have to go to any parties. I don’t have to go to any holidays. I don’t have to do anything. I can just chill.”

Students, read the entire article and then tell us:

Does the article make you see January differently? Are you persuaded that it might actually be the best month of the year? Why or why not?

If not, what do you think is the best month? What makes it so? Try to come up with at least three reasons, and then share them in a way that convinces others of your point of view.

Now, in your opinion, what is the worst month of the year? Why?

Students 13 and older in the United States and Britain, and 16 and older elsewhere, are invited to comment. All comments are moderated by the Learning Network staff, but please keep in mind that once your comment is accepted, it will be made public and may appear in print.

Find more Student Opinion questions here. Teachers, check out this guide to learn how you can incorporate these prompts into your classroom.

Natalie Proulx joined The Learning Network as a staff editor in 2017 after working as an English language arts teacher and curriculum writer. More about Natalie Proulx

Essay On My Favourite Month

• Post category: Essay
• Reading time: 4 mins read

May is the month that I like most in the year. I always look forward to the month of May. In May we can relax and enjoy our holidays. We are then free from our studies because schools are closed for the summer vacation. It is a great relief to be free from one’s studies for a whole month.

In the month of May we have plenty of leisure. This leisure must be rightly used. We can use our leisure to pursue our hobbies. We can go for long walks in the early morning and in the evening.

Fruits ripen in May. The best fruit we can enjoy in May is Mango. Apart from mango we enjoy juicy fruits like muskmelon, watermelon, grapes and more. We enjoy with sugarcane.

May, appears attractive when we get an opportunity to go on a summer holiday either to the sea-side or to the hills. At the sea-side we can go swimming and collect all kinds of lovely shells. At a hill-station we enjoy the cool climate and the beautiful natural scenery. May is without any doubt the month I like most in the year.

• Essay On My Favourite National Leader
• Essay On My Favourite Bird
• Essay On The Life of a Schoolmaster
• Essay On My Uncle
• Essay On On Missing a Train
• Essay On My School Magazine
• Essay On My Last Day at School
• Essay On My Childhood
• Essay On Easter
• Essay On Onam

Please Share This Share this content

• Opens in a new window

You Might Also Like

Essay on poverty, essay on earthquakes, essay on alcoholism among women, essay on the life of a fisherman, essay on foremost competition – the olympic games.

Essay On Cricket

Leave a reply cancel reply.

Save my name, email, and website in this browser for the next time I comment.

Jump to navigation Skip to content

Search form

• P&W on Facebook
• P&W on Twitter
• P&W on Instagram

Find details about every creative writing competition—including poetry contests, short story competitions, essay contests, awards for novels, grants for translators, and more—that we’ve published in the Grants & Awards section of Poets & Writers Magazine during the past year. We carefully review the practices and policies of each contest before including it in the Writing Contests database, the most trusted resource for legitimate writing contests available anywhere.

Find a home for your poems, stories, essays, and reviews by researching the publications vetted by our editorial staff. In the Literary Magazines database you’ll find editorial policies, submission guidelines, contact information—everything you need to know before submitting your work to the publications that share your vision for your work.

Whether you’re pursuing the publication of your first book or your fifth, use the Small Presses database to research potential publishers, including submission guidelines, tips from the editors, contact information, and more.

Research more than one hundred agents who represent poets, fiction writers, and creative nonfiction writers, plus details about the kinds of books they’re interested in representing, their clients, and the best way to contact them.

Every week a new publishing professional shares advice, anecdotes, insights, and new ways of thinking about writing and the business of books.

Find publishers ready to read your work now with our Open Reading Periods page, a continually updated resource listing all the literary magazines and small presses currently open for submissions.

Since our founding in 1970, Poets & Writers has served as an information clearinghouse of all matters related to writing. While the range of inquiries has been broad, common themes have emerged over time. Our Top Topics for Writers addresses the most popular and pressing issues, including literary agents, copyright, MFA programs, and self-publishing.

Our series of subject-based handbooks (PDF format; $4.99 each) provide information and advice from authors, literary agents, editors, and publishers. Now available: The Poets & Writers Guide to Publicity and Promotion, The Poets & Writers Guide to the Book Deal, The Poets & Writers Guide to Literary Agents, The Poets & Writers Guide to MFA Programs, and The Poets & Writers Guide to Writing Contests.

Find a home for your work by consulting our searchable databases of writing contests, literary magazines, small presses, literary agents, and more.

Poets & Writers lists readings, workshops, and other literary events held in cities across the country. Whether you are an author on book tour or the curator of a reading series, the Literary Events Calendar can help you find your audience.

Get the Word Out is a new publicity incubator for debut fiction writers and poets.

Research newspapers, magazines, websites, and other publications that consistently publish book reviews using the Review Outlets database, which includes information about publishing schedules, submission guidelines, fees, and more.

Well over ten thousand poets and writers maintain listings in this essential resource for writers interested in connecting with their peers, as well as editors, agents, and reading series coordinators looking for authors. Apply today to join the growing community of writers who stay in touch and informed using the Poets & Writers Directory.

Let the world know about your work by posting your events on our literary events calendar, apply to be included in our directory of writers, and more.

Find a writers group to join or create your own with Poets & Writers Groups. Everything you need to connect, communicate, and collaborate with other poets and writers—all in one place.

Find information about more than two hundred full- and low-residency programs in creative writing in our MFA Programs database, which includes details about deadlines, funding, class size, core faculty, and more. Also included is information about more than fifty MA and PhD programs.

Whether you are looking to meet up with fellow writers, agents, and editors, or trying to find the perfect environment to fuel your writing practice, the Conferences & Residencies is the essential resource for information about well over three hundred writing conferences, writers residencies, and literary festivals around the world.

Discover historical sites, independent bookstores, literary archives, writing centers, and writers spaces in cities across the country using the Literary Places database—the best starting point for any literary journey, whether it’s for research or inspiration.

Search for jobs in education, publishing, the arts, and more within our free, frequently updated job listings for writers and poets.

Establish new connections and enjoy the company of your peers using our searchable databases of MFA programs and writers retreats, apply to be included in our directory of writers, and more.

• Register for Classes

Each year the Readings & Workshops program provides support to hundreds of writers participating in literary readings and conducting writing workshops. Learn more about this program, our special events, projects, and supporters, and how to contact us.

The Maureen Egen Writers Exchange Award introduces emerging writers to the New York City literary community, providing them with a network for professional advancement.

Find information about how Poets & Writers provides support to hundreds of writers participating in literary readings and conducting writing workshops.

Bring the literary world to your door—at half the newsstand price. Available in print and digital editions, Poets & Writers Magazine is a must-have for writers who are serious about their craft.

View the contents and read select essays, articles, interviews, and profiles from the current issue of the award-winning Poets & Writers Magazine .

Read essays, articles, interviews, profiles, and other select content from Poets & Writers Magazine as well as Online Exclusives.

View the covers and contents of every issue of Poets & Writers Magazine , from the current edition all the way back to the first black-and-white issue in 1987.

Every day the editors of Poets & Writers Magazine scan the headlines—publishing reports, literary dispatches, academic announcements, and more—for all the news that creative writers need to know.

In our weekly series of craft essays, some of the best and brightest minds in contemporary literature explore their craft in compact form, articulating their thoughts about creative obsessions and curiosities in a working notebook of lessons about the art of writing.

The Time Is Now offers weekly writing prompts in poetry, fiction, and creative nonfiction to help you stay committed to your writing practice throughout the year. Sign up to get The Time Is Now, as well as a weekly book recommendation for guidance and inspiration, delivered to your inbox.

Every week a new author shares books, art, music, writing prompts, films—anything and everything—that has inspired and shaped the creative process.

Listen to original audio recordings of authors featured in Poets & Writers Magazine . Browse the archive of more than 400 author readings.

Ads in Poets & Writers Magazine and on pw.org are the best ways to reach a readership of serious poets and literary prose writers. Our audience trusts our editorial content and looks to it, and to relevant advertising, for information and guidance.

Start, renew, or give a subscription to Poets & Writers Magazine ; change your address; check your account; pay your bill; report a missed issue; contact us.

Peruse paid listings of writing contests, conferences, workshops, editing services, calls for submissions, and more.

Poets & Writers is pleased to provide free subscriptions to Poets & Writers Magazine to award-winning young writers and to high school creative writing teachers for use in their classrooms.

Read select articles from the award-winning magazine and consult the most comprehensive listing of literary grants and awards, deadlines, and prizewinners available in print.

• Subscribe Now

The Best Month

• Printable Version
• Log in to Send
• Log in to Save

In a recent New York Times article titled “January’s Secret: It’s the Best Month,” journalist Steven Kurutz makes a case for the first month of the year. Not usually a fan favorite with its short days and cold weather, Kurutz points out the month’s many unsung advantages: post-holiday relaxation, less crowded streets, the reassuring feeling of getting back into routine, and how the blissfully uneventful stretch of weeks can offer a calming break from social obligations. This week write an essay about your favorite month of the year. Even if it’s one that revolves around a holiday or exciting seasonal offerings, take some time to reflect on the unsung pleasures of the month.

Short Essay: My Favourite Season

A couple of short essay examples on my favourite season.

Table of Contents

My Favourite Season Example 1

Seasons come and go, each with its unique characteristics that make it stand out. However, my favorite season is autumn. It is a time of change and beauty. The cool weather, the beautiful foliage, and the many outdoor activities make it a season to look forward to. In this essay, I will explain why autumn is my favorite season.

My favorite season is autumn because of the cool weather and beautiful foliage. After the hot and humid summer, the cool weather that autumn brings is a welcome relief. The temperature is just right, not too hot and not too cold. The air becomes crisp and refreshing, making it perfect for outdoor activities. The leaves on the trees change color and fall, creating a beautiful landscape. The red, yellow, and orange colors of the leaves are a sight to behold. The cool weather and the beautiful foliage are the main reasons why autumn is my favorite season.

During autumn, the air becomes crisp and refreshing, and I enjoy outdoor activities such as hiking and apple picking. The cool weather makes it perfect for outdoor activities that were not possible in the summer. Hiking is one of my favorite activities, and during autumn, the weather is perfect for it. The trails are not too crowded, and the scenery is beautiful. Apple picking is another activity that I enjoy during autumn. It is a fun activity that allows me to enjoy the cool weather and the beautiful foliage.

The changing colors of the leaves create a picturesque landscape that is a joy to behold. The red, yellow, and orange colors of the leaves make the landscape look like a painting. The changing colors of the leaves also symbolize change and remind us that nothing is permanent. The leaves fall, and the trees become bare, but they will grow new leaves in the spring. The changing colors of the leaves make autumn a season of reflection and appreciation.

In conclusion, autumn is my favorite season because of the cool weather, beautiful foliage, and the many outdoor activities. The cool weather makes it perfect for outdoor activities such as hiking and apple picking, and the changing colors of the leaves create a picturesque landscape that is a joy to behold. Autumn is a season of change and reflection, and it reminds us that nothing is permanent.

My Favourite Season Essay Example 2

Every season has its own unique charm and beauty, but there is always one that stands out as a personal favorite. For me, that season is autumn. From the stunning foliage to the comfortable temperatures, there are so many reasons why I love this time of year. In this essay, I will explain why autumn is my favourite season by exploring its beautiful scenery, outdoor activities, and cozy atmosphere.

The first reason why autumn is my favourite season is the breathtaking foliage that it brings. As the leaves begin to change colour, the entire landscape transforms into a stunning display of red, orange, and yellow. The trees appear to be on fire, and it is truly a sight to behold. I love taking long walks during this time of year, admiring the beauty of nature and feeling the crisp air on my face. There is something incredibly peaceful about being surrounded by such natural beauty.

Another reason why I love autumn is the perfect weather it brings. The heat of summer has subsided, and the chill of winter has not yet arrived. This makes it the ideal time for outdoor activities such as hiking and apple picking. The cool, dry air is refreshing and invigorating, and it makes physical activity much more enjoyable. I love spending my weekends exploring the outdoors during this time of year, soaking up the beauty of the season and staying active at the same time.

Finally, autumn is a special time of year because of the cozy atmosphere it creates. As the days get shorter and the weather gets cooler, people tend to spend more time indoors. This creates the perfect opportunity for indulging in seasonal treats such as pumpkin spice lattes and apple cider. The warm and comforting flavours of these drinks make them the perfect accompaniment to a cozy night in. Additionally, the soft lighting and warm blankets create a relaxing and inviting atmosphere that is perfect for spending time with loved ones.

In conclusion, autumn is my favourite season for many reasons. From the stunning foliage to the perfect weather and cozy atmosphere, there is so much to love about this time of year. Whether I am enjoying a brisk walk through the woods or cuddled up with a warm drink, I always feel a sense of peace and contentment during the autumn months. It is truly a special time of year, and I am grateful for the beauty and joy it brings to my life.

My Favourite Season Essay Example 3

Seasons are an essential aspect of nature that brings changes in the environment and our daily lives. Each season has its unique charm and beauty, which attracts people differently. In my opinion, my favourite season is autumn. Autumn is the transitional season between summer and winter, and it is marked by a cool, crisp air and beautiful fall foliage. During this season, there are many fun outdoor activities to enjoy, and the cozy atmosphere makes it the perfect time for enjoying warm drinks and spending time with family and friends. In this essay, I will elaborate on why autumn is my favourite season.

The first reason why autumn is my favourite season is the cool, crisp air and beautiful fall foliage. The temperature during autumn is perfect, and the air is fresh, making it a pleasant experience to be outside. The fall foliage is another factor that makes this season unique. The leaves on trees change colour from green to yellow, orange, and red, creating a beautiful sight. Walking through a park or forest and seeing the leaves falling gently to the ground is a magical experience. Furthermore, the sound of leaves crunching underfoot adds to the autumn season’s beauty.

The second reason why autumn is my favourite season is the fun outdoor activities to enjoy. During this season, there are many activities to do, such as apple picking, hiking, and camping. Apple picking is a fun activity to do with friends and family, and it is an opportunity to enjoy the outdoors while getting fresh fruit. Hiking is another activity that is enjoyable during autumn because the weather is perfect, and the fall foliage adds to the scenery’s beauty. Camping during autumn is a unique experience, and it is an opportunity to escape from the city’s hustle and bustle and relax in nature.

The third reason why autumn is my favourite season is the cozy atmosphere. The weather during autumn is perfect for enjoying warm drinks such as hot chocolate, coffee, and tea. The cool air creates a cozy atmosphere, making it the perfect time to spend time with family and friends. Autumn is also the season for holidays such as Halloween and Thanksgiving, making it an opportunity to enjoy time with loved ones. Furthermore, autumn is the season for comfort food such as pies, soups, and stews, making it the perfect time to indulge in delicious food.

In conclusion, autumn is my favourite season because of the cool, crisp air and beautiful fall foliage, fun outdoor activities to enjoy, and the cozy atmosphere. The season’s unique charm and beauty make it a memorable experience, and it is an opportunity to enjoy nature and spend time with loved ones. Autumn is a season that brings joy and happiness to people’s lives, and I look forward to it every year.

About Mr. Greg

Mr. Greg is an English teacher from Edinburgh, Scotland, currently based in Hong Kong. He has over 5 years teaching experience and recently completed his PGCE at the University of Essex Online. In 2013, he graduated from Edinburgh Napier University with a BEng(Hons) in Computing, with a focus on social media.

Mr. Greg’s English Cloud was created in 2020 during the pandemic, aiming to provide students and parents with resources to help facilitate their learning at home.

Whatsapp: +85259609792

[email protected]

• Essay on My Favourite Season

500 Words Essay On My Favourite Season

Seasons keep changing but they also come back every year. This is one of my most favourite parts about them. They always return no matter what. Everyone has a favourite season and so do I. My favourite season is the summer season. There are many reasons to like it which I will explain below.

Why Summer is My Favourite Season

Just like many other kids my age, I like the summer season the most. What’s not to like about it? You get to enjoy long holidays as everyone gets a break from school. Similarly, parents allow the kids to have ice creams.

Cold drinks are another reasons why summer is my favourite season. We get to have such a wide variety of food items during this season. On the healthier side, we also get incredible mangoes in the summer season.

As mangoes are my favourite fruit, I tend to like summers even more. Summers make us truly appreciate and savour a lot of things. During the summer season, we get holidays for a long time.

During the summer holidays, I get to spend time with my family and friends to the fullest. When we get lucky, we even go on family trips. I look forward to them every year, even if it is a small trip.

Most importantly, there are so many activities that I get to do during summers like joining summer camps, cycling, swimming, and more. Summers are so bright and exciting that it has always been my favourite season.

Get the huge list of more than 500 Essay Topics and Ideas

The Specialty of Summer Season

The summer season has long days and short nights. The days are sunny and bright. We get to relax completely during the afternoons during summers. Similarly, we also get so much sunlight .

The water parks are always full of people during summers that help people stay cool and have a good time. I like swimming in the pools during summers as it makes me feel free. There are also different varieties of food items I get to enjoy during summers.

There are fresh cucumbers, huge watermelons, juicy oranges, sweet guavas, nutritious muskmelons, and more. The early mornings of summer are incredible and nothing can match the atmosphere.

Another speciality of summer has to be the clothes. People enjoy wearing shorts, dresses, sleeveless shirts, and more to enjoy summers to the fullest. The hill stations are swarmed during the summer season as everyone goes there to escape the heat. Therefore, all these specialities make me love summer even more.

All in all, summer is my favourite season as everything is bright and lovely. Even the fruits and vegetables we get are so colourful that it makes a good sight for sore eyes. School going children love summers even more as summer break allows us to play more and relax. Summers are warm, sunny, and delightful.

FAQ on Essay on My Favourite Season

Question 1: Why do kids like summer more?

Answer 1: Most kids like summer more as they allow them to relax and take a break from school. The long summer holidays give them a break where they can play, learn new hobbies, eat delicious fruits and vegetables and do more fun activities.

Question 2: What is the speciality of summer?

Answer 2: Summer has a lot of specialities. They include a variety of food items like mangoes, cucumbers, muskmelons, oranges, guavas, and more. Further, people enjoy their time in swimming pools and get to wear light clothes.

Customize your course in 30 seconds

Which class are you in.

• Travelling Essay
• Picnic Essay
• Our Country Essay
• My Parents Essay
• Essay on Favourite Personality
• Essay on Memorable Day of My Life
• Essay on Knowledge is Power
• Essay on Gurpurab
• Essay on Types of Sports

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Download the App

Short Essay on My Favourite Season [100, 200, 400 Words] With PDF

Here in this lesson, you are going to learn to write short essays on the topic ‘My Favorite Season.’ Here, I will write three different sets of sample essays on this topic that will cover different word limits important for various exams. 

Table of Contents

Short essay on my favorite season in 100 words, short essay on my favorite season in 200 words, short essay on my favorite season in 400 words.

My favourite season of the year is summer. It begins in April and ends in June. During the summer season, days are long and nights are short. The skies are clear and the sun is bright. We get month-long summer vacation and can stay at home with our parents and family without having to worry about school. We usually go to visit our grandparents in the village during the summer season.

In the village, I get the opportunity to play with the neighbourhood kids in mango and guava orchards that surround my grandparents’ place. They teach me new games and I always have a great time with them. Summer is also the season of mangoes. We get to eat so many varieties of juicy, delicious mangoes. 

My favourite season of the year is winter. The Winter months are very cold as the temperature drops low. It also snows in the northern, high-altitude parts of the country. We wear a lot of warm clothes and eat hot foods to keep us warm. Our metabolism increases during the winter season and thus, we can eat a lot of delicious food. Hot drinks like tea, coffee and hot chocolate are also welcomed. 

During the winter season, we usually go on a week-long vacation to hill stations to enjoy the snow. I make snowmen with my parents and siblings and go ice staking as well. There, at night, we create small bonfires to warm ourselves and chit-chat with each other. Winter is also the season of festivities as we celebrate Diwali, Christmas and New Year in winter.

My mother always bakes cakes for us on Christmas and they are warm and delicious. When I don’t have school, I like staying in bed covered in a thick quilt and reading my favourite storybooks. I also go out to play cricket and badminton with my friends every afternoon as it warms my body and keeps me active. Due to the cold weather, we don’t sweat much and can play for a long time. Because of all these reasons, I like the winter season.

Out of the four predominant seasons, my favourite is the monsoon or the rainy season. It starts to rain heavily all over the country by July. As it rains, the water washes away all the dust from plants and trees, making them look green and beautiful again. As the rain hits the dried-up ground, the smell of wet earth fills the atmosphere and makes our hearts dance.

New seedlings begin to sprout and grasses and plants begin to grow all around us. Our surroundings are covered in green and look very mesmerising. As India is an agricultural country, the rainy season is very important for us. Rains irrigate fields and help crops grow. Without rain, most of our major crops will fail, causing loss of business and even starvation. As my grandparents and uncles are farmers, I have experienced the joy that the rainy season brings to farmers very closely. 

I also like the rainy season because when it rains heavily, I do not need to go to school. Sometimes, even my parents take leave and then our whole family gets to enjoy the day together. My mother makes delicious fritters with tea which we enjoy while playing board games like ludo and carrom. My father is very fond of flowering plants and we have a lot of plants in our garden. During the rainy season, our garden looks majestic with hundreds of blooming flowers in many different colours.

My friends often come over to my house and we enjoy playing in the garden when the rain stops. We make paper boats and put them in water puddles. Sometimes, we also compete to see whose boat would go farther. Sometimes our parents allow us to go outside when it is raining and then, we enjoy jumping in puddles, getting drenched and playing in rain. It is very fun to play in the rain. After that, my mother makes hot soup for us to warm us up. 

When it rains at night and electricity is cut, we get to enjoy our food in candlelight. After dinner, we go straight to bed and tell each other ghost stories. I and my siblings always try to scare each other. When it rains for days, I like to sit by the window and read my favourite books while watching the rain. The rainy season is very special for me and when it ends in September, I wish for it to come quickly next year. 

So hopefully, after going through this session, all your confusion regarding this topic has been cleared. Post your doubts if you have any, in the comment section below. I will try my level best to address your queries. Keep browsing our website for more such content. 

Join us on Telegram to get all the latest updates on our upcoming sessions. Thank you. 

All of the Months of the Year, Ranked

All of the months of the year: ranked from best to worst by you, the people who have to experience them. Look forward to July all year long? Can't wait for December and the holiday season? Lots of people get really passionate about which month of the year is the best. It makes sense if you think about it - the best months of the year are tied to specific activities and events, so your favorite months probably remind you of all the fun stuff you like to do.

For example, if you love the sunshine, hate working out, and secretly dread spending extended periods of time with your family, you probably prefer the summer months over the winter ones. But you already knew that. Many people who love food and cool weather can't wait for fall to arrive (check out this list of The Best Things About Fall for proof). If you're a fan of blossoming flowers and aren't afflicted with terrible allergies, you're most likely thinking of voting up some of the months in spring. But can you choose one month that is better than all of the others?

Since choosing the best month of the year is so subjective, we've provided a few pros and cons for each entry. Vote up your favorite months and downvote the ones you wish we could go all year without trudging through. So which is the best month of the year? Make your opinion heard here!

- The official start of the summer! - School wraps up, which means graduation parties and half the month off for students and teachers!

- June gloom take the fun out of summer vacation. - You haven't gone to the gym in months, and the thought of wearing a bathing suit makes you want to vomit.

Pros: 

- Springtime and everything that comes with it: outdoor sports, blooming plants, shorts weather, more time outside.  - Cinco de Mayo and  Memorial Day weekend. - Springtime sales and new clothes!

Cons:  - The oncoming of allergy season. - The nagging felling that you should be doing your spring cleaning.

- It's the peak of summer! The weather is warm, even grouchy people are cracking smiles, and generous friends share their boats and BBQ supplies. - Day drinking is totally acceptable. - 4th of July is arguably the best holiday of the year. - Tan bodies and beach days make life worth living. - Some companies let employees out early on Fridays or have a no-Friday work policy during the summer (are you hiring?).

- If you live in a super hot climate, the heat of July can be a bit much - Tourists and crowds. Yuck.

- It's the month of holidays: Hanukkah, Christmas, Kwanzaa, New Year's Eve! There's a party every weekend, and wearing sequins or seasonal sweater vests is totally fine (so are holiday-themed cocktails). - Not that you're shallow, but you probably get a lot of gifts this month. - You get to see family and friends that you may not get to see throughout the year. 

- It's the start of fall, which means crisp weather that's not yet cold, pretty leaves, Oktoberfest, and lots of squash and pumpkins everywhere. - Halloween: whether you enjoy dressing up, eating lots of candy, doing cosplay, or screaming your head off in a haunted houses... there is something for everyone. - "Seasonal" everything: pumpkin lattes, squash ravioli, peppermint mochas. They are all back. - All of your favorite shows are back on the air. - Pretty much everything on this list of  The Best Things About Fall.

- It's the end of summer slacking off. - No more skirts, tank tops, flip flops, or shorts, and you can say goodbye to that tan, too. - If you're not a fan of pumpkin spice, there's literally no way to avoid it.

- Festival season kicks off with Coachella and other awesome springtime concerts.  - National Record Store Day is on April 20, which is also 4/20, which is another holiday that lots of people like to celebrate. - Depending on your tolerance for practical jokes, April Fool's Day is a great way to kick off the month.

- April showers are a real thing and they are terrible. - Tax Day and April Fool's Day can leave some of us feeling burdened and tricked. - It's pretty much a meh month in terms of seasons and holidays.

- For most, Thanksgiving is a glorious holiday. Not only is it the start of the holiday season, but you get to have a few days off, eat lots of delicious food, and travel to see your family. - There is all of the excitement about the holiday season and none of the stress (yet) because you still have time to buy those plane tickets and gifts.

- For those who are counting, you'll probably gain several pounds during this month. - If you can't afford to travel to see family or don't have any to see, this can be the start of a depressing time.  - Listening to your Aunt Martha ask why you aren't married yet.  

- It is still definitively summer, which means long daylight hours, cookouts, vacation days, and outdoor activities. - College football and fantasy football drafts start up this month. - The summer heat means watching lots of summer movies in the theaters.

Cons: 

- Most likely, wherever you live, it is hot as hell and you are just going to have to sweat through this month.

- Back to school! You get to see your old friends, talk about what you did all summer, and start your life back up again. - Labor Day weekend: one last chance to get that BBQ going before autumn sets in. - The NFL season starts.

Cons:  

- Summer is officially, reluctantly over. Sorry. It's time to resume life and responsibilities. - No more laying by the pool when the days get too hot, you'll be sweating at work or in the classroom instead.

- Daylight Savings and the official first day of spring are both in March, which means the start of longer days and the true feeling that winter is behind you. - Spring Break! - St. Patrick's Day is a license to drink a lot of beer. - March Madness means you get to watch as much college basketball as you want.

- It's the start of a new year and it can feel like you have a fresh, clean slate. - You may have banked a lot of gifts during the holidays that you can now return.  - The NFL playoffs begin.

- You make a bunch of resolutions that you know you will never keep (and that makes you feel guilty). - The excitement of the holidays is officially behind you, and you don't really have much to look forward to until the spring, which is really far away. 

- If you are one of those people who look forward to Valentine's Day all year, the day finally comes this month. Time to celebrate love! - You get to stop pretending like you are going to follow through on your New Year's Resolutions. - At only 28 days, this month can fly by—and if you get President's Day off, you only have to work 19 days.

- Valentine's Day is basically a holiday made to highlight how lonely you feel. Or it's a chance to really mess up a day that your significant other has been waiting for all year long. - You're deep in the thick of winter: short days, cold weather, and so so so many more days until spring.  

• Popular Opinion
• Thought Provoking

Whatcha thinkin' about? Instead of pennies for your thoughts, here are lists of interesting things to ponder while you gaze at your navel and explore the depths of your true self.

• Writing Challenges

31 January Writing Prompts

Is your New Year’s resolution to write every day? Then these 31 January writing prompts are the perfect place to start. We have included a mix of creative January-themed prompts and even reflective prompts that are great for journaling . Plus we even created a free printable January calendar featuring all the prompts in this post, so you won’t forget to write each day this month. 

These January prompts are great for both students and grown-ups. We recommend using these January writing prompts for 2nd-grade students to 6th-grade students. The goal of these prompts is to encourage your child to write every day, so we have kept them short, sweet and fun. Remember there is no word limit or formal structure for completing these prompts, just write down whatever comes to mind, no matter how short or long!

January Writing Prompts Challenge

Take a look at the list of 31 January prompts this inspire you every day this month. Can you challenge yourself to complete all their January writing challenges this month?

• Write down at least five goals for this year. What do you want to achieve by the end of this year?
• The 2nd of January is believed by some to be the unluckiest day of the year. Write a story about a house cat who has the worst day ever. 
• Write a short poem about fireworks in the night sky.
• Interview your favourite fictional character from a movie. 
• The clock strikes midnight. It’s the first of January, but of what year? You leave your house to realise it’s the year 1900. Write a journal entry from the point of view of a child living in the year 1900.
• Write a how-to guide on how to organise a writing desk. 
• Write a fairytale about a young prince who has been turned into a snowman by a witch.
• Can you write a funny limerick about a snowman who wants to go on holiday?
• Write a movie review of a movie you’ve seen recently
• What are your five tips for cheering someone up?
• The full moon in January is called Wolf Moon. Write a short origin story on why you think it’s called the Wolf Moon. You can use this story starter to inspire you: Some believe the full moon in January is called the wolf moon because…
• Write a day in the life story of a young penguin living in Antarctica. 
• Write a haiku poem about snow falling.
• Write a letter to someone who inspires you.
• Describe the best gift you ever received. 
• Imagine that you’re a fortune-teller. What predictions can you make for the future? Try to write down at least five predictions.
• Describe the happiest moment you had last year. 
• Write a story about a magical calendar which predicts the future.
• Describe the weather outside at this very moment.
• Complete the following sentence in at least 10 different ways: January is the best month of the year because…
• Write a story about a homeless man titled January Blues. 
• Would you rather play in the snow or make sandcastles at the beach?
• When winter came all the trees lost all their leaves in the forest, apart from one magical tree.
• Imagine if you had the power to turn objects into ice and create snowstorms. Would you use it for good or for bad?
• Write an acrostic poem using the letters that spell January.
• If January was a person what type of person would they be? Describe their personality, likes and dislikes. 
• Finish this story starter: When the clock struck twelve something strange happened to me…
• Describe your future self in 10 years in five words. 
• Continue this short story: One day Simon went ice-skating with his friends, but suddenly…
• Would you rather go ice-skating on Neptune or skiing with a yeti?
• A young wolf cub gets lost in the snowy mountains, where he befriends a baby eagle learning to fly. 

Want more January prompts? Take a look at our daily writing prompts for 365 writing challenges to keep you writing all year round! You might also be interested in our 50+ New Year journal prompts .

Free Printable: January Prompts

Print out our January writing prompts calendar and keep track of each daily writing challenge for each day of the month. Get your free January prompts calendar printable below:

Finished with January? Check out our February writing prompts challenge .

Can you keep up with the January writing challenge and complete all 31 writing prompts above? Let us know how many days you completed this month in the comments below.

Marty the wizard is the master of Imagine Forest. When he's not reading a ton of books or writing some of his own tales, he loves to be surrounded by the magical creatures that live in Imagine Forest. While living in his tree house he has devoted his time to helping children around the world with their writing skills and creativity.

Related Posts

Comments loading...

10 Essays To Read Again in 2023

A list of our staff’s favorite essays from the past year.

Hello, New Lines readers,

We hope you’re enjoying a much-needed holiday break. We have a lot in store for 2023, particularly the launch of our print edition. In the meantime, as has become tradition, we wanted to share with you a list of our staff’s favorite essays from the past year. We hope you’ll find something of interest in this eclectic collection of stories.

Wishing you a Happy New Year from the New Lines team!

The Day My Wartime Cat Went Missing, by Rasha Elass

Riada asimovic akyol, strategic initiatives editor.

Many of my close friends tell me that, despite my irrational fear of cats, I’d be a perfect “cat person,” once I dared to confront those fears. I’ve acknowledged the joy and glow in their eyes, when my friends speak of their pets. I’ve observed such bonds curiously and in a more mindful way in the last few years, especially after becoming a mother, responsible for someone else’s life. 

The essay “The Day My Wartime Cat Went Missing” was published early in 2022, and was an instant classic. Our Editorial Director, Rasha Elass, writes masterfully about her adventures with adopted cats Pumpkin and Gremlin, whom she first met in Abu Dhabi. She beautifully depicts how they survived a tough war, and the different challenges they’ve been through in the Middle East and the United States. She shares her genuine love and nurturing care, as well as her dread at the possibility of losing them, whether in peacetime or war. 

The essay is a gorgeous reminder of the bonds that matter. Check it out for yourself.

How I Survived a Syrian Gulag, by Jaber Baker

Rasha al aqeedi, middle east deputy editor.

The terms “dictatorship,” “fascism,” “authoritarianism” and “totalitarianism” are thrown around today to describe various ruling systems in the world to such an extent that they have lost their actual meaning. Inconveniences such as losing access to a social media platform are compared to the conditions that led to the Holocaust, while wearing a pandemic-imposed mask is akin to living in a gulag. 

The Syrian author Jaber Baker takes us on a dark journey through his time in an actual gulag run by Bashar al-Assad’s Baath Party. For me personally, the essay is a masterclass in storytelling and struck more chords and triggered more memories of my childhood and adolescence in Saddam Hussein’s Iraq than I wish it had. The true experiences and traumas of dictatorship face the threat of being drowned out by the noises of victimhood culture. While no one has a monopoly on trauma, Syrians have the right to tell the stories of their torture and suffering. It is a reminder that not all injustices are created equal. 

The Last of the Bougainvillea Years, by Zeina Hashem Beck

Erin clare brown, north africa editor.

When faced with an impending move to Paris from Dubai in search of more stability for her family, poet Zeina Hashem Beck is suddenly filled with the pangs of loss — not for the Emirates, where she’d lived since 2006, but for her home in Lebanon. She explores this abstract sense of displacement and longing in her gorgeously crafted essay, written in a pitch-perfect prose that carries the music of poetry through her attempts to sort her belongings, prepare her children, and reassure herself that the displacement is the right call. Through it all Hashem Beck mourns the impending loss of her bougainvillea vines, whose clouds of pink blossoms and wicked thorns come to symbolize in turns her beloved hometown, her Mediterranean identity and in ways, the author herself. 

It’s a beautiful meditation on loss and longing, displacement and belonging that reminds us that when we are the right amount of thirsty, we blossom.

What Ukraine Means for Lithuanians Haunted by Soviet Past, by Inga Rudzinskaite-Colman

Amie ferris-rotman, global news editor.

When reading this essay, one feels that an entire generation of Eastern Europeans is speaking, in a single, defiant voice, suddenly with renewed urgency. The globe is so focused on Russia’s horrific assault on Ukraine, and the grim atrocities the Russian military commits practically every day, that we often forget, or perhaps do not realize, the impact the war has on Moscow’s previous victims. In this essay, the analyst Inga Rudzinskaite-Colman, who was born and raised in Vilnius, dives into complicated issues like collective trauma and self-identity. She tells us, in poignant detail, how she and her fellow countrymen and women strived for decades to disassociate themselves from Russia and their Soviet past. But belonging to the Western “club” has also meant uncomfortable compromises, like being “Russiasplained” to. Read this beautifully written essay to peer into the new realities facing the Baltics, Poland and other countries once in Russia’s orbit, who are now finding themselves united by survival. 

Rushdie Is India’s Forgotten Child of Midnight, by Pratik Kanjilal

Surbhi gupta, south asia editor.

Earlier this year, when Salman Rushdie was attacked before his talk in western New York, his supposed safe haven, much of the discussion in the media and reports in the news cycle focused on the politics of that infamous fatwa by the Ayatollah Khomeini calling for the writer’s death and its repercussions on the Muslim world. Yet, despite the fact Rushdie has roots in India and the subcontinent has been a constant source of inspiration for his writing, I could find no essay that delved into this relationship and work with South Asia — before this one.

While many were focused on the backlash against Rushdie’s novel, “The Satanic Verses,” the South Asian connection in the story was being overlooked. The first protests against the book happened not in Iran but in Pakistan, and this prompted the Indian government to ban its import from the U.K. It was, indeed, in a review in an Indian magazine that the Ayatollah is said to have first learned of the book. That’s why I loved this essay by Pratik Kanjilal, a veteran journalist and books editor in India, who has followed Rushdie’s journey closely through the years and was the best person to write it. He packs a lot into this essay: He writes about Rushdie, critiques his work, discusses what his Booker Prize wins meant for English writing in India, his relationship with India and Pakistan, and the irony of the attack, coinciding as it did with the 75th Independence Day celebrations in India. 

Faith and Vengeance: the Islamic State’s War in Afghanistan, by Fazelminallah Qazizai and Chris Sands

Tam hussein, associate editor.

This piece tells the story of the rise of the Islamic State of Khorasan Province (ISKP), and its fall and rebirth, told through the character of Abu Omar Khorasani, “the most feared and despised prisoner in Directorate 40.” It takes you on a journey from the Afghan Jihad in the 1980s all the way to the present. I love deep dives and investigations. This particular piece is very original and will no doubt populate the citations of many books on the topic for years to come. To produce an essay of such quality requires a supportive editorial team and journalists willing to follow the story all the way. For me, that is embodied in this investigation. When I read it, I can almost see the legwork and local knowledge put in by Fazelminallah Qazizai. I see the crisp writing style of Qazizai’s co-author Chris Sands, the beautiful artwork of Joanna Andreasson and the background work that the editorial team puts in months before publication. And so it’s not just an enjoyable and interesting read, it’s what our managing editor Ola Salem says the best essays are — a work of art.

When Uganda Expelled Its Asian Population in 1972, Britain Tried to Exclude Them, by Saima Nasar

Kwangu liwewe, africa editor.

When I read this essay, it reminded me of the writer Chimamanda Ngozi Adichie’s The Danger of a Single Story. For five decades, the narrative about the expulsion of Uganda’s Asians has been that they went to Britain, were welcomed there and lived as refugees, then successfully assimilated into society and have contributed to all spheres of British life.

This essay puts the spotlight on how the narrative changed from unwanted Asian immigrants to one of a humanitarian response, when the plight of Asians became international news and Britain feared a backlash. The writer Saima Nasar lifts the lid on this narrative and tells the story of how, in actual fact, the Asians were British passport holders and were initially not welcome in Britain.

Nasar writes, “While Ugandan Asians have no doubt shaped Britain’s economic, political and socio-cultural landscapes, it is important to avoid celebratory narratives that overlook histories of struggle and discrimination.” 

It is an important essay that challenges society to re-examine historical narratives.

A Film Critic Reflects on the Artistic Journeys and Vision of the Late French Director Jean-Luc Godard, by Jonathan Rosenbaum

Danny postel, politics editor.

When I saw the news on Sept. 13 that the legendary filmmaker Jean-Luc Godard had died, I immediately called Jonathan Rosenbaum, the longtime film critic for my local alt-weekly newspaper, the Chicago Reader, and the author of multiple books on world cinema. Rosenbaum had written extensively about Godard’s films over the years and had interviewed the grand poobah of French cinema’s New Wave movement on more than one occasion. I was thrilled that Rosenbaum agreed to write for us, despite being unfamiliar with New Lines (he later informed me that Sight and Sound, the magazine of the British Film Institute, also asked him to write something on Godard but we got to him first). 

In the essay, he discusses several of Godard’s films — “Breathless” (1960), “Alphaville” (1965), “Tout Va Bien” (1972), “Every Man for Himself” (1980), “Passion” (1982), “Nouvelle Vague” (1990) and “Histoire(s) du Cinéma,” an eight-part experimental video series made between 1988 and 1998 — but it’s far from a survey of the late director’s filmography. Instead, it’s a deeply personal meditation on his poetic vision and colossal global influence, and on the relationship between art and commercial success and failure. “Marketplace value has little or nothing to do with the love of art,” Rosenbaum writes, and “there’s no way of gauging the latter via the former, especially insofar as the intensity of the love and the qualities of the audience experiencing and expressing it aren’t even remotely quantifiable.” Godard once said to Rosenbaum: “I like to think of myself as an airplane, not an airport.” Reflecting on that quip, Rosenbaum writes that “vehicles that take us places, and the destinations of those who make them don’t have to be the same as the destinations of those who climb into those vehicles.”

Between Two Rivers, Between Two Myths, by Sophus Helle

Lydia wilson, culture editor.

I wanted to choose a history essay for two reasons: It’s one of the genres that we do particularly well and, second, this type of long-form history is not given much space in other outlets. Our history essays are always deep-dive explorations of stories from the past from experts on the subject, showing us something new about the world, whether a new perspective on a familiar topic or a previously hidden gem. 

“Between Two Rivers,” by the Mesopotamian scholar Sophus Helle, exemplifies what we’re trying to do. It is based on deep expertise, exploring the identities of societies going back millennia in the territory now called Iraq. Helle looks at the labels these cultures gave themselves and were given by later invaders or historians. But it does not only tell the story of the historical material. Crucially, it explains why these facts, controversies and debates about old identities are relevant today, and the obfuscation of the past realities on the ground in Iraq does not serve its present inhabitants. History matters, and this essay brings that home. 

An Exile Returns to Find Syria Changed Forever, by Nizar Kinaan

Faisal al yafai, international editor.

It’s been a year of war — as too many of the past few years have been — this time dominated in Europe by Russia’s invasion of Ukraine. At the magazine, we’ve certainly published a lot about the Ukraine war, but we’ve also kept a close eye on other conflicts.

This essay by Nizar Kinaan, a pseudonym for obvious reasons, is one of those, revisiting the still-simmering Syrian conflict. The author returned to the coastal city of Latakia after years away and found a city, and country, drastically changed by the war. We called the essay “No Country for Young Men” because of the profound changes in gender roles wrought by the war.

“‘Where are the young men?’ I asked my friends in the cafe bar we were drinking in. ‘They are dead, in the army or they left like I should have done.’”

“The taboos against women working in certain specific jobs have definitely been broken,” wrote Kinaan, quoting a Syrian woman who said, “I am not saying all taboos have been completely shattered … but things have definitely shifted. Now women can work in most jobs, stay out late, and be a little bit more independent.”

Many will applaud that change, but the reasons that brought it about have destabilized the entire society. This is what makes Kinaan’s encounter with Latakia so interesting; he doesn’t judge what has happened by any moral standard except that of Syria itself. He doesn’t applaud changes in isolation without understanding what it took to make them change.

Sign up to our mailing list to receive our stories in your inbox .

How the Cultures of Trinidad Transformed an Islamic Festival

On the ground in gaza — with arwa damon, poland’s allure for tajikistan’s exiles, against tyranny: two stories told in pictures warn us to fight on, looking for the roots of today’s germany, ‘four daughters’ breaks the mold to give an honest picture of a mother’s loss, sign up to our newsletter.

Will be used in accordance with our Privacy Policy

• NONFICTION BOOKS
• BEST NONFICTION 2023
• BEST NONFICTION 2024
• Historical Biographies
• The Best Memoirs and Autobiographies
• Philosophical Biographies
• World War 2
• World History
• American History
• British History
• Chinese History
• Russian History
• Ancient History (up to 500)
• Medieval History (500-1400)
• Military History
• Art History
• Travel Books
• Ancient Philosophy
• Contemporary Philosophy
• Ethics & Moral Philosophy
• Great Philosophers
• Social & Political Philosophy
• Classical Studies
• New Science Books
• Maths & Statistics
• Popular Science
• Physics Books
• Climate Change Books
• How to Write
• English Grammar & Usage
• Books for Learning Languages
• Linguistics
• Political Ideologies
• Foreign Policy & International Relations
• American Politics
• British Politics
• Religious History Books
• Mental Health
• Neuroscience
• Child Psychology
• Film & Cinema
• Opera & Classical Music
• Behavioural Economics
• Development Economics
• Economic History
• Financial Crisis
• World Economies
• How to Invest
• Artificial Intelligence/AI Books
• Data Science Books
• Sex & Sexuality
• Death & Dying
• Food & Cooking
• Sports, Games & Hobbies
• FICTION BOOKS
• BEST NOVELS 2024
• BEST FICTION 2023
• New Literary Fiction
• World Literature
• Literary Criticism
• Literary Figures
• Classic English Literature
• American Literature
• Comics & Graphic Novels
• Fairy Tales & Mythology
• Historical Fiction
• Crime Novels
• Science Fiction
• Short Stories
• South Africa
• United States
• Arctic & Antarctica
• Afghanistan
• Myanmar (Formerly Burma)
• Netherlands
• Kids Recommend Books for Kids
• High School Teachers Recommendations
• Prizewinning Kids' Books
• Popular Series Books for Kids
• BEST BOOKS FOR KIDS (ALL AGES)
• Ages Baby-2
• Books for Teens and Young Adults
• THE BEST SCIENCE BOOKS FOR KIDS
• BEST KIDS' BOOKS OF 2023
• BEST BOOKS FOR TEENS OF 2023
• Best Audiobooks for Kids
• Environment
• Best Books for Teens of 2023
• Best Kids' Books of 2023
• Political Novels
• New History Books
• New Historical Fiction
• New Biography
• New Memoirs
• New World Literature
• New Economics Books
• New Climate Books
• New Math Books
• New Philosophy Books
• New Psychology Books
• New Physics Books
• THE BEST AUDIOBOOKS
• Actors Read Great Books
• Books Narrated by Their Authors
• Best Audiobook Thrillers
• Best History Audiobooks
• Nobel Literature Prize
• Booker Prize (fiction)
• Baillie Gifford Prize (nonfiction)
• Financial Times (nonfiction)
• Wolfson Prize (history)
• Royal Society (science)
• Pushkin House Prize (Russia)
• Walter Scott Prize (historical fiction)
• Arthur C Clarke Prize (sci fi)
• The Hugos (sci fi & fantasy)
• Audie Awards (audiobooks)

Make Your Own List

Nonfiction Books » Essays

The best essays: the 2021 pen/diamonstein-spielvogel award, recommended by adam gopnik.

WINNER OF the 2021 PEN/Diamonstein-Spielvogel Award for the Art of the Essay

Had I Known: Collected Essays by Barbara Ehrenreich

Every year, the judges of the PEN/Diamonstein-Spielvogel Award for the Art of the Essay search out the best book of essays written in the past year and draw attention to the author's entire body of work. Here, Adam Gopnik , writer, journalist and PEN essay prize judge, emphasizes the role of the essay in bearing witness and explains why the five collections that reached the 2021 shortlist are, in their different ways, so important.

Interview by Benedict King

Unfinished Business: Notes of a Chronic Re-Reader by Vivian Gornick

Nature Matrix: New and Selected Essays by Robert Michael Pyle

Terroir: Love, Out of Place by Natasha Sajé

Maybe the People Would be the Times by Luc Sante

1 Had I Known: Collected Essays by Barbara Ehrenreich

2 unfinished business: notes of a chronic re-reader by vivian gornick, 3 nature matrix: new and selected essays by robert michael pyle, 4 terroir: love, out of place by natasha sajé, 5 maybe the people would be the times by luc sante.

W e’re talking about the books shortlisted for the 2021 PEN/Diamonstein-Spielvogel Award for the Art of the Essay . As an essayist yourself, or as a reader of essays, what are you looking for? What’s the key to a good essay ?

Let’s turn to the books that made the shortlist of the 2021 PEN Award for the Art of the Essay. The winning book was Had I Known: Collected Essays by Barbara Ehrenreich , whose books have been recommended a number of times on Five Books. Tell me more. 

One of the criteria for this particular prize is that it should be not just for a single book, but for a body of work. One of the things we wanted to honour about Barbara Ehrenreich is that she has produced a remarkable body of work. Although it’s offered in a more specifically political register than some essayists, or that a great many past prize winners have practised, the quiddity of her work is that it remains rooted in personal experience, in the act of bearing witness. She has a passionate political point to make, certainly, a series of them, many seeming all the more relevant now than when she began writing. Nonetheless, her writing still always depends on the intimacy of first-hand knowledge, what people in post-incarceration work call ‘lived experience’ (a term with a distinguished philosophical history). Her book Nickel and Dimed is the classic example of that. She never writes from a distance about working-class life in America. She bears witness to the nature and real texture of working-class life in America.

“One point of giving awards…is to keep passing the small torches of literary tradition”

Next up of the books on the 2021 PEN essay prize shortlist is Unfinished Business: Notes of a Chronic Re-Reader by Vivian Gornick.

Vivian Gornick is a writer who’s been around for a very long time. Although longevity is not in itself a criterion for excellence—or for this prize, or in the writing life generally—persistence and perseverance are. Writers who keep coming back at us, again and again, with a consistent vision, are surely to be saluted. For her admirers, her appetite to re-read things already read is one of the most attractive parts of her oeuvre , if I can call it that; her appetite not just to read but to read deeply and personally. One of the things that people who love her work love about it is that her readings are never academic, or touched by scholarly hobbyhorsing. They’re readings that involve the fullness of her experience, then applied to literature. Although she reads as a critic, she reads as an essayist reads, rather than as a reviewer reads. And I think that was one of the things that was there to honour in her body of work, as well.

Is she a novelist or journalist, as well?

Let’s move on to the next book which made the 2021 PEN essay shortlist. This is Nature Matrix: New and Selected Essays by Robert Michael Pyle.

I have a special reason for liking this book in particular, and that is that it corresponds to one of the richest and oldest of American genres, now often overlooked, and that’s the naturalist essay. You can track it back to Henry David Thoreau , if not to Ralph Waldo Emerson , this American engagement with nature , the wilderness, not from a narrowly scientific point of view, nor from a purely ecological or environmental point of view—though those things are part of it—but again, from the point of view of lived experience, of personal testimony.

Let’s look at the next book on the shortlist of the 2021 PEN Awards, which is Terroir: Love, Out of Place by Natasha Sajé. Why did these essays appeal?

One of the things that was appealing about this book is that’s it very much about, in every sense, the issues of the day: the idea of place, of where we are, how we are located on any map as individuals by ethnic identity, class, gender—all of those things. But rather than being carried forward in a narrowly argumentative way, again, in the classic manner of the essay, Sajé’s work is ruminative. It walks around these issues from the point of view of someone who’s an expatriate, someone who’s an émigré, someone who’s a world citizen, but who’s also concerned with the idea of ‘terroir’, the one place in the world where we belong. And I think the dialogue in her work between a kind of cosmopolitanism that she has along with her self-critical examination of the problem of localism and where we sit on the world, was inspiring to us.

Get the weekly Five Books newsletter

Last of the books on the shortlist for the 2021 Pen essay award is Maybe the People Would Be the Times by Luc Sante.

Again, here’s a writer who’s had a distinguished generalised career, writing about lots of places and about lots of subjects. In the past, he’s made his special preoccupation what he calls ‘low life’, but I think more broadly can be called the marginalized or the repressed and abject. He’s also written acute introductions to the literature of ‘low life’, the works of Asbury and David Maurer, for instance.

But I think one of the things that was appealing about what he’s done is the sheer range of his enterprise. He writes about countless subjects. He can write about A-sides and B-sides of popular records—singles—then go on to write about Jacques Rivette’s cinema. He writes from a kind of private inspection of public experience. He has a lovely piece about tabloid headlines and their evolution. And I think that omnivorous range of enthusiasms and passions is a stirring reminder in a time of specialization and compartmentalization of the essayist’s freedom to roam. If Pyle is in the tradition of Thoreau, I suspect Luc Sante would be proud to be put in the tradition of Baudelaire—the flaneur who walks the streets, sees everything, broods on it all and writes about it well.

One point of giving awards, with all their built-in absurdity and inevitable injustice, is to keep alive, or at least to keep passing, the small torches of literary tradition. And just as much as we’re honoring the great tradition of the naturalist essay in the one case, I think we’re honoring the tradition of the Baudelairean flaneur in this one.

April 18, 2021

Five Books aims to keep its book recommendations and interviews up to date. If you are the interviewee and would like to update your choice of books (or even just what you say about them) please email us at [email protected]

Support Five Books

Five Books interviews are expensive to produce. If you've enjoyed this interview, please support us by donating a small amount .

©Brigitte Lacombe

Adam Gopnik

Adam Gopnik has been a staff writer at the New Yorker since 1986. His many books include A Thousand Small Sanities: The Moral Adventure of Liberalism . He is a three time winner of the National Magazine Award for Essays & Criticism, and in 2021 was made a chevalier of the Legion d'Honneur by the French Republic.

We ask experts to recommend the five best books in their subject and explain their selection in an interview.

This site has an archive of more than one thousand seven hundred interviews, or eight thousand book recommendations. We publish at least two new interviews per week.

Five Books participates in the Amazon Associate program and earns money from qualifying purchases.

© Five Books 2024

Essay of the Month

Essay of the Month: “The Butterfly”

Nature is an inexplicable problem; it exists on a principle of destruction. Every being must be the tireless instrument of death to others, or itself must cease to live, yet nonetheless we celebrate the day of our birth, and we praise God for having entered such a world.

Emily Jane Brontë

Why Latin America Dislikes the United States

The deep-seated cause of this feeling of hostility does not spring from the actions of Americans who go to Latin-America but from the treatment accorded to Latin-Americans who come to the United States. In truth, the whole question is involved in our own national and local Negro problem.

James Weldon Johnson , from the Black History Month Issue

Of Modern Landscape

The great Victorian-era writer and art critic John Ruskin explores the change in mindset that marked contemporary painters apart from their classical, medieval forbears, and that would later give birth to modern painting. “It is evident that there are both evil and good in this change; but how much evil, or how much good, we can only estimate by considering, as in the former divisions of our inquiry, what are the real roots of the habits of mind which have caused them.”

John Ruskin

Domestic Manners of the Americans (1832)

“The prospect of passing a night in the back woods of Indiana was by no means agreeable, but I screwed my courage to the proper pitch, and set forth determined to see with my own eyes, and hear with my own ears, what a camp-meeting really was.”

Fanny Trollope

“The New Year” & “Lying Awake”

Two classic essays, “The New Year” from 1836 and “Lying Awake” from 1852, by one of the best-known novelists in the English language.

Charles Dickens

The Hair-Pedlar in Devon

The dialect may be a bit off-putting but the narrative is accessible and clear enough. Here is the story of a wheedling, heartless, hustling hair peddler named Jock Macleod who is trying to buy the hair of young women at a fair in Devon. His tactics seem a combination of seduction, intimidation, ruse, and sales pressure that would make today’s used car salesman seem a rank amateur in comparison.

William Clarke , from the Hair Issue

Essay of the Month: “The Modern Essay”

Of all forms of literature, however, the essay is the one which least calls for the use of long words. The principle which controls it is simply that it should give pleasure; the desire which impels us when we take it from the shelf is simply to receive pleasure. Everything in an essay must be subdued to that end.

Virginia Woolf

Silly Novels by Lady Novelists

“The standing apology for women who become writers without any special qualification is that society shuts them out from other spheres of occupation. Society is a very culpable entity, and has to answer for the manufacture of many unwholesome commodities, from bad pickles to bad poetry.”

George Eliot

Essay of the Month: “How to Become a Man of Genius”

“It is a mistake to suppose that a man must be either a cynic or an idealist. Both of them have as a common basis of belief the conviction that mankind as it really is is hateful.”

George Bernard Shaw

“Our span of life is divided into parts; it consists of large circles enclosing smaller. One circle embraces and bounds the rest; it reaches from birth to the last day of existence.”

Lucius Annaeus Seneca , from the Aging Issue

Never see this message again.

• Craft and Criticism
• Fiction and Poetry
• News and Culture
• Lit Hub Radio
• Reading Lists

• Literary Criticism
• Craft and Advice
• In Conversation
• On Translation
• Short Story
• From the Novel
• Bookstores and Libraries
• Film and TV
• Art and Photography
• Freeman’s
• The Virtual Book Channel
• Behind the Mic
• Beyond the Page
• The Cosmic Library
• The Critic and Her Publics
• Emergence Magazine
• Fiction/Non/Fiction
• First Draft: A Dialogue on Writing
• Future Fables
• The History of Literature
• I’m a Writer But
• Just the Right Book
• Lit Century
• The Literary Life with Mitchell Kaplan
• New Books Network
• Tor Presents: Voyage Into Genre
• Windham-Campbell Prizes Podcast
• Write-minded
• The Best of the Decade
• Best Reviewed Books
• BookMarks Daily Giveaway
• The Daily Thrill
• CrimeReads Daily Giveaway

The 10 Best Essay Collections of the Decade

Ever tried. ever failed. no matter..

Friends, it’s true: the end of the decade approaches. It’s been a difficult, anxiety-provoking, morally compromised decade, but at least it’s been populated by some damn fine literature. We’ll take our silver linings where we can.

So, as is our hallowed duty as a literary and culture website—though with full awareness of the potentially fruitless and endlessly contestable nature of the task—in the coming weeks, we’ll be taking a look at the best and most important (these being not always the same) books of the decade that was. We will do this, of course, by means of a variety of lists. We began with the best debut novels , the best short story collections , the best poetry collections , and the best memoirs of the decade , and we have now reached the fifth list in our series: the best essay collections published in English between 2010 and 2019.

The following books were chosen after much debate (and several rounds of voting) by the Literary Hub staff. Tears were spilled, feelings were hurt, books were re-read. And as you’ll shortly see, we had a hard time choosing just ten—so we’ve also included a list of dissenting opinions, and an even longer list of also-rans. As ever, free to add any of your own favorites that we’ve missed in the comments below.

The Top Ten

Oliver sacks, the mind’s eye (2010).

Toward the end of his life, maybe suspecting or sensing that it was coming to a close, Dr. Oliver Sacks tended to focus his efforts on sweeping intellectual projects like On the Move (a memoir), The River of Consciousness (a hybrid intellectual history), and Hallucinations (a book-length meditation on, what else, hallucinations). But in 2010, he gave us one more classic in the style that first made him famous, a form he revolutionized and brought into the contemporary literary canon: the medical case study as essay. In The Mind’s Eye , Sacks focuses on vision, expanding the notion to embrace not only how we see the world, but also how we map that world onto our brains when our eyes are closed and we’re communing with the deeper recesses of consciousness. Relaying histories of patients and public figures, as well as his own history of ocular cancer (the condition that would eventually spread and contribute to his death), Sacks uses vision as a lens through which to see all of what makes us human, what binds us together, and what keeps us painfully apart. The essays that make up this collection are quintessential Sacks: sensitive, searching, with an expertise that conveys scientific information and experimentation in terms we can not only comprehend, but which also expand how we see life carrying on around us. The case studies of “Stereo Sue,” of the concert pianist Lillian Kalir, and of Howard, the mystery novelist who can no longer read, are highlights of the collection, but each essay is a kind of gem, mined and polished by one of the great storytellers of our era.  –Dwyer Murphy, CrimeReads Managing Editor

John Jeremiah Sullivan, Pulphead (2011)

The American essay was having a moment at the beginning of the decade, and Pulphead was smack in the middle. Without any hard data, I can tell you that this collection of John Jeremiah Sullivan’s magazine features—published primarily in GQ , but also in The Paris Review , and Harper’s —was the only full book of essays most of my literary friends had read since Slouching Towards Bethlehem , and probably one of the only full books of essays they had even heard of.

Well, we all picked a good one. Every essay in Pulphead is brilliant and entertaining, and illuminates some small corner of the American experience—even if it’s just one house, with Sullivan and an aging writer inside (“Mr. Lytle” is in fact a standout in a collection with no filler; fittingly, it won a National Magazine Award and a Pushcart Prize). But what are they about? Oh, Axl Rose, Christian Rock festivals, living around the filming of One Tree Hill , the Tea Party movement, Michael Jackson, Bunny Wailer, the influence of animals, and by god, the Miz (of Real World/Road Rules Challenge fame).

But as Dan Kois has pointed out , what connects these essays, apart from their general tone and excellence, is “their author’s essential curiosity about the world, his eye for the perfect detail, and his great good humor in revealing both his subjects’ and his own foibles.” They are also extremely well written, drawing much from fictional techniques and sentence craft, their literary pleasures so acute and remarkable that James Wood began his review of the collection in The New Yorker with a quiz: “Are the following sentences the beginnings of essays or of short stories?” (It was not a hard quiz, considering the context.)

It’s hard not to feel, reading this collection, like someone reached into your brain, took out the half-baked stuff you talk about with your friends, researched it, lived it, and represented it to you smarter and better and more thoroughly than you ever could. So read it in awe if you must, but read it.  –Emily Temple, Senior Editor

Aleksandar Hemon, The Book of My Lives (2013)

Such is the sentence-level virtuosity of Aleksandar Hemon—the Bosnian-American writer, essayist, and critic—that throughout his career he has frequently been compared to the granddaddy of borrowed language prose stylists: Vladimir Nabokov. While it is, of course, objectively remarkable that anyone could write so beautifully in a language they learned in their twenties, what I admire most about Hemon’s work is the way in which he infuses every essay and story and novel with both a deep humanity and a controlled (but never subdued) fury. He can also be damn funny. Hemon grew up in Sarajevo and left in 1992 to study in Chicago, where he almost immediately found himself stranded, forced to watch from afar as his beloved home city was subjected to a relentless four-year bombardment, the longest siege of a capital in the history of modern warfare. This extraordinary memoir-in-essays is many things: it’s a love letter to both the family that raised him and the family he built in exile; it’s a rich, joyous, and complex portrait of a place the 90s made synonymous with war and devastation; and it’s an elegy for the wrenching loss of precious things. There’s an essay about coming of age in Sarajevo and another about why he can’t bring himself to leave Chicago. There are stories about relationships forged and maintained on the soccer pitch or over the chessboard, and stories about neighbors and mentors turned monstrous by ethnic prejudice. As a chorus they sing with insight, wry humor, and unimaginable sorrow. I am not exaggerating when I say that the collection’s devastating final piece, “The Aquarium”—which details his infant daughter’s brain tumor and the agonizing months which led up to her death—remains the most painful essay I have ever read.  –Dan Sheehan, Book Marks Editor

Robin Wall Kimmerer, Braiding Sweetgrass (2013)

Of every essay in my relentlessly earmarked copy of Braiding Sweetgrass , Dr. Robin Wall Kimmerer’s gorgeously rendered argument for why and how we should keep going, there’s one that especially hits home: her account of professor-turned-forester Franz Dolp. When Dolp, several decades ago, revisited the farm that he had once shared with his ex-wife, he found a scene of destruction: The farm’s new owners had razed the land where he had tried to build a life. “I sat among the stumps and the swirling red dust and I cried,” he wrote in his journal.

So many in my generation (and younger) feel this kind of helplessness–and considerable rage–at finding ourselves newly adult in a world where those in power seem determined to abandon or destroy everything that human bodies have always needed to survive: air, water, land. Asking any single book to speak to this helplessness feels unfair, somehow; yet, Braiding Sweetgrass does, by weaving descriptions of indigenous tradition with the environmental sciences in order to show what survival has looked like over the course of many millennia. Kimmerer’s essays describe her personal experience as a Potawotami woman, plant ecologist, and teacher alongside stories of the many ways that humans have lived in relationship to other species. Whether describing Dolp’s work–he left the stumps for a life of forest restoration on the Oregon coast–or the work of others in maple sugar harvesting, creating black ash baskets, or planting a Three Sisters garden of corn, beans, and squash, she brings hope. “In ripe ears and swelling fruit, they counsel us that all gifts are multiplied in relationship,” she writes of the Three Sisters, which all sustain one another as they grow. “This is how the world keeps going.”  –Corinne Segal, Senior Editor

Hilton Als, White Girls (2013)

In a world where we are so often reduced to one essential self, Hilton Als’ breathtaking book of critical essays, White Girls , which meditates on the ways he and other subjects read, project and absorb parts of white femininity, is a radically liberating book. It’s one of the only works of critical thinking that doesn’t ask the reader, its author or anyone he writes about to stoop before the doorframe of complete legibility before entering. Something he also permitted the subjects and readers of his first book, the glorious book-length essay, The Women , a series of riffs and psychological portraits of Dorothy Dean, Owen Dodson, and the author’s own mother, among others. One of the shifts of that book, uncommon at the time, was how it acknowledges the way we inhabit bodies made up of variously gendered influences. To read White Girls now is to experience the utter freedom of this gift and to marvel at Als’ tremendous versatility and intelligence.

He is easily the most diversely talented American critic alive. He can write into genres like pop music and film where being part of an audience is a fantasy happening in the dark. He’s also wired enough to know how the art world builds reputations on the nod of rich white patrons, a significant collision in a time when Jean-Michel Basquiat is America’s most expensive modern artist. Als’ swerving and always moving grip on performance means he’s especially good on describing the effect of art which is volatile and unstable and built on the mingling of made-up concepts and the hard fact of their effect on behavior, such as race. Writing on Flannery O’Connor for instance he alone puts a finger on her “uneasy and unavoidable union between black and white, the sacred and the profane, the shit and the stars.” From Eminem to Richard Pryor, André Leon Talley to Michael Jackson, Als enters the life and work of numerous artists here who turn the fascinations of race and with whiteness into fury and song and describes the complexity of their beauty like his life depended upon it. There are also brief memoirs here that will stop your heart. This is an essential work to understanding American culture.  –John Freeman, Executive Editor

Eula Biss, On Immunity (2014)

We move through the world as if we can protect ourselves from its myriad dangers, exercising what little agency we have in an effort to keep at bay those fears that gather at the edges of any given life: of loss, illness, disaster, death. It is these fears—amplified by the birth of her first child—that Eula Biss confronts in her essential 2014 essay collection, On Immunity . As any great essayist does, Biss moves outward in concentric circles from her own very private view of the world to reveal wider truths, discovering as she does a culture consumed by anxiety at the pervasive toxicity of contemporary life. As Biss interrogates this culture—of privilege, of whiteness—she interrogates herself, questioning the flimsy ways in which we arm ourselves with science or superstition against the impurities of daily existence.

Five years on from its publication, it is dismaying that On Immunity feels as urgent (and necessary) a defense of basic science as ever. Vaccination, we learn, is derived from vacca —for cow—after the 17th-century discovery that a small application of cowpox was often enough to inoculate against the scourge of smallpox, an etymological digression that belies modern conspiratorial fears of Big Pharma and its vaccination agenda. But Biss never scolds or belittles the fears of others, and in her generosity and openness pulls off a neat (and important) trick: insofar as we are of the very world we fear, she seems to be suggesting, we ourselves are impure, have always been so, permeable, vulnerable, yet so much stronger than we think.  –Jonny Diamond, Editor-in-Chief 

Rebecca Solnit, The Mother of All Questions (2016)

When Rebecca Solnit’s essay, “Men Explain Things to Me,” was published in 2008, it quickly became a cultural phenomenon unlike almost any other in recent memory, assigning language to a behavior that almost every woman has witnessed—mansplaining—and, in the course of identifying that behavior, spurring a movement, online and offline, to share the ways in which patriarchal arrogance has intersected all our lives. (It would also come to be the titular essay in her collection published in 2014.) The Mother of All Questions follows up on that work and takes it further in order to examine the nature of self-expression—who is afforded it and denied it, what institutions have been put in place to limit it, and what happens when it is employed by women. Solnit has a singular gift for describing and decoding the misogynistic dynamics that govern the world so universally that they can seem invisible and the gendered violence that is so common as to seem unremarkable; this naming is powerful, and it opens space for sharing the stories that shape our lives.

The Mother of All Questions, comprised of essays written between 2014 and 2016, in many ways armed us with some of the tools necessary to survive the gaslighting of the Trump years, in which many of us—and especially women—have continued to hear from those in power that the things we see and hear do not exist and never existed. Solnit also acknowledges that labels like “woman,” and other gendered labels, are identities that are fluid in reality; in reviewing the book for The New Yorker , Moira Donegan suggested that, “One useful working definition of a woman might be ‘someone who experiences misogyny.'” Whichever words we use, Solnit writes in the introduction to the book that “when words break through unspeakability, what was tolerated by a society sometimes becomes intolerable.” This storytelling work has always been vital; it continues to be vital, and in this book, it is brilliantly done.  –Corinne Segal, Senior Editor

Valeria Luiselli, Tell Me How It Ends (2017)

The newly minted MacArthur fellow Valeria Luiselli’s four-part (but really six-part) essay  Tell Me How It Ends: An Essay in Forty Questions  was inspired by her time spent volunteering at the federal immigration court in New York City, working as an interpreter for undocumented, unaccompanied migrant children who crossed the U.S.-Mexico border. Written concurrently with her novel  Lost Children Archive  (a fictional exploration of the same topic), Luiselli’s essay offers a fascinating conceit, the fashioning of an argument from the questions on the government intake form given to these children to process their arrivals. (Aside from the fact that this essay is a heartbreaking masterpiece, this is such a  good  conceit—transforming a cold, reproducible administrative document into highly personal literature.) Luiselli interweaves a grounded discussion of the questionnaire with a narrative of the road trip Luiselli takes with her husband and family, across America, while they (both Mexican citizens) wait for their own Green Card applications to be processed. It is on this trip when Luiselli reflects on the thousands of migrant children mysteriously traveling across the border by themselves. But the real point of the essay is to actually delve into the real stories of some of these children, which are agonizing, as well as to gravely, clearly expose what literally happens, procedural, when they do arrive—from forms to courts, as they’re swallowed by a bureaucratic vortex. Amid all of this, Luiselli also takes on more, exploring the larger contextual relationship between the United States of America and Mexico (as well as other countries in Central America, more broadly) as it has evolved to our current, adverse moment.  Tell Me How It Ends  is so small, but it is so passionate and vigorous: it desperately accomplishes in its less-than-100-pages-of-prose what centuries and miles and endless records of federal bureaucracy have never been able, and have never cared, to do: reverse the dehumanization of Latin American immigrants that occurs once they set foot in this country.  –Olivia Rutigliano, CrimeReads Editorial Fellow

Zadie Smith, Feel Free (2018)

In the essay “Meet Justin Bieber!” in Feel Free , Zadie Smith writes that her interest in Justin Bieber is not an interest in the interiority of the singer himself, but in “the idea of the love object”. This essay—in which Smith imagines a meeting between Bieber and the late philosopher Martin Buber (“Bieber and Buber are alternative spellings of the same German surname,” she explains in one of many winning footnotes. “Who am I to ignore these hints from the universe?”). Smith allows that this premise is a bit premise -y: “I know, I know.” Still, the resulting essay is a very funny, very smart, and un-tricky exploration of individuality and true “meeting,” with a dash of late capitalism thrown in for good measure. The melding of high and low culture is the bread and butter of pretty much every prestige publication on the internet these days (and certainly of the Twitter feeds of all “public intellectuals”), but the essays in Smith’s collection don’t feel familiar—perhaps because hers is, as we’ve long known, an uncommon skill. Though I believe Smith could probably write compellingly about anything, she chooses her subjects wisely. She writes with as much electricity about Brexit as the aforementioned Beliebers—and each essay is utterly engrossing. “She contains multitudes, but her point is we all do,” writes Hermione Hoby in her review of the collection in The New Republic . “At the same time, we are, in our endless difference, nobody but ourselves.”  –Jessie Gaynor, Social Media Editor

Tressie McMillan Cottom, Thick: And Other Essays (2019)

Tressie McMillan Cottom is an academic who has transcended the ivory tower to become the sort of public intellectual who can easily appear on radio or television talk shows to discuss race, gender, and capitalism. Her collection of essays reflects this duality, blending scholarly work with memoir to create a collection on the black female experience in postmodern America that’s “intersectional analysis with a side of pop culture.” The essays range from an analysis of sexual violence, to populist politics, to social media, but in centering her own experiences throughout, the collection becomes something unlike other pieces of criticism of contemporary culture. In explaining the title, she reflects on what an editor had said about her work: “I was too readable to be academic, too deep to be popular, too country black to be literary, and too naïve to show the rigor of my thinking in the complexity of my prose. I had wanted to create something meaningful that sounded not only like me, but like all of me. It was too thick.” One of the most powerful essays in the book is “Dying to be Competent” which begins with her unpacking the idiocy of LinkedIn (and the myth of meritocracy) and ends with a description of her miscarriage, the mishandling of black woman’s pain, and a condemnation of healthcare bureaucracy. A finalist for the 2019 National Book Award for Nonfiction, Thick confirms McMillan Cottom as one of our most fearless public intellectuals and one of the most vital.  –Emily Firetog, Deputy Editor

Dissenting Opinions

The following books were just barely nudged out of the top ten, but we (or at least one of us) couldn’t let them pass without comment.

Elif Batuman, The Possessed (2010)

In The Possessed Elif Batuman indulges her love of Russian literature and the result is hilarious and remarkable. Each essay of the collection chronicles some adventure or other that she had while in graduate school for Comparative Literature and each is more unpredictable than the next. There’s the time a “well-known 20th-centuryist” gave a graduate student the finger; and the time when Batuman ended up living in Samarkand, Uzbekistan, for a summer; and the time that she convinced herself Tolstoy was murdered and spent the length of the Tolstoy Conference in Yasnaya Polyana considering clues and motives. Rich in historic detail about Russian authors and literature and thoughtfully constructed, each essay is an amalgam of critical analysis, cultural criticism, and serious contemplation of big ideas like that of identity, intellectual legacy, and authorship. With wit and a serpentine-like shape to her narratives, Batuman adopts a form reminiscent of a Socratic discourse, setting up questions at the beginning of her essays and then following digressions that more or less entreat the reader to synthesize the answer for herself. The digressions are always amusing and arguably the backbone of the collection, relaying absurd anecdotes with foreign scholars or awkward, surreal encounters with Eastern European strangers. Central also to the collection are Batuman’s intellectual asides where she entertains a theory—like the “problem of the person”: the inability to ever wholly capture one’s character—that ultimately layer the book’s themes. “You are certainly my most entertaining student,” a professor said to Batuman. But she is also curious and enthusiastic and reflective and so knowledgeable that she might even convince you (she has me!) that you too love Russian literature as much as she does. –Eleni Theodoropoulos, Editorial Fellow

Roxane Gay, Bad Feminist (2014)

Roxane Gay’s now-classic essay collection is a book that will make you laugh, think, cry, and then wonder, how can cultural criticism be this fun? My favorite essays in the book include Gay’s musings on competitive Scrabble, her stranded-in-academia dispatches, and her joyous film and television criticism, but given the breadth of topics Roxane Gay can discuss in an entertaining manner, there’s something for everyone in this one. This book is accessible because feminism itself should be accessible – Roxane Gay is as likely to draw inspiration from YA novels, or middle-brow shows about friendship, as she is to introduce concepts from the academic world, and if there’s anyone I trust to bridge the gap between high culture, low culture, and pop culture, it’s the Goddess of Twitter. I used to host a book club dedicated to radical reads, and this was one of the first picks for the club; a week after the book club met, I spied a few of the attendees meeting in the café of the bookstore, and found out that they had bonded so much over discussing  Bad Feminist  that they couldn’t wait for the next meeting of the book club to keep discussing politics and intersectionality, and that, in a nutshell, is the power of Roxane. –Molly Odintz, CrimeReads Associate Editor

Rivka Galchen, Little Labors (2016)

Generally, I find stories about the trials and tribulations of child-having to be of limited appeal—useful, maybe, insofar as they offer validation that other people have also endured the bizarre realities of living with a tiny human, but otherwise liable to drift into the musings of parents thrilled at the simple fact of their own fecundity, as if they were the first ones to figure the process out (or not). But Little Labors is not simply an essay collection about motherhood, perhaps because Galchen initially “didn’t want to write about” her new baby—mostly, she writes, “because I had never been interested in babies, or mothers; in fact, those subjects had seemed perfectly not interesting to me.” Like many new mothers, though, Galchen soon discovered her baby—which she refers to sometimes as “the puma”—to be a preoccupying thought, demanding to be written about. Galchen’s interest isn’t just in her own progeny, but in babies in literature (“Literature has more dogs than babies, and also more abortions”), The Pillow Book , the eleventh-century collection of musings by Sei Shōnagon, and writers who are mothers. There are sections that made me laugh out loud, like when Galchen continually finds herself in an elevator with a neighbor who never fails to remark on the puma’s size. There are also deeper, darker musings, like the realization that the baby means “that it’s not permissible to die. There are days when this does not feel good.” It is a slim collection that I happened to read at the perfect time, and it remains one of my favorites of the decade. –Emily Firetog, Deputy Editor

Charlie Fox, This Young Monster (2017)

On social media as in his writing, British art critic Charlie Fox rejects lucidity for allusion and doesn’t quite answer the Twitter textbox’s persistent question: “What’s happening?” These days, it’s hard to tell.  This Young Monster  (2017), Fox’s first book,was published a few months after Donald Trump’s election, and at one point Fox takes a swipe at a man he judges “direct from a nightmare and just a repulsive fucking goon.” Fox doesn’t linger on politics, though, since most of the monsters he looks at “embody otherness and make it into art, ripping any conventional idea of beauty to shreds and replacing it with something weird and troubling of their own invention.”

If clichés are loathed because they conform to what philosopher Georges Bataille called “the common measure,” then monsters are rebellious non-sequiturs, comedic or horrific derailments from a classical ideal. Perverts in the most literal sense, monsters have gone astray from some “proper” course. The book’s nine chapters, which are about a specific monster or type of monster, are full of callbacks to familiar and lesser-known media. Fox cites visual art, film, songs, and books with the screwy buoyancy of a savant. Take one of his essays, “Spook House,” framed as a stage play with two principal characters, Klaus (“an intoxicated young skinhead vampire”) and Hermione (“a teen sorceress with green skin and jet-black hair” who looks more like The Wicked Witch than her namesake). The chorus is a troupe of trick-or-treaters. Using the filmmaker Cameron Jamie as a starting point, the rest is free association on gothic decadence and Detroit and L.A. as cities of the dead. All the while, Klaus quotes from  Artforum ,  Dazed & Confused , and  Time Out. It’s a technical feat that makes fictionalized dialogue a conveyor belt for cultural criticism.

In Fox’s imagination, David Bowie and the Hydra coexist alongside Peter Pan, Dennis Hopper, and the maenads. Fox’s book reaches for the monster’s mask, not really to peel it off but to feel and smell the rubber schnoz, to know how it’s made before making sure it’s still snugly set. With a stylistic blend of arthouse suavity and B-movie chic,  This Young Monster considers how monsters in culture are made. Aren’t the scariest things made in post-production? Isn’t the creature just duplicity, like a looping choir or a dubbed scream? –Aaron Robertson, Assistant Editor

Elena Passarello, Animals Strike Curious Poses (2017)

Elena Passarello’s collection of essays Animals Strike Curious Poses picks out infamous animals and grants them the voice, narrative, and history they deserve. Not only is a collection like this relevant during the sixth extinction but it is an ambitious historical and anthropological undertaking, which Passarello has tackled with thorough research and a playful tone that rather than compromise her subject, complicates and humanizes it. Passarello’s intention is to investigate the role of animals across the span of human civilization and in doing so, to construct a timeline of humanity as told through people’s interactions with said animals. “Of all the images that make our world, animal images are particularly buried inside us,” Passarello writes in her first essay, to introduce us to the object of the book and also to the oldest of her chosen characters: Yuka, a 39,000-year-old mummified woolly mammoth discovered in the Siberian permafrost in 2010. It was an occasion so remarkable and so unfathomable given the span of human civilization that Passarello says of Yuka: “Since language is epically younger than both thought and experience, ‘woolly mammoth’ means, to a human brain, something more like time.” The essay ends with a character placing a hand on a cave drawing of a woolly mammoth, accompanied by a phrase which encapsulates the author’s vision for the book: “And he becomes the mammoth so he can envision the mammoth.” In Passarello’s hands the imagined boundaries between the animal, natural, and human world disintegrate and what emerges is a cohesive if baffling integrated history of life. With the accuracy and tenacity of a journalist and the spirit of a storyteller, Elena Passarello has assembled a modern bestiary worthy of contemplation and awe. –Eleni Theodoropoulos, Editorial Fellow

Esmé Weijun Wang, The Collected Schizophrenias (2019)

Esmé Weijun Wang’s collection of essays is a kaleidoscopic look at mental health and the lives affected by the schizophrenias. Each essay takes on a different aspect of the topic, but you’ll want to read them together for a holistic perspective. Esmé Weijun Wang generously begins The Collected Schizophrenias by acknowledging the stereotype, “Schizophrenia terrifies. It is the archetypal disorder of lunacy.” From there, she walks us through the technical language, breaks down the Diagnostic and Statistical Manual ( DSM-5 )’s clinical definition. And then she gets very personal, telling us about how she came to her own diagnosis and the way it’s touched her daily life (her relationships, her ideas about motherhood). Esmé Weijun Wang is uniquely situated to write about this topic. As a former lab researcher at Stanford, she turns a precise, analytical eye to her experience while simultaneously unfolding everything with great patience for her reader. Throughout, she brilliantly dissects the language around mental health. (On saying “a person living with bipolar disorder” instead of using “bipolar” as the sole subject: “…we are not our diseases. We are instead individuals with disorders and malfunctions. Our conditions lie over us like smallpox blankets; we are one thing and the illness is another.”) She pinpoints the ways she arms herself against anticipated reactions to the schizophrenias: high fashion, having attended an Ivy League institution. In a particularly piercing essay, she traces mental illness back through her family tree. She also places her story within more mainstream cultural contexts, calling on groundbreaking exposés about the dangerous of institutionalization and depictions of mental illness in television and film (like the infamous Slender Man case, in which two young girls stab their best friend because an invented Internet figure told them to). At once intimate and far-reaching, The Collected Schizophrenias is an informative and important (and let’s not forget artful) work. I’ve never read a collection quite so beautifully-written and laid-bare as this. –Katie Yee, Book Marks Assistant Editor

Ross Gay, The Book of Delights (2019)

When Ross Gay began writing what would become The Book of Delights, he envisioned it as a project of daily essays, each focused on a moment or point of delight in his day. This plan quickly disintegrated; on day four, he skipped his self-imposed assignment and decided to “in honor and love, delight in blowing it off.” (Clearly, “blowing it off” is a relative term here, as he still produced the book.) Ross Gay is a generous teacher of how to live, and this moment of reveling in self-compassion is one lesson among many in The Book of Delights , which wanders from moments of connection with strangers to a shade of “red I don’t think I actually have words for,” a text from a friend reading “I love you breadfruit,” and “the sun like a guiding hand on my back, saying everything is possible. Everything .”

Gay does not linger on any one subject for long, creating the sense that delight is a product not of extenuating circumstances, but of our attention; his attunement to the possibilities of a single day, and awareness of all the small moments that produce delight, are a model for life amid the warring factions of the attention economy. These small moments range from the physical–hugging a stranger, transplanting fig cuttings–to the spiritual and philosophical, giving the impression of sitting beside Gay in his garden as he thinks out loud in real time. It’s a privilege to listen. –Corinne Segal, Senior Editor

Honorable Mentions

A selection of other books that we seriously considered for both lists—just to be extra about it (and because decisions are hard).

Terry Castle, The Professor and Other Writings (2010) · Joyce Carol Oates, In Rough Country (2010) · Geoff Dyer, Otherwise Known as the Human Condition (2011) · Christopher Hitchens, Arguably (2011) ·  Roberto Bolaño, tr. Natasha Wimmer, Between Parentheses (2011) · Dubravka Ugresic, tr. David Williams, Karaoke Culture (2011) · Tom Bissell, Magic Hours (2012)  · Kevin Young, The Grey Album (2012) · William H. Gass, Life Sentences: Literary Judgments and Accounts (2012) · Mary Ruefle, Madness, Rack, and Honey (2012) · Herta Müller, tr. Geoffrey Mulligan, Cristina and Her Double (2013) · Leslie Jamison, The Empathy Exams (2014)  · Meghan Daum, The Unspeakable (2014)  · Daphne Merkin, The Fame Lunches (2014)  · Charles D’Ambrosio, Loitering (2015) · Wendy Walters, Multiply/Divide (2015) · Colm Tóibín, On Elizabeth Bishop (2015) ·  Renee Gladman, Calamities (2016)  · Jesmyn Ward, ed. The Fire This Time (2016)  · Lindy West, Shrill (2016)  · Mary Oliver, Upstream (2016)  · Emily Witt, Future Sex (2016)  · Olivia Laing, The Lonely City (2016)  · Mark Greif, Against Everything (2016)  · Durga Chew-Bose, Too Much and Not the Mood (2017)  · Sarah Gerard, Sunshine State (2017)  · Jim Harrison, A Really Big Lunch (2017)  · J.M. Coetzee, Late Essays: 2006-2017 (2017) · Melissa Febos, Abandon Me (2017)  · Louise Glück, American Originality (2017)  · Joan Didion, South and West (2017)  · Tom McCarthy, Typewriters, Bombs, Jellyfish (2017)  · Hanif Abdurraqib, They Can’t Kill Us Until they Kill Us (2017)  · Ta-Nehisi Coates, We Were Eight Years in Power (2017)  ·  Samantha Irby, We Are Never Meeting in Real Life (2017)  · Alexander Chee, How to Write an Autobiographical Novel (2018)  · Alice Bolin, Dead Girls (2018)  · Marilynne Robinson, What Are We Doing Here? (2018)  · Lorrie Moore, See What Can Be Done (2018)  · Maggie O’Farrell, I Am I Am I Am (2018)  · Ijeoma Oluo, So You Want to Talk About Race (2018)  · Rachel Cusk, Coventry (2019)  · Jia Tolentino, Trick Mirror (2019)  · Emily Bernard, Black is the Body (2019)  · Toni Morrison, The Source of Self-Regard (2019)  · Margaret Renkl, Late Migrations (2019)  ·  Rachel Munroe, Savage Appetites (2019)  · Robert A. Caro,  Working  (2019) · Arundhati Roy, My Seditious Heart (2019).

Emily Temple

Previous article, next article.

• RSS - Posts

Literary Hub

Created by Grove Atlantic and Electric Literature

Sign Up For Our Newsletters

How to Pitch Lit Hub

Advertisers: Contact Us

Privacy Policy

Support Lit Hub - Become A Member

We will keep fighting for all libraries - stand with us!

Internet Archive Audio

• This Just In
• Grateful Dead
• Old Time Radio
• 78 RPMs and Cylinder Recordings
• Audio Books & Poetry
• Computers, Technology and Science
• Music, Arts & Culture
• News & Public Affairs
• Spirituality & Religion
• Radio News Archive

• Flickr Commons
• Occupy Wall Street Flickr
• NASA Images
• Solar System Collection
• Ames Research Center

• All Software
• Old School Emulation
• MS-DOS Games
• Historical Software
• Classic PC Games
• Software Library
• Kodi Archive and Support File
• Vintage Software
• CD-ROM Software
• CD-ROM Software Library
• Software Sites
• Tucows Software Library
• Shareware CD-ROMs
• Software Capsules Compilation
• CD-ROM Images
• ZX Spectrum
• DOOM Level CD

• Smithsonian Libraries
• FEDLINK (US)
• Lincoln Collection
• American Libraries
• Canadian Libraries
• Universal Library
• Project Gutenberg
• Children's Library
• Biodiversity Heritage Library
• Books by Language
• Additional Collections

• Prelinger Archives
• Democracy Now!
• Occupy Wall Street
• TV NSA Clip Library
• Animation & Cartoons
• Arts & Music
• Computers & Technology
• Cultural & Academic Films
• Ephemeral Films
• Sports Videos
• Videogame Videos
• Youth Media

Search the history of over 866 billion web pages on the Internet.

Mobile Apps

• Wayback Machine (iOS)
• Wayback Machine (Android)

Browser Extensions

Archive-it subscription.

• Explore the Collections
• Build Collections

Save Page Now

Capture a web page as it appears now for use as a trusted citation in the future.

Please enter a valid web address

• Donate Donate icon An illustration of a heart shape

The best American essays of the century

Bookreader item preview, share or embed this item, flag this item for.

• Graphic Violence
• Explicit Sexual Content
• Hate Speech
• Misinformation/Disinformation
• Marketing/Phishing/Advertising
• Misleading/Inaccurate/Missing Metadata

plus-circle Add Review comment Reviews

5,930 Previews

104 Favorites

Better World Books

DOWNLOAD OPTIONS

No suitable files to display here.

EPUB and PDF access not available for this item.

IN COLLECTIONS

Uploaded by YoshikoM on August 11, 2010

SIMILAR ITEMS (based on metadata)

Orders of are accepted for more complex assignment types only (e.g. Dissertation, Thesis, Term paper, etc.). Special conditions are applied to such orders. That is why please kindly choose a proper type of your assignment.

• Our Listings
• Our Rentals
• Testimonials
• Tenant Portal

I work with the same writer every time. He knows my preferences and always delivers as promised. It’s like having a 24/7 tutor who is willing to help you no matter what. My grades improved thanks to him. That’s the story.

• Terms & conditions
• Privacy policy
• Referral program